396325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396325 Los(e)/Seite
Los 123
Miniatur-Helmkanne aus Bergkristall, Umkreis Miseroni-Werkstatt in Prag, 1. Hälfte 17. Jhdt. Schlanke gefußte Kanne mit schlankem Hals und geschweiftem Ausguss. An Schulter, Unterseite und Fuß geschliffener Pfeifendekor, auf der Wandung umlaufender Rankenfries. Bronzemontierung mit Resten von Vergoldung und farbigen Emailleeinlagen. Der Henkel in Form eines plastischen Drachen gearbeitet. Henkel leicht lose. Höhe 12,4 cm. Die von Rudolf II. begründete Kammerschleiferei auf der Prager Burg wurde vom Steinschneider Ottavio Miseroni geleitet, der 1588 auf Einladung des Kaisers aus Mailand zugewandert war. Neben ihm arbeiteten in der Werkstatt auch zwei seiner Brüder. 1608 wurde Ottavio Miseroni vom Kaiser in den Adelsstand erhoben. Nach seinem Tod im Jahre 1624 wurde die Werkstatt von seinem Sohn Dionysio weitergeführt. Zustand: IIA miniature jug carved from rock crystal, circle of the Miseroni workshop in Prague, 1st half of the 17th century Jug with slender foot and neck and flared spout. The shoulder, underside and base with carved gadrooning, the exterior surrounded by a frieze of scrolling leaves. Bronze mounts with traces of gold plating and polychrome enamel inlays. The handle in the form of a dragon, slightly loose. Height 12.4 cm.The grinding shop established by King Rudolf II at the Prague Castle was run by Ottavio Miseroni, a stone cutter who left Milan in 1588 after the emperor’s invitation. Two of his brothers also worked at the workshop. The emperor ennobled Ottavio Miseroni in 1608. After the latter's death in 1624 his son Dionysio took over the shop.Condition: II
Los 165
Ein Paar emaillierte und diamantbesetzte Gold-Armreife, Indien, um 1900 Jeweils geschlossener Armreif aus Gold mit außenseitig umlaufendem, reichhaltigem Besatz aus (in Kundan-Technik) gefassten Diamant-Rosen zwischen blauer Emaille. Auf den Innenseiten florale und geometrische mehrfarbige Emaille über graviertem Grund. Durchmesser je 8 cm, Gewicht zusammen 98,7 g.Zustand: IIA pair of Indian gold bracelets with enamel and diamonds, circa 1900 Closed gold bangels, the exterior lavishly decorated with diamond roses set in Kundan technique between blue enamel. The insides enamelled with a polychrome floral and geometrical design on engraved base. Diameter 8 cm, weight of both bangles 98.7 g.Condition: II
Los 192
Emailliertes und vergoldetes Weihrauchschiffchen, Limoges, 13. Jhdt. Kupfer mit Resten von Feuervergoldung. Spitzovale Schale, der kleine Standfuß altersbedingt deformiert und eingerissen. Einseitig scharniergelagerter Deckel, beidseitig gebogene Handhaben, in plastische Tierköpfe auslaufend. Ganzflächiger Dekor in Champlevé-Technik in roter und blauer Emaille. An den Seiten umlaufender Rankendekor, die Oberseite mit zwei erhabenen Vierpassen mit Engelsfiguren umgeben von Blattranken. Länge 19,5 cm.Provenienz: Ex Sammlung Gabrielse (Midelburg, NL), davor Christie's Paris, Auktion März 2008, ex Sammlung Charles Gillot, erworben August 1897 vom Kunsthändler Stanislas Baron (1824 - 1908) in Paris.Zustand: IIIA gilt incense boat with champlevé decoration, Limoges, 13th century Copper with remnants of fire gilding. Pointed oval bowl, the small base deformed and torn due to age. A hinged lid on one side, curved handles on both sides, extending into fully sculptured animal's heads. The entire surface decorated in champlevé technique in red and blue enamel. A continuous border of decorative tendrils on the sides, two raised quatrefoils with angels surrounded by leafy vines on the top. Length 19.5 cm.Provenance: From the Gabrielse collection (Midelburg, NL), previously Christie's Paris, auctioned in March 2008, from the collection of Charles Gillot, acquired in August 1897 from the art dealer Stanislas Baron (1824 - 1908) in Paris.Condition: III
Los 199
Vergoldeter und emaillierter Reise-Dornleuchter, Limoges, 13. Jhdt. Kupfer mit Resten von Feuervergoldung. Leicht gewölbter Standfuß mit konisch zulaufendem Kerzendorn. Der Standfuß mit farbigen Emailleeinlagen in blau, rot, grün und weiß. Stellenweise kleine Fehlstellen in der Emaille. Durchmesser 10 cm, Höhe 14,5 cm.Ein ähnliches Exemplar abgebildet in Enamels of Limoges 1100-1350, Metropolitan Museum of New York, 1996, S. 380.Zustand: II - IIIA gilt travelling candlestick with champlevé decoration, Limoges, 13th century Copper with remnants of fire gilding. The slightly domed base with a conical tapering pricket. The base with coloured enamel inlays in blue, red, green and white. Minor defects in the enamel here and there. Diameter 10 cm, height 14.5 cm.A similar candlestick is illustrated in Enamels of Limoges 1100-1350, Metropolitan Museum of New York, 1996, p. 380.Condition: II - III
Los 271
Großes Kabinett-Kästchen mit bemalten Emaille-Plaketten, Wien, 19. Jhdt. Ebonisierte und gestufte Holzkonstruktion auf vier vergoldeten Tatzenfüßen. Die Seiten jeweils verziert mit mehrfarbigen, figürlich bemalten Emaille-Plaketten. An den vier Ecken jeweils eine vergoldete weibliche Bronzefigur unter pagodenförmigem, durch Säulen getragenem und mit einem Adler bekröntem Aufsatz. Im Sockelbereich breite und flache Schublade mit Schloss. Darüber abschließbares Fach mit zwei scharniergelagerten Türen. An der Spitze gestufter Aufsatz mit schmalem, verschiebbarem Geheimfach. Zwei Schlüssel. Schöne Erhaltung. Maße 41 x 31 x 50 cm.Zustand: II +A large cabinet-case, Vienna, 19th century Ebonized and tiered wooden construction on four gilt paw feet. The sides decorated with polychrome enamel panels featuring figures. Each of the four corners with a bronze gilt female figure under a pagoda-shaped, pillared top surmounted by an eagle terminal. In the base a wide and flat drawer with lock, topped by a lockable compartment with two hinged doors. Tiered top with narrow, movable secret compartment. Two keys. Fine condition. Dimensions 41 x 31 x 50 cm.Condition: II +
Los 35
Prunkvolle Ikone "Christus Pantokrator" mit silbernem und teils emailliertem Oklad, Russland/Moskau, datiert 1895 Tempera auf Holz, silbernes, vergoldetes und mehrfarbig emailliertes Oklad mit sehr feiner Filigranarbeit. Mehrfach gestempelte Meistermarken "AA" für Andrey Alexandrov, Moskauer Feingehaltspunze für 84 zolotniki mit Beschaumeisterpunze "AA" und Jahreszahl "1895". Rückseite mit weinrotem Samt bedeckt. Vergoldeter Rahmen mit Kiot aus Holz (kleine Fehlstellen), hinter Glas. Maße der Ikone 26,5 x 22,2 x 2,7 cm. Maße mit Kiot 37 x 32 x 8,2 cm. Guter Zustand und hervorragende Qualität.Zustand: I - IICondition Report:Russian, russie, russe A splendid Russian icon "Christus Pantokrator" with silver and partly enamelled oklad, Moscow, dated 1895 Tempera on wood, oklad of silver, gilt and with polychrome enamel and delicate filigree work. Several stamps with master’s mark "AA" forAndrey Alexandrov, Moscow mark of fineness for 84 zolotniki with inspecting master’s mark "AA" and year cypher "1895". The reverse covered with red velvet. Gilt frame with kiot of wood (minor flaws), behind glass. Dimensions of icon 26.5 x 22.2 x 2.7 cm. Dimensions with kiot 37 x 32 x 8.2 cm. Good condition and excellent quality.Condition: I - IICondition Report:Russian, russie, russe
Los 1030
A heavily decorated large low charger, possibly Scandinavian, the centre with geometric patterns, circles and crosses in enamel and gilt; the rim with deers, hares and a fox, pine trees and other fauna, on a white ground; the base decorated with a blue border and blue to the base, and small flowers; with painted mark of a V or A inside a green rectangle within two blue circles; 42cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1061
A vintage white enamel Prince Wares flour storage jar with lid, a blue enamel rice storage jar and lid with two matching sugar jars and lids, various other vintage enamel wares; a set of weighing scales; a baking tray for cakes with embossed ivy leaf and shell decoration; vintage biscuit and tea tins and other items. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1071
A late 19th century French eight day walnut veneer and ebonised mantel clock striking on a bell, with a white enamel dial and black Roman numerals, 22cm high, 24.2cm wide (max), 13cm deep (max); together with a 400 day anniversary clock, circa 1930s, with a domed glass cover, (part of escapement missing), 29cm high. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1072a
A miniature oak longcase clock and storage unit, with a thirty hour pocket watch movement – English Lever by A. Yewdall Leeds – the white enamel dial with black Roman numerals and subsidiary seconds dial, 34cm high, 9.7cm wide, 6.8cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1110
An early to mid-19th century thirty hour long case clock, John Braund (1823-83) Hatherleigh, in a stained wood cased, the enamel dial with black Roman numerals and hands, the corners decorated with flowers and the centre with shells, picked out in gilt, weights and pendulum, 198cm high, 47.5cm wide, 25cm deep. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1160
A French made brass cased carriage timepiece in travelling case with sliding glass panel and key, the white enamel dial inscribed “inspected by John Barker & Co”, height to include handle 16cm. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 1234
An early 20th Century white enamel bread bin; a two handled white enamel bowl; four other white enamel bowls; a white enamel jug and a more modern enamel coffee pot. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
Los 232
A 20th Century Chinese Republic period Oriental Qianlong mark porcelain ceramic sleeve vase / pillow headrest having a deep ochre red ground with polychrome enamel floral sprays and medallions. Central image depicts a group of women playing a game on table. Six character Qianlong reign mark in Zhangzhou seal script. Measures approx; 33cm long.
Los 110
A RARE EMERALD AND ENAMEL 'PANTHÈRE' RING, BY CARTIER, CIRCA 1980Designed as two roaring panthers facing each other, their coat embellished with black enamel spots, with circular-cut emeralds for eyes, mounted in 18K gold, signed Cartier, numbered, maker's mark, French assay mark, with maker's case, ring size L¾ (size 52)The 20th century was a pivotal era for the status of women within society. Persevering through two world wars, women were granted greater responsibilities within the workplace and were able to assume roles previously reserved solely for men. Years of strife finally resulted in the female right to vote and, gradually, the gender equality gap began to lessen. Striding alongside these changes was Cartier, leading the way with jewellery design set to embody and empower the modern woman. In particular, Cartier's Panthère design announced itself as the ultimate accessory for the confident feminist. The exotic allure and charm of the big cat acted as a testament to female beauty whilst its intelligence and strength stood proudly for the reawakening of women in society.Initially, inspiration from the big cats could be seen in interior design where their prints were used prolifically in soft furnishings. However, it was not long before the idea slipped into other areas of fashion and, in 1914, Cartier paid its first tribute to the panther in a marketing image for an upcoming jewellery exhibition. Louis Cartier commissioned George Barbier to create 'Dame à la Panthère', an image depicting a goddess-like lady standing with a recumbent panther at her feet. In the same year, the leopard's spots were spied on a Cartier wristwatch, demurely paving the way for bigger designs to come.In 1913, Louis Cartier had hired Jeanne Toussaint as Director of Bags, Accessories and Objects but, inspired by her creativity and intuitive knowledge of upcoming trends, Cartier later took her into the jewellery department. Fondly, Cartier began to call her 'La Panthère', a creature which she epitomised by her rebellious spirit, sharp mind and infinite charm, helped along by the full-length panther coat which she frequently wore. Cartier's first figural representation of the panther came in a gift from Louis to Jeanne, a cigarette case beautifully adorned with a leopard set between two trees.Having spent twenty years imparting his knowledge on jewellery techniques, settings and gemstones, Cartier relinquished his title as Creative Director of Jewellery and established Toussaint in his place. At a time when there were very few women in positions of leadership, Cartier was firmly moving alongside modernist ideals and putting his faith in 'La Panthère'.Working closely with Cartier's designer Peter Lemarchand, Toussaint set about bringing her emblematic animal to life and she encouraged her designers to spend time in Paris' zoo, sketching the cats from all angles. In 1935, the first three-dimensional depiction of a panther was realised in the form of a ring bearing a central ruby set to either side with a panther head. Just over ten years later, the panther became an icon when the Duke of Windsor commissioned a brooch for his wife, Wallis Simpson. For the first time, the panther was presented in full, its elegant figure regally set atop a 116.74 carat emerald. The following year, the Duchess purchased a second panther brooch and, soon after, Cartier's cats could be seen prowling the bodies of influential women across the world. A continuous patron, Mrs. Simpson bought many pieces from Cartier and her 1952 panther bracelet set a world record when it was sold in 2010 for an incredible $4.4million.Toussaint's reinvention of the panther continued to inspire throughout her career, her reign as Creative Director seeing the first panther head earrings, panther bangles and a myriad of brooches. Eventually persuaded by age, Toussaint retired in 1970, leaving behind nearly four decades worth of innovative design. Her panther collection had become an integral part of Cartier's jewellery division and it is continued today with customers repeatedly delighting in the strength of the panther.Condition Report: Minor signs of wearTotal gross weight approx. 17.06gMaker's case in very good condition
Los 15
A MID-19TH CENTURY OPAL, ENAMEL AND GARNET BANGLEThe hinged bangle decorated with floral and foliate scrolls throughout, terminating with two gargoyle creatures' heads, each with an opal cabochon crown and cushion garnets for eyes, within a blue and white enamel heart-shaped frame, mounted in gold, with a maker's mark 'E(head)5', inner diameter 7cmCondition Report: Blue & white enamel in good conditionGarnet eyes: well matched in colour, overall in good conditionTotal gross weight approx. 32.65g
Los 21
A LATE 19TH CENTURY EMERALD, ENAMEL AND SEED PEARL BANGLEThe hinged bangle set to the centre with a square-cut emerald weighing approximately 10.00cts, framed by seed pearls and beadwork detail, continuing with single-cut diamond star motifs on applied black enamel throughout and between borders of further beadwork detail, mounted in 18K gold, French import marks, with later case by 'Henri Martin, Nice - Paris - Vichy', inner diameter 5.5cm (with gold security chain)Condition Report: Emerald: approx. 10.00cts total, of light/medium tone, natural inclusions visible with naked eye, some surface reaching inclusions observedEnamel: overall in good condition Diamonds bright and well matchedTwo owl marks located on the tongue of the clasp for 18K imported in FranceTotal gross weight approx. 38.20gNormal signs of wear, overall in good condition
Los 26
A LATE 19TH CENTURY DIAMOND OPEN FACE LAPEL WATCH, CIRCA 1890Jewelled keyless manual wind movement, white enamel dial with black Roman numerals and minute track, blue minute Arabic numerals, gilt fancy hour and minute hands, plastic crystal, silver-topped gold case, hinged case back set throughout with rose-cut diamonds, with similarly-set diamond suspension bow and suspending from a similarly-cut diamond bow brooch, back case opens to reveal inscriptions 'Fontana Fres, Galerie de Valois 122, 123, 124. Palais Royal, Paris', Case no. 8972, mounted in silver and gold, within case, 4.7cm, case width 2.3cmCondition Report: In running condition at the time of inspectionMovement observed to be cleanDiamonds: bright and well matchedTotal gross weight approx. 22.65gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
Los 70
A SAPPHIRE, ENAMEL AND GOLD SERPENT BRACELET, CIRCA 1960Designed as a swirling snake with gold articulated scales, the head decorated with green, blue and brown enamel, two circular-cut sapphires for eyes and three further similarly-cut sapphire accents, mounted in gold, length approximately 21.6cmCondition Report: 5 blue sapphires: dark tone, all well matched in colourEnamel: Some minor signs of use, overall in good conditionNormal signs of wear, overall in good conditionTotal gross weight approx. 42.70g
![* Peter Campbell [1931-1989]-St Francis,:- enamel, signed and inscribed on a label attached to the backboard, 29 x 36.5cm, to](https://cdn.globalauctionplatform.com/adefc9e7-750e-48ff-82ca-ad23011e6f2c/11ca2733-29cd-408d-a170-ad25010ed4bf/468x382.jpg)
Los 229
* Peter Campbell [1931-1989]-St Francis,:- enamel, signed and inscribed on a label attached to the backboard, 29 x 36.5cm, together with a similar enamel of a county house, a small watercolour of the same and two other small enamels. [5]* please see www.bhandl.co.uk for further images of this lot
Los 1280
A Beijing lavender- ground enamel dishQianlongpainted with a vase of flowers surrounded by Buddhist emblems inside a barbed rim, the underside with scattered blue and gilt leafy sprays against a yellow ground, four character mark, 27.5cm diameterSome cracks, scratches and wear to the enamel
Los 1305
An unusual Japanese lacquer three-case saya inroEdo period, 19th centurythe saya inlaid in enamel with a bird flying over a shibayama style riverbank, the inro decorated with flowers, the ends in nashiji, 8cm high Very fine crack/scratch to the lacquer immediately above the bird's left wing.It is not visible on the interior wall. Tiny losses to the applied decoration on the riverbank. Some very light wear to the inro
Los 1501
A 9ct gold cased, keyless wind, half hunting cased lady's fob watchWith an unsigned gilt jewelled cylinder movement, 9ct gold inner case, import mark London 1910, case diameter 32.4mm, with a base metal long guard chain (2)Movement working, 9ct gold inner case has a few shallow dents, dial in good condition, dial cover is a plastic replacement, caseback has a few shallow dents, case hinges are ok, enamel to case front in good condition,
Los 1502
An 18ct gold cased, half hunting cased lady's fob watchThe unsigned gilt jewelled lever movement numbered 196312, the caseback monogram engraved, Birmingham possibly 1902, gross weight 40.6 gms, case diameter 36mm, with a caseThe watch is currently not working, balance wheel is free, haircrack to dial extends from the edge just after 6 o'clock towards 1.30, there are two further dial haircracks, each of curved form, one between 7.30 and 8.30, the other between 10.30 and 12.30, the watch glass is currently loose, although when secured, it easily pops out again. The back of the watch is single cased, the case front enamel has a few minor surface nicks, but no unsightly chips, the suspension bow is 18ct gold. One dent to case edge by where you depress the button to change the time, case front hinge good, otherwise a few surface marks to the case, apart from the one specified, the others are not too bad.There is no inner dust cover. The watch is fully hallmarked to the single case.
Los 562
A painted enamel on copper plaqueProbably by Theophile Soyer, late 19th/early 20th CenturyOf rectangular convex form, depicting a cavalier standing at the bottom of a staircase, signed to the lower right corner 'TS', in a gilt-wood frame with a velvet mountThe plaque, 22cm x 12cm approximatelyCondition report:- Fine craquelure to the enamel throughout - Two blue specks one on his cheek and one above the hat appear to be manufacturing flaws- Small shallow indentation to the boot- Securely mounted in the frame- Two small glued breaks to the gilt gesso frame- Generally nice overall
Los 650
A large George III gold, enamel and hair-work mourning pendant/locketLate 18th/Early 19th centuryThe reverse with a blue enamel border and a glazed compartment with a lock of hair and gilt-metal thread (length 9cm), together with a portrait miniature of a young gentleman, watercolour, unsigned, in a red leather case 7.5cm x 6cm
Los 658
A brass cased clock barometerBy Richard A Paris, Circa 1840The drum-shaped case enclosing a two-part enamel dial , detailed 'METALLIC BAROMETER' 'E Bourdon & Richards Patent Paris', the movement and back plate signed 'Richard a Paris' 14.5cm diameterCondition report- A few hairline cracks to the dial- Movement functions but would benefit from a proffessional service
Los 666
Sir Winston Churchill's brandy balloon, circa 1960With large tulip shaped bowl decorated in white enamel with monogram WSC, outlined in gilding, signed E Pope, with plain stem and foot, 21cm highFootnote:This superb brandy glass, along with lots 665 and 667, has come to light following the sale of another from the set, sold in these rooms, Tuesday 9th March 2021, lot 710. They are offered for sale for the first time, having come directly from a branch of the Churchill family. The original set consisted of six such balloons, the whereabouts of the remaining two is currently unknown.Provenance:Sir Winston Churchill and thence by family descent.
Los 716
A Napoleon III gilt-bronze mantel clockBy Le Roy et Fils, ParisModelled with a Bacchic goat and two cherubs, the enamel dial with Roman numerals, the movement stamped '3363', striking on a bell, mounted on a shaped giltwood and velvet plinth with a rosewood stand, with a pendulum stamped 'Le Roy & Fils, Paris', and two winding key 31cm wide; 42cm highCondition report:- General dirt and dust overall, and would benefit from a thorough clean. - The movement currently functioning when wound, but would recommend professional servicing.- Rosewood stand probably associated and lacking glass dome.
Los 718
A French gilt-bronze and Sevres style mounted mantel clockBy Japy Frères, late 19th CenturySurmounted with a bird and foliage above a white enamel dial with Roman numerals, the movement stamped with Japy Frères cachet, striking on a bell, with pendulum and winding key42cm high; 44cm wideCondition report:- Lacking an element from the foliate mount at the top of the clock, possibly a bird. - Dial cover probably replaced. - Chips to the enamel dial, particularly around the winding hole and centre. - Two feet later added. - Case probably re-gilded. - Movement runs when wound, but we would recommend professional servicing.
Los 723
A French gilt-metal and rouge marble mantel clockLate 19th centurymodelled as two cherubs and a cockerel, 3.5in white enamel dial with Roman numerals, the movement striking on a bell, with a pendulum41.5cm wide; 39cm highCondition report:- Red adhesive filler in the veins of the marble base and numerous chips- Enamel dial is dirty and requires professional cleaning - Gilt metal is tarnished and would benefit from cleaning
Los 702
A James Powell & Sons Whitefriars Sea Green glass Bellows decanter and silver stopper designed by Harry Powell, flattened disc form with white enamel melted thread Art Nouveau swirl design, the silver top with ball finial, glass unsigned, silver top stamped J P & Sons, London 1906, 26.5cm. high, (2) Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 107 plate 43 no.2 for a comparable example illustrated. This design was exhibited at the Turin Exhibition 1902.
Loading...-
396325 Los(e)/Seite