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396325 Los(e)/Seite
Los 10
A gem set monkey head desk seal,19th century, the naturalistically modelled monkey head, with an oxidised finish with rose cut diamond set eyes, a ruffle style headdress tied with a bow, decorated with turquoise blue enamel, enamelled teeth, pear shaped garnet drop earrings and a collar with a cabochon garnet centrepiece. The head mounted to the top of a tapering cylindrical column with white guilloche enamel to a wavy ground, held in a pierced and engraved gold sleeve decorated with scrolls, to a base with stylised hearts and leaves to a textured ground. A cartouche shaped chalcedony tablet seal engraved with a coat of arms and motto. Tested as approximately 18ct gold, 72mm long
Los 14
A gold mounted Swiss enamel demi parure, c.1850, the brooch with waisted sides and cut corners, with pierced scrolls between, the enamelled plaque depicting three young ladies in Swiss national costume, contra enamel to read ‘Unterwalden, Berne, Zug’, together with a pair of pendant earrings with detachable pendant drops, each with an oval enamelled plaque top with scrolls below to Continental hinged fittings, the detachable plaque drops each enamelled to depict a young lady in national costume, contra enamel to one reads ‘Vaud’, the other reads ‘Berne’ (3)
Los 19
A gold archaeological revival fob by Carlo Giuliano, a series of four rectangular plaque links, each with an applied repousse theatrical mask in the Greek and Roman taste, joined with spiral style hinges. Three graduated beads to the top with a trefoil cluster at the bottom. Maker’s mark verso. A later replacement swivel clip to the top, with a later bolt ring to the bottom, with a Victorian matching gold hardstone seal and watch key, both decorated with blue enamel (3) Carlo Giuliano (1831-1895) It is believed Giuliano began work in Naples for the Castellani workshop, before moving to London to open a workshop for Alessandro Castellani. His early archaeological revival work is similar to that of Castellani, with his later Renaissance Revival style jewellery proving extremely popular. For illustrations of other pieces of this type, please see Geoffrey C Munn ‘Castellani and Giuliano: Revivalist Jewellers of the Nineteenth Century’, illustration 103, or Lot 9 from ‘The Judith H Siegel Collection’, 06/12/2006, New York.
Los 31
An 18ct gold key wound open faced pocket watch, London, 1867, the gilded engraved dial with black Roman numerals and blued fleur de lys hands to an engraved feather edge bezel. Case 40mm diameter with an engraved pendant, bow and back. Case with a vacant cartouche, a polychrome enamel border of forget me nots and leaves to an engraved scalloped border
Los 32
A circular ruby, diamond and enamel brooch, c.1910, a central synthetic ruby surrounded by six petals, each set with a pair of rose cut diamonds, mounted to a hexafoil shaped green guilloche ground, with a Swiss cut diamond set to each lobe. White enamel infill with gold detail, to an outer border of peg set pearls. 25mm diameter overall. Tested as approximately 15ct gold
Los 33
An Art Deco circular enamel pendant,17mm diameter, a milligrain quatrafoil centre with leaf shapes, each set with a rose cut diamond, mounted to a pink guilloche ground with a white line border, pink guilloche verso, tested as approximately 15ct gold, a similar mauve guilloche enamel example, with a peg set pearl at the centre, glazing to the reverse deficient, marked 15ct and tested as 15ct gold, a ladies silver gilt Edwardian wristwatch, decorated with turquoise enamel to the bezel and back, with garlands and a swallow to a circular waves ground, together with a Continental sky blue guilloche enamel bangle and a cased set of Edwardian enamel blouse buttons (5)
Los 35
An Edwardian blister pearl and turquoise pendant, with original fetter link chain marked 9c, an aventurine quartz egg pendant, with an enamel ladybird mounted to the front, suspended on a modern 9ct gold belcher chain, an Edwardian circular hinged gold locket and chain, marked 9c, together with an Art Deco moss agate tablet ring, marked 9ct (4)
Los 94
A silver nib wipe in the form of a boot brush, by Sampson Mordan & Co, London 1900, a silver mounted green glass ink pail by Cohen & Charles, Birmingham 1896 and an Edwardian silver and enamel letter clip modelled as leaves, by Corke Brothers & Co, London date letter unclear, on a plain circular base (3)
Los 591
After Jean Penicaud, a French Limoges enamel plaque, in a velvet frame depicting Christ with Saints, 5.75 x 5.5in (14.6 x 14cm), a smaller plaque depicting a female saint in a rocky landscape, on a stand, together with a triptych depicting the flagellation, signed with initials `P C` and dated `1556`. (5) Damages.
Los 652
A 1936 Berlin Olympics walnut and enamel cigarette box , decorated with a flaming torch and a Swastika, the underside of the lid with a metal rondel inscribed `DESIGNED, MANUFACTURED AND FINISHED IN THE WORKS OF JOSEPH LUCAS LIMITED BIRMINGHAM, ENGLAND`, 3in (7.2cm) h, 8.5in (21.3cm) w, 3.5in (9cm) d.
Los 40
AN ARTS & CRAFTS PEWTER MUSTARD POT AND SPOON, WILLIAM HUTTON & SON, SHEFFIELD, c. 1900, of cylindrical form with hinged cover fitted with thumbpiece and pierced stylised handle, the body decorated with a chevron band of black and white enamel, blue glass liner and original spoon, marked “Hutton Sheffield”, “English Pewter” and no. 02833
Los 185
A GROUP OF CHINESE OBJECTS, comprising two watercolours on silk depicting women in a landscape; a small blanc de chine porcelain Guanyin; Song dynasty libation cup; two small enamel painted porcelain bowls; a hardstone carving of a dragon’s head; and an agate carving. (6). First 21.5cm by 19cm
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396325 Los(e)/Seite