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A late 18th early 19th century oval portrait miniature, depicting a gentleman, in blue coat and white shirt, surrounded by a blue and white enamel band with a half cut pearl rim, the reverse with plaited hair panel, centred with yellow metal oval cartouche with white bead initials WB, signed Cook, cased (2)
Chinese Famille Rose bullet shape teapot with silver lid, Yongzheng mark and possibly of the period of typical near ball like form with a loop handle and curved spout, decorated in Famille Rose enamels with a typical design of flowering peony, the base with a repeating geometric design in blue, yellow and pink enamels, the top with a grisaille diaper design on a pink ground interrupted with four panels comprising a coiled stylised dragon in blue enamel, the base with a four character mark of the Yongzheng period (1723 – 1735), the original porcelain lid replaced with a later pierced silver cover which uses the dragon motif from the teapot itself. Export teaware pieces are not normally marked. The paste of the foot and style of decoration here would certainly be consistent with a Yongzheng dating, but the piece might have been made some years later with a retrospective mark. Ht 9cm (pot), 11.3cm (max) Condition: Original lid missing, spout probably slightly reduced and with a small chip, faint wear to grisaille enamelling. View on auctionatrium.com
A famille rose vase with a Hongxian mark (1915-1916) The vase of slender baluster form with a flaring neck and slightly spreading foot, finely decorated in Famille Rose enamels with ladies and children in a garden setting with bamboo and rocks, the base with a four character Hongxian mark in blue enamel." Ht 36cm Condition: Excellent condition View on auctionatrium.com
An interesting Eighteenth Century Chinese Famille Noire part tea service Comprising five cups with a slightly flaring rim and everted edge and a teapot of squat cylindrical form and a pointed spout with a slightly domed cover and a ball finial, decorated in the Famille Noire palette with scrolling green enamel peony and chrysanthemum on a black enamel ground. Eighteenth century Imperial pieces decorated with similar designs are known. See Sotheby’s Melbourne Tue, 27 May 2008 Lot 79 for a slightly larger bowl in a similar design with a ‘min yao’ Qianlong mark." Wine cups 6.5cm (diam), Wine Pot 10cm (max width) Condition: One of the cups with a hairline crack (3cm), the wine pot with a small chip to the cover View on auctionatrium.com
A fine monochrome pink ground Chinese Bowl with four character Yongzheng mark and possibly of the period, together with a companion Bowl. finely potted with a slightly everted rim, glazed to the exterior in a bright pink enamel glaze of even tone, the interior plain with a white glaze, the footrim with a blue enamel four character Yongzheng mark within a square, the companion bowl of similar form. both fitted within a textile covered circular presentation box and cover. Provenance: From a private collection formed in the 1950s when the vendor`s father held a senior position within the Hong Kong government." The bowls, 14cm diameter The bowl in perfect condition with no restoration, the companion bowl with six hairline cracks, two of these cracks with associated chips, the textile covering to the box with slight fading. View on auctionatrium.com
A very fine pair of Chinese enamel and gilt decorated small bowls dating from the late 18th century the small bowls of ogee shape with mazarin blue enamel extensively overpainted in two tones of gold with scrolling lotus decoration. The interior with duck egg blue enamel and gilt metal borders. Accompanied by two small wooden stands which do not quite fit with the base of the bowls. For a similar style of decoration in which two tones of gold are also used see S.Marchant and Son Exhibition catalogue `Nineteenth century mark and period Porcelain` (1991) Item one, a double gourd vase of the Jiaqing period. Provenance: From a private collection formed in the 1950s whilst the vendor`s father held a senior position in the government of Hong Kong." Diam 7.5cm, ht 3.5cm, ht overall 5.6cm Excellent condition with no restoration View on auctionatrium.com
A finely enamelled Chinese famille rose vase, Yongzheng period (1723-1734) with a Bluett and Sons’label, accompanied by a wood stand of elegantly potted pear shape bottle form with a slightly flaring rim decorated in famille rose enamels with a seated cat in a stylized garden scene with a vase of chrysanthemum flowers on a stand, flowering lotus and four butteflies, the base glazed and with a label for ‘Bluett and Sons’, the matching hardwood stand probably 19th century Provenance : By descent from the vendor’s father who received advice concerning many of his acquisitions from the celebrated English collector H.M.Knight who died in 1970. Included with the vase is an envelope entitled “Sent on the instructions of Mr H.M.Knight” containing a Bluett’s ‘with compliments slip’ on the back of which is a description which reads “ An old Chinese porcelain bottle-shaped vase decorated in rose enamels, ‘rouge de fer’ etc. with vase of flowers, butterflies and recumbent cat in white enamel. 18th century.”" Ht 15.5cm (overall), 13.3cm (vase) View on auctionatrium.com
A Chinese carved and polychrome decorated wood Figure of Bodhisattva, 18th century, the standing goddess well carved holding a a lotus flower and with red, gold and black enamel decoration" 48cm high The head broken and restored at the neck, typical chips, some open cracks to body and minor losses to decoration commensurate with age. View on auctionatrium.com
Ando Jubei: A fine Japanese silver mounted and silver wire cloisonne Vase, circa 1910, of ovoid shape with a brilliant yellow ground, the front finely enamelled with a dramatic phoeonix bird in multi coloured enamels, the rim and foot rim in silver, marked to the base." 26cm high In overall good condition with two damaged areas of approximately 4cm diameter on the plain enamel side, and one small chip below the bird`s neck View on auctionatrium.com
A hallmarked silver salver, London, 1939, (12.5 troy oz.), with engraved presentation inscription ‘Presented to Flight Lieutenant M.V. Longbottom, D.F.C., on the occasion of his marriage, by the Officers of the P.R.U.’ (Photographic Reconnaissance Unit), with gadrooned edges, on four small ball-and-claw feet, 8 in diam., together with Maurice’s aviator’s wristwatch by Longines, chromium-plated casing engraved on the reverse ‘Goldsmiths & Silversmiths Co. Ltd. Mk. VIIA 6 B/159 2693/40’ with Air Ministry initials and crown, replacement leather strap, plus a silver and enamel RAF Wings brooch, stamped ‘silver’ on reverse, in Gieves presentation case, a small gold metal and enamelled RAF Wings brooch, and a pair of brass collar flashes (6)
* Aviation Souvenirs - WWI and later. A propeller-hub mantel clock, mounted on decorative plinth raised on bun feet, period time-piece inset having decorative enamel dial to face, probably French c. 1918, together with a propeller-blade section of laminated mahogany in original varnished finish with applied makers transfer inscribed “The Integral Propeller Company Ltd”, and having painted over fabric-covering to tip, plus a Shell “Aviation Spirit” 2-gallon petrol can dated 1930 (3)
* Enamel Signs. “Ice Cream Tariff” enamelled sign with tariff listing & prices, c. 1930s, black lettering on white ground, with black & white border, part of set as used on J. Lyons & Co tricycle ice-cream floats, together with another for Parker’s “Little Giant” cement mixers, small rhomboid format (2)
* Wallwork of Manchester. A late 19th century (c. 1892) English cast iron floor train, including 4-4-0 loco express, 8 1/4 in long, 6-wheel tender, two 1st-3rd 6-wheel coaches and 1st-3rd 6-wheel brake, 2 open wagons and goods brake van, all with outside wheels to approx. 2 1/2” gauge, proportions approx. ‘0’ gauge size, all finished in bronzed and gold, fired enamel. Wallwork appears to have been the only British manufacturer to have used cast iron to make toy trains. The company’s catalogue listed only two styles of locomotives and some coaches, which looked as if they were modelled on trains in use during the 1840s. The spacing of the wheels was quite wide, which gave the feeling of the GWR broad gauge. (8)

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