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396323 Los(e)/Seite
Los 375
A collection of yellow metal, 9ct gold and antique watches. Including a cased opal glass yellow metal stick pin, a silver antique pocket watch, a gunmetal white enamel dial fob watch on yellow metal chain, a 9ct Seiko ladies watch (working), a yellow metal West End Watch Co, Swiss watch and ladies antique 9ct Rose gold watch, hallmarked AGR for Arthur George Rendell, London, 1874 (working). Largest watch face 4.2cm diameter.
Los 447
dating: third quarter of the 20th Century provenance: Persia, A lot of seven orders, all with original ribbons (some with damaged enamel, strongly damaged ribbons). Together with various crowns and stars, rope tips, a lot of buttons of different sizes, all gilded and with crowned lion. Finally four arm ribbons. Scarce. dimensions various cm.
Los 6
A 19th century gold and enamel boxwith Hanau town mark and '14', also engraved 'No. 728' Cushion-shaped, engraved with flowers and scrolls on an engine-turned ground, with white and translucent blue enamel, length 8cm, weight total 73gms.For further information on this lot please visit Bonhams.com
Los 92
A pair of late 19th century Ferdinand Barbedienne gilt bronze mounted banded agate figural garniture ewerscirca 1870each of pedestal vase form with fixed fruiting finial covers and acanthus leaf lips, the handles modelled as nude females holding onto shells, their feet resting on a small square cushions, above beaded collar friezes cast with Bacchic masks, raised on circular socle and re-entrant cut corner plinth bases, signed F. BARBEDIENNE PARIS, the hookah vase lacking its wire pipe, 41cm high overall (2)Footnotes:Provenance: Sothebys 12th May, 2000, lot 59.Ferdinand Barbedienne began his Parisian foundry in 1839, in partnership with Achille Collas (1795 -1859). Originally known for bronze reductions of famous classical sculptures, Barbedienne, beginning in the 1850s, developed the manufacturing of decorative objects in bronze with enamel decoration in various revival styles. Following the outbreak of the Franco-Prussian war in 1870, the firm had to turn to canon founding for a short time, before returning to normal business afterwards.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 12
An Austro-Hungarian silver and rock crystal cup and coverseemingly unmarked, late 19th century The cover finial modelled as George and the Dragon, the rim with champlevé enamel Mannerist scrolls, similar decoration to the body lip, base rim and stem, the rock crystal elements carved with a lattice pattern, with a 19th century fitted case, height 28cm.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 16
Pierre Courteys (French, 1520-1602): A Limoges en-grisaille enamelled bowl depicting the Laocoon and his childrenthe centre painted with the figure of the Laocoon flanked by his sons, writhing serpents entwined around the group, a harbour scene with temple to the background, the plinth beneath the group inscribed in gilt LAOCHOON and bearing indistinct date 1552?, within a gilt foliate interlaced border, the underside with four male maskheads within formalised paper scrolls and further gilt foliate scrolls, the bowl originally part of a pedestal cup or tazza, 20cm diameter, 5cm highFootnotes:ProvenanceProperty of a private Italian collectorLimoges in the south west region of France, has been world-famous for producing enamels for centuries. Originating in the 12th century, the industry of decorating metal objects, usually in bronze and brass (and mostly made for ecclesiastical purposes) in champleve coloured enamels, thrived until circa 1370 when a swift decline meant that these precious manufacturing skills were almost lost. However, in the late 15th century the production of enamel returned to the region but with a move to producing more secular objects. With this revival came new techniques including painting the decoration directly onto the enamel rather than gouging out designs then flooding them with enamel. Several notable French workshops emerged with their own distinctive styles who would, in some cases, also sign or punch mark their work. Usually depicting mythological or religious narratives, these wares, often plates, chargers or plaques, became highly prized objects.Perhaps one of the best enamel painters of Limoges, Courteys was probably a disciple of Pierre Reymond working from circa 1550-1568. Courteys is thought to have died in 1602 and many of his works are now in the Louvre in Paris.LiteratureSuzanne. Higgot, with contributions from Isabell Biron, Susan La Neice, Juanita Navarro and Stefan Rohrs, The Wallace Collection Catalogue of Glass and Limoges Painted Enamels, The Trustees of the Wallace Collection, 2011.We would like to thank Suzanne Higgot, curator of Glass, Limoges and painted enamels at The Wallace Collection, London for her kind and generous assistance in cataloguing this lot.For further information on this lot please visit Bonhams.com
Los 17
A 19th century Limoges enamel charger decorated with a scene of Artemis and Apollo killing the children of Niobe, probably Samson in the manner of an original by the workshop of Pierre Reymond, the design after Philippe Gallethe vengeful god and goddess borne aloft by a cloud, smiting the figures below as they cower in fear, Apollo with his bow and arrow and Artemis with her spear, set against a verdant landscape with a city beyond, possibly the city of Tantalus located at the foot of Mount Sipylus, visible in the background, the reverse showing a Romanesque profile in the centre with a putto below wearing the diadem of Artemis, 39cm diameterFootnotes:ProvenanceProperty of a private Italian lady collectorLimoges in the south west region of France, has been world-famous for producing enamels for centuries. Originating in the 12th century, the industry of decorating metal objects, usually in bronze and brass (and mostly made for ecclesiastical purposes) in champlevé coloured enamels, thrived until circa 1370 when a swift decline meant that these precious manufacturing skills were almost lost. However, in the late 15th century the production of enamel returned to the region but with a move to producing more secular objects. With this revival came new techniques including painting the decoration directly onto the enamel rather than gouging out designs then flooding them with enamel. Several notable French workshops emerged with their own distinctive styles who would, in some cases, also sign or punch mark their work. Usually depicting mythological or religious narratives, these wares, often plates, chargers or plaques, became highly prized objects.The workshop of Pierre Reymond (c.1513 -after 1584) produced exceptional pieces throughout the 16th century. There is evidence to suggest that Reymond was both the owner of his large workshop and an artist in his own right, practising for over four decades. Hence his works were an obvious source for the fine reproductions produced by Samson in the second half of the 19th century.LiteratureSuzanne. Higgot, with contributions from Isabell Biron, Susan La Neice, Juanita Navarro and Stefan Rohrs, The Wallace Collection Catalogue of Glass and Limoges Painted Enamels, The Trustees of the Wallace Collection, 2011.We would like to thank Suzanne Higgot, curator of Glass, Limoges and painted enamels at The Wallace Collection, London for her kind and generous assistance in cataloguing this lotFor further information on this lot please visit Bonhams.com
Los 3
A 19th century gold and enamel boxunmarked, possibly Italian Shaped-rectangular, the lid engraved with an image of St Mark's Square in Venice, surrounded by scrolls of blue and white enamel on an engine-turned ground, the sides with floral chasing, length 7.8cm, weight total 66gms.For further information on this lot please visit Bonhams.com
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396323 Los(e)/Seite