A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.
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A French belge noir and verde antico marble drum-head mantel clock circa 1890, the eight-day bell-striking movement with visible brocot escapement to the two-piece Roman numeral enamel dial, the case with side scrolls supporting movement drum, on plinth base with shallow arcade apron, 32cm high.
An unusual Regency brass inlaid rosewood drum-head mantel clock case, with white enamel Roman numeral dial within a foliate inlaid octagonal surround with ring side handles and turned finial, over contrepartie inlaid shaped apron and plinth with unusual scene of horseman performing tricks with five horses, on bun feet, 54cm high.
A late 19th century French belge noir marble mantel clock retailed by Parsons & Son, Bristol, the eight-day bell-striking movement with two-piece white enamel Roman numeral dial and visible brocot escapement, in shallow arch-top case with red marble inset angles and gilt line border decoration, hairline cracks to dial, 30.5cm high.
A French month-going mantel regulator circa 1820, in later mahogany four-glass case, the circular movement with external pinwheel escapement on the backplate, outside countwheel strike and substantial grid-iron compensated pendulum, the convex Roman numeral enamel dial signed 'Gravant A Paris', with centre seconds within fine engine-turned gilt bezel, the plinth form case with ebonised mouldings and fluted uprights, on stepped plinth base, 51cm high.
A French Louis Phillipe Gothic Revival ormolu portico mantel clock, the eight-day bell-striking movement with elaborate grid-iron compensated pendulum, the bob cast as a rose window, the twelve-piece Roman numeral enamel cartouche dial with conforming cast centre, the case with leafy pointed arch centre and arcaded frieze over cluster column uprights and moulded plinth base, 44cm high.
A Paris porcelain eight-day mantel clock circa 1860, the outside countwheel bell-striking movement with blue on white enamel Roman numeral dial signed 'Hodgkins & Co, A Paris', in a plinth form scroll sided waisted case, polychrome floral painted with shaped panels on a gilt and blue fishscale and lattice ground, on integral scroll supports, 22cm high.
A French Louis XVI style small ormolu mantel timepiece circa 1880, the eight-day movement with white enamel Roman numeral dial, in break-arch case with foliate finial and tied ribbon crest over ram's head applied canted corners, with blue glazed aperture within husk borders to frieze, the sides similarly glazed, on small bun feet, 26cm high.
A French Louis XV style ormolu mantel clock signed 'Raingo Fre's, Paris', circa 1850, the bell-striking movement with silk suspension and twelve-piece enamel Roman numeral cartouche dial with gilt foliate cast centre, the waisted openwork scroll cast case with finely chiselled detail incorporating Hoho bird and a dragon beneath the dial, on integral scroll feet, the case numbered 1069 35cm high.
A 19th century French white marble and gilt metal mounted mantel clock of square tapering form with fluted sides, with bearded mask mounts to the sides and scrolling foliage and shell decoration to the feet, having a 10cm. enamel dial signed 'Raingo Fres a Paris', the circular twin drum movement with outside countwheel striking to a bell, 47cm. wide.
A late 19th century French blonde tortoiseshell mantel clock, the cushion moulded top with brass carrying handle and four finials, with arched brass fret cut panels to the sides, on a rectangular base with gilt feet, the 12cm. enamel and painted Roman dial with floral swags, having a circular twin drum movement striking to a gong, the back-plate stamped 'J. Masti', 37cm. high.
A collection of 28 metal & enamel racing members' badges dating between 1884 & 1938, comprising: Birmingham (1935), Epsom (1934), Hurst Park (1890), Kempton Park (1924, 1926, 1928, 1931 & 1933), Leicester (1936), Lingfield Park (1928), Newbury (1938), Newmarket (1922, 1923, 1925 & 1926), Phoenix Park (1924-25), Plumpton (1915), Pontefract (1936 & 1937), Redcar (1937 & 1938), Salisbury (1933, boxed), Sandown Park, (1884, a pair for 1912, 1920 & 1933) & York (1937)
A collection of 45 metal & enamel racing members' badges dating between 1946 and 1969, comprising: Ascot (1947 & 1952), Beverley (1966 & 1969), Cheltenham (1968), Chepstow (1963), Doncaster (1949), Folkestone (1963), Fontwell Park (a pair for 1969), Great Yarmouth (1969), Hurst Park (1953 & 1963), Newmarket (1947 & 1956), York (1946, 1947 & 1948), Kempton Park (1947, 1948, 1949, 1950, 1954, 1955, 1956, 1958, 1961, 1962, 1963, 1965, 1966, 1968 & 1969), Liverpool (1958), Market Rasen (1958), Nottingham (1964), Royal Western Turf Club (1964-65), Sandown Park (1948, 1955 & 1956), Wetherby (1969-70) & York (1963, 1965, 1968 & 1969)
A Tibetan embellished gilt copper repousse box and cover, 18th Century of circular form, decorated with Buddhist emblems, scrolling lotus and leaves - 4 7/8in. (12.3cm.) diam.; a Chinese gilt copper stand embellished in blue enamel and lapis, a circular gilt bronze pierced stand and two Tibetan gilt copper fragmentary sections, 18th and 19th Century. (5)
Two Chinese carved mother of pearl shells, 18th/19th century decorated with panels of figures in boats before pavilions, trailing flower sprays and foliage - 9?in. (24cms) wide max; and a Canton enamel wall vase painted with a panel of bats amongst peaches and lingzhi on a ground of scrolling flower sprays - 7?in. (19.6cms) long, fitted wood stand. (3)

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