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396323 Los(e)/Seite
Los 1079
An 18ct gold, black & white enamel ladies pendant watch by Leroy & Fils French, 19th century, key wind gilt lever movement, gold cuvette signed 'No. 15288 Leroy & Fils Hgers du Roi a Paris', fronted by an engine turned silvered dial with black enamel Roman numerals, sunburst to centre, the case enamelled in black and white with flowers and foliage, 34mm. diameter, with key. * Condition: Winds but runs only briefly for a couple of seconds. Dial good, with a few tiny nicks from enamel on numerals. A few tiny nicks to glass. Some losses to enamel to bottom of case back just above hinge (probably due to the back being opened too far). Tiny enamel chip to bezel. Some wear to enamel on fob loop from use.
Los 1083
An early 9ct gold cased Rolex gents wrist watch c.1920, the engine turned movement signed 'Rolex 15 Jewels Swiss Made', the 21mm. silvered Roman dial within a 25mm. square cushion shaped case stamped 'Rolex W&D 9K 823878 Swiss'; together with another 9ct gents manual wind wrist watch, c.1920, Swiss movement, 28mm. white enamel Roman dial with red XII, 30mm. circular case. (2) * Condition: Rolex winds and runs. The hour hand is broken and partially missing. Dial good, but light deterioration to finish around lumed dots. Wear to bevelled edge of glass. Small ding to bezel. Otherwise case good. Other watch - Winds and runs. Three hairline cracks to dial. Plastic 'glass' yellowed. Hands rusty. Case good with minor tool marks.
Los 215
A Chinese bronze and cloisonné enamel archaic style jardinière probably 19th century, bell form with everted rim and tripod feet, cast four character mark in archaic script to base, the exterior in patinated bronze with a cloisonné band of stylised masks and dragons suspending four floral pendant reserves, 8¼in. (20.8cm.) high. *Condition: Water scale residue to interior from use. Small oxidised patch to surface of bronze below rim. Tiny ding and scratch to lower body. No losses to enamel. Blister to metal to one foot.
Los 231
A fine, large Chinese champleve and cloisonné enamel box and cover probably Qing Dynasty, 19th century, the central cloisonné medallion to the cover decorated with a pair of cranes beneath a gnarled fir tree issuing from rockwork, the sides with champleve enamel decoration of peony blooms amidst extensive foliate scrollwork with smaller flowers, on a gilt ground, the rims encircled by a raised blue key-fret band, on a short, circular foot with champleve enamel flowers and foliate scrollwork, the interior in mid-blue enamel, 9½in. (24cm.) diameter, 4¾in. (12cm.) high, on an antique carved hardwood stand with key fret border, pierced foliate apron with long life symbols, raised on scrolled dragon supports with foliate shoulders, united by a dragon medallion undertier, on ball feet. (2) *Condition: Small flaw to enamelled red line border beneath the cranes, which appears to be from the making - the wire edge is slightly damaged with a small gap and the enamel around this uneven. A few tiny unevenly filled enamel scrolls (again from the making). No other faults to enamel. Gilding dirty and dulled to cover. Very good overall. Stand - Small old chip to top edge, crack to one support, one 'horn' chipped to top of one support. Small piece missing from two long life symbols and one other has a loose piece. Good colour and patina.
Los 234
A fine quality Chinese cloisonne vase and cover early 20th century, the squat, baluster form vase with domed cover with gilt Kylin finial, with black, white and red floral and foliate decoration within polychrome borders of ruyi, floral scrolls and lappets, on a gilt ground, the interior in turquoise and the base mid-blue, 4in. (10.2cm.) high. *Condition: Minor rubs and light scratches to gilt edges. One tiny surface flake from black enamel. No other faults.
Los 238
A pair of Chinese cloisonne figures of ducks probably early 20th century, in polychrome enamels on a turquoise ground, standing upon triform bases with interlinked pierced mons to the gilt undersides, 6½in. (16.5cm.) high. (2) *Condition: Both with a few small wax filled chips to enamel around edges of base and to one wingtip. No other faults.
Los 242
A fine Chinese famille rose porcelain shallow dish or stand Yongzheng six character mark in underglaze blue within double concentric circles to the underside and believed to be of the period (1723-1735), the circular dish with very slightly upturned rim and inset, shallow circular foot, finely painted in enamels with two noblewomen, one holding a finger citron, standing beside a marble topped table with a vase of peonies, a dish of pomegranates and a porcelain pillow, with two stools beneath, the women watching a boy playing and two chickens pecking at their feet, 5 7/8in. (14.8cm.) diameter. *One minute (1mm) chip to rim at approx. 3 o'clock and approx. ten tiny glaze flakes to the rim. No other chips or cracks. Minor gilt wear to decoration, some rubbing / wear to pale blue enamelling to right hand stool. Some rubbing to enamelling to left hand chicken's head. A few other very small flakes from enamel and a little light scratching to painted decoration in places. No restoration.
Los 261
A pair of Japanese red ground cloisonné vases Meiji period (1868-1912), unmarked, of slender ovoid form with waisted neck, the red ground, decorated with butterfly / butterflies around a fenced in acer tree with various flowers at the base, the neck and foot rims with ornated decorated bands, 12in. (30.5cm.) high, one a/f. (2) *Condition: The first - with two large impact marks, to upper ovoid body, one to the left and one above the larger butterfly, each going through the enamel work to main body, approximately 1 to 2 in. in size, the base with fracture crack above foot; The second - with horizontal enamel surface hairline approximately 1in. long, upper trunk area above butterfly, another running vertically on red ground approximately 2in. long, enamel chip marks to swish on flower decoration, probably done in manufacturing, single air bubble type inclusion to middle of body.
Los 396
Advertising interest - FRY'S PURE COCOA enamel sign of large proportions, the vertical rectangular sign having white lettering on blue ground, " FRY'S PURE COCOA (ESTD, 1728.) MAKERS TO H.M. THE KING, H.M. THE QUEEN & H.R.M. THE PRINCE OF WALES", 72 x 24in. (182.2 x 61cm.). * Condition: In fair condition. Enamel loss and rust to edges and throughout. Some losses and chipping to metal to edges, lower right corner missing.
Los 399
An 18ct gold, enamel, sapphire and diamond cigarette case with concealed vesta early 20th century, of rounded, rectangular form, with blue striped enamel decoration and central blue enamel plaque within a rose cut diamond bezel, the ends with raised bands set with cabochon sapphires and rose cut diamonds, one end hinged to reveal a vesta compartment, the clasp also set with graduated cabochon sapphires, 9 x 4.4cm., some enamel losses.
Los 457
A 19th century French gilt bronze and champleve enamel chamberstick the urn sconce carried by a seated putto, on a dished base with flying scroll handle with anthemion thumbpiece, decorated with champleve enamel floral strapwork, 4 7/8in. (12.3cm.) high. *Condition: Very small ding to rim of dish, tiny flakes from enamel to thumbpiece. Handle slightly bent and possible old soldered repair to joint with stick.
Los 482
A late 18th / early 19th century enamel circular snuff box the lid painted with a maritime scene depicting the defeated French fleet, the base in might green enamel, the interior in white with painted 'X' mark, gilt metal mounts, 4.6cm. diameter. *Condition: A few minute nicks and tiny scratches to green enamel. Slightly flawed edges to enamel around edge of lid interior. No other faults.
Los 503
A small collection of antique and vintage sewing accessories comprising a small group of bone items to include a chalice pin cushion with painted decoration and marked 'EMERY', 2½in. (6.4cm.) high; eye shaped tatting shuttle with bas relief floral carving; openwork spiral and clasped hands crochet hook; needle holder seal; awl, together with a vegetable "ivory" acorn thimble/bobbin holder and four thimbles two in silver, the first Birmingham, 1924, the other stamped 925, one in enamel and one in ruby glass capped with millefiori decoration. (quantity) *Condition: Bone items generally in good condition, with light surface wear and or fractures, thimbles good.
Los 656
A mid-19th century rosewood, ormolu and marquetry portico clock the Japy Frères movement no. 709, with bell strike on the hour and half hour and outside countwheel strike, gilt brass and steel floral star pendulum, fronted by an enamel Roman dial with gilt bezel decorated with foliage and hunting animals, the architectural case with reel moulded borders, foliate marquetry and boxwood strung columns with ormolu capitals and base, 18½in. (47cm.) high. *Condition: In fine condition - winds and runs, strikes correctly. Has been restored to a high standard, ormolu re-gilded.
Los 658
A gilt brass carriage clock with alarm, retailed by Henry Marc, Paris circa 1890, with Corniche case, white Roman enamel dial with subsidiary Arabic alarm dial beneath, signed 'Hy. Marc à Paris', with single train movement, the base of the case signed 'Brevette S.G.D. H.A.', 4¼in. (10.75cm.) high plus handle, with later keys. *Condition: Winds and runs. Chip to inside top edge of LH side glass. No other faults.
Los 660
A French boulle mantel clock late 19th / early 20th century, the eight day movement with half hour strike on a gong, no. 3095 46, the gilt brass dial with strapwork decoration and French enamel Roman numerals, the arched case with pagoda top with fruit basket finial, foliate and mask mounts and four foliate scroll feet, 11½in. (29.25cm.) high. *Condition: Winds and runs, Strikes correctly. Case and dial in very good condition, with no faults. In very good condition overall.
Los 665
A small brass cased drum clock early 20th century, the Arabic enamel dial with bevelled glass, within a gilt brass case with suspension ring, the Swiss single train movement with outside platform escapement, the case 3¾in. (9.5cm.) diameter. *Condition: Winds and runs. Wear to gilt to outside of case. Two dings to removable case back.
Los 674
An Edwardian mahogany cased mantel clock with French movement with outside platform escapement, marked 'France', the Arabic enamel dial signed for the retailer 'W. H. May Nottingham', the arched case with boxwood strung decoration, on a flared plinth and gilt brass bun feet, 7in. (17.75cm.) high. *Condition: Winds and runs. Dial VG. Case very good. Tarnish spotting to movement cover to reverse.
Los 284
Collection relating to William Reeve Hamilton - RFC and S.Staffs Rgt - WW1 comprising WW1 War and Victory Medals awarded to "27186 Pte. W.R. Hamilton RFC" and silver war badge "377767" within original cardboard box and registered envelope, a Christmas 1914 Princess Mary tin, silver cigarette case, silver vesta vase, R.F.C swagger stick, and a rare 9ct gold blue and white enamel RFC diamond set locket and chain with box and original purchase receipt together with assortment of related paperwork, photographs and ephemera Although William Hamilton survived the war, he sadly passed away in 1919 due to the effects of gas after serving in the trenches. Further supporting documentation included.
Los 3
A collection of silver Fiddle pattern flatware, various dates and makers, comprising; eight tablespoons, eight dessert spoons, eight teaspoons, eight dessert forks and eight table forks, total weight approx 68.7oz, together with two further silver tablespoons, a silver sauce ladle, six silver gilt and enamel coffee spoons and four white metal spoons (53)
Los 216
A Victorian glass vase by Auguste Jean of Paris or Harrach circa 1880, the amethyst glass vase applied with pale amber lizards and detailed with polychrome enamel, with a gilt lining and further repeating white enamel border to the foot rim, unsigned, 26cm high Auguste Jean is known for his works in a Japanese style. His works are unconventionally designed, often applied with lizards or mythical creatures and painted with enamel.
Los 410
* Railway ephemera. An extensive collection of London, Midland, Scottish railway (LMS) ephemera circa 1920-50s, including, letters, photographs and memorabilia, including an enamel LMS badge, Coronation Scot enamel badge, first day covers, running commentary of the Coronation Scot circa 1937, the Coronation Scot touring the United States of America prior to exhibition at the New York World's Fair 1939 booklet, railway tickets and other items, neatly presented in 8 modern ring binder files (Qty: 8 folders)
Los 138
Madonna with child. . Oil on canvas . Cm 76,50 x 76,50. The artwork is accompanied by a card by Sandro Bellesi. In a good state of conservation, the artwork, originally placed in a rounded frame in the central part, presents, within an indefinite space and seemingly lacking in depth, the figure of the Virgin Mary sitting in the act of supporting on her own legs the Child Jesus, in an upright pose. Halo around by an intense divine brightness, the little child of God, the source of light itself, is described as an infant with a white complexion and a thick blonde hair slightly curled with a blessing hand turned towards one or more ideal bystanders. Full of tenderness and maternal love appears the figure of the Madonna, with perfect features and smooth skin evoking the shiny pink chalcedony of Volterra, which, placed three- quarters, is totally attracted by the contemplation of the little son. The high quality found in the execution of the figures is masterfully emphasized also in the rendering of the fabrics, orchestrated mainly on precious effects rich in enamel, alternating, mostly, blue lapis lazuli to pearly white and red coral to olive green. The style characters and the close affinities with some works by Carlo Dolci, representing the same composition, allow you to refer the painting to the catalogue of this artist. Born in Florence in 1616 and son of the tailor Andra Dolci, Carlo, according to the historical memories handed down by his friend and biographer Filippo Baldinucci ( news of the teachers of the drawing by Cimabue, Florence, 1681-1728), was initiated to study painting around nine years in the school of Jacopo Vignali, an important Tuscan painter from the atelier of Matteo Rosselli. The close dependence on this master's style combined with the knowledge and study of the works of other local painters of the turn of the century, first among all those of Cristofano Allori, characterize, at the turn of the twenties, the artist's first well-known works today, marked by a very refined stylistic language marked largely by an acute realism, clearly visible in the supervised rendering of the characters and in the almost maniacal care of details, carried out with a rigour that we could call hyper-realistic. The success achivied with the first works favored the artist, starting from the early thirties, coveted commissions, mainly linked to the Florentin patrician and in particular to Casa Medici, for whose members Carlo worked at full speed until the moment of his death. On the trace of biographical sources, archive documents and inscriptions present in many paintings it is possible to follow punctually the activity of our, characterized, semore, "frm imagesof virginal and timeless beauty, displayed by the very smooth and almost porcelain rendering of the incarnates on which a pale astral light is shattered, and an aura of sacredness that is also veiled in profane representations, mostly portraits and allegories". The strong link with Christian doctrines, which remained constantly as a key element for the reading of his works and life choices of the artist, led Carlo to abhor the depiction of sensual or malicious paintings, very much in vogue in the Florentine art of the time linked essentially to the teachings of Francesco Furini and his followers, and to dedicate almost all his paintings to sacred subjects, mostly Madonna and Child, Gospel episodes and images of saints. The pure and profound interpretetion of the sacred verb, key element for the iconographic and philosophical reading of the painter's works, favored the close link he established with the Grand Duke Cosimo III de Medici and the mother of these Vittoria della Rovere. The only journey made by the artist beyond the Tuscan borders dates back to 1672. On the occasion of the upcoming wedding of Archduchess Claudia Felicita of Austria with the Emperor Leopoldo of Hasburg, Dolci stayed, in that year, some months at the court of Innsbruck, where he made, among other works, two portrait of the future bride. On his return to his country he was attacked for some years by a deep depressive crisis, which led him almost to abandon his profession. Thanks to the closeness of his family and his closest friends, after 1675, the artist resumed his activity at full speed, which ended with his dead in 1687. The artwork is an autograph replica of well-known compositions by Carlo Dolci, whose prototype is traditionally recognized by contemporary critics in the Madonna with child, otherwise known as Madonna delle pietre due to the presence of a sumptuous baroque frame in gilded metal and semi-precious stones, preserved in the Palatine Gallery of Palazzo Pitti, coming from the Medici collections. Erroneously dated by Francesca Baldassari in the 1930s and the reported by Riccardo Spinelli in the following decade, the work was the object of constant reflections by the artist as they indicate, in addition to the work under consideration, some replicas, sometimes almost identical and others with slight variations, among which they deserve to be remembered, for greater lexical relevance and for better quality, a version at the Borghese Gallery in Rome and one in the collections of the Kunsthistorisches Museum in Viennna. The lack of historical memories related to the ab antiquo origin of the work does not exclude that it can be identified with one of the paintings with Madonna with child reported in the biographical documents and in the archival reports to the name of Carlo Dolci, among which appeared, precisely, a "beautiful Virgin with child, which with special care is preserved (go) in the chapel of the novitiate of the Fathers of St. Mark: work of alienated from the Florentine convent in the unknown era, whose historical memory was found by the writer only in recent times. Although slightly weaker in the passage of the brushstrokes on the crimson cloth of the Virgin's dress than the beautiful and cited prototype of the Palatine Gallery, the work, probably related to a later moment scalable to the sixties or seventies, reveals in any case the full autography of Dolci, as evidenced by the comparison with some derivations of workshop among which stands out a canvas in private collection assigned to seafaring honors: work, the latter, dignified but, to all intents and purposes, decidedly mediocre compared to the specimen under examination. . Frame present
Los 110
A 19th century yellow metal mourning brooch, having applied thistle and flower cameo within a baroque pearl and scroll work flower, black enamel ground and scroll border, the reverse with bevelled oval glass panel, 47mm x 40mm, unmarked, gross wt. 27.6g. Condition - chip to cameo, ding to base, minor scratches, appears free of any repairs.
Los 360
A gentleman's silver cased pocket watch, open faced, key less wind, circular enamel dial bearing Roman numerals, subsidiary seconds dial, case with engine turned decoration, shield reserve, together with a Continental brass pocket watch casket, embossed with a mask and cherubs, silk interior, raised on turned feet. (2)
Los 362
A French late 19thC slate mantel clock, for Brysons of Paris, circular enamel dial, with visible Brocot escapement, chapter ring bearing Roman numerals, eight day movement with bell strike, by Japy Freres et Cie, the case of fluted scrolling barrel form, raised on a rectangular base, with key, 35cm H, 56cm W, 16cm D.
Los 364
A French late 19thC slate and marble mantel clock, circular enamel dial with visible Brocot escapement, chapter ring bearing Roman numerals, eight day movement with bell strike by A Carlhin, Boulevard Balnetz Paris, No 4501, the case of architectural form raised on bracket feet, with key, 39cm H, 35.5cm W, 16cm D.
Los 370
A French late 19thC slate and marble mantel clock, circular enamel dial bearing Roman numerals, visible Brocot escapement, eight day movement by Hy Marc of Paris, with bell strike, No 46524, the case of architectural barrel form with a glass fronted pendulum, raised on bracket feet, no key, 37cm H, 31cm W, 14.5cm D.
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396323 Los(e)/Seite