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396323 Los(e)/Seite
Los 125
Camille Naudot (1862-1938), a rare porcelain and openwork enamel coffee cup and saucer, c.1900, decorated with cornflowers, the blue petals and green leaves picked out in openwork coloured enamels, highlighted in gilt, each base with gilt ‘CN’ monogram to base, and incised ‘CN 399’, the saucer 12.7cm diameter Camille Naudot (1862-1938) was the son of a porcelain merchant. He trained at the Ecole de Sèvres and succeeded his father about 1889. He specialised in the rice-grain decoration inspired by Chinese porcelain, of which this piece, is a magnificent example. The pierced openwork is filled with transparent glaze, the décor is heightened by enamel on the body and relief gold highlights. Camille Naudot won a gold medal at the Universal Exhibition in Paris in 1900 and the Grand Prix at the exhibitions in St Petersburg in 1901 and in London in 1908.In excellent condition with only minor manufacturing imperfections to the gilding on the edge of the saucerPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 126
Camille Naudot (1862-1938), a rare porcelain and openwork enamel pink ground footed cup, c.1900, decorated with translucent flowers and green leaves in openwork enamel, the exterior with pink ground highlighted and gilt, gilt CN mark, incised ‘CN 4199’, 6.5cm high The cup has been broken and professionally restored to a very high standard.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 87
A pair of Sevres porcelain plates, c.1880, part of a specially commissioned service made for the French Embassy in London, each painted in enamel colours with hedgerow flowers, the three colour blue border richly gilt decorated with trailing flowers and the monogram RF [Republic Français], one plate with ‘ER’ decorator’s monogram for Emile-Bernard Rejoux (1832-1893), green printed marks S73 and S75 and red printed decor marks for 1880, 24.5cm diametercf. a similar plate from the same service in the Victoria & Albert Museum, London, accession no. 181-1881. Both plates with minor wear to the enamels and gilding, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 25
Ferdinand Berthoud, a Louis XVI style ormolu mounted white marble portico quarter repeating timepiece in ornate case mounted with figures of classical warriors, with enamelled Roman dial and signed eight day movement striking on a bell, 36cm wide, 14cm deep, 55cm high Overall looks to be in good order, ormolu slightly matted with some light oxidisation spots, marble a little dusty with one or two tiny nicks at the edges, enamel dial in good order, movement lacking a pendulum and with a replacement pull for the repeat.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 95
A pair of 19th century Viennese enamel and silver mounted candlesticks by Herman Boehm, Vienna, circa 1867-1874 the integrated drip pans painted with delicate scrolling foliage on cylindrical nozzles painted with gods, the cylindrical columns interrupted by chased and enamelled collars with terms in tricorn hats, raised on inverted tulip bases, each painted with four classical scenes, including Minerva and a Muse, Hercules slaying a Centaur, Mars and Venus, the foot with floral and geometric champleve, 23cm high Both in somewhat neglected condition, but beneath the dirt look to be in fair to good order, one with some scratching to the enamel around the sconce which is slightly bent out of shape, a further chip just beneath the sconce to one side of the stem, metalwork heavily oxidised but traces of enamelling showing on the raised parts, main body of the enamel looks to be good although some of it is covered in old melted candle wax, the other candlestick with wax again covering the sconce but certainly some loss of enamelling around the sconce, otherwise looks to be complete although the wax does cover some of the lower areas, foliate scroll enamelling to the undersides, equally looking to be in fair to good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 117
A late 19th century French ormolu and champleve enamel four glass mantel clock of architectural form, with eight day movement stamped A & N Paris and mercury pendulum, 24cm wide, 15cm deep, 37cm high Honest untouched condition, the ormolu now rather matted and oxidised particularly to the upper surface areas, enamelling looks good, dial looks original but now oxidised, movement in good order, going but not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 124
Camille Naudot (1862-1938), a rare porcelain and openwork enamel coffee cup and saucer, c.1900, finely decorated with turquoise flowers, green leaves, blue butterflies and yellow diaper cartouches in openwork enamels, highlighted in gilt, each base with gilt ‘CN’ monogram to base, and incised ‘CN 999’, the saucer 11.7cm diameterCamille Naudot (1862-1938) was the son of a porcelain merchant. He trained at the Ecole de Sèvres and succeeded his father about 1889. He specialised in the rice-grain decoration inspired by Chinese porcelain, of which this piece, is a magnificent example. The pierced openwork is filled with transparent glaze, the décor is heightened by enamel on the body and relief gold highlights. Camille Naudot won a gold medal at the Universal Exhibition in Paris in 1900 and the Grand Prix at the exhibitions in St Petersburg in 1901 and in London in 1908. There is some fritting and slight black speckling to the underside of the saucer which has some grubbiness ingrained into it, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Los 1161
A Vintage original AA Double Sided Enamel sign by Franco SW1. 46cms diameter. Please note this lot has the standard Ewbank's standard buyers premium payable on top of the hammer price and not the reduced rate for cars and motorbikes. Viewing days: Monday 17th of March: 9am - 5pm, Tuesday 18th of March: 9am - 5pm, Wednesday 19th of March: 9am - 5pm, Thursday 20th of March: 9am - 5pm, Friday 21st of March, Saturday 22nd of March: 10am - 2pm, Monday 24th of March and Morning of the Auction on Friday 25th of March. Condition Report: Damaged to the top left of sign caused by rust. Rust to edges.
Los 276
A Collection of Three Hatpins, Two with Blue Enamel Decoration in the Manner of Charles Horner and a Thistle Example, all with Condition Issues, Together with a Vintage French Compact, Carved Stone Mexican Figure, 1972 Rupert The Bear Pin Badge, Argyle and Sutherland Large White Metal Cap Badge, Two Pairs of Enamelled Buckle Type Oval Discs, Numbered 1522 and 1532, Mexican Frog Brooch, Vintage German Bead Necklace Etc
Los 272
A late 19th century French gilt-speltre mantel clock with figural mounts depicting an artist & his work, a painted porcelain portrait miniature above the 3” dial having enamel Roman numerals & eight-day Carlhian & Corbiere of Parise movement, on shaped giltwood plinth, 34cm wide x 30cm high x 12.5cm deep over-all. (slight faults/restoration).
Los 219
Michael Lloyd (British, b. 1950) Silver-cased carriage clock, hallmarks for Edinburgh, date letter S, probably 1992, the clock fixed to the lower case with brass and enamel dial, domed, maker marks MKL, detachable cover, the case decorated with impressed fruit and blossom in the style of Liberty, seal mark to underside, 14cm high, silver weight of detachable cover 292g, gross weight of case with fitted clock approximately 510g.CONDITION REPORT: There is no glass dial cover. One of the hands is broken off, but present in between the dial and the casing. Not currently running.
Los 240
Robin Banks (British, 1931 - 2007) Enamel on copper charger with silvered abstract decoration on black ground, all over abstract ground to the underside, 39cm diameter.CONDITION REPORT: Visible age-related staining to the interior and exterior, more obvious to the copper on the reverse. Fading to the decoration on the reverse. Good detail to the obverse.
Los 310
Hayashi Kodenji (1831 - 1915) Fine Japanese cloisonné enamel bird tree vase, Meiji 1868 - 1912, worked in polychrome enamel and silver wire with trailing wisteria above and below flowering shrubs (kikyo) and Chinese bellflower reserved on a dark blue ground, silver rim and foot, with gilt bronze interior and base, lozenge device mark to the underside for the Hayashi Kodenji workshop Nagoya, unsigned, 24cm high.CONDITION REPORT: Additional close up images have been taken, please take these into account along with the condition report.There are minor scratches to the blue ground. Minor dinks to the rim. Age-related staining and what looks like some losses to the gilt interior. Looking through a glass we can see minor losses to the decoration from the neck to the shoulders, with age, the main decoration is in good condition. Again, minor small losses to areas. We can see small holes to the flowers, looks like small losses to the enamel. Minor scratches to the underside.
Los 291
Group of seven Halcyon Days enamel and porcelain boxes to include an example from the Bonbonnieres range, 'The Owl and the Pussycat', 'William Tell' musical box in the form of an apple, 'The Bicentenary of the Times 1785 - 1985' box, 'The Lovers Box' limited edition no. 166, 'Easter 1997', 'Mary Queen of Scots' limited edition box, and 'In Tribute to the Prince of Wales and Lady Diana Spencer' limited edition box, most with booklets, all in fitted boxes. (7)
Los 295
Halcyon Days limited edition oval enamel box and cover, the cover decorated with an image of Napoleon Bonaparte, 1769-1821, to commemorate the tercentenary of the Green Howards, raised in 1688, no. 230 of 250, 7cm x 6cm, with booklet and box, and a porcelain patch box after Angelica Kauffman bearing an image of classical females to the hinged top. (2)
Los 296
Collection of Halcyon Days limited edition enamel boxes to include Durham Cathedral, sailing boat commissioned by the Royal Academy, Scottie dog, fireworks at Buckingham Palace 1953-2003, elephant, poinsettia, the Beatitudes of Matthew V, some with certificates and boxes, also three others, Vivat Regina box and cover, bear group, bangle, pendant, boxed thimble and a boxed Royal Worcester patch box.
Los 275
Pair of Crown Devon Fieldings 'Dragon' lustre vases of ovoid form, decorated with colourful polychrome enamels, with gilt rim, on a blue ground, pattern no. 2069, approximately 23cm high. (2)CONDITION REPORT: No obvious chips to the rims when feeling with a finger. Slightly raised area below one rim. Looking through a glass we can see minor losses to the gilt on the rim, raised blacked mark to the rim also, could be a stain but not convinced its a restoration mark. Again some fairly minor losses to the enamel, mainly to the purple and gilt. Good detail to the exterior. Generally good detail to the dragons, with minor losses present. The raised stones appear to be in good condition. Very minor crackling to the glaze/enamels. Losses to the glaze on the underside with some crazing also to the underside.
Los 293
Two Bilston enamel boxes, c. 1790, inscribed to the cover 'A Pinch of This Deserves a Kifs', the other with a boy carrying straw, both with mirrored insets on yellow enamel, 4.5cm diameter. (2)CONDITION REPORT: Both covers open and snap shut. There is age-related pitting/staining with scratches and small losses to the mirrored insects. Small hairline crack to the top of the main box. Staining and fading to the glaze and small losses to the enamel on both.
Los 40
Sir Sidney Robert Nolan OM AC CBE RA, Australian/British 1917-1992 -Carcass; enamel on paper, 30 x 25.1 cm (ARR) Provenance: Pyms Gallery, London, stock no.H620 Note: Sidney Nolan was one of the most influential and important Australian artists of the twentieth century, whose work spanned a wide range of media. He was connected to the Heide group of artists, which included Arthur Boyd, John Perceval, and Albert Tucker. Nolan often depicted key figures from Australian history, including outlaws such as Ned Kelly, and desert landscapes of the Outback.
Los 807
Bassett Lowke or similar large scale (Gauge 1) Wooden Signal box and 0 Gauge display (2), measuring 18 * 8 * 11 inches tall (46*20*28 cm) approx, all round wood effect finish, stairs to the left hand side (missing steps), windows to front top section and part of the sides, 3 windows to the lower front area, internal 30 lever frame with listed functions, missing rear roof section. lacks enamel signs (removed), an interesting commercially made Signal box in need of some restoration, also includes a 0 Gauge wooden display section measuring 24 *5 inches (61* 12 cm) approx with single ballasted track, rear back walling with a number of enamel signs, F (2)
Los 839
An antique Battersea-type enamel snuff box with gilt metal rims, the top painted with 17th century Inn courtyard scene - resting the horses on a journey, 6.5 x 5.5 cm to/w a Limoges enamel pill-box with gilt metal lining (enamel chipped on lid) and a 19th century novelty papier maché snuff-box in the form of a shoe with silver wine inlays (3)
Los 85
A cased set of six Art Deco silver gilt and enamel coffee spoons, Levi & Salaman (retailed by Edward, Buchanan Street, Glasgow), Birmingham 1922, to/w a cased set of silver coffee spoons with bean finials, Hukin & Heath (retailed by Vickery's of Regent Street), Birmingham 1924 (2) Some areas of loss to blue enamelling, some fading to the gilding
Los 716
A Victorian boxwood inlaid satinwood breakfront writing/dressing table, the superstructure centred by a mirror flanked by four drawers, over a triple leather inset top, the centre sliding to reveal a stationary well, over an arrangement of five drawers and raised on slender square tapering legs to brass castors, bears enamel plate for James Shoolbred & Son, London, 107 cm x 54 cm x 116 cm h o/all
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396323 Los(e)/Seite