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396323 Los(e)/Seite
A Norway silver, 'Ceson' punch cup with hammered decoration and gilt interior. Together with a collection of silver jewellery including an, 'Orro' pink enamel butterfly pendant, two silver bracelets, enamel fish charm, coral apple pendant and two white metal rings. Weight approx 1.75oz. (B.P. 21% + VAT)
Two boxes of assorted items, to include: a set of three brown enamel 'Judge' ware pots, a tin lamp, an enamelled kettle, a metal bucket and an enamelled bucket, two small wall barometers, one with carved frame (British made), a wooden early 20th century mantle clock marked 'Newport'. (2) (B.P. 21% + VAT)
A 17th century 'Stuart crystal' pendent brooch, circa 1680 The oval plaque with hairwork centre on blue ground, applied with two putti holding a crown above a gilt thread cypher, beneath a faceted crystal, within a frame of split pearls and garnets in foiled closed back setting, the reverse decorated with white, pink and black enamel, suspended from a later surmount, set with a baroque split pearl and three circular-cut garnets, hook fittingDimensions:Width: 2.5cmNote: The type of jewels popularly known as 'Stuart Crystal' were created as tokens of love, loyalty and commemoration from the mid-17th and until the early 18th century. Initially created to commemorate the death of King Charles I and the Stuart monarchy, panels of woven hair, monograms, crowns and initials in gold thread were set in gold or gilt beneath faceted rock crystal or paste covers to wear as rings or slides around the neck or wrist. Some of the more elaborate examples were embellished with coronets, hearts, skeletons and winged putti decorated in polychrome enamel. The enamel on the reverse is a style created by Gilles Légaré, a French jeweller and enameller of the 17th century.
HENRY BONE (BRITISH, 1755-1834) AFTER CORREGGIOPortrait miniature of Caesar Borgia, Duke of Valentinois (1475-1507), in robes and a hatsigned, dated and inscribed ‘Caesar Borghia / Painted by Henry Bone A.R.A. / Enamel Painter to HRH The / Prince of Wales, after the Original / Picture by Corregio in the Collection / of Tho. Hope Esq. / London / October 1805.’ (on the counter-enamel)enamel on copper90mm diameterin a gilt-metal mountProvenanceSotheby’s, London, 27 March 194, lot 78 (part lot), acquired by Mikel Papier, thence by descent. LiteratureR. Walker, ‘Henry Bone’s Pencil Drawings in the National PortraitGallery’, The Walpole Society, LXI, p. 335, no. 340 and p. 316, no.65. FootnoteAnother version of the present miniature was sold Christie’s, London, 3 June 2015, lot 449 (part lot).Condition reportVery minor flecks of staining, upper right to borders, generally sound. No sign of fluorescence under ultraviolet, unexamined out of frame.
A collection of silver-plated itemsto inlcude a Norwegian 830 silver bowl, engraved and centred with an enamel roundel 'Norsk St Leger 1971 Royal Park', stamped and makers mark J Tostrup', 25cm diameter; other horse racing memorabilia and pewter tankards, a lemonade jug and cover, (qty)Condition ReportAll worn. Hoof mounts with photo mounts, loose or missing. Variously inscribed. One lacking hoof.
A pair of Russian silver and enamel saltspossibly by Gustav Klingert, Moscow, 1895, each of globular form raised on ball feet, the sides cloisonne enamelled together with a spoon2.5cm high1.8ozt (3)Condition ReportSmall dents to both rims.Enamel cracked in places.Surface scratches to interiors and bases.The spoon with losses to enamelling.
A collection of silver items, to include a silver repoussé dish, marked 900, 15cm diameter, a German silver desk seal with blind matrix marked 800, two sterling silver compacts with mirrored interiors, one with a guilloche enamel lid, a sterling silver napkin ring, a Norwegian silver teaspoon, marked 835, and similar items,10.2ozt totalCondition ReportSurface marks/scratches/tarnish to all.Some pieces are silver components from larger items.Sterling silver napkin ring cracked and split.Mirrors to the compacts chipped.Seal, pepper pot, compacts and other hollow items dented.
A collection of Japanese Imari plates,19th-20th century, comprising: eight lobed plates, all decorated with flowers in shaped panels, 13.5 to 45cm widetogether with a blue and white plate, similarly decorated, 21cm diameter (10)Condition ReportBlue and white plate - rim chipped and cracked, restored, surface scratches, transfer printed.Imari - Surface scratches, gilt and enamel losses throughout, two chipped and restored to the rim, largest with glaze frits to rim, three cracked, square plate chipped and cracked to the foot rim.
A Chinese enamel quatrefoil dish,18th to 19th century, depicting a European man and a Chinese figure seated in a landscape,11.5cm x 10cm together with eight Chinese enamel sectional bowls,19th to 20th century each depicting figures in a landscape,15.5cm wide (9)Provenance: The Estate of Sir Jack and Lady Baer.Condition ReportQuatrefoil - wear, damage and repair to top edge.Eight - extensive damage.
A marble and gilt-bronze mantle clock,19th century, surmounted with an eagle, with arabic numerals on a plain enamel dial, the case mounted with laurels, raised on a white marble columned stand, 40.5cm highCondition ReportChips to the winding hole. Loose mounts. With pendulum. chips to the base. Winds and runs - no guarantee completely working
A French Empire mantel timepiece,the drum shaped case seated on an ormolu scrolled base with an enamel dial within an engine-turned ormolu mount below a ribbon-tied swag of oak leaves and acorns and a spread eagle, the drum movement with an applied plaque 'F. Baetens, Gerrard St. London',27cm highProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportProbably a matched pendulum.Complete with key.Movement not tested.Enamel part of the dial – 8.7cm diameterGilt metal section surrounding the dial - 11cm diameter
A French Empire ormolu mantel timepiece,early 19th century, the enamel dial inscribed 'Barrauds, Cornhill, London, 1189', flanked by an angel holding a plaque, she has inscribed 'Waterloo', the base with applied wreaths on turned feet, the movement a French drum,30cm highProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportRepair to enamel around winding hole.No back plate.Movement exposed.Pendulum but no key.Not tested for working order.The clock does not tick freely when the pendulum is not attached. The main spring is windable and does not feel broken or hindered when operating the key.
A Norwegian cased silver gilt and enamelled spice set,1925, by David Andersen comprising a small bowl, a spoon and a shaker, all decorated with yellow guilloche enamel in a reeded pattern, the bowl stamped 'D-A 925S Norway Sterling' to the underneath, the bowl 6.5cm diameter, 1.74oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith very little wear. Some minor buildup to the recesses.
A Victorian black lacquered and papier-mâché wall clock,with painted floral decoration and mother of pearl insets, the enamel dial supporting a two-train movement,76cm highdial 29cm diameterProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportWorn.Dial with crqueleuer and discoloring.Complete with pendulum, no key.Movement not tested.
A cased silver compact and cigarette case,by Adie Brothers, Birmingham 1933, both decorated with green guilloche enamel in a jagged sunburst pattern, the cigarette case internally gilt, the cigarette case 9 x 8cmthe compact 8cm diameter6.4oztFrom the private collection of a Cambridge Gentleman.Condition ReportThe silver with general tarnish and wear. The enamel to the cigarette case with a small flat chip to the upper right corner.
A cased silver compact and cigarette case,by Adie Brothers, Birmingham 1935, both decorated with green guilloche enamel in a sunburst pattern, both with clusters of black enamel to the corners, the cigarette case internally gilt, the cigarette case 8.5 x 7cmthe compact 7cm square5.85oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish to the inside of the cigarette case. The compact with traces of an old powder insert. General tarnish to the silver.
An enamelled silver compact,by Henry Clifford Davies, Birmingham 1939, of round form, the lid with white guilloche enamel with an engine-turned rim, painted to the centre with a floral arrangement in a blue vase, 8cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish to the silver. Some faint scratches to the enamel. Open and closes easily. Marks around the edge of the mirror.
A George VI enamelled silver compact,by J. Gloster Ltd., Birmingham 1946, of round form, the lid with white guilloche enamel over an engined turned sunrise pattern with handpainted branches of yellow and pink roses, 7cm diameter2.25oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some scratches to the enamel. The silver with some tarnish and wear.
A German silver cigarette case,1920s, possibly by Bihlmeyer & Co, of oblong form, the exterior with engine turned decoration, with a horizontal band of guilloche enamel with gilt swags, internally gilt, 8.5 x 5cm2.76oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some scratches and marks to the exterior. Some spots of tarnish. The gilding with wear.
An Art Deco enamelled silver cigarette case,by Deakin and Francis Ltd., Birmingham 1938, of rectangular form, the lid with blue guilloche enamel over an engine-turned wavey sunburst pattern, internally gilt, 8.5 x 6cmFrom the private collection of a Cambridge Gentleman.Condition ReportThe enamel worn and slightly faded to the edges. The silver with tarnish and wear.
An Art Deco enamelled silver cigarette case,by Henry Matthews, Birmingham 1927, of oblong form, the lid and bottom with yellow guilloche enamel over an engine-turned geometric pattern, both sides with a black enamel rim, intenrally gilt, 5 x 9cm 2.67oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith a small flat chip to the black enamel to the lid. With general tarnish and wear to the silver.
An Art Deco enamelled silver cigarette case,by Joseph Gloster Ltd., Birmingham 1935, of rectangular form, the lid with green guilloche enamel over a machine-turned wavey sunrise pattern, with a central white waterfall cartouche, internally gilt, 8.5 x 7cm3.56oztFrom the private collection of a Cambridge Gentleman.Condition ReportThe gilding with rubbing. The case with some general wear and tarnish.
An enamelled silver compact,1930s, likely Austrian, of disc form, with blue guilloche enamel over a variety of engine-turned patterns with a floral rim, 7cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportNo apparent hallmarks - tested as silver. Some scratches and marks to the enamel.
An enamelled silver compact,1930s, likely Austrian, of disc shape, throughout with purple guilloche enamel over a variety of engine-turned patterns, the lid set to the centre with a perforated medallion of love birds, internally stamped '935 Sterling Silver', 6.5cm diameter, 1.86oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish to the unenamelled silver. The marks within with some rubbing. Some fine scratches to the enamel.
An Austrian enamelled silver compact,1920s, of square form with softly bevelled edges, decorated throughout in yellow guilloche enamel over various engine-turned patterns, the square lid with a painted landscape scene of two putti, internally with a bevelled mirror plate and a powder dispenser, stamped '487 Sterling Made in Austria, Ges. Gesch',6cm square, together with a matched lipstick case, 4cm highFrom the private collection of a Cambridge Gentleman.Condition ReportThe lipstick case with remnants of lipstick in the holder. Some minor scratches to the enamel. The silver with some tarnish and wear. Both open and close easily.
An Edwardian enamelled silver pill box,by Levi & Salaman, Birmingham 1909, of round form, the pull of lid of slightly convex form, enamelled in white guilloche enamel with a segmented blue rim and painted with a floral basket, 4cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith some scratches and wear to the silver. Some tarnish to the deeper recesses.
A small Norwegian enamelled silver compact,1920s, by Aksel Holmsen, of disc form, with orange guilloche enamel over a variety of engine-turned patterns, internally gilt, 3.5cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith some minor scratches and marks. Some tarnish and wear. No chips to the enamel. Opens and closes easily.
An enamelled silver pill box,with Glasgow import marks 1923, of circular form, the lid with electric blue guilloche enamel over a foliate ground centralised with an urn, 3.5cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish and marks. The exterior with some faint scratches.
An enamelled silver compact,by David, Moss & Co., Birmingham 1927, of circular form, the lid with pink guilloche enamel over an engine-turned pattern, 6.5cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith remnants of a powder insert within. With some tarnish and wear throughout - with more prominent buildup to the recesses.
A SET OF THREE GEORGE V PEPPERETTES. of ovoid form, with bands of enamel decoration (red, white and black), crested, gilt interior, by Pairpoint Brothers, London 1910, together with two Victorian pepperettes, one engraved and the other in the form of an urn; the engraved example 3.7" (9.5cm) high; 13.3oz (5). **BP: 22.5% (inc VAT) + Lot Fee of £8
A SET OF 4 ELIZABETH II ESCUTCHEON WINE LABELS. "BRANDY", "SHERRY", "GIN" & "WHISKY", by Francis Howard Ltd, Sheffield 1977, together with a pill box with an enamel cover, a vesta case (inscribed), a extending pencil and a small oval mounted wooden photograph frame; the frame 5" (12.7cm) high; 3oz (8). **BP: 22.5% (inc VAT) + Lot Fee of £8
BY PATRICK MAVROS OF ZIMBABWE:-. a Sable antelope, mounted on a hardwood base, maker's mark only, late 20th century, together with a continental mounted glass bowl with an enamel border, a Norwegian small enamel pin dish by Marius Hammer of Bergen, with import marks for London 1916 and a retailer's mark "Asprey", a set of 4 plated liquor labels, four enamel on copper perfume labels and a porcelain "PORT" label (lot). **BP: 22.5% (inc VAT) + Lot Fee of £8
BY STUART DEVLIN:-. a late 20th century silvergilt "surprise" egg, with a textured surface, opening to reveal a tree, with raised wire-work roots, varying colours of enamel Easter eggs and stick figures underneath, on a green enamel base, numbered 139, London 1982; approx 3" (7.6cm) high; 5.4oz gross. **BP: 22.5% (inc VAT) + Lot Fee of £8
BY STUART DEVLIN:-. a late 20th century silvergilt "surprise" egg, with a textured surface, opening to reveal a frog on a lily pad amongst reeds and another lily pad, on a green enamel base, numbered 139, London 1978 (A/F); approx 3" (7.6cm) high; 5.7oz gross. **BP: 22.5% (inc VAT) + Lot Fee of £8
BY STUART DEVLIN:-. a late 20th century silvergilt "surprise" egg, with a textured surface, opening to reveal two butterflies with enamel wings amongst anodized flower heads, numbered 139/300, in original fitted case, with certificate of authenticity, London 1975; approx 3" (7.6cm) high; 5.4oz gross. **BP: 22.5% (inc VAT) + Lot Fee of £8

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396323 Los(e)/Seite