An early to mid 20th century French Cartier 18ct gold, enamel, coral and rose cut diamond set clip brooch, modelled as the bust of a Blackamoor,signed Cartier, Paris, numbered 7120, 31mm, gross weight 10.8 grams.Some wear/loss to the enamel around the ears, hair and turban. Possibly missing gem set earrings?? Tiny diamond missing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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A German or Swiss gold, enamel and ivory brise fan, 19th century, possibly made for the Ottoman market,the gold guards finely enamelled with laurel leaves and berries in blue and white enamel, within key work orders, the ivory sticks intricately pierced with scrolling foliage and palmettes,17.3 cm closed, slight losses to sticks, needs rethreadingYour normal work is in good condition on the guards. There are some occasional minor losses to the sticks and the ribbon has split and there is remnants of old glue to the sticks from the ribbon. Requires a new ribbon otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 17.3 cm closed, slight losses to sticks, needs rethreading
A Victorian enamel and gilt metal pedestal cup and cover in the Renaissance style, Elkington & Co, circa 1880,inset with polished cabochons and decorated with putti, nudes and masks, the underside with applied stamped badge ‘Elkington, Department of Science & Art, VR’, and numbered below 136624cm high, 14.5cm diameter.The cover finial is slightly warped. Three inset cabochons missing. The cover interior lined in red velvet, the bowl interior lacking lining.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 24cm high, 14.5cm diameter.
A pair of unusual Art Deco electroplated and cloisonné enamel panelled boxes and covers,decorated with figures holding rackets or bats,14 x 16cm height 6cmBoth caskets fairly crudely constructed with solder joints still evident at the edges but apparently no makers marks, one lid slightly split at the sides, the panel decorated with tennis players with slight flaws to the enamel at the top.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 14 x 16cm height 6cm
A Sevres porcelain part tea service, c.1772-3,each piece painted with flower festoons within puce and pink enamel tram lines with gilt trails and a blue dotted and banded border, comprising 12 tea cups, 8 saucers, a teapot and cover, 16.5 cm high, a cream jug, a lidded sucrier and a slops bowl, enamelled interlaced Ls, decorators marks V Y, interlaced SS and possibly Thevenet pere,One teacup handle repairedThe covered Sugar bowl has a wide splinter chip with associated stained hairline crack extending down the body and there is some staining to one side, the cover is in good condition however.The teapot has slight wear on the gilding on the rim otherwise in good condition.The milk jug is in good condition.The slops bowl has some wear to the glaze on the interior and a little wear to the gilding on the rim in places, otherwise in good condition.Most of the tea cups have a little bit of wear to the gilding on the rims and one of the coffee cups has a badly broken and rivet repaired handle.The sources have a little bit of a scratching and where to the centres where they have been used, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. One teacup handle repaired
A Russian porcelain figure of a glazier, Gardner Manufactory, Verbilki, c.1830,feint underglaze blue ‘G’, red enamel ‘No.3/8,18.5 cm high, restorationRestoration around his neck, the area immediately above his apron, his left elbow, right arm and wrist and the handle of the glazing case he is carrying in his right hand. There is a splinter chip to the rear right side of the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 18.5 cm high, restoration
A pair of Minton ‘Limoges enamel’ cabinet plates, attributed to Desire Leroy, c.1877,each finely painted with birds amid foliage in white enamel on a turquoise blue ground within pierced gilt work orders, indistinct impressed marks and painted pattern number G2617,24cm diameter, One plate with small section of rim broken and gluedBoth to with typical fine crazing to the turquoise background. One plate with small section of rim broken and glued, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 24cm diameter, One plate with small section of rim broken and glued
A large English porcelain pedestal vase, c.1810, possibly Coalport,each side painted with a study of flowers in a basket or a vase on a ledge, applied with a pair of swan neck-shaped handles with bell husk pendants, within gilt decorated borders, on a square pedestal base,42cm highFind crazing to the glaze all over, wear to the gilding on the Edges and other places. One of the swan neck handles is missing the tip of its beak. Some tiny patches of flaking to the enamel colours on the painted reserves. There are two hairline cracks to the underside of the base where the metal bolt fixing is located. Otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 42cm high
Chinese Art Three celadon glazed pottery containers China, Song dynasty (960-1279) . . Cm 10,00 x 6,50. A group of three celadon glazed porcelain water containers. Rounded in shape, the three calligrapher accessories are characterized by slight variations in the shape and type of enamel used, which suggests a different place of production. The specimen equipped with two small circular handles, identified by an olive-colored glazing that reveals the relief underglaze decoration, is an example of the so-called Yaozhou production, or the "Northern Celadons" produced during the Northern Song dynasty, especially in the Henan province. The other two containers, on the other hand, could be attributable to the production of Longquan, also from the Song era in Southern China.
Chinese Art A Celadon dish with short brim China, Yuan dynasty (1279-1368) . . Cm 7,00 x 27,50. Plate made of heavy-bodied ceramic covered with an elegant pale green glaze in imitation of jade produced in the Longquan kilns. The plate, characterized by a short, smooth and unadorned rim, has the wall of the bowl decorated with an engraved leaf motif. Objects of this type, known in the West by the generic name of Celadon porcelain, were made of stoneware coated with a layer of translucent green or blue-green enamel, produced with iron oxide in a reducing atmosphere. The Celadon family, also cataloged with the Anglo-Saxon term of green-ware, is wide and includes various artifacts made in the most disparate locations in Central Asia (China, Japan and Korea) and South East Asia (Thailand and Vietnam). Under the Song rulers, around the 12th century, the grandiose Longquan kilns were inaugurated in China and this event gave rise to a large-scale production meant for trade routes throughout the East. For their extraordinary solidity, pleasantness to the touch and beauty, the Longquan celadon were highly appreciated both in China and in the Middle East, where they were successfully exported.
Chinese Art A pair of polychrome porcelain lion shaped incense holdersChina, Qing dynasty, 18th century . . Cm 24,00. Pair of altar accessories shaped as a couple of Shi, the classic guardian lion of the Buddhist tradition. Both made of heavy-bodied porcelain, showing a lively polychrome glaze with large areas in pink enamel, this being a pigment that was introduced to China by the Jesuits in the middle of the 18th century. The two lions, crouched on their legs, lean with their backs on two slightly splayed cannulas designed to contain the incense stick.
South-Est Asian Art A pottery bowl with pale celadon enamel Thailandia, Ayutthaya, 15th century . . Cm 20,00 x 9,50. Pottery bowl with inward mouth; the outside covered with a beautiful brown glaze that leaves the bottom uncovered; the inside enemeled with pale green celadon. The bowl draws inspired from the Chinese Jian-type prototypes, produced in the region of Fujian.
A LATE VICTORIAN BLACK SLATE AND MALACHITE INLAID MANTEL CLOCK OF ARCHITECTURAL FORM, the case with incised gilt foliate decoration, the white enamel dial with Roman numerals, brocot escapement, 8 day movement, bell strike, height 43cm x width of base 49.5cm, with pendulum and key (1 + pendulum & key) (Condition report: some yellowing to the centre of the dial, the clock has been running of its own accord but is overwound and isn't striking properly,the Brocot adjustment mechanism is missing)
A 9CT GOLD AND ENAMEL MASONIC FOB BROOCH, a gold oval frame depicting a kneeling man and a robed woman, backed with a blue guilloche enamel, suspended from three fine chains (one broken) leading onto a bar brooch detailing the initials 'F.H' with a light blue enamel detail, approximate length 59mm, approximate width 25mm, hallmarked 'Spencer & Co' 9ct gold Birmingham 1933, approximate gross weight 12 grams, (condition report: general moderate wear, central suspending chain broken)
A BOX OF TOOLS, OPTICAL EQUIPMENT AND SUNDRY ITEMS, to include a large pair of George Barnsley & Sons bunion pliers length approximately 40cm, a hand pump, a cutting block, a brass plaque engraved Parker, Winder & Achuroh Ltd Birmingham, Leader, a Minor electric iron, two pairs of optometrists trial frames, two cased cross cylinders 0.25 and 0.50, Orthops Rule and other optical equipment, a Bristol Pottery, Watneys Red Barrel advertising dish, an Approved Coal Merchant enamel sign, a 'Gotta Lotta Bottle' glass, etc (sd) (1 BOX)
A BOX OF MOTORING ITEMS, comprising a Bentley Drivers Club badge by J Fray Ltd, Birmingham, with black and green enamel B, Bentley and Rolls Royce collectors cards in folders, a brass cased German compass (sd) and three Model Collector Profile booklets: The Black Cab, The Morris Minor and Eddie Stobart (1 BOX)
FIVE TRINKET BOXES, in presentation boxes, comprising a Royal Worcester HM Queen Elizabeth the Queen Mother 1900-2002 ceramic trinket box, three Crummles enamel trinket boxes: Golden Jubilee 2002, HM Queen Elizabeth the Queen Mother's 100th birthday and Prince William's 18th birthday, with a Royal Collection Golden Jubilee trinket box in a Crummles box (5)
A GROUP OF CERAMICS AND ENAMEL TRINKET BOXES, to include two Aynsley tea cups and saucers with printed crocus pattern, a Meissner Limoges three footed tea cup and saucer, a Mintons ceramic basket painted with flowers height 9.5cm, a Royal Doulton blush ivory jug height 6cm, two Royal Crown Derby napkin rings, a Limoges trinket box, five enamel trinket boxes by Crummles, Halcyon Days and Old Hall, etc (Condition report: items appear in good condition) (19)
AN 'OLA GORIE' BROOCH AND TWO PENDANT NECKLACES, the first brooch by 'Ola Gorie' of an openwork circular form with flying bird to the centre, stamped 'Ster Sil', the first pendant of an openwork circular form with a central enamel bird of prey, hallmarked 'Hjaltasteyn Ltd' Edinburgh 1982, suspended from a flat articulated chain with spring clasp unmarked, together with another white metal floral pendant signed to the reverse 'Made in Scotland', suspended from an unmarked white metal chain
EIGHT BOXES AND LOOSE GLASS AND KITCHEN WARES, to include five boxes of assorted glasswares, drinking glasses in sets and singles, decanters, carafes, jugs and bowls, some coloured, printed or advertising pieces, a cream enamel bread bin, boxed twentieth century bread knife and spoon set, casserole dishes, vegetable dishes, pudding basins, pyrex jugs, bowls, metal teapots, plates, baking trays, utensils etc (sd) (8 BOXES + LOOSE)
A 'WALTHAM' OPEN FACE POCKET WATCH WITH SILVER ALBERT CHAIN, (working) round white dial signed 'Waltham', Roman numerals, seconds subsidiary dial at the six o'clock position, blue hands, within a plain polished case, screw on case back stamped 'Keystone watch case, Silveroid, 648474', movement signed 'American Waltham Watch Co' 3514612, approximate case width 59.0mm, together with a graduated double silver albert chain, each link stamped with a sterling mark, fitted with two lobster claw clasps and a T-bar hallmarked 'William Walter Cashmore' Birmingham 1919, length 380mm, also fitted with a shield shaped fob medal decorated with blue and red enamel, signed 'Derbyshire FA, rubbed engraving, engraved to the reverse 'Medal Competition Runners up' hallmarked 'Vaughton & Sons' Birmingham 1904, approximate gross weight of albert and fob medal 79.3 grams (condition report: general light wear, watch in working condition although time keeping is untested, opens and closes with ease, slight tarnishing in places on the albert chain, clasps in working condition, overall condition good)
A GOLD-PLATED FULL HUNTER 'WALTHAM MASS ROYAL' POCKET WATCH AND A 9CT GOLD CHAIN, (working) round white dial signed 'Waltham' Arabic numerals, outer red enamel Arabic numerals, seconds subsidiary dial at the six o'clock position, blue hands, within an engine turned design case with a vacant cartouche, case back signed 'Keystone Watch Case' 4457987, movement signed 'A.W.W.Co Waltham Mass, 16718625, approximate case width 51.3 grams, fitted with a 9ct gold tapered link chain with lobster claw clasp stamped 9ct and a large spring clasp stamped 9.375, length 350mm, approximate gross weight of chain 7.4 grams (condition report: watch working although time keeping is untested, general light wear, opens and closes with ease, some slight wear around the rim of the case, chain in good condition with both clasps in working order, overall condition good)
THREE GOLD-PLATED POCKET WATCHES, the first a half hunter, round white dial, Roman numerals, seconds subsidiary dial at the six o'clock position, blue hands, plain polished case with blue enamel Roman numeral dial, case back signed 'Illinois watch case Co' 5798087, (working although time keeping is untested) fitted with a yellow metal albert chain with horse shoes and snaffle detailing suspending a faceted orange swivel fob (unmarked), the second an open face watch with a round white dial signed 'Duracy' Roman numerals, seconds subsidiary dial at the six o'clock position, blue hands, within a plain polished case, case back signed 'Empress A.W.C.Co' 3671381 (non-running movement in need of attention) together with a full hunter pocket watch with a round white dial, Roman numerals, gold tone hands, within a worn plain polished case, case back signed 'Dennison Watch Case Co Ltd' 686647, suspended from a base metal albert chain with two lobster claw clasps and T-bar
A SILVER OPEN FACE POCKET WATCH AND A GOLD-PLATED POCKET WATCH, the silver watch with a round white dial, Arabic numerals, seconds subsidiary dial at the six o'clock position (working) within a plain polished case, case back hallmarked 'James Weir' Glasgow import, 9115040, 299, approximate case width 49.9mm, 81.3 grams, together with a gold-plated half-hunter pocket watch, round white dial signed 'Thos Russell & Son, Liverpool' Roman numerals, seconds subsidiary dial at the six o'clock position, blue hands, blue enamel Roman numeral dial to the outer front of the case, case back signed 'Illinois watch case co. Elgin U.S.A, The Russell Model' 2498485, movement signed 'Thos. Russell & Son, Liverpool' 44819, approximate case width 51.5mm
A YELLOW METAL ENAMEL RING, of a rectangular form, decorated with a blue enamel back ground and white enamel border, undetermined text to the centre, textured shoulders leading onto a plain polished band, unmarked, ring size S, approximate gross weight 7.1 grams (condition report: tested as 18ct or higher, enamel in good condition, general light wear, overall condition good)
A SELECTION OF WRITING EQUPIMENT, to include a black lacquer and rolled gold lidded 'Parker' fountain pen, a black lacquer and silver lidded 'Parker' fountain pen, a boxed 'Dinkie 550 Conway Stewart' fountain pen fitted with a 14ct nib, a 'Sheaffer' fountain pen with box, another AF fountain pen fitted with yellow metal collars stamped 9ct, and a boxed 'Conway Stewart' fountain pen fitted with a 14ct nib', also including a white metal stamp case mounted with a blue and green enamel emblem 'Galashiels', with booklet including two 2d stamps, also including a rolled gold propelling pencil
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