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Los 1291

[SIRINDHORN OF THAILAND]: (1955-     ) Princess Royal of Thailand, the Princess Debaratana Rajasuda, daughter of King Bhumibol Adulyadej (Rama IX). A Thai solid silver royal presentation cigarette box, with tortoise shell interior, given by the Princess Royal as a gift, featuring her royal cypher in purple and white enamel surmounted by a gold coloured crown to a raised band at the centre of the lid, stamped to the base in Thai alongside 'Sterling'. The box measures approximately 10.5 x 7.5 x 3 cm and has a weight of approximately 285 grams. Some very light, extremely minor age wear, VG 

Los 253

AGATE BRACELET, CIRCA 1940Agate with black enamel decoration, some enamel loss, French assay marks, length 18.5cmFor further information on this lot please visit Bonhams.com

Los 298

FABERGÉ: ENAMEL EGG PENDANTDecorated in golden yellow guilloché enamel, maker's mark HW for Henrick Wigstrom, Russian assay mark. length 2.0cmFor further information on this lot please visit Bonhams.com

Los 306

SAPPHIRE AND ENAMEL CUFFLINKS, 1994Single-sided, each decorated with purple enamel with cabochon sapphire terminals, mounted in 18 carat gold, maker's mark AGS, London hallmark, European convention mark, length of baton 1.7cm, cased by AMR ShakerFor further information on this lot please visit Bonhams.com

Los 54

ENAMEL WATCH CHAIN, LATE 19TH CENTURYThe polychrome enamel depicting bunches of flowers, length 45.5cm, weight approx. 62.0gFor further information on this lot please visit Bonhams.com

Los 57

COLLECTION OF ENAMEL AND GEM-SET JEWELLERY, CIRCA 19001st: The pendant necklace set with an oval-cut topaz and seed pearls, 2nd: Oval-cut amethyst set brooch, 3rd: The necklace decorated with guilloché blue enamel, 3.5mm pearls and rose-cut diamonds, 3rd: chain broken, lengths: 1st pendant 3.3cm, chain 44.0cm, 2nd 3.0cm, 3rd 37.7cm, fitted case (3)For further information on this lot please visit Bonhams.com

Los 60

SAPPHIRE RINGSet with a cushion-shaped sapphire, significant enamel loss, sapphire approx. 1.00ct, ring size approx. N½ For further information on this lot please visit Bonhams.com

Los 65

TWO GEM-SET BROOCHES AND ONE RING1st: Bicoloured set with circular-cut rubies and blue enamel, 2nd: Set with cultured pearls, 3rd: Set with a coin, USA, 2½ Dollars 1927, F 120, KM 128, and brilliant-cut diamonds, lengths: 1st 3.8cm, 2nd 5.0cm, 3rd ring size approx. I, total weight approx. 39.0g (3)For further information on this lot please visit Bonhams.com

Los 66

GEM-SET AND ENAMEL NECKLACERhodonite and turquoise beads, set with rhodonite plaque, lapis lazuli cabochons and polychrome enamel, length 35.0cmFor further information on this lot please visit Bonhams.com

Los 68

LAPIS AND GEM-SET NECKLACEThe lapis lazuli beads, suspending a pendant set with rose-cut, diamonds and a pink gemstone in foiled closed back settings and cultured pearls, the reverse decorated with polychrome enamel, one pearl deficient, length 68.0cmFor further information on this lot please visit Bonhams.com

Los 81

COLLECTION OF SILVER AND ENAMEL ARTIST JEWELLERY maker's mark JK, total weight approx. 432.0gFor further information on this lot please visit Bonhams.com

Los 111

COLLECTION OF GEM-SET JEWELLERY, 19TH CENTURY1st: Hinged, set with an opal cabochon, cushion-shaped diamonds and blue enamel, 2nd: Each set with garnet cabochons, the bracelet and pendant with glazed compartments to reverse, the ring further set with rose-cut diamonds, lengths: 1st inner circumference 16.5cm, 2nd bracelet 15.0cm, pendant 4.2cm, ring size approx. K½ (4)For further information on this lot please visit Bonhams.com

Los 112

COLLECTION OF THIRTEEN MOURNING RINGS AND FOUR MOURNING BROOCHES, 19TH CENTURYThe rings as follows:1st: The glazed hairwork compartment within a black enamel border, on a recessed band, plaited hairwork to band now deficient2nd: The black and white enamel plaque with gilt detail, depicting a funerary urn beneath a weeping willow tree, the glazed hairwork compartment to the underside set with a gilt monogram, 'WMJ' 3rd: The glazed compartment displaying a hair 'wheatsheaf' tied with wire over a ground of plaited hair4th: The glazed compartment displaying plaited hair within a surround of black and white enamel, inscribed, SACRED TO FRIENDSHIP, the underside engraved, Sarah/ obt 18 May/ 1797 Aet 225th: The lozenge-shaped glazed compartment displaying plaited hair, within a surround of faceted black paste, the underside engraved, MA/ died 29 March/ 1813/ Aged 876th: The revolving carnelian seal engraved with black-letter initials, the inside band engraved, R.C.C. 18187th: The glazed compartment displaying plaited hair within blue and white enamel borders, the underside engraved, HSC/ 17958th: The glazed compartment displaying plaited hair within a black enamel border, the underside engraved, Margt Lee/ died 1 Decr/ 1807 Aged 479th: The eternity band set with faceted black paste10th: Designed as a reeded band (enamel loss)11th: Set with cushion-shaped garnets in foiled closed-back settings, between chased shoulders12th: Plain band 13th: Plain recessed band The brooches as follows:14th: Oval, the glazed compartment displaying plaited hair within a chased surround, the reverse engraved, RCC/ 9th May/ 181815th: Navette-shaped, glazed to reveal a white enamel funeral urn on a plinth inscribed with the black initial, 'H', over strands of hair, the reverse engraved, R C/ 178616th: Circular, the glazed compartment displaying a lock of hair, within a surround of faceted black paste, the reverse engraved, HUGH COWAN/ died 24th Sept 1840/ Aged 80, fitted case by Mackay Cunningham & Co, 17 North Bridge Street, Edinburgh17th: Circular, converted from the lid of a locket, with applied monogram with engraved detail, later brooch fitting, 10th enamel loss, 11th two garnets deficient, 13th band damaged, ring sizes approx. J - V, some hoops off-round, brooch lengths 2.3-3.3cm (17)For further information on this lot please visit Bonhams.com

Los 127

ENAMEL, RUBY AND DIAMOND DRAGONFLY BROOCHThe eyes set with circular-cut rubies, the abdomen and wings set with rose-cut diamonds, length 5.0cmFor further information on this lot please visit Bonhams.com

Los 151

ARCHAEOLOGICAL REVIVAL ENAMEL BROOCH, CIRCA 1870 Decorated with polychrome enamel, length 5.7cm For further information on this lot please visit Bonhams.com

Los 182

ENAMEL BRACELET, CIRCA 1970Decorated with blue enamel, mounted in 18 carat gold, maker's mark S&S, French maker's mark G&F, London import mark, French assay mark, length 18.7cmFor further information on this lot please visit Bonhams.com

Los 195

CARRERA Y CARRERA: DIAMOND AND ENAMEL BIRD BROOCHDecorated with black enamel and brilliant-cut diamonds with a ruby eye, signed Carrera y Carrera, numbered, length 6.5cmFor further information on this lot please visit Bonhams.com

Los 196

AUDEMARS PIGUET: ENAMEL AND DIAMOND-SET 'MANON' COLLAR AND EARRING SUITE (2)Set with brilliant-cut diamonds and maroon enamel, mounted in 18 carat gold, maker's mark AP, numbered, European convention marks, Swiss assay marks, lengths: necklace 19.0cm, earclips 2.4cm, total weight approx. 222.5g (2)For further information on this lot please visit Bonhams.com

Los 103

A PAIR OF CHINESE CANTON FAMILLE ROSE ENAMEL CUPS, 6cm diameter.

Los 222

A PERSIAN METAL MOUNTED PAINTED WOODEN ALBUM, with central inset enamel panel painted with flora and fauna, 30cm x 15.5cm.

Los 276

A FINE 19TH CENTURY OTTOMAN ENAMELLED INKWELL WITH ENGRAVED TUGHRA, the lid with a small enamel portrait, 5cm x 2.5cm

Los 278

A FINE 19TH CENTURY MUGHAL GOLD, ENAMEL, SEED PEARL AND TURQUOISE JEWELLERY ELEMENT, with flower heads; the centre of each inset with a single clear stone.

Los 31

AN UNUSUAL CHINESE YIXING SNUFF BOTTLE AND STOPPER, with enamel painted decoration, 8.5cm high.

Los 381

A LARGE AND FINE 19TH CENTURY CHINESE CANTON FAMILLE ROSE PORCELAIN PUNCH BOWL, enamel painted with panels of birds, butterflies, and flora, heightened with gilt highlights, 41cm diameter.

Los 89

A SMALL FAMILLE ROSE ENAMEL QUATREFOIL PLANTER, 11.5cm high.

Los 542

A group of silver items to include three napkin rings, six spoons, one with enamel decoration, and a small fork, mixed dates and makers, combined weight 159.65g Location:

Los 67

A selection of costume jewellery to include a white metal and enamel swallow brooch, micro mosaic brooch, gilt metal Art Nouveau tape measure , 1937 coronation badges an original card and others, boxed in a Chinese lacquered musical jewellery box.Location:

Los 399

A gilt metal pair cased pocket watch with white enamel dial and Roman numerals, fusee movement signed William Stevens CirencesterCondition:We are unsure if the watch is working as we do not have the key. 

Los 408

A lady's Gucci gilt metal bracelet watch with white enamel dial and snaffle clasp, case no 1460798

Los 414

An orchid brooch, three Peter Bates miniature cameos, in original boxes, a Royal Doulton 100 Birthday HM The Queen Mother enamel limited edition box, 27/250, and a number of dress studs, in case

Los 189

Silver and enamel dressing table items to include brushes, mirrors along with a onyx box A/F and ashtrayLocation:

Los 204

A Japanese Kutani decorated porcelain lidded jar, Meiji period, of globular form with white body decorated with polychrome enamel and gilt floral roundels, the neck with frieze band, the underside with iron red fuku stamp, 15 cm high x 17.5 cm diameter Location:8.1

Los 100

A SILVER GILT COLOURED MOUNTED AND ENAMEL RECTANGULAR MUSICAL BOX REUGE MUSIC, stamped 925, 20TH CENTURYThe cover and body with applied scroll and foliate decoration, inset with cultured pearls and cabochon amethysts, on four foliate bracket feet, with a Reuge Music musical movement31cm (12 1/4in) longProvenance: From the Private Collection of a titled familyCondition Report: All pearls and cabochons are presentHinge goodMusical movement functioningStamped 925Staining to suede inside the coverLight scratches and wear commensurate with age and useCondition Report Disclaimer

Los 147

JAMES WATT INTEREST: A GEORGE III GOLD AND BLACK ENAMEL MOURNING RING FOR MATTHEW BOULTON LONDON 1809The gold coloured script running around the band stating Matw. Boulton Died at Soho 17 Aug. 1809 Aged 81, with milled and reeded borders, stamped with maker's mark J.P possibly for John Pottinger or John Pritchard Size/dimensions: finger size L 1/2Gross weight: 5.3 gramsProvenance: Sotheby's James Watts sale, 20 March 2003, lot 289 James Watt (1736-1819), the celebrated inventor, mechanical engineer and chemist, and Matthew Boulton (1728-1809) inventor and manufacturer, first met in person in 1768 after James Watt had previously gone to visit the Soho Works, Matthew Boulton's large scale manufacture factory which used both man and machines in the processes, Birmingham in 1767. Matthew Boulton was brought up in Birmingham and in 1759 took over his father's silver manufacturing business, and after marrying subsequent sisters he was able to use the dowry to establish the Soho works. They instantly recognised each other's intellectual prowess and Boulton recognised the great importance of Watt's stream engine with separate condenser, which was to become a great catalyst in the industrial revolution of the late 18th and first half of the 19th century. In the early 1770S Watts financier John Roebuck of the Carron Ironworks was sadly bankrupted, and so the door was open for Matthew Boulton to buy out Roebuck's interest and go into business with Watt in 1774. Despite their polar opposite attitudes to life, with Boulton being optimistic, outgoing and bold, and Watt being far more conservative and cautious in nature, and secretive with regards to his inventions, the partnership was a tremendous success and brought many revolutionising inventions and patents. The close tie and juxtapositions between the two great men can be seen in a sentence of a letter between James Watt Junior and Matthew Boulton, upon Watt Juniors' falling into debt and asking for help from Boulton rather than his father 'Never having been a young man himself he is unacquainted with the inevitable expenses which attend my time of life'. Another important facet to the lives of Watt and Boulton was their involvement as founding members of the Lunar Society (named due to the groups gathering on the first Monday of a new moon enabling them moonlight to ride home by), an assembly of some of the most brilliantly intellectual minds of the time, including and Josiah Wedgwood. Watt and Boulton both retired form their business in 1800, which continued with James Watt Junior and Matthew Robinson Boulton at the helm. The ring was hallmarked in London, which is ironic as Matthew Boulton was the driving force in the creation of an assay office in Birmingham and was also the first person to use the assay office when it opened in 1773 to assay silver, however Birmingham wasn't permitted to assay gold until 1824. The ring was written in the James Watt family inventory in 1851 as: Transferred to Doldowlod from Aston Hall, May 1849 as an heirloom;1851: Mr Watt's Room in Marquetry Double Chest, Doldowlod, page 36 Condition Report: Some light wear commensurate with age and use, no noticeable chips or repair to the enamelCondition Report Disclaimer

Los 153

AN EARLY 15TH CENTURY ICONOGRAPHIC GOLD RING, SAINT JOHN THE BAPTIST CIRCA 1430The slightly fluted bezel with shaped ends incised with the figure of Saint John the Baptist wearing heavy cloak and pointing to the lamb, to engraved sunburst shoulders to a floral engraved shank with diagonal beaded detailSize/dimensions: finger size MGross weight: 3.4 gramsDuring the late medieval period the veneration of Saint John the Baptist through imagery was prolific through various materials, including wall paintings, sculpture as well more personal tokens such as rings and pilgrimage badges, his importance amongst other Saints was due to his devotedly pious life, his recognition of Jesus as the Son of God, and his importance in the history of early Christianity. When John baptised Jesus in the River Jordan he said 'Behold, the Lamb of God' (John 1: 36), this ring shows the figure of the saint, with typically long beard, wearing his camel hair robe and pointing to the lamb (Agnus Dei).Condition Report: The ring is lacking any trace of enamel, but the detail is good, the carving of ST John the Baptist is clear and quite crisp, there is some very slight rubbing/smoothing to the side of the ring from use, there is some slightly greasy looking dirt to some areas of the shank and in some if the incised sections. It is in our opinion high carat goldCondition Report Disclaimer

Los 161

AN EARLY 20TH CENTURY DIAMOND AND RED ENAMEL LOCKET PENDANTThe red guilloche enamelled oval locket with a white border, with a later applied rose cut diamond urn, the locket opens to reveal a vacant setting, the bale loop with R.S maker's mark and a partial gold control mark, possibly a former Austro Hungarian Empire mark, with red enamelled baleSize/dimensions: 3.8cm longGross weight: 13 gramsCondition Report: The mark looks like the back of a dogs head with a 4. But it is not clear. The enamel has some scratches and rubbing to the enamel. The diamond panel has some wear and it swivels slightly in the setting. There is no glazed panels inside the locket, just vacant space. There is wear to the top of the bale commensurate with age and having been worn on a chain. Condition Report Disclaimer

Los 163

THREE ANTIQUE AND LATER GEM SET STICK PINSThe first with a swinging pearl acorn terminal, with a rose cut diamond cap, circa 1900; the second an old cut diamond hoop terminal stickpin, approximately 0.16 carats total; and a beetle terminal stick pin, with enamelled abdomen, rose cut diamond accented thorax and a cabochon opal set head, later stick pin Size/dimensions: acorn 0.9cm long; hoop 1.3cm diameter; beetle 1.4cm longGross weight: 5.7 gramsPlease note the pearl is untested and unwarranted as natural pearl.Condition Report: The acorn stickpin has some light wear, the pearl is bright, white body colour, very good lustre, the pearl is untested for origin. The hoop terminal diamonds are all present and correct, bright and livelyThe beetle has come from another piece, the stick pin lead soldered on, There is chips to the enamel. there are losses to the bugs antennae. Condition Report Disclaimer

Los 208

A FRENCH SILVER AND ENAMEL TRAVEL DESK CLOCKEARLY 20TH CENTURY Movement: Cal. 244, Swiss manual wind Case: Silver and pink enamel, screwed down brass case back with four screws and easel stand, the frame stamped with a poinçonDial: Silvered with diamond set handsSize: 87mmSigned: Dial signed CartierAccessories: Cartier brown leather caseCondition Report: Movement has been replaced, so clock no longer sits inside brown leather case. Swiss lever escapement, cal. 244, not signedMovement functioningMinor nicks to the edge of the frameWear to the gilding of the easel frameScratches to the back of the movementMinor knocks to the enamelDial discolouredGlass good Condition Report Disclaimer

Los 232

AN ITALIAN 1970S RED AND GREEN PLIQUE Á JOUR AND GOLD COLOURED LONG CHAINThe long chain with alternating stylised red and green plique á jour enamel panels, stamped with Italian control mark 545 MISize/dimensions: 99cm longGross weight: 83.4 gramsSusy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: The ring bolt clasp is not attached, it is looped through, it is a slightly different colour and is probably not original., there is some wear to the links commensurate with age and useCondition Report Disclaimer

Los 235

TWO FRENCH ENAMEL RINGSThe rings with alternating polished gold coloured and enamelled diagonal bands, one with red enamel, the other with blue, stamped with French poinçonsSize/dimensions: finger size MGross weight: 9.3 gramsSusy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: partial maker's mark with a cartwheel and a B, but the mark is rubbed, the enamel is very chipped from use.Condition Report Disclaimer

Los 236

FOUR DIAMOND AND ENAMEL BAND RINGS The tapered bands with scrolled detail, set with eight cut diamonds, with either red, turquoise, yellow or black enamel, stamped with French poinçonsSize/dimensions: finger sizes NGross weight: 18.3 grams Susy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: There are chips to the enamel, commensurate with use, the makers marks are partial, possibly for Civanyan. The diamonds are all present and correct, bright. Condition Report Disclaimer

Los 237

A POLYCHROME PLIQUE Á JOUR ENAMEL LONG CHAINThe oval links each with a rectangular coloured enamel window, the ring bolt clasp stamped 750Size/dimensions: 99cm longGross weight: 91 gramsSusy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: The necklace has some wear commensurate with age and use, there is fracturing to one lime green panel and another lime green panel has a single fracture.Condition Report Disclaimer

Los 240

CARTIER, A 1980S GREEN ENAMEL HINGED BANGLEThe hinged bangle with a band of green enamel, signed Cartier and numbered R4632, the clasp tongue stamped with French poinçonsSize/dimensions: inner width 5.7cm Gross weight: 35.4 grams Susy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: The bangle has some knocks and dinks, some chips and abrasion to the enamelCondition Report Disclaimer

Los 241

CARTIER, A 1980S ORANGE ENAMEL HINGED BANGLEThe polished gold bangle with a band of orange enamel, signed Cartier and stamped with French poinçonsSize/dimensions: inner width 5.6cm wideGross weight: 34.6 gramsSusy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired.  

Los 242

CARTIER, A 1980S BLUE ENAMEL HINGED BANGLEThe hinged bangle with a band of blue enamel, signed Cartier and numbered R4632, the clasp tongue stamped with French poinçonsSize/dimensions: inner width 5.6cm Gross weight: 35.7 grams Susy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: The bracelet has some chips and knocks to the enamel and to the sides, general wear commensurate with use, the clasp is in good working orderCondition Report Disclaimer

Los 247

A BLUE AND WHITE PLIQUE Á JOUR ENAMEL AND BAROQUE CULTURED PEARL LONG CHAINThe circular links with blue enamelled flower heads upon a white enamel ground, with baroque cultured pearls between, and gold coloured and silver coloured spacers, unmarkedSize/dimensions: 90cm longGross weight: 61 gramsSusy Dyson was born in Peru in the 1950s to an English father and Peruvian mother. She was discovered in Marbella aged 16 by the American-Spanish socialite and CIA spy Countess Aileen de Romanones, who arranged for American photographer Henry Clarke to photograph Susy for the cover of American Vogue. Susy then embarked on a whirlwind 'Jet Set' lifestyle during the 1970s, and became a favourite model for Yves Saint Laurent, Armani, Karl Lagerfeld and Isse Miyake, as well as appearing several times in French Vogue. Susy appeared on the bottle of Karl Lagerfeld's perfume Chloe, and she starred in Fendi's short fashion film 'L'Histoire De L'Eau', which was filmed amongst many famous Roman landmarks. Susy spent much of this time in Paris, and was based in her apartment on the Quai D'Orsay, overlooking the Seine. It was in this apartment that she was photographed by Helmut Newton for his book 'Nuits Blanches'. Susy has also appeared in Anna Piaggi's 'Lagerfeld Sketchbook' and Carlo Ducci's Assouline published 'Fendi Roma'. Her society friends included the British actress Deborah Kerr; the German playboy and heir to the Opel Car business, Gunter Sachs and the record mogul boss of A&M records, Gil Friesen. One of her closest companions and confidents was Count Frédéric Chandon de Briailles, chairman of the Moët-Hennessy group and heir to the Moët & Chandon champagne fortune. Both Count Frédéric and Susy were avid patrons of the artist jewellery atelier, Rene Boivin, whose designs and mastery of the jeweller's craft they both deeply admired. Condition Report: The pearls have a silvery body colour, some areas have a golden tone, slight variation in lustre from bright to slightly muted. We cannot comment on the origin of the baroque cultured pearls. There is some slightly powdery surfaces to a few areas of some of the pearls, the necklace would benefit from a clean, some small blemishes. One of the pique a jour panels has a split o the gold border and some fractures to the enamel. Some general light surface wear to the settingsPearls approximately 12mm long, however due to the baroque nature of the pearls there is some slight variationCondition Report Disclaimer

Los 368

LONGINES, CONQUEST, REF. 9025 20A GOLD COLOURED WRIST WATCH, CIRCA 1960Movement: Cal. 291, automatic, 24 jewelsCase: Gold coloured case, screw down case back, stamped 18K 0.750 with a poinçonDial: SilveredStrap: Apollo brown leather strap with gold plated pin buckleSize: 35mmSigned: Case, dial, movementAccessories: NoneCondition Report: Movement is currently functioning. Movement has scratches, marks and tarnishing commensurate with general wear visible when viewed under a 4x loupe. Dial appears to be in an average condition with some light marks and scratches when viewed under a 4x loupe. Hands appear to be in a generally good condition.Glass has some scratches and marks when viewed under a 4x loupe. Case shows light scratches and marks. Loss of blue enamel to the case backCrown has light scratches when viewed under a 4x loupe. Crown signed Longines, can not guarantee this is the original crownStrap shows marks and creasing. Buckle shows marks and scratches when viewed under a 4x loupe.48g grossThis lot does not come with box or papers.Dreweatts 1759 do not guarantee the working order or accuracy of any lots sold. Due to opening of the case back we recommend this watch is re-sealed by a qualified technician to ensure any stated water resistance is achieved.If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com           Condition Report Disclaimer

Los 99

A PAIR OF SILVER GILT COLOURED AND ENAMELLED BOWLS AND COVERS STAMPED 925 With pine cone finals to the domed covers, panels of purple enamel decoration, engraved and applied with foliate swags, inset with seed pearls and amethyst cabochons, on circular pedestal feet 23cm (9in) diameter 4286g (137.8 oz) grossProvenance: From the Private Collection of a titled family

Los 114

Victorian and continental early 20th century cranberry glass - a Moser gilt and enamel trumpet vase, 13cm high; a Victorian Amber glass beaker, dimpled glass with cranberry fading into amber glass; two graduated Victorian cranberry glass bowls; pair of Victorian Ruby glass wine glasses; etc.

Los 119

19th century glass - Victorian and continental - Mary Gregory glass coloured glass milk jug, 11.5cm high, others, glass beakers, in green, blue, and clear glass; a Bohemian glass wine ewer, enamel and gilt decoration, c.1880; etc.

Los 297

A continental 925 silver open face pocket watch, white enamel dial, stem wind movement, import marks, London 1919, 49mm diameter, 83.9g gross

Los 299

A continental 935 silver open face pocket watch, white enamel dial, bold Roman numerals, stem wind movement, 47mm diameter case, base metal Albert Chain

Los 319

A Waltham gold plated open face pocket watch, white enamel dial, bold Roman numerals, stem wind movement, retailed H L Brown & Son ltd, Sheffield, Dennison Moon case, 48mm diameter.

Los 323

A 925 silver and multitone blue and white paste diamond and topaz effect dress ring, stamped 925 RGB; similar pendant necklace, bracelet ; enamel oval landscape pendant, assorted marks, 48.5g gross (4)

Los 377

Ceramics - A Colclough tea ware, Wedgwood Angela vase, Aynsley tea cup and saucer, enamel chamberlain stick; etc

Los 526

SALEROOM ANNOUNCEMENT - Please note, the unboxed example is made by Kingsley Enamels and not as catalogued.A collection of enamel Halcyon day boxes, all boxed, comprising a tiger example, the top with a tiger figurine, 6.5cm high a unicorn with certificate, another tiger, a turtle, and two others, together with a Royal Worcester unboxed example, 4.5cm wide (7)Two with some marks to the undersides, the unicorn and turtle, the unboxed example, with scratches to the underside.

Los 560

An early 20th century enamel bidet and cover on a metal stand, the finish work and stained, later with pierced holes, to be possibly used as a planter, further rust and patination, AF, 39cm H x 45cm W

Los 562

A French late 19th/ early 20th century niello work snuff box, with a 'silver' gilt interior, grey metal (silver), black repeating enamel decoration the cover with a hunting scene, bearing French strike marks 8cm x 4cm, weight, 2.84ozt.

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