A 19th century French Limoges enamel and brass mounted triptych depicting three female saintsthe central rectangular panel flanked by two narrower panels, the saints probably depicting Mary Magdalene and Christ flanked by St Barbara and St Anne, the panels mounted within a Gothic style hinged triptych frame, with fleur-de-lys and scrolling foliate acanthus leaf decoration to the arched crestings, 32cm high x 29cm wide overallFor further information on this lot please visit Bonhams.com
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A late 19th century French gilt brass and champlevé enamel boudoir mantel clockthe waisted cartouche case with scrolling floriate acanthus mounts and finial on scrolling feet, the case with coloured scrolling allover decoration, the 1.75' floral enamel Arabic dial set within a paste bezel, the spring driven brass movement with vertical platform escapement, with key, 21cm high For further information on this lot please visit Bonhams.com
A late 19th century French carriage clock with repeat, with original travelling casethe Anglais Rich style rectangular case with spiral column supports, rectangular bevelled edge glazed viewing panel to the top and reeded shaped scrolling swing handle, the rectangular enamel dial with 2' Arabic chapter ring with an elaborate gilt floriate pierced and engraved mask, the brass twin train movement with gilt platform with jewelled lever escapement with compensated balance, striking the hour and half hours on a coiled steel gong, with key, the travelling case lacking handle, the clock, 19.5cm high overall (2)For further information on this lot please visit Bonhams.com
A 19th century French gilt brass mounted 'Boulle' tortoiseshell inlaid mantle clockthe movement signed Vincenti et Ciethe swept arched case with intricate brass inlay and foliate mounts surmounted by an urn above a fully glazed front door and sides on scrolling feet, the cast brass dial with separate Arabic and Roman enamel cartouche insets to the chapter ring, the winding holes on a matted and foliate case ground with blued steel hands, the twin spring barrel movement with Brocot escapement and suspension, with elaborate sunburst pendulum, case key, winding key and suspension key, 57cms highFootnotes:Born in Corsica in 1786, Jean Vincenti's family moved to Montbeliard in1791. By 1823 he had established a factory making rough movements for clocks and watches. It seems that the bulk of the ebauche/rough movement machinery used in the factory was self-made. The factory went bankrupt in 1828, but by October 1829 Albert Roux had possibly enerted into partnership with Vincenti, or possibly bought his factory outright, however the name, Vincenti & Cie, was kept. Around 1830, in addition to the rough movements (of which 3,000 were being produced a year), mechanical devices were being made as well, including metronomes, oil lamps, music boxes, etc. In 1834, Roux took over an old sawmill and weaving factory and, as the building dated to 1773, updated it and based Vincenti & Cie there. Before this move it was known in the area as L'usine de la Petite Raisse (The Factory of Petite Raisse); by the time Vincenti & Cie ceased trading, it was known as L'Usine Roux (Roux's Factory). Vincenti died in 1834, the same year Vincenti & Cie won a silver medal at the Exposition. They would go on to win medals at the Expositions of 1839,1844,1849,1855, and 1867.In 1850, workers lodgings were built on the site and six years later, a house for Roux and his family was constructed within the factory's footprint. Albert died in 1858 and was succeeded by his son Amédée. His son would expand the output of the factory to encompass chiming clocks, travel alarm clocks, Morse code receivers, and several other devices. 1864 saw the addition of a foundry to the factory; in this same year, it is recorded that 5,500 rough clock movements were made per month. Amédée died in 1876, when his son was 9. It seems likely (based on similar situations with other horologists) that Amédée's wife, Emma de Freystedt, would have taken over the running of the factory, until Albert had been educated. Albert was listed as an horological manufacturer, as were his father and grandfather, therefore it seems likely he would have taken over the running of the factory eventually. 1890 saw another expansion into phonograph movements and mechanisms for various meters, extinguishers, etc. Initially their customers had been in Paris, and later the Jura region. By 1890, however, their client base had expanded to neighbouring Belgium and Switzerland, as well as slightly further afield in the UK and even the USA. To meet demand, they were making 80,000 clock movement per year, though this figure does include the clockwork motors and meters mentioned above. Around this same time, the foundry was being used to make brass and bronze wire, an operation that was expanded in 1895. That same year, a salesroom was established in Paris, 110 rue Vielle-du-Temple.The last expansion of the factory took place in 1902, when a new steam engine and steam engine room were installed, to modernise the factory's water wheels and 1840's steam engine. By 1926, 57 people remained working in the factory, and the doors were finally closed in 1929. At its peak, in 1863, the Vincenti & Cie factory had employed 400 workers, and been the largest rough movement manufacturer of clocks in France, with the exception of Japy freres.Raphaël, F., Région Franche-Comté, Inventaire du patrimoine (2012) Usine d'horlogerie et de mécanique de précision Roux et Cie. Available at: https://patrimoine.bourgognefranchecomte.fr/dossiers-inventaire/usine-dhorlogerie-et-de-mecanique-de-precision-roux-et-cie-ia25001019This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze clock garniturein the Louis XV style, the elaborate cartouche case cast with panelled acanthus foliate scrolls and flowers and quiver of arrows and torch trophy, the top surmounted by a putto holding a sun dial, the integral platform base with foliate pierced apron and scrolling feet, the 5' enamel Roman dial with outer five minute Arabic track, the brass twin train movement with Brocot type escapement and outside countwheel striking on a bell, with pendulum and winder, the matching five light candelabra with the acanthus cast urn nozzles and dished drip pans on floral and foliate bulbous baluster foliate panel cast supports and corresponding footed bases, the clock, 43cm high, the candelabra, 45cm high (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 19th century French gilt bronze and marble figural mantel clockthe dial signed Hartingue, a Paris, the movement stamped Etienne Maxant, Paristhe signed 4.25' enamel dial with outer Arabic numerals framing the Roman hours, signed in red enamel and with good pierced and engraved gilt hands, set in a bow fronted column flanked by a standing classical woman draping a garland of flowers holding a putto, on a bow-fronted ormolu-mounted base and cast feet, the twin train movement striking on a bell, 34cms highFor further information on this lot please visit Bonhams.com
An early 20th century brass and enamel Eureka 'Clock'the dial signed Eureka Clock Co. Ltd, London, '1,000 Day Electric Clock'together with an associated modern glass dome and turned stained wood basewith 4' signed dial, the movement marked PATENT No 14614 and No 2919, the electric compensated balance wheel above a twin pillar stand, raised on a later turned wood base and bun feet, the frame, 14.5cm high, 28.5cm high overallFootnotes:Invented by American engineer Timothy Bernard Powers at the turn of the 20th century, Eureka clocks were patented by the Kutnow brothers in 1906 and made in London between 1908 and 1914.For further information on this lot please visit Bonhams.com
A late 19th century French patinated bronze and marble figural mantel, the figure after Jean-Jacques, called James, Pradier (Swiss, 1790-1852)the movement stamped Richond F. A. Paristhe rectangular black and variegated marble case surmounted by a figure of Terpsichore holding her lyre & plectrum before a wellhead signed J PRADIER, on naturalistic base, the 3.5' enamel dial with Roman numerals, on plinth base, the brass twin train movement with outside countwheel striking on a bell, with pendulum, 52.5cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century French gilt bronze and marble figural boudoir mantel timepiece garniturethe timepiece modelled as a winged putto holding a drum aloft housing the 2' floral enamel Arabic dial, the spring driven movement with vertical platform escapement, raised on an oval marble plinth with foliate panels and toupie feet, the satyr twin branch garniture candelabra on circular bases, 24cm high (3)For further information on this lot please visit Bonhams.com
A late 19th century French brass miniature carriage timepiecethe cannelee style case with engine turned silvered mask framing the circular white enamel Roman dial with matching blued steel hands, the single barrel movement with replaced lever platform escapement, 9.5cms highFor further information on this lot please visit Bonhams.com
A matched late 19th century French gilt bronze clock garniturethe clock in the Louis XV stylethe elaborate waisted cartouche case cast with acanthus foliate scrolls and flowers, the top surmounted with fruiting acorn leaves, the integral scroll footed platform base with rocaille and foliate apron, the 4' enamel Roman dial with outer five minute Arabic track, the brass twin train movement with Brocot type escapement striking on a bell, with pendulum and winder, the four light gilt bronze and black slate four light three branch candelabra with cusped column supports, (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
John Simpson (British, 1811-after 1871): An oval enamelled copper self portrait miniature together with a rectangular enamelled copper portrait miniature of Mrs Simpson (probably Mrs William Page Simpson)the first miniature with the sitter looking to dexter with mutton chop whiskers, wearing a black silk bow tie, the rear inscribed and dated Painted by J. Simpson for his son W. P. Simpson, Jan 1865, the second miniature of canted topped rectangular form, the sitter looking to dexter, her hair dressed with long ringlets, her black silk dress with laced collar, the rear signed dated Mrs Simpson 1855., by J. Simpson', the first miniature, 4cm x 3.3cm, the second miniature, 5cm x 4cm (2)Footnotes:John Simpson (1811-after 1871) was trained as a porcelain painter at the Derby porcelain factory before moving to London in 1845. He soon established a practice as a miniature painter specialising in works on enamel, and fulfilled the first of many commissions for Queen Victoria in that year. He is last recorded describing himself at the end of his career as a 'photographic artist' (1871 census return); the date of his death is not known.For further information on this lot please visit Bonhams.com
William Page Simpson (British, 1845-1911): An oval enamelled copper portrait miniature of a gentlemanpossibly a self portrait for his father, John Simpson (British, 1811-after 1871)the sitter looking slightly to dexter with mutton chop whiskers wearing a high black stock collar, mounted within a later brown plush covered contemporary rectangular frame with milled gilt slip, the miniature, 3cm x 2.5cm, the frame, 10.5cm x 7.5cm Footnotes:John Simpson (1811-after 1871) was trained as a porcelain painter at the Derby porcelain factory before moving to London in 1845. He soon established a practice as a miniature painter specialising in works on enamel and fulfilled the first of many commissions for Queen Victoria in that year. He is last recorded describing himself at the end of his career as a 'photographic artist' (1871 census return); the date of his death is not known.For further information on this lot please visit Bonhams.com
A 9 carat gold cased half hunter pocket watch, the white enamel dial set with Roman numerals and secondary dial and inscribed "J.W Benson London", the movement also by Benson, 94 g total weight CONDITION REPORTS The diameter of the case is 5 cm. Light surface scratching. Winds and runs but then stops. Otherwise general wear and tear conducive with age and use - see images for more details
A 19th Century famille-rose bowl with figural decoration, 14 cm diameter x 6.5 cm high, together with a collection of cloisonne and enamel work to include a hinged lidded box, the top set with roundel decorated with figure in landscape, 12.5 cm wide x 8 cm deep x 6.5 cm high, various trinket dishes and matchbox holders
A collection of Chinese enamel on copper scent bottles including a double scent bottle decorated with mother and children in a garden setting, 7 cm high, another similar decorated with chickens and butterflies and five various moon flask scent bottles decorated with various figures, one with pandas (one stopper missing), each approx 6 cm high
A pair of modern Chinese blue and white onion-shaped vases with Greek key decorated necks, the main bodies decorated with figures in a landscape and floral sprays, 41 cm high and a 19th Century famille-rose figure and floral panel decorated vase with fold-over rim, 62 cm high CONDITION REPORTS The famille rose vase has heavy restoration to the rim and to one handle. Wear and losses to the enamel and giltwork decoration throughout. Firing faults variously. The pair of blue and white onion vases have various firing faults, otherwise dirty and in need of a clean. All three have general wear and tear conducive with age and use - see images for more details
A late 19thC French porphyry marble cased mantel clock, circular enamel dial bearing Roman numerals, eight day movement by L Marti & Cie, with bell strike, the case of fluted column form, raised on a square plinth, on embossed brass feet, bell, pendulum, and key lacking, 25cm wide, 20.5cm deep.
A group of medals, pin badges, etc., to include three 1939-45 Defence Medals, a George VI Faithful Service medal awarded to John Robert Greenwood, with ribbon, a 1939-45 Star, a George VI Africa Star medal, Lincolnshire Regiment badge, a brass Royal Navy buckle, an RAF enamel pin badge, 1st Lincolnshire Regiment E Company metal plaque for Private G. Green number 271, other badges, etc. (a quantity)
A collection of twenty-four maritime metal and enamel badges relating to various vessels to include Royal Mail's liner 'S.S. Nevasa', a USSR badge, 'Scillonian', 'S.S. Canton' P&O liner, 'M.V. Royal Ulster Hibernia', other lines including Swedish Lloyd, Harrison Line, British Sailors Society, Merchant Navy badge, Royal Naval Submarine Service, etc and approximately sixty-four brass Naval and maritime buttons, various sizes, from several Royal Navy uniforms, Merchant Navy buttons including Cunard Line, Shaw Savill, Harrison Line, Alfred Holt (Blue Funnel Line), Royal Mail, British India Steam Navigation, two Naval cap badges, a pencil from the Queen Elizabeth liner and an unused pack of ten cloth badges for the Elder Dempster Line 'M.N. Aureol' Merchant Navy badges, etc (3).
LEWIS SAMUEL, 4 LORD ST LIVERPOOL; an 18ct gold open face pocket watch, the white enamelled dial set with Roman numerals and subsidiary dial, key wind movement no.14141. CONDITION REPORT: appears to be in going order, some enamel loss to the dial, possible hairline crack to the enamel at 11, case has some scratches and wear commensurate with age. Approx 75.2g.The inner dust cover is marked 18ct. Dial is 4cm. With case 4.5cm.
A Victorian walnut single weight Vienna style regulator wall clock. Height 100 cm. CONDITION REPORT: The pediment is loose. The moulded cornice is a little scuffed and marked in places. The door is not warped. The veneer is a little dry in places but there are no losses. The columns and applied carvings are very dirty but in good condition and all present. There are no cracks to the glass. We have the key, pendulum and weight. We have not had the movement working, however, it does wind. The face is a little discoloured. There is a hairline crack between numerals 11 & 12 and losses to the enamel around the second hand which is actually a later piece of wood. There are nibbles around the winding aperture. The bezel surrounding the dial is tarnished and discoloured. The door is pinned into place and requires re-pinning as it is very loose and easily detaches. The bottom turned drop finial is missing.
A 19th century Chinese enamel Gu form vase, all over decorated in foliate designs and with blue enamelled interior. Height 18.8 cm, top diameter 8.8. cm (see illustration). CONDITION REPORT: The vase is in generally good order with no major issues. The top rim is in generally good order. There is a small 3 mm enamel loss to the edge and numerous small stress fractures across the Greek key border. The main body of the vase is in generally good order with no crushed or dented area. There are some minor imperfections to the enamel but this being part of the firing process. There are also some surface scratches when viewed under magnification. The Greek key base has similar stress fractures to that of the top lip and there are two small pinhead size losses to the enamel.
A cased set of four silver and enamelled four leaf clover menu holders or place setting markers, Chester hallmark date letter 1905, maker Sampson Mordan & Co (see illustration). CONDITION REPORT: The menus holders have clearly seen very little use and other than being dirty are in generally very good order. The enamel is all in good order with no chips, losses or cracks. There is a slightly strange anomaly in that three of the four menu holders appear to have a small loss to the top right-hand corner of the bottom right clover leaf to the silver surround. This may simply be a manufacturing error. It is not problematic but visible when viewed under a times x 10 loop. All hallmarks are clear and there is no evidence of any repairs or restoration.
A collection of mainly 19th century silver pocket watches, all top wound: by Kay/Worcester, case: Chester 1897; another by Stewart Dawson/Liverpool, case Birmingham 1878; another, by Thomas Russell & Son/Liverpool, case Chester 1909, missing minute hand, also a Swiss ladies’ watch, silver case, enamel dial, missing hands and glass, with two empty base metal case shells and a plated 11.5in (29.3cm) silver plated Albert with T-bar (7)

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396323 Los(e)/Seite