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Preisdatenbank abonnierenGOOD SELECTION OF SILVER AND SILVER MOUNTED JEWELLERYincluding an Ola Marie Gorie brooch with purple enamel decoration; two Charles Rennie Mackintosh design pendants on chains; a pair of mother of pearl decorated earrings and a similar brooch; an agate set brooch; and a large marcasite set brooch, etc.
A 9 carat gold amethyst and split pearl brooch, length 2.7cm; an enamel heart pendant, stamped '750', length 2.2cm; a pair of knot earrings, stamped '750'; three pairs of 9 carat gold earrings; a 9 carat gold charm; and three further pairs of earringsAmethyst pendant - 6.6 grams. Enamel pendant - 2.1 grams. Knot earrings - 0.9 grams. Three pairs of 9 carat gold earrings and charm - 5.4 grams.
Silver vesta case, two Dunhill lighters, brass cased lighter, Waterman ink pen with 18ct gold nib, and matching ballpoint pen; silver money clip, brooches and badges including some items relating to the Sahara, Shakespeare, Pigeon Supporters Club lapel button, KKK enamel badge, stud case, etc (one box)
Poison scent sample pendant on woven necklace (boxed), Tendre Poison perfumed pendant in gilt metal with green enamel heart on silk thread necklace (original packaging); modern scent makers accessories and miniature scents including Ungaro, Thierry Mugler, Bulgari pour Homme, Cerrutti charm bracelet, other decorative items including hand mirrors, brooches, lapel pins, key fobs etc
A Royal Worcester trumpet shaped vase, by James Stinton, painted with a Cock and Hen Pheasant, signed and with printed puce mark, 16cm; together with a quantity of Royal Worcester blushware and a Locke & Co vase Stinton vase loss to one dart on the rim, pot pourri vase lacking cover, tallest jug, chip to the spout and badly cracked, Dragon handled jug with small spout chips, Locke & Co vase with flaking to the blue enamel
A Nymphenburg white figure of Anselmo, circa 1760Modelled by F.A. Bustelli, standing leaning on a stick, hunched forward slightly, bringing his left forefinger to his mouth in a silencing motion, wearing a hat, three-quarter length cape, lace collar, jacket and breeches, scroll-moulded base, 17.5cm high, impressed shield mark on top of base (finger and stick restored, section of base next to foot restuck)Footnotes:Provenance: European Private Collection since circa 1980Bustelli created 16 paired figures from the Commedia dell'Arte which appear in the factory's Inventory of Moulds in 1760. The source for this figure is a copperplate engraving by Martin Engelbrecht (dated to the mid 18th century, titled Sieur Geronte) a copy of which is known to have been in Bustelli's possession. Anselmo is depicted as an older man, soberly dressed, wearing a cape and holding his hat and cane. Bustelli animated his character and paired him with Corinne, the lady's maid who stands reading or singing aloud. His gesture to her hints at intrigue and may be to warn her to whisper or stop making a noise. Not much is known about the role of Anselmo, but some clues can be found in the dress and name of the figure as published by Engelbrecht. The clerical style of his hat and dress have led him to be named as the Abbé, or, as in the case of the Engelbrecht print 'Sieur [Seigneur] Géronte'. Géronte appears in Molière's Les Fourberies de Scapin or Scapin the Schemer, a three-act comedy of intrique, first staged on 24 May 1671 in the theatre of the Palais Royal in Paris. In the play, Scapino taunts Géronte and asks 'Quoi! jé n'aurai pas l'abantage dé tuer cé Géronte? et quelqu'un, par charité, né m'enseignera pas où il est? [What! I won't have the privilege of killing that Geronte? and someone, out of pity, will not tell me where he is?], and an exasperated Géronte answers: Ah! Scapin, je n'en puis plus. [Ah! Scapin, I can't take it anymore.]Two other examples of this rare model, one decorated in black enamel and another in the white are in the Bayerisches Nationalmuseum , Munich, and are illustrated by Katharina Hantschmann, Alfred Ziffer, Franz Anton Bustelli, Nymphenburger Porzellanfiguren des Rokoko, Exhibition Catalogue, 24 November 2004 - 13 March 2005 Munich, 2004, pp. 306 and 307. For another example of the figure see R. Rückert, Bustelli Munich, 1963, pl. 40. Another Anselmo is in the collection of the Victoria and Albert Museum, London.The most recent example of this rare figure to have been sold at auction appeared at Christie's London, 6 November 2008, lot 290, from a South German private collection.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen mantle clock, circa 1900On a rockwork base with three pastoral figures, edged with scrollwork heightened in gilding, puce and turquoise, the clock case with puce- and gilt-edged scroll feet and pierced trellis panels at the sides, applied with palm fronds and flowering branches flanking the clock face and surmounted by a seated boy holding grapes, the enamel dial with blue Roman and black Arabic numerals, with a pendulum, winding-key and black wooden pedestal, 42cm high (excluding wooden pedestal), crossed swords mark in underglaze-blue, incised model number 572., impressed numerals (one figure on base restuck, typical chips)For further information on this lot please visit Bonhams.com
A rare Meissen model of a Kingfisher, circa 1740Modelled by J.J. Kaendler or J.F. Eberlein, perched on a high rockwork base applied with leaft branches, leaves and an acorn, the plumage coloured in shades of green and salmon-pink, 22.8cm high (beak replaced, some retouched flaking to green enamel and minor chips to leaves)Footnotes:Provenance:Baron von Born Collection, Budapest (sold Lepke's Berlin, 4 December 1929, lot 135)The model of the kingfisher is mentioned in Kaendler's work records in September 1735 ('1 Eiß Vogel poussirt, wie er auf einem kleinen Stein-Klippen sitzet, daran etwas Blätterwerk gewachsen ist.' [1 kingfisher repaired, seated on a small rocky mound that is partially overgrown with leaves]; four were delivered to the Japanese Palace in March 1736. J.F. Eberlein's work records for May 1739 include a kingfisher seated on rocks modelled in clay.For further information on this lot please visit Bonhams.com
A Highly Decorative Set of Six Hallmarked Silver and Enamel Teaspoons, Turner & Simpson, Birmingham 1929, highlighted in yellow, with thistle finial, complete with matching hallmarked silver and enamel sugar tongs, Turner & Simpson, Birmingham 1930, in original A. Birkle 33 Market Place Loughborough fitted case.
Edwardian 15ct gold circular pink guilloche enamel and pearl pendant, with glazed back containing a dried flower, on a fine link chain necklace, boxed Condition Report:Approx 10.05gm, circular pendant diameter = 25mm, max pendant length = 55mm (includes the pearl which the pendant suspends from), necklace length = 44.5cm, well presented and in good condition, enamel good
Early 20th century 15ct gold milgrain set diamond and pearl oval brooch, with white enamel border, in Collingwood velvet and silk lined box Condition Report:Approx 4.9gm, tested 15ct, milgrain setting platinum, back pin 9ct, back pin detached from body needs re-soldering, some enamel loss, dimensions = 32mm x 16mm, diamonds and pearls secure and in good condition, box not original
Early 20th century 18ct gold keyless cylinder ladies pocket watch by Baume & Co, white enamel dial with Roman numerals, the back case with engraved decoration and cartouche, stamped 18KCondition Report:Approx 34.1gm, inner dust cover and bow not gold, bail attachment tested to 9ct gold, dial good, hands moving freely, movement currently functioning, case diameter = 33mm
Watkins Queen Bee chrome exposure meter keyless chronograph pocket watch, circa 1930, white enamel dial with Roman numerals, outer minute track, subsidiary seconds and thirty minute recorder, in original fitted caseCondition Report:Movement currently functioning and in good condition, dial very small loss at 7 o'clock to the edge and slight mark between 4 and 5 o'clock, 30 minute recorder loose but within the case needs fitting into place, push start stop function operating, galss with some light scratches, case hinge loosening, case diameter = 48mm
Tudor Oyster Royal gentleman's stainless steel manual wind wristwatch, Ref. 7903, Cal. 1182 with honeycomb dial, on blue leather strapCondition Report:Movement currently functioning and clean, original Rolex crown winds and screws tight, few light scratches to case, glass good, dial with some light discolouring, loss of middle enamel from hour and minute hands, case diameter = 31mm (excluding crown)
Omega Geneve Dynamic gentleman's stainless steel manual wind wristwatch, blue enamel dial with light blue centre seconds, on original brown leather strapCondition Report:Movement currently functioning, dial good, some very light scratches to case, replacement buckle on the strap (not Omega), hands move freely, case diameter= 40mm
Accurist Shockmaster gentleman's stainless steel manual wind chronograph wristwatch, black enamel dial, with two silver registers recording minutes and continuous seconds, on black leather strapCondition Report:Continuous seconds register functioning however red centre seconds and recording minutes not functioning, clean movement, hands moving freely, case diameter = 37mm
Bulova 666 Feet gentleman's stainless steel manual wind chronograph wristwatch, blue enamel dial, with two silver registers recording minutes and continuous seconds, on grey/blue leather strapCondition Report:Movement currently functioning and clean, dial good, push buttons functioning, winds, missing outer track on bezel, hands moving freely, light scratches to case, very light scratches to glass, case diameter = 31mm (excluding crown)
Aidix gentleman's gold-plated and stainless steel manual wind chronograph wristwatch, cream enamel dial with two registers recording minutes and continuous seconds, on brown leather strapCondition Report:Movement currently functioning, clean dial, glass very light surface scratch/ crazing, case light surface scratches, push buttons functioning, hands moving freely, case diameter = 37mm (excluding crown)
Lord Elgin gentleman's Art Deco 14ct gold 21 jewels manual wind rectangular wristwatch, movement stamped P530893, silvered enamel dial with painted decoration and subsidiary seconds dial, the back case stamped 14 karat gold, on brown leather strapCondition Report:Movement currently working and clean, well presented watch in good condition, soe unevenness within painted dial from centre toward 2 oc'clock not detrimental, approx 27.8gm gross (back case only approx 3.9gm, case diameter = 20mm (excluding crown)
Box: good quantity modern Titanic collectables including Westminster Titanic Centenary coin cover and stamp collection in two albums and packet of loose, miniature sheets, Danbury Mint collection of 50 enamel badges in original wooden display case + 5 framed and glazed prints/photographs etc
λ A SILVER AND ENAMEL BOWLJANE SHORT, LONDON 2009Enamelled and engraved with a band of purple clematis to a textured ground17cm (6 3/4in) diameter750g (24.1 oz)Accompanied by a hand drawn and painted preparation illustration, and a colour photocopy of an additional sketchJane Short studied jewellery at the Central School of Art and Design in London from 1972 to 1975. She then went on to study silversmithing at The Royal College of Art under the guidance of Gerald Benney and his master enamellers from Beenham House, Alan Evans and Robert Winter, who were visiting tutors at the RCA. Her works have been exhibited in galleries and museums throughout Britain and in Europe and North America. Jane's most famous commission was her enamel work on the Millenium Charger, commissioned by the Goldsmiths' Company to celebrate the Millenium. Condition Report: Marks are well struckStands wellEnamel goodGood condition overallCondition Report Disclaimer
λ A PAIR OF SILVER GILT AND ENAMEL GOBLETSGERALD BENNEY, MASTER ENAMELLER'S MARK FOR ROBERT VIDAL WINTER, LONDON 1971 With green and red translucent enamel over a bark effect textured ground, ivory coloured stems and on circular feet13.5cm (5 1/4in) high769g (24.7 oz) grossLiterature: Andrew J. and Styles D. 'Designer British Silver from Studios Established 1930 -1985', Antique Collector's Club 2015, p 104 for an identical green and ivory enamelled goblet dated 1970. The authors note that this 1979 goblet was an early example of Benney's enamel work, and would have been extremely difficult to execute as the surface is both large and curved. Gerald Benney commented himself during their early enamel experiments that 'For two years great crates full of rubbish. The least speck of dust, or a tiny air bubble, can ruin enamel'. Condition Report: Marks are well struckStand wellEnamel goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
λ AN 18 CARAT GOLD, ENAMEL AND OPAL OVAL BOXGERALD BENNEY, LONDON 1975With green translucent enamel over a diamond pattern ground and the cover set with an oval opal6.5cm (2 1/2in) long110g grossWith a Gerald Benney green leather caseCondition Report: Marks are well struckHinge goodCover closes flushCrack to the opalEnamel goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
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