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396323 Los(e)/Seite
Los 202
A collection of early 20th Century Chinese & Japanese cloisonne comprising a cloisonne effect terracotta signed example, lidded cloisonne example raised on tripod base, and two small tripod censer ding prayer bowls. Measures approx; 12cm tall. Good condition some wear to enamel. Tripod pot has warping around rim.
Los 214
A believed 17th Century Ming Dynasty cloisonne enamel tray / footed dish of large size. Canted square form with central floral decoration on turquoise ground with geometric border. Measures approx; 31cm x 31cm. Condition is ok around the edge but has got some warping and bends. Central panel is in good condition with some hairline cracks to the enamel.
Los 66
A 19th Century Chinese Cloisonne lidded pot of oval form along with a Japanese Meiji period bronze pill box of hexagonal form. The cloisonne example decorated with landscape scene to lid and having scrolled dragons to body, the Japanese example having applied decoration and hinged lid. Largest measures approx; 9cm wide. Slight cracking to the enamel on lid.
Los 72
A large early 20th Century Chinese Republic period footed centrepiece bowl. Turquoise ground interior with famille jaune decoration to the body with botanical detailing in coloured enamel. The foot having repeating Key decoration and the underside marked CHINA in ochre. Measures approx; 30cm wide. Hairline crack down one side.
Los 109
FRANÇOIS THEODORE LEGRAS. Verreries Montjoye, Saint Denis, ca. 1910.Blown glass vase.No signature.A piece with similar characteristics is reproduced in "L'Europe de l'art Verrier" (1995), pg. 274 photo 503A.Procedure: Private Collection, Spain between 1970-1990.Measurements: 15.5 x 5 x 5 x 5 cm.Vase in blown glass, from the house of Legras, with floral decoration in enamel covering its cylindrical body. A tulip with large petals is set against a mother-of-pearl background. The firm of F. Th. Legras was founded by Auguste Jean-François Legras (1817 - 1887) around 1864 in St. Denis, near Paris. At the beginning of the 20th century, the firm specialised in the production of acid-etched cameo glass, inspired by Gallé's pieces. Legras & Cie. produced a multitude of pieces for sale, as well as several of particular quality for display at international fairs.
Los 128
VICKE LINDSTRAND (Gothenburg, Sweden 1904 - 1983 ), for KOSTA. Sweden ca. 1950.Vase "zebra".Blown glass.Hand signed with burin on the back of the base "K VL 1016".Provenance: Private collection, Spain between 1970-1990.Measurements: 13,5 x 10 x 6 cm.Vase "Zebra" in translucent blown glass, with maroon and white decoration.Victor Emanuel Lindstrand, known as Vicke Lindstrand was a glass designer, textile and ceramic designer and painter. He is considered a pioneer of Swedish glass art. He began his career at the glass manufacturer Orrefors in 1928. He pioneered more daring art glass designs at Orrefors and, together with Edvin Öhrström and Knut Bergqvist, invented the Ariel technique. In 1950 he joined Kosta Glasbruk as artistic director before retiring in 1973. At Kosta, he was the dominant designer and lent his name to many designs that are now classics. At this point, Lindstrand began to inject more and more colour into his creations, resulting in iconic designs such as Trees in the Fog and Autumn. He spent the last 10 years of his life as a freelance artist working with Hanne Dreutler and Arthur Zirrnsack at Studio Glashyttan in Åhus. He made his debut as a designer at the Stockholm World Exhibition in 1930, where he presented twelve glass vases with enamel decoration in exotic patterns. For this he received great attention in international design publications. Lindstrand added new artistic dimensions to the already famous Orrefors glass with his unique designs and revitalisation of classical forms and techniques. During his time at Orrefors, he worked on etched glass and Graal vases. With sculptor Edvin Öhrström he developed the new Ariel technique. Orrefors could not afford to keep Lindstrand during the war and between 1943 and 1950 he became creative leader at Uppsala Ekeby, where he designed many different stoneware objects, from vases to figurative sculptures.
Los 73
LOUIS COMFORT TIFFANY (United States, 1848 - 1933).Jack in the pulpit" vase. Art Nouveau, ca. 1910.Favrile glass.Signed "L.C. Tiffany- Favrile" on the back.Measurements: 30,5 x 17 x 9,5 cm.This vase was made in Favrile glass, a type of glass patented by Tiffany in 1892. As we can see, Favrile glass has a peculiar characteristic that is common to some glass from classical antiquity: it has an iridescent quality. The iridescence causes the surface to shine, but it also causes a degree of opacity. This iridescent effect of the glass was obtained by mixing different colours of glass together while it was hot.Louis Comfort Tiffany was the American artist and industrial designer most associated with the Art Nouveau movement. He was a painter, interior decorator, designer of stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery and metalwork. Louis attended Eagleswood Military Academy in Perth Amboy, New Jersey. His early artistic training was as a painter, studying with George Inness and Samuel Coleman in New York City and with Leon Bailly in Paris. In about 1875 he became interested in glassmaking and worked in various glassworks in Brooklyn. In 1879 he partnered with Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artist. Tiffany's leadership and talent, along with his father's connections and financial resources, made the business a success. Tiffany's desire to concentrate on glass as an artistic element led to the dissolution of the company in 1885, when he chose to establish his own glass-making firm. The first Tiffany Glass Company was incorporated on 1 December 1885, and in 1900 it became known as Tiffany Studios. In his factory he used opaque glass in a variety of colours and textures to create a unique style of stained glass, which contrasted with the method of transparent painted or enamelled glass that had been the dominant methods of stained glass making for hundreds of years in Europe. The use of coloured glass for stained glass was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Artist and glassmaker John La Farge was Tiffany's main competitor in this new American style of stained glass. Both had learned their craft in the same Brooking glassworks in the late 1870s. In 1893 Tiffany built a new factory, called Tiffany Glass Furnaces, located in Corona Queens, New York. That same year his new company introduced the term favrile in conjunction with its first blown glass production. Early examples of his lamps were exhibited at the Chicago World's Fair in 1893, and he registered the term favrile on 13 November 1894. He then extended the use of this term to his entire production of glass, enamel and ceramics. The first commercially produced lamps date from around 1895. Much of his company's production was the manufacture of stained glass for windows and the creation of lamps, although his company designed a complete range of decorative objects for interiors. At its peak, his factory employed more than 300 craftsmen. Tiffany used all his skills to design his own house in Oyster Bay, New York, Long Island, which had 84 rooms and was completed in 1904. It was later donated to his foundation for art students, along with 243,000 m² of land, but was destroyed by fire in 1957. Tiffany maintained a close relationship with the family-owned Tiffany Company.
Los 79
Jugendstil LOETZ ashtray; Austria, ca. 1905.Iridescent blown glass.An iridescent blown glass ashtray from the Austrian Manufacture of Loetz, with a circular body and three lateral ornaments in the form of a vegetal form. Crete Diaspora" decoration on a green background, with a touch of gold enamel.Provenance: Private Spanish collection, formed between 1970 and 2010.Very slight, almost imperceptible chipping on the mouthpiece. Normal wear and tear due to use and the passage of time.Measurements: 4 cm (height) x 12 cm (largest diameter).Johann Loetz Witwe was the most important maker of artistic glass in Klostermühle, Bohemia. The works of Johann Loetz are among the most outstanding examples of Art Nouveau. One of the oldest glassworks was located in Wottawattal, which was bought in 1850 by Johann Loetz, the founder of the company and former owner of glassworks in Deffernik, Hurkental, Annatal and Vogelsang. In 1879, Max Ritter von Spaun, grandson of Johann Loetz, took over the factory from his grandmother and continued to run it under the old company name "Joh. Lötz Witwe". The factory had previously been equipped with an important milling workshop. It was here that heavily cut glass and perforated enamelled intermittent glass was manufactured. The company began producing coloured glass in the 1860s. Loetz glass has always been special because of its purity and fiery colours, and was initially purchased as raw glass by the North Bohemian refineries, which refined it by painting and polishing. Later, due to the high regard for glass, the company started the production of special luxury items. The company was the first to produce so-called baroque glass (objects with applied glass decorations) in Austria. Sample warehouses were located in Vienna, Berlin, Hamburg, Paris, London, Brussels, Milan and Madrid, which soon gave the products a worldwide reputation. The glass ingeniously imitated all kinds of onyx, jasper, carnelian, malachite, lapis lazuli, inlaid glass, etc. At the anniversary exhibition in 1888, the "Kaiser Franz Josefs Vase", designed by Hofrat Storck and produced by the Lötz company in Grauonyx, was presented. It was the largest blown glass vase ever made. Most of the world exhibitions were filled with the company's special products and received the highest awards.
Los 360
A GROUP OF CLOCKS AND VARIOUS BOXES, to include a Le-Coultre 8-day travel alarm clock in cream enamel case, a Swiss made, leather cased, vintage 8-day travel clock, movement stamped 'Brevet 33236' (sd to leather case), four boxes including a burr wood veneer and Tunbridge ware work box with mother of pearl cartouche and escutcheon, interior tray, ruched purple fabric to interior of lid and two keys (sd), and a blue cloisonne box decorated with spirals, foliate motifs and a cartouche bearing the letter G, etc (7) (Condition report: items in generally fair to good condition, some damage and wear, clocks untested)
Los 380
A LATE VICTORIAN BLACK SLATE MANTEL CLOCK, THREE BRASS SPRING BALANCE SCALES, ETC, the mantel clock with marble inserts to the front of the case, white enamel dial with Roman numerals, eight day movement, glass rear dust cover, bell strike, movement fully wound, height 21cm, with pendulum fitted inside clock and key, a decorative cast iron black painted wall hook, height 38cm, a Bourdon pressure gauge, two Salters spring balance scales and a German example, s.d. (6)
Los 384
THREE BOXES OF 19TH AND 20TH CENTURY CERAMICS AND GLASSWARE, TOGETHER WITH A WOODEN WALL HANGING PLATE RACK, the rack width 61cm x height 105cm, the ceramics to include two Victorian Staffordshire pottery flatback figures and a pastille burner, s.d., a George V silver posy vase on a loaded base, Sheffield 1912, poor condition, three Royal Crown Derby Imari blanks, a 19th century Bohemian cranberry and enamel pedestal bowl, hand painted with flowers and portraits, badly cracked, height 19cm, etc s.d and a.f. (3 boxes and loose)
Los 423
A GROUP OF ORIENTAL ITEMS, to include a cased hand mirror with bamboo decoration, a large boxed fan printed and painted with birds, a cloisonne bowl, a black lacquer box decorated with figures, a bamboo handled teapot, an octagonal jardiniere and saucer, a red enamel vase (sd), etc (18) (Condition report: generally fair to good condition, sd)
Los 514
A GROUP OF CERAMICS AND GLASSWARES, comprising a set of six Royal Worcester Torquay pattern coffee cans and saucers, in original fitted box, a thirty seven piece Cauldon China willow pattern tea set, comprising two cake plates, a milk jug, a sugar bowl, twelve tea plates, nine teacups and twelve saucers, together with seventeen decorative bells, including cut crystal, pressed glass, ceramic and a cloisonne enamel example (Qty) (Condition report: most pieces including the Royal Worcester set appear in good condition, sd to a few other pieces)
Los 6
AN EARLY 20TH CENTURY 18CT GOLD ELGIN POCKET WATCH, keyless wind, outer case with engraved scene to front and back, with a vacant shell cartouche, circular white enamel dial signed ELGIN, with blue steel hands black Roman numerals, subsidiary dial at six o'clock, inner case stamped 18, numbered 419, personal engraving present, movement signed and numbered Elgin Watch Co. 516576, approximate diameter of case 42mms, approximate gross weight 65.5 grams (overall condition good, watch currently ticking, untested for time keeping)
Los 65
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include an early 20th century silver circular trinket box with blue guilloche enamel lid hallmarked 'Charles S Green & Co Ltd' Birmingham 1920 enamel AF, approximate diameter 58mm, a silver flat curb link chain clasp AF hallmarked 'O P T' Birmingham, approximate length 450mm, a treated amber oval pendant stamped 925, a figaro chain stamped 925, a bracelet and necklace matching set stamped 925, various white metal gem set earrings all post backs, four white metal cultured pearl stickpins, a single strand cultured freshwater pearl necklace with floral clasp, a white metal mother of pearl stamp case AF, together with further white metal items, approximate gross weight of weighable silver 88.2 grams, 2.83 ozt (condition report: trinket box with enamel losses to rim tarnish as with age, flat curb link chain has clasp missing, mother of pearl stamp case cracked to one side)
Los 91
TWO 'ARTHUR JOHNSON' SILVER, LILY OF THE VALLEY BROOCHES, the first decorated with blue guilloche enamel, set with five circular cut paste stones, approximate length 45mm, fitted with a C clasp, hallmarked 'Arthur Johnson Smith' Birmingham 1913, RdNo612981, the second a matching brooch decorated with white guilloche enamel, hallmarked 'Arthur Johnson Smith' Chester 1915, RdNo612981, approximate gross weight 8.7 grams (condition report: general moderate wear, overall condition good, all stones currently intact)
Los 92
ASSORTED WHITE METAL JEWELLERY AND TWO POCKET WATCHES, the first a 'David Andersen' silver and enamel leaf brooch, stamped 'D-A 925s sterling Norway', a white metal Etruscan oval brooch, unmarked, a large white metal and malachite brooch pendant, stamped sterling, a white metal and malachite bracelet, unmarked, a grouse foot brooch, together with a white metal brooch and ring, also including two ladies pocket watches, both engraved with a floral and foliage detail, both stamped 0.800 (condition report: general moderate wear, overall condition good, Etruscan brooch splitting, watches not currently working, case back on one comes apart, requires attention)
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396323 Los(e)/Seite