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Sammlung Schmuck, Nadeln, Spangen. Wohl China alt. Bis circa 18 cm lang. Auch Haarnadeln. Teils mit Marken. Teils mit Jade und Koralle. Teils Metall vergoldet, Stein, Silber? Emaille. Maße siehe Fotos. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Collection of jewelry, needles, clasps. China proably old. Up to about 18 cm long. Also Hairpins. Partly with brands. Partly with jade and coral. Partly gold-plated metal, stone, silver? Enamel. Dimensions see photos. Shipping of this object by third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
Ikone Russland. Christus Pantokrator. Mit Silber und Emaille Oklad, vergoldet. 32 cm x 27 cm die Ikone. Marke 84 Zloty und Herstellermarke. Verso Silberplakette vergoldet mit Inschrift und datiert "Den guten Lehrer Alexej Alexjewitsch Soldin vom K.L. Tichomirow zum 25. Lehren Jubiläum. VIII / IX 1911". 40 cm x 35 cm Maß insgesamt. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Icon Russia. Christ Pantokrator. Silver and enamel oklad, gilded. 32 cm x 27 cm the icon. Stamp 84 zloty and manufacturer's mark. Silver plaque at the back side gilded with inscription and dated "The good teacher Alexej Alexjewitsch Soldin from the K.L. Tichomirow on the 25th anniversary of his teachin activities. VIII / IX 1911". 40 cm x 35 cm total size. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
A POWDER BLUE INKWELL China, 19th century. Of spherical body with broad flat rim shaped as four petals, glazed in a powder blue hue, the rim enriched with gold showing stylized floral motifs. Condition: Very good condition with expected wear to gold enamel. Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by a third-generation member of the Holzapfel family after 1995 and has remained in the family ever since. Weight: 278 g Dimensions: Height 7 cm
A GROUP OF 13 PORCELAIN PLATES Japan and China, Kangxi period (1661-1722) to 19th century. Consisting of seven 19th century plates, five of them painted in underglaze cobalt blue, one with a mark to base, and two Imari plates attractively decorated, one with an apocryphal Wanli mark to base and the second with an inscription “rich long life” to base. Four blue and white Kangxi lobed plates, one with a Kangxi mark to base. And finally, two Japanese plates, the first with raised rim and underglaze blue decoration mixed with enamel painting; the second a very rare plate worked in two techniques, the center worked in cloisonné and the borders painted in underglaze cobalt blue, the base with a Japanese inscription, possibly Seto ware. (13) Condition: Traces of use and wear, minor firing flaws, some with small chips and hairlines and a couple with old repaired chips. Provenance: Austrian Private collection. Weight: 50-507 g. Dimensions: Diameter 10 - 24 cm.
THREE OPIUM PIPES, LATE QING TO REPUBLIC China, late Qing dynasty (1644-1912) to Republic period (1912-1949). One carved from bamboo with a metal bowl and a jadeite mouthpiece. Another lacquered in black with applied brass decoration, the end pieces of bone and the bowl of metal. The last of bone incised with various sages and children, the area which connects the bowl applied with silver and enamel. Condition: The metal bowl on the bamboo opium pipe loosely attached with glue residue visible. The lacquered pipe with wear. The bone pipe with one end piece missing and without a bowl. Provenance: German private collection. Dimensions: Length largest 54.5 cm
THREE OPIUM PIPES, LATE QING TO REPUBLIC China, late Qing dynasty (1644-1912) to Republic period (1912-1949). One carved from bone incised with various sages and, the area which connects the bowl applied with silver and enamel and the bowl of pewter. The second of horn and ivory simulating bamboo segments, with a loose stoneware bowl. The last an impressively large gnarly burlwood pipe with an old ivory mouthpiece and a metal bowl incised with Chinese characters. Condition: The bone pipe and horn/ivory pipe with some natural cracks. Generally, all in very good condition. Provenance: German private collection. Dimensions: Length largest 68 cm
A LARGE GILT CLOISONNE ENAMEL ‘DING’ INCENSE BURNER, LATE QING China, late Qing dynasty (1644-1912). The tripodal censer in the shape of an ancient Chinese ‘ding’ ritual vessel with a partially open-worked lid for the smoke to escape. The three feet are adorned with gilt lion heads and there is rich gilding throughout. The censer is worked with bright blue and colored enamels showing archaic designs and taotie masks on the two flaring handles. Condition: Good condition with expected surface wear and minor manufacturing flaws. Provenance: Australian private collection, acquired by the present owner’s father in the 1990s, the previous owner being a British gentleman who relocated to Western Australia in 1960s. Weight: 4380 g Dimensions: Height 36.5 cm
A CLOISONNÉ ENAMEL VASE, LATE QING China, 19th to early 20th century. The sides rising from the flat circular base to a conical shoulder with four arched protuberances below the cylindrical neck and everted rim, the rim, foot and shoulder rim gilt, decorated with taotie masks, phoenixes, scrolling vines and geometric designs. Condition: Very good condition with minor wear and expected pitting, some wear to gilt. Provenance: Austrian private collection, acquired from an art dealer in Vienna in 2014. Weight: 1,596 g Dimensions: Height 30.3 cm
A CLOISONNE ENAMEL EWER, LATE QING China, late Qing dynasty. The Cloisonne ewer with a bulbous body crafted with a spout, handle and lid. The decoration features colored enamels against a bright blue enamel ground, showing double fish, scrolling tendrils, as well as floral motifs. Condition: Some surface wear and manufacturing flaws. Generally, in good condition. Provenance: Czech private collection. Weight: Total 1538 g Dimensions: Height 32 cm
A PAIR OF CANTON ENAMEL CUP STANDS, QING China, 1850-1900. Painted in polychrome enamels with flowers and peaches on scrolling leafy vines. (2) Condition: Good condition with minor wear, some old repairs, cracks, and losses to enamels. Provenance: German private collection. Weight: 166.1 g (total) Dimensions: Diameter 12.7 cm (each)
TWO SILVER AND ONE SILVERED METAL LOCK CHARM, LATE QING China, late Qing dynasty (1644-1912), 19th century. Of silvered metal depicting figures, floral designs and auspicious symbols. One of the charms worked in fine polychrome enamels. These type of lock charms were meant to protect the wearers from harm, misfortune, and evil spirits, and to bless them with good luck, longevity, and a high rank. Usually this talisman was gifted young boys, to help "lock" them to the earth, to guard them from death. Condition: Good condition with some surface wear, oxidation and small dents. One with losses to enamel. Provenance: US private collection. Weight: Total 132 g Dimensions: Length 5.8 – 7.3 cm
ATTRACTIVE SILVER AND MESH OVAL EVENING PURSE WITH COMPACT, the hinged cover with guilloche enamel panel decorated with a dragonfly and bamboo, Japanese inscription to the side, with central chain carrying handle, the gilt interior with engine turned mirrored compact compartment, hallmarked London 1925, maker George Stockwell
R & G CO. WHITE GOLD PLATED SQUARE COMPACT, with concave corners, the cover with quatrefoil floral enamel panel, 5cm wide, the suspension chain with two enamel links along with three silver and enamel circular compacts, the larger with cover decorated with two sweethearts in a landscape, of sizes (4)
VOGUE SILVER AND ENAMEL OCTAGONAL COMPACT,the hinged cover with an Italian lake scene in enamel, hallmarked Birmingham 1932, maker B H & M, 5.5cm wide, along with two other compacts with pictorial enamel covers and two octagonal enamel compacts, the hinged covers with floral cast and pierced centres (5)
SILVER AND GUILLOCHE ENAMEL SQUARE SHAPED COMPACT,the off white enamel cover within a crimson line and beaded border, hallmarked Birmingham 1934 also another oblong silver and enamel compact, the off white guilloche enamel hinged cover decorated with pennant flag and initials ‘MET’, hallmarked Birmingham 1938, both made by Adie Bros. Ltd. (2)
ATTRACTIVE ENGINE TURNED SILVER AND GUILLOCHE ENAMEL CIRCULAR COMPACT,the hinged cover with central silver enamel panel within a pale green border, hallmarked Birmingham 1947, maker Joseph Gloster Ltd, along with another engine turned silver and guilloche enamel compact with ‘sun burst cover’ (2)
ENGINE TURNED SILVER AND LAPIS GUILLOCHE ENAMEL CIRCULAR COMPACT,the hinged cover with indented octagonal moulding with outset central basket of flowers inlaid with marcasite, hallmarked London 1929, maker Cohen & Charles also a circular silver compact/pill box with pale blue guilloche enamel hinged cover and a white metal circular compact with light blue guilloche enamel cover with floral centre, of sizes (3)
ART DECO ENGINE TURNED SILVER AND SKY BLUE GUILLOCHE ENAMEL SQUARE SHAPED COMPACT, the hinged cover with radiating enamel bands issuing from the bottom left corner, within wedge shaped sides, hallmarked Birmingham 1939, retailer Mappin & Webb also two other Art Deco silver and enamel compacts, one circular with silver guilloche enamel hinged cover with black oval centre and border and a stylised ‘shell’ compact (3)
ATTRACTIVE WHITE METAL VANITY CASE BY D. F. BRIGGS & CO.,the purse shape body enclosing a fitted mirrored interior for rouge, lipstick and atomiser, the hinged cover inset with oval guilloche enamel panel with gilded vase of flowers, 8cm high, with suspension chain also an engine turned silver compact with guilloche enamel ‘wooded landscape’ cover and gilt metal oblong compact with painted oblong loch scene (3)
ENGINE TURNED SILVER AND GUILLOCHE ENAMEL SQUARE COMPACT,with canted corners, the hinged cover enamelled with a flowering plant on an off white ground within a border, hallmarked Birmingham 1939, maker Deakin & Francis Ltd., 7cm wide, along with a white metal circular compact with floral guilloche enamel hinged cover (indistinct marking to hinge) and a circular silver and guilloche enamel compact with two perched budgerigars to cover (3)

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