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396325 Los(e)/Seite
Los 1711
A gold, nephrite and enamel rectangular box by Fabergé, the body with bevel-edged nephrite base within seed pearl border (one missing). The sides with pink guilloche enamel decoration, with vertical gold bands. The hinged cover mounted with a bevel-edged nephrite plaque with seed pearl border and thumb piece set with rose-cut diamonds. Marked to the cover КФ, 56 and kokoshnik. 5.5cm wide.
Los 1719
An early 20th century enamel watch pendant, the cream dial signed Bailey Banks & Biddle Co, with black Arabic numerals. within blue guilloche enamel bezel. The case back decorated with further guilloche enamel and diamonds. On a fine-link platinum neck chain with blue and white enamel lozenge links. Case.
Los 1720
A French 18th century gold open-faced key-wind pocket watch, the white enamel dial (damaged) with black Arabic numerals and numbered in red '981 а Paris'. The bezel set with half pearls and similar pearl-set bezel to the reverse containing a cover with dark orange guilloche decoration with white graduated cruciform design. Unidentified French marks to the inner case with later 9ct gold mounted black silk fob and small fob seal mounted with a carnelian engraved with a small bird. The watch 3.5cm wide.
Los 1721
A gold open-faced consular cased pocket watch, the reverse pavй-set with graduated seed pearls in swirl design, with circular-cut emerald accents and further emeralds set to the border. Similar front bezel. The dial with three colour gold decoration, the Roman numerals set with seed pearls and centred with a foliate design. Cylinder movement signed Bautte & Moynier, Geneva. 4cm wide (total). Circa 1840. With repeated enamel and seed-pearl pattern to the gold suspension clip and double-sided gold watch key, and suspending the watch from a fine-link gold chain.
Los 1722
A late 19th century gold enamel and diamond insect-form manual wind pendant watch. The case in the form of a beetle with hinged wings set with rose-cut diamonds on blue guilloche enamel ground. Opening to reveal the plain white enamel circular dial, with cylinder movement. The insect's head set with further rose-cut diamonds and ruby eyes. Realistically carved body, inscribed 亨達利 heng da li to the inside case. 5.5cm long (not including bale). Suspending from a Victorian stylised gold dragon brooch. Case by L. Vrard & Co, Shanghai.
Los 1723
An early 20th century campana-form fob watch, the bell applied with blue guilloche enamel, surmounted with diamond-set swags, in platinum on yellow gold. The plain white enamel dial with Arabic numerals. Manual winding. Suspended from a diamond-set platinum bow. 4cm long. Fitted case by Wartski
Los 1735
An 18th century portrait miniature mounted gold ring, depicting a gentleman wearing a green jacket, with red collar and white cravat. A star order partly visible. Glazed. 1.8cm high. Fluted shank with fleur-de-lys style shoulders. Size J. And a late 18th century miniature painting mounted gold ring. Depicting a young lady with her hair tied up in a band and exposing her right breast. Glazed. Blue and white enamel border. The painting 1.7cm high. Size O.
Los 1770
A rare yellow diamond, enamel and yellow gold ring, last quarter 17th century The cushion-shaped old brilliant-cut yellow diamond weighs 3.16 carats and is set within the raised box bezel with engrailed edges above arcading filled with stylised acanthus enamelled white with black details, each shoulder chased with an auricular scroll, formerly enamelled, to the plain hoop, the interior of the plain closed back setting lined with black pitch to heighten the golden tint of the stone. Probably English. Accompanied by report number 2175692368 dated 21st June 2016 from GIA, New York stating that the round-cornered square modified brilliant cut diamond weighs 3.16cts, is a natural, even fancy deep brownish yellow colour with SI2 clarity with strong yellow fluorescence. COMMENTARY BY DIANA SCARISBRICK This fine and rare ring set with a brilliant-cut diamond marks a milestone in gemmological history, resulting from the discovery of the laws of refraction and analytical geometry during the second half of the seventeenth century. Until 1664, when the earliest brilliant-cut diamond, the Wittelsbach, is recorded, diamonds were cut as either point, table or rose-cuts№. This new multi-faceted technique of cutting released so much more fire and light that Robert de Berquen, in Les Merveilles des Indes Orientales (Paris 1669), compared it with "the sun, shining out amongst all other stones". At the same time, the supply of Golconda diamonds from India increased substantially, encouraged principally by the desire of Louis XIV to make his court at Versailles the most splendid in Europe. Across the Channel, by 1695, London had emerged as the centre of the European trade in diamonds due to the gemmological and financial skills of the resident Portuguese Jewish experts. In addition, as far as cutting and polishing were concerned, although the Dutch lapidaries excelled at rose-cut diamonds, the London workshops were acknowledged as the masters of the new brilliant-cut. It is highly significant that the 410 carat Pitt Diamond acquired by the Regent of France was brilliant-cut by Joseph Cope in London 1704-1706. This superiority is confirmed by the auction catalogue of the precious stones of the Chevalier de la Rocque (1745): "celle de l'Angleterre est plus reguliиre, plus nette et plus vive: et par consequйnt plus estimйe" (English cutting is more regular, more precise and more lively and therefore of higher value)І. These words could equally well be applied to this impeccable ring with its wonderful play of light. During this period, before the discovery of the mines in Brazil in 1727, stones of this size were rare and as in most cases jewellers had to make the best of small stones grouped together in clusters, the survival of a solitaire is exceptional. Not only is the faceting apparently English, but also the setting, which differs from late 17th century French mounts which are more elaborately decorated and richly enamelledі. Furthermore, the simplified design in this example accords with the change of fashion, marking the turn of the century towards minimally enamelled and less massive settings; thus, not detracting from the splendour of the gem but showing it off to best advantage. Since grander social events were now taking place at night due to improvement in candle lighting, the effect of this diamond displayed on the finger of a high ranking lady or gentleman would have been extraordinary, eclipsing all other stones. © DIANA SCARISBRICK: August 2016 1. Tillander, H., Diamond Cuts in Historic Jewellery , 1995 p.155 2 Gersaint, E F, Catalogue Raisonnй des differens effets curieux et rare contenus dans le cabinet de feu M le Chevalier de la Roque , Paris 1745 3 Scarisbrick, D, Rings, Symbols of Wealth, Power and Affection, 1993, pp92-93, and p98 DIANA SCARISBRICK, MA, FSA Diana Scarisbrick is a world-renowned art historian specializing in the history of jewellery and engraved gems Her extensive research covers jewels from the Renaissance to the present day and she has contributed to numerous exhibitions, catalogues and art journals worldwide She is Research Associate at the Beazley Archive, Institute for Classical and Byzantine Studies, Oxford University, and was elected Fellow of the Society of Antiquaries in 1987
Los 1789
A three-row slightly graduated natural seed pearl necklace, the gold clasp centred with a small glazed locket containing hair and within a surround of untested seed pearls on blue and white enamel ground. 39cm. Case. Accompanied by report number 5776-4845 dated 14th March 2016 stating that 282 of the 284 cream coloured pearls are natural saltwater pearls. The two remaining pearls are cultured.
Los 1835
An Art Deco emerald, diamond and ruby jabot pin by Cartier, 1930s. Centred with a carved fluted emerald to the upper section with diamond centred graduated ruby cabochons with red and black enamel highlights. With conforming decoration to the diamond-set removable terminal. The terminal signed Cartier and indistinct inventory number; probably 30161541. 4.3cm long. In buff colour leather case (broken), the silk lining marked for Cartier, London, Paris, 653 5th Avenue, New York.
Los 113
An Antique Oak Long Case Clock, hand painted enamel face with Roman dial, date aperture with second hand dial, hand painted floral spandrels, hand painted moon phase movement, subsidiary second dial, the glazed door front with arched hood, the case with swan neck pediment, decorative inlay to door front, approx 222 cms high x 55 wide, the movement appears to be sympathetically restored.
Los 156
A Collection of Solid Silver, including cigarette case Birmingham hallmark, mm W.M. Ltd., dd 1923, six Victorian teaspoons, mm E.E. London hallmark, dd 1846, three miniature Rifle Club teaspoons inscribed Nobel, Birmingham hallmark, other miscellaneous spoons, total wt 340 gms, a silver topped atomiser, a silver and enamel topped bottle.
Los 230
A 19th Century Pate-sur-Pate Vase, decorated with heron at the river side, approx 14 cms, with crossed swords to base, crossed swords mark to base together with a black enamel hand painted porcelain circular vase depicting birds on three gilded feet, having impressed clover mark to base and a continental German lidded bottle top depicting a lady, impressed mark to base 3973 Germany.
Los 97
A Late Regency Oak Cased Parkinson & Frodsham London Mantel Clock, with decorative carved moulding to case corners, decorative moulding above the white enamel dial with Roman numerals and steel hands, scribed Parkinson and Frodsham, 5 Budge Row, London to dial, back plate stamped W & B, raised on a stepped plinth on bun feet, the rear door with pierced brass and cloth panel, approx 27 x 35 cms
Los 194
An assortment of silver to include two cased Coffee Spoons, each with a singular hand cut semi-precious gemstone, together with a cased set of six silver and different coloured enamel Coffee Spoons with an Harrod's case and six miniature Continental low grade silver Napkin Rinks (small assortment)
Los 314
A stylish eight day Swiss Mantel Clock, the gilded ball finial above further gilded floral sprays set against a mottled green lacquer style ground, the 16cm cream enamel dial with Roman numerals and signed T. Otto Scherer, A Berne, the gilded movement signed "Jex" Zurich, individually numbered 14520 and striking on two bells, the hour glass shaped case terminating in four gilded scrolling feet, 46cm high (with pendulum and key)
Los 328
A late 19th Century French white marble and ormolu mounted Mantel Clock of small proportions (in Louis XVI style), the cherubic figure above a white enamel dial with Arabic numerals and winding aperture at the 6 o'clock position, gilded numbered movement and on short tapering legs, 19cm high
Los 341
A hallmarked silver cased Hunter Fob Watch, white enamel dial signed JW Benson, London, together with one other Fob Watch, a cased Compass, a further Fob Watch within silver case, the dial with Arabic numerals and signed JW Benson, London and with subsidiary seconds hand and one other Pocket Watch, the dial signed WA Perry & Co., Cymrex, Birmingham (5)
Los 351
A good large 19th Century eight day figural ormolu Mantel Clock, the male and female figure within an operatic scene above a white enamel dial with Roman numerals, the gilded movement signed Japy Freres, (now minus bell and circular back casing), the Clock centred by a female mask and raised on ornate front foliate cast scrolling feet, 48cm (highest) x 37cm (widest)
Los 360
A fine two-sided Miniature, the obverse depicting a quarter-length head and shoulders portrait of a late 18th century lady dressed in blue, the glazed reverse void, the yellow metal frame and suspension decorated in blue and white enamel bands mounted with twelve seed pearls (6.5 cm diameter) CONDITION REPORT: The front of the miniature appears in generally in very good order with slight marks to the upper side of the frame at the top over the curly hair appearing to be possibly water marks, the blue enamel appears to be in good order and the twelve seed pearls are all present and intact, the reverse of the piece is also glazed and the material (under glass) exhibits two diagonal marks (see image), the outer frame is also somewhat tarnished.
Los 366
A yellow metal and enamel Military Brooch (Royal Engineers) set with small old cut diamonds and other small stones (possibly rubies and emeralds) together with one other similar yellow metal and enamel Badge (also Royal Engineers), a boxed Military Brooch (57th Division) and dated to the reverse 31st January 1917 and one other Wristband, 15 carat yellow gold mounts and the central initial "B" studded with small white stones (probably diamonds) and surrounded by a white enamel octagonal frame (4 items)
Los 383
A very fine and unusual 19th Century octagonal Cranberry glass and gilt metal mounted hinged double Scent Bottle, each lid with blue enamel, one with monogram the other with armorial crest, makers mark to interior of lid S Mordan & Co., the hinged middle section unusually swivelling open to reveal a central circular compartment with gilded interior, 14cm CONDITION REPORT: Upon close inspection this item appears to be in very good overall order for age with no cracks, chips, restoration or any other major problems at all noted.
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396325 Los(e)/Seite