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396325 Los(e)/Seite
Los 810
Chinese 19th Century Canton - Famille Rose Large and Impressive Footed Bowl. c.1840. Decorated with Painted Enamel Images of Figures In Domestic Scenes, Also Extensive Floral Still Life to Panels, All Aspects of Condition Are Excellent. Height 4.5 Inches - 11.25 cms & Diameter 11 Inches - 27.5 cms.
Los 49
A Vintage Jewel Case, (hinged lid part detached) a Mallorca wooden trinket box, pill boxes, cloisonné enamel whistle, bangle, bracelet, vintage London souvenir book brooch, containing miniature pictures of London landmarks, suspended from a bow brooch, a carved wooden trinket box, The Story of Whitby Jet booklet etc :- One Tray
Los 701
Royal Doulton stoneware jardiniere on stand; the jardiniere with wavy rim, decorated with raised stylised foliate spray on an enamel blue ground, with impressed factory stamp and initialled g.s to the underside, 12" diameter, 10" high; the stand with matching decoration, shape no. 1466, 31" high (2)
Los 328
Queen Elizabeth II: a single leaf of vellum with a calligraphic letter in fine colours highlighted with gold, appointing Detta O'Cathain (1938-2021) as a Baroness, together with a fine quality impression of the Great Seal of Elizabeth II, showing the enthroned Queen on the obverse and the Queen mounted on horseback on the reverse, each housed in a custom made red morocco bound case, 35.5 cm x 59 cm. The lot also includes related awards to the same recipient, namely an OBE medal in Thomas Fattorini case, (with miniature), a Finland 'Reublic Order of the Lion', by A H Tillander in case, (with miniature) and a cased David Andersen 925 silver gilt and enamel Cross, the Norwegian Order of Merit, (also with miniature).Estate of Baroness Detta O'Cathain
Los 270
A French early 20th century 8 day eight glass champleve and gilt brass (silver medal) mantle clock, chiming on a gong, the lozenge section case with figured onyx panels. The dial marked in Arabic numerals, the dial and the mercury compensating pendulum are set with paste gems, 29cm high, 19cm wide, 13cm deepCondition report: In general the beveled glass panels are good, however the rear door glass has a small interior chip to the bottom right corner.Visual inspection would suggest the movement is in good order, and is currently working.The mercury level of the pendulum is good. The gong gives a dull thud sound and will require tightening.All enamel seems intactThere is a very small chip to the onyx on the top front right corner. A further small chip to the onyx to the left of the front right brass foot. Small nibbles to the onyx around the edges of the base. See online images for chips etc.
Los 143
A pair of Canton enamel vases, Qing, 19th century, the flared rim above gilt shi-shi handles and chilong, painted with panels of figures, 45.2cm highCondition report: One vase has a chip to the underside of the rim from which issues a 3cm hairline crack and an edge chip repair. This vase also has a couple of enamel losses within the decoration, some colours appear washed out. The other vase has fine hairline cracks to the rim and body. Both bases have been over sprayed, possibly disguising where they may have been drilled to accommodate a light fitting. Regardless of the faults, both vases are very much structurally sound and together. Faults are available to view in the online images.
Los 156
A boxed House of Faberge silver gilt royal blue enamel egg pendant on silver gilt rope chain, the pendant set with seven round cultured pearls, makers stamp and hallmarked. Along with a Faberge style enamelled egg pendant, a pair of floral design cubic zirconia and rose quartz clip on floral earrings, two orange glass pendants and a miniature gold tone enamel egg charm. L 38cm.
Los 104
Nassos Daphnis (Greek, 1914-2010)H-7-83 signé et daté 'H-7-83/ Nassos Daphnis' (au revers)émail sur toile120.5 x 150.5cm (47 7/16 x 59 1/4in).signed and dated (on the reverse)enamel on canvasFootnotes:LittératureNassos Daphnis, Color and Form: a Retrospective, exhibition catalogue, Boca Raton Museum of Art / The Butler Institute of American Art, Boca Raton / Youngston, 1993, p. 90 (discussed).In his catalogue essay for Daphnis's 1993 retrospective, Professor Louis Zona noted: 'The success of H-7-83 is drawn from the simple grace of balanced red and blue arcs subtly cradling a central band of yellow lines. Ethereal in nature, the painting's widely spaced lineal elements permit the pervasive power of the white canvas to tint and effectively soften all colour content.'For further information on this lot please visit Bonhams.com
Los 41
Nikos Engonopoulos (Greek, 1907-1985)Scholiastes d'un texte futur / Composition a la lampe signé en grec (en bas à droite)huile sur toile92 x 73cm (36 1/4 x 28 3/4in).Peint en 1958.signed in Greek (lower right)oil on canvasFootnotes:ProvenanceThe artist's collection, Athens and thence by descent to the present owner.ExposéAthens, Zappeion Hall, VII Panhellenic Exhibition, April 21 - June 1, 1963, no. 156 (listed in the exhibition catalogue).Athens, Nees Morfes Gallery, Art Transformations, December 1979 (illustrated in the exhibition catalogue, p. 15).Athens, National Gallery - Alexandros Soutzos Museum, Nikos Engonopoulos retrospective, April 3-15, 1983, no. 37 (listed in the exhibition catalogue, p. 42).Thessaloniki, Municipal Gallery, Nikos Engonopoulos, As Handsome as a Greek, 1997, no. B3.Athens, Astrolavos Gallery, Nikos Engonopoulos, Surrealist Whispers, October 24 - November 29, 2002, no. 7. LittératureThe Greek Painters, vol. II, 20th Century, Melissa editions, Athens 1975, p. 262 (mentioned), p. 284 (illustrated).B. Spiliadi, Visual Remouldings, exhibition catalogue, Nees Morfes Gallery, December 1979, p. 15 (illustrated).Athens News newspaper, November 4, 1985 (illustrated).Athinorama magazine, November 7, 1985, p. 67 (illustrated).Eleftherotypia newspaper, November 1, 1985 (illustrated).Tachydromos magazine, no. 1644, November 14, 1985, p. 145 (illustrated).Nikos Engonopoulos, Drawings and Colours, Ypsilon Books editions, Athens 1996, p. 138 (illustrated).Politis magazine, December 15, 2002, p. 8 (illustrated). D. Vlachodimos, Reading the Past in Engonopoulos, Indiktos editions, Athens 2006, fig. 80 (illustrated).E. Benisi, Nikos Engonopoulos and Cityscapes, doctoral dissertation, University of Athens, 2006, pp. 138, 140, 161, 163 (mentioned), p. 140a, fig. 98 (illustrated).D. Menti, Faces and Facades, Literary Identity Interpretations in Modern Greek Poets, Gutenberg editions, Athens 2007, p. 118 (mentioned). K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, no. 600, p. 92 (illustrated), p. 459 (catalogued and illustrated).N. Chaini, The Painting of Nikos Engonopoulos, doctoral dissertation, National Technical University of Athens, 2007, p. 436 (discussed), p. 437, fig. 168 (illustrated).K magazine, no. 13-14, June 2007 (cover illustration).Bathed in an atmosphere of clarity and glow, this exquisite painting is recognised by Melissa editions The Greek Painters as one of the finest examples of the artist's mastery of colour.1 The glittery yellow, green and orange tunics worn by the three figures and the enamel-like blues and reds of the background, applied side by side on the canvas without tonal gradations, invite the viewer to a festive ritual. 'Engonopoulos is a dedicated coloriste, adhering to a long and rich Greek tradition that goes way back to the Homeric epics.'2 Errieti Engonopoulou, the artist's daughter, holds that 'for him each colour has its own value, its own voice'3, much the same way as in Byzantine art, which Engonopoulos always considered an art form Greeks closely relate to. The three phantom-like mannequin figures holding a lamp, a book and a statuette, introduce us to an enigmatic world of poetic metaphor, apparently glorifying an unknown heroic or epic event that echoes the didactic description of Byzantine icon painting and the high rhetoric of the artist's beloved teacher C. Parthenis.4 Elegant, athletic and full of youthful virility, the three scholiasts chant the glory and beauty of the human figure. As noted by Athens National Gallery Director M. Lambraki-Plaka, 'Engonopoulos's figures may draw their origin from Giorgio de Chirico but they are unmistakably Greek, reminiscent of the Minoans immortalised on the Knossos frescoes and the early kouroi, while alluding to the tall and slender formula of the Byzantine saints also evident in El Greco's work.'5 Likewise, Professor D. Papastamos notes that 'Engonopoulos's heroes are not 'disquieted'; on the contrary they fully experience an everyday reality still bound with tradition and eastern myths.'6 The visual act takes place in shallow, stage-like indoor space, accentuating the sense of theatricality which is a key element of Engonopoulos's work. As noted by art historian P. Rigopoulou, the artist never hesitated to explore the correlations between theatrical and pictorial space and introduce the theatrical into his painting.7 'The lack of vast open spaces and supernatural landscapes whose sheer size nullifies the human scale is a typically Greek element. Standing in front of a fastened curtain and illuminated by a circular glow reminiscent of a theatrical spotlight, the three protagonists of this 1958 scene recall a text by Engonopoulos written a few years later: 'The curtain is drawn, and under the stage lights, with the most harmonious moves, in a coordinated whole, amidst colours and music, every human dream comes alive, flooding the soul with guileless joy, far from the obligations and obstacles of grim reality.'8 1 S. Boulanikian, 'Nikos Engonopoulos' [in Greek] in The Greek Painters, vol. 2, 20th Century, Melissa editions, Athens 1975, p. 262.2 Nikos Engonopoulos, Drawing or Colour [in Greek], Ikaros editions, 2007, p. 126. 3 E. Engonopoulou, 'Freedom and Discipline' [in Greek] in Nikos Engonopoulos, The Painter and the Poet, Kathimerini newspaper (Epta Imeres), 25.5.1997, p. 23.4 A reference to future text annotations was made by Engonopoulos in his poem 'In the Lyrical Chimneys', The Clavichords of Silence, 1939. See D. Menti, Faces and Facades, Literary Identity Interpretations in Modern Greek Poets [in Greek], Gutenberg editions, Athens 2007, p. 118. 5 M. Lambraki-Plaka 'The Timeless Pantheon of Nikos Engonopoulos' [in Greek], Filologiki quarterly, no. 101, October-November-December 2007, p. 9.6 D. Papastamos, preface to the exhibition catalogue of Nikos Engonopoulos retrospective [in Greek], National Gallery-A. Soutzos Museum, Athens 1983, p. 8.7 P. Rigopoulou, 'Nikos Engonopoulos' in D. Tsouchlou - A. Bacharian, Stage-Setting in Modern Greek Theatre [in Greek], Athens 1985, p. 141.8 Written in 1961 and reprinted in N. Engonopoulos, Works in Prose [in Greek], Ypsilon editions, Athens 1987, p. 30.Baignée dans une atmosphère de clarté et de lueurs éclatantes, cette exquise peinture est reconnue dans l'ouvrage The Greek Painters (publié par les éditions Melissa) comme l'un des plus beaux exemples attestant de la parfaite maîtrise de la couleur qui caractérise l'artiste. Les tuniques jaunes, vertes et orange scintillantes des trois personnages et les bleus et rouges de l'arrière-plan, comme laqués, peints touche par touche sur la toile sans gradations tonales, invitent le spectateur à un rituel festif. Engonopoulos est un coloriste passionné, qui adhère à une longue et riche tradition grecque remontant à l'épopée homérique. Errieti Engonopoulou, fille de l'artiste, confie que pour lui chaque couleur a sa propre valeur, sa propre voix, ce qui rejoint l'art byzantin qu'Engonopoulos a toujours considéré comme une forme d'art indissociable des Grecs. Les trois personnages fantomatiques, tenant une lampe, un livre et une statuette, nous introduisent dans un monde énigmatique de métaphore poétique, glorifiant apparemment un événement héroïque ou épique faisant écho à la description didactique de la peinture des icônes byzantines et à la rhétorique exigeante du maître bien-aimé de l'artiste, C. Parthenis. Élégants, athlétiques et pleins de virilité juvénile, les... For further information on this lot please visit Bonhams.com
![[PUNCH MAGAZINE INTEREST] ASPREY, A LATE VICTORIAN SILVER AND ENAMEL PATENT CIGARETTE CASE BY CHARLES ASPREY & CHARLES ASPREY](https://cdn.globalauctionplatform.com/c08487eb-470f-43c6-b7b9-adbc01568bba/1dff444e-ae63-483d-9d8b-adcc0149de6f/468x382.jpg)
Los 500
[PUNCH MAGAZINE INTEREST] ASPREY, A LATE VICTORIAN SILVER AND ENAMEL PATENT CIGARETTE CASE BY CHARLES ASPREY & CHARLES ASPREY JUNIORLONDON 1881, STAMPED PATENT, ENGRAVED ASPREY & SON, 166 BOND ST.Rectangular, with an enamelled cover of Punch magazine, engraved beneath Buldoo from Taffy Nov - 1881, 8.5cm (3 1/4in) long Condition Report: There is some scuffs and scratches to the enamel, there are fine hairline cracks and a couple of chips, the top left hand the case it appears that there has been some re lacquering to keep the enamelling in place there is a slight border visible to the outside of the enamelled panel. There are knocks, scuffs and scratches to the case from use. The opening squeeze mechanism is working, a little stiff Condition Report Disclaimer
Los 503
A CONTINENTAL SILVER AND ENAMEL CANTED-RECTANGULAR TABLE BOX POST 1912 SWEDISH IMPORT AND SILVER MARKS, NO DATE CODE, .935 STANDARD, STAMPED STERLING, 20TH CENTURY The cover painted with Arcadian lovers in a landscape with ruins, the sides chased with flowers, the base engine turned, the interior gilt, 11.2cm (4 3/8in) long, 327 grams (10.5 oz) gross
Los 530
AN AUSTRIAN SILVER AND ENAMEL ALMOST SQUARE CIGARETTE CASE BY SILBERWARENFABRIK ALEXANDER STURMVIENNA 1872-1922, 2nd (.900) standard The upper cover painted with a chestnut horse's head and shoulders on a white guilloche ground, 9cm x 8.5cm (3 1/2in x 3 1/4in), 178 grams (5.75 oz) grossCondition Report: Light nicks & scratches commensurate with age and use. Hinge tight, snaps together well, clear marks, no cigarette retaining bands. GoodCondition Report Disclaimer
Los 532
A CONTINENTAL SILVER GILT AND ENAMEL MINAUDIERE POST 1912 SWEDISH IMPORT AND SILVER MARKS, OTHERS INDISTINCT, LATE 1930S Canted rectangular section, black and white enamelling, with a mirror, ivorine panel and three vacant compartments in sizes, with a black cord and tassel 8.3cm (3 1/4in) long Condition Report: There is a scratch to the enamel, some light scuffs, no major chips. The mirror is in good condition for its age, only one small spot of deterioration. Some tarnishing and light scuffs. Cord in useable order.Condition Report Disclaimer
![[HUNTING INTEREST] A SILVER AND ENAMEL POWDER COMPACT AND LIPSTICK HOLDERTHE COMPACT BY DEAKIN & FRANCIS, BIRMINGHAM 1953, TH](https://cdn.globalauctionplatform.com/c08487eb-470f-43c6-b7b9-adbc01568bba/fd47687d-f140-4383-be2c-adcc014a5b96/468x382.jpg)
Los 544
A GOLD AND ENAMEL BODKIN OR SEAL CASE POST 1893 FRENCH IMPORT MARKS, EARLY 20TH CENTURY Painted with musical trophy panels front and back, the cover with flower panels, on taupe grounds engraved with scroll foliage, 7.8cm (3in) long, 18.7 grams gross Condition Report: Taupe ground retouched to case and coverCondition Report Disclaimer
Los 557
A LATE 19TH CENTURY ENAMELLED GOLD LOCKET CIRCA 1890the shield shaped gold locket with an enamelled portrait of a lady with flowers in her hair, rose cut diamond accents, black enamelled borders, the back engraved with scrolled decoration and the initial S, opening to reveal two glazed compartments, with scrolled pediment and triangular shaped bale SIZE/DIMENSIONS: 6cm longGROSS WEIGHT: 21.2 gramsCondition Report: Unmarked, a few very small scratches to the enamel, some light wear commensurate with age and useCondition Report Disclaimer
Los 558
A VICTORIAN CENTURY EARLS CORONET BROOCH CIRCA 1880the textured coronet with pearl mounted points with strawberry leaves between, the band with coloured enamel jewels and a black enamelled gothic K, with glazed cushion shaped locket verso containing a plait of hairSIZE/DIMENSIONS: 2cm wideGROSS WEIGHT: 5.3 gramsPlease note the pearls are untested and unwarranted as natural pearlCondition Report: There is a small chip to the pale blue enamel, there is some glue visible beneath some of the pearls, one of the pearls appears to have lead solder beneath, however the pearls fit well in the posts and are well matched so could be original, some scratches and scuffs commensurate with age and useCondition Report Disclaimer
Los 561
A VICTORIAN DIAMOND HALF PEARL AND BLUE ENAMEL PENDANT CIRCA 1880the central old mine cut diamond cluster, approximately 1.04 carats total, set upon a blue enamelled dome with fleur de leys detail, within a half pearl border, glazed compartment versoSIZE/DIMENSIONS: 2.5cm diameterGROSS WEIGHT: 10 gramsCondition Report: The central diamond colour estimated L/M, others J-L, clarity mostly VS-SI, but its difficult to gauge due to the closed backs and dirt to the back of the stones. There is one small chip to the enamel, some scratches and scuffs to the setting commensurate with age and use. There is a small chip to one of the half pearls Condition Report Disclaimer
Los 562
A VICTORIAN TAY PEARL AND ENAMEL BROOCH CIRCA 1880the pierced circular gold panel with scrolled white enamel decoration, with a central half Tay pearl set cross, with a beaded borderSIZE/DIMENSIONS: 4.2cm diameterGROSS WEIGHT: 14.5 gramsCondition Report: Some light wear commensurate with age and use, one of the Tay pearls is slightly milky in appearance. Condition Report Disclaimer
Los 604
AN ENAMELLED DIAMOND AND LAPIS LAZULI BROOCH AND EAR CLIPSthe foliate brooch with blue and green enamelled leaves and oval cabochon lapis lazuli set leaves, with brilliant cut diamond accents, approximately 0.34 carats total, double pin brooch fitting, together with a similarly set pair of ear clips, with Israel 750 gold marksSIZE/DIMENSIONS: brooch 5.4cm X 4.5cm, earrings 3.6cm longGROSS WEIGHT: 60.8 gramsCondition Report: There is a crack to one of the green leaves near the centre of the foliate cluster, it could potentially become a large chip, however the enamel is still in place. The diamonds are bright and lively, some of the claws aren't quite holding the diamonds- but this appears to be from manufacture. The gold mark on the brooch isn't as clear as the marks on the ear clips. Condition Report Disclaimer
Los 629
Y GRATIA SCOTT-OLDFIELD, A PAIR OF 18 CARAT GOLD CITRINE, EBONY AND ENAMEL EARRINGSthe circular cut citrines within a lobed green enamel and ebony surround, signed Gratz, with TJ Loughridge maker's mark and London 1998 hallmark, with stud and clip fittings, in a fitted Gratz caseSIZE/DIMENSIONS: 4.3cm longGROSS WEIGHT: 55.1 gramsCondition Report: Minimal wear, no noticeable chips or cracks to the enamel, the clips are well sprung, there is a copy of the original drawing Copywrite Gratia Scott-Oldfield available to be seenCondition Report Disclaimer
Los 709
MONTBLANC, PATRON OF THE ARTS SERIES 4810, MARQUISE DE POMPADOURA LIMITED EDITION FOUNTAIN PEN, NO. 3250/4810Cap and Barrel: Meissen porcelain cap, gold plated and white enamel barrelNib and Filling System: fine gold coloured nib stamped 18K 750, piston filling system, inkedAccessories: original lacquer Montblanc box, International service certificate, outer card box and outer white card sleeveCondition Report: The pen may have only dipped, it leaves a small amount of ink on damp paper, so it has been introduced to ink, almost as newCondition Report Disclaimer
Los 752
MONTBLANC, PATRON OF ARTS SERIES 4810, SEMIRAMISA LIMITED EDITION FOUNTAIN PEN, NO. 3267/4810, CIRCA 1996Cap and Barrel: black resin with gold plated and red enamel filigree overlayNib and Filling System: gold coloured stamped 18K 750, piston filling system, inkedAccessories: original Montblanc box, International service certificate, outer card box and white card sleeveCondition Report: The pen may have only dipped, it leaves a small amount of ink on damp paper, so it has been introduced to ink, almost as new. Some slight signs of storage to the box Condition Report Disclaimer
Los 759
MONTBLANC, WRITERS EDITION, GEORGE BERNARD SHAW A LIMITED EDITION BALLPOINT PEN, NO. 08214/18000, CIRCA 2008Cap and Barrel: green and black marbled enamel cap and barrel with graduated chromed bands, facsimile signature, with gilt clip Accessories: original Montblanc George Bernard Shaw box, George Bernard Shaw International Reply Card and outer card box
Los 760
MONTBLANC, WRITERS EDITION, THOMAS MANN A LIMITED EDITION BALLPOINT PEN, NO. 02930/15000, CIRCA 2009Cap and Barrel: with black and silver effect geometric enamel, facsimile signatureAccessories: original Montblanc Thomas Mann box, Thomas Mann International Service Certificate, outer card box and white card sleeve
Los 763
MONTBLANC, WRITERS EDITION, JONATHAN SWIFT A LIMITED EDITION BALLPOINT PEN, NO. 04976/14600, CIRCA 2012Cap and Barrel: black enamel cap and barrel with woven white metal string like decoration, facsimile signature, with stepped chromed clip Accessories: original Montblanc Jonathan Swift box, Jonathan Swift International Reply Card, outer card box and card sleeve
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396325 Los(e)/Seite