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Preisdatenbank abonnierenCHRISTIAN FRIEDRICH ZINKE, circa 1735, portrait of a Nobleman, believed to be Frederick Prince of Wales, half length, wearing a blue coat with gold frogging, white stock and lace jabot, his powdered wig tied en queue, enamel on copper, oval, 4.5cm x 3.8cm gilt brass frame with loop suspension. See illustration
ATTRIBUTED TO HENRY BONE (1755-1834), portrait of Edward Gibbon, half length, facing dexter, wearing a fur-trimmed red coat, matching waistcoat and silk jabot, enamel on copper, oval, 10.1cm x 8.1cm, moulded wood frame with ring suspension. See illustration Footnote: A paper label attached verso is inscribed "Gibbon, the Statesman, enamel, from the original, painted by Sir Jos. Reynolds, who lent it to the artist, Bone"
BAVARIAN SCHOOL, circa 1820, portrait of Maximilian I Joseph of Bavaria, bust length, wearing a blue coat with scarlet facings and silver braid, red sash and black stock, watercolour on ivory, oval, 6cm x 4cm, blue enamel and gilt brass frame, gilt tooled red morocco leather travelling case. See illustration
HENRY PIERCE BONE (1779-1855) AFTER ROBERT WALKER, portrait of Oliver Cromwell, bust length, turned sinister, facing dexter, wearing armour and white collar, enamel, inscribed verso 'Cromwell after Walker, collection of Earl Spencer at Althorp. Painted by Henry Pierce Bone, Octr. 1852' (area of restoration), oval, 10.7 cm x 8.5 cm, modern 9ct gold frame with loop suspension, Sheffield 1972. See illustration
AN ENGLISH ENAMEL PLAQUE, circa 1770, rectangular, monochrome transfer printed with an elegant woman in a landscape, seated holding a guitar, Cupid seated to her left, probably Birmingham or Liverpool, 9.6cm x 12.6cm, gilt brass frame with ring suspension Provenance: Lady Mullens Collection, No. 334
AN ENGLISH ENAMEL PLAQUE, circa 1770, rectangular, polychrome painted with a group of figures merry making in a garden, in the manner of Watteau, 6.4cm x 8.2cm, stamped brass frame with twist loop suspension. See illustration Note: Bears label verso for Stoner & Evans Ltd, 3 King St., St.James' Square
A SET OF FOUR ENGLISH ENAMEL PLAQUES, circa 1760, of rectangular form, printed and polychrome painted with different biblical subjects, comprising: Daniel in the Lion's Den; Joshua Seeing the Sun and Moon during the Battle; Prodigal Son in a Yard with Farm Animals; and Saul Throwing Himself on his Sword, probably Battersea, each 8.2cm x 5.9cm, gilt brass frames decorated with floral brackets to the angles, loop suspension Provenance: Two plaques bear paper labels for the Rous Lench Collection
TWO BILSTON ENAMEL BOXES, circa 1770/80, circular, the cover inscribed 'A Trifle from Canterbury', against a white ground, the base blue, 3cm diameter, together with an oval patch box, the cover printed with a titled view of Salisbury Cathedral, on a white ground, the lobed base green, internally with a mirror, 4.25cm wide (2)
A GROUP OF THREE BILSTON ENAMEL BOXES, circa 1880, comprising an oval blue enamelled patch box, the cover with a pair of nesting doves, internally with a mirror, 4.5cm wide, an oval patch box, 'Keep this for my sake', the base purple, 4cm wide and another 'A friends gift', the base blue 4.5cm wide (3)
TWO BILSTON ENAMEL BOXES, circa 1770/1790, comprising an oval patch box, the cover inscribed 'Have Communion with few, be familiar with one, deal justly with all, and speak evil of none', within a floral border, the base blue, 4cm wide and another 'A trifle from Bath' with a view of the Abbey, the base painted with a trailing blue line and flower sprigs, 5cm (2)
TWO BILSTON ENAMEL BOXES, circa 1780/1800, comprising an oval patch box, the cover inscribed 'A trifle from Boroughbridge' and painted with the Devil's Arrows, the base green, internally with a mirror, 4cm wide and an oblong box, the hinged cover inscribed 'When love and peace together...every hope of comforts fled', the waisted base blue, 4cm wide
TWO BILSTON ENAMEL BOXES, circa 1780/1800, comprising an oval patch box, the hinged cover printed with a titled view of Sheffield Tontine Inn, the base pale blue, and another, the cover with a vignette of a chapel and inscribed 'Maids Join hands In Hymens bands', the base green, both 4cm wide
AN EARLY 20TH CENTURY AUSTRIAN .925 SILVER-GILT & BAISSE TAILLE ENAMEL BOX, rectangular, the hinged lid inset with a miniature, painted on ivory, of The Lady and the Unicorn, after a 15th century French tapestry, depicting 'Hearing', within a baisse taille enamel border, painted with flowers, internally the lid is inset with a sepia etching, 'Musical party in open air', probably on ivory, after the original, at the Musée des Arts, Paris, import mark of Stockwell & Co, 1930, 10cm x 12.5cm x 2.75cm. See illustration
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