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396323 Los(e)/Seite
Los 939
A 19th century continental yellow metal enamel and hardstone desk seal modelled in the rococo style in high relief, the hardstone seal being vacant, 5.5cms high; together with its companion propelling pencil, 10cms long, both in original fitted leather cases (2).Condition ReportVery minor losses to the enamel in places otherwise good overall condition, weight of both 48.5g.
Los 1032
A late 18th century George III silver pear cased pocket watch, the white enamel dial with dials for hours and minutes, fitted with a fusee movement with pierced cock and ruby end stone, signed 'John Eastfield' and numbered '7930', London 1796.Condition ReportThe dial is chipped and cracked in certain places, bow suspension is loose and slightly bent, case closes flush, has the usual scratches and marks commensurate with age, case diameter 45mm, the pear case is split and worn through where the sprung catch fixes, shuts flush and has general surface scratching.
Los 1033
A yellow metal (tests as gold) seed pearl and enamel fob watch, the white enamel dial with Arabic numerals, 3cms diameter (a/f).Condition ReportDoes not appear to be in working order, dial has no hands and is cracked at the 6 o'clock area, case front detached from case, otherwise good overall condition
Los 1034
A Jean Francois Bautte & Cie yellow metal (tests as gold) and enamel fob watch, the case signed and numbered '50318', the silver dial with Roman numerals, with matching chain and pocket watch key fob.Condition ReportWatch is 3cms diameter; there is a very very minor enamel loss to the key, no enamel loss to the watch but is slightly rough to touch at the 3 O'clock area on the front of the case, the dial has some staining around the edges, the rear of the case has a small chip at approx 6 o'clock position. The fob chain links are generally good with just the odd firing fault, mark and scratch, movement cover numbered and has light surface scratching, movement not signed, otherwise good overall condition, it does tick but comes with no guarantee. 20g
Los 1101
A silver mounted desk top strut clock, the white enamel dial with Arabic numerals and subsidiary seconds dial, Birmingham 1923; late Victorian silver mounted pocket watch stand, Birmingham 1900; together with a modern silver photograph frame (3).Condition ReportThe clock does tick but only for a short time and the movement appears to be overwound. The picture frame has some small dents but the watch stand is in a good overall condition.
Los 1359
A Chinese enamel box and cover, the cover decorated with figures within a landscape, 13cms wide; together with a hardwood box and cover, the cover inset with a jade type panel, 9cms wide (2).Condition ReportDamage to jade inset top and also the to the inside edge of the cover, damage to the cloisonne overall, as per images.
Los 1396
A pair of Japanese cloisonne vases decorated with irises on a midnight blue ground, 15cms high; together with another cloisonne vase decorated with stylised dragons, 14cms high (3).Condition ReportA couple of minor bruising areas to both iris vases, an area of cracks to the cloisonne surface of the other vase, no enamel loss, otherwise good overall condition
Los 1419
Three Chinese cloisonne bowls, two on a black ground and one on a blue ground, two with four character marks to the underside, each 21cms diameter; together with a Chinese Canton enamel dish decorated with a landscape scene, four character mark to the underside, 9.5cms wide (4).Condition ReportOne black bowl has multiple bruises and enamel lossthe other black bowl is in good conditionBlue bowl has a 3mm enamel loss to the underside
Los 53
FRANCESC VIDAL JEVELLÍ (Barcelona, 1848 - 1914)."Fish".Bronze dish with cloisonné enamel.It shows losses and damage. Needs restoration.Measurements: 37 cm (total diameter).Francesc Vidal was one of the most outstanding decorative artists in the city of Barcelona at the end of the 19th century, for being one of the first professionals to promote craftsmanship in the heart of the nascent Catalan aestheticism and modernism. One of the key events in understanding his personality and his innovative character was his stay at the Universal Exhibition in Paris in 1867, where he travelled to direct the exhibition of his father's bookbinding samples. In addition to witnessing the birth of Japonisme in the French capital, Vidal made contact with other young artists and stayed in the city to study at the Ecole des Arts Décoratifs, where his teacher was Louvrier de Lajolais. From Paris he also made a series of trips around Europe that enabled him to become acquainted with the artistic practices that were being promoted in the great capitals of the continent. He finally returned to Barcelona with the desire to modernise and Europeanise a city that was still too tied to tradition, introducing novelties such as the Japanese influence in interior decoration and the decorative arts. In 1878 he established himself as an art dealer, and in 1883 he inaugurated a building designed by Vilaseca, an unusual polytechnic complex, where he would work intensively from then on in the production of quality furniture, as well as glassware, metalwork and foundry complements. Rigalt and Masriera collaborated in his studio in the foundry, and Joan González, Gaspar Homar and Santiago Marco worked as designers. Vidal's clientele included the gentry and official corporations, and he made the furniture designed by Gaudí for the Güell Palace. He was also responsible for other important projects such as the decoration of Mayor Rius i Taulet, several rooms in the Círculo del Liceo and also royal commissions such as the bedrooms in the Royal Palace in Madrid and the cradle for the future Alfonso XIII. In fact, his works were in demand not only on the Peninsula, but also in America, which led Vidal to expand his business by forming a partnership with Frederic Masriera Manovens, and later to open shops in Madrid and Paris. Works by Francesc Vidal are currently housed in the Museu Nacional d'Art de Catalunya and the Museu Nacional d'Arts Deco.
Los 287
A 19thC French porcelain mantel clock by Jacob Petit, in a shaped gilt highlighted shell, scroll and floral case, hand painted with a scene of fisherman fixing a boat before ships, with 6cm diameter enamel dial, on a removable scroll base with painted initials J. P., key wind movement, 29cm high.
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396323 Los(e)/Seite