396325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396325 Los(e)/Seite
pencil and watercolour, inscribed in pencil ENAMEL -/ SIDE-/ FRONT-/ BACK-10.5cm x 14cmProvenance: Mrs C. Armstrong, the artist's nieceThe Fine Art Society, London, 1979Private CollectionFootnote: Exhibited: Doves & Dreams: The Art of Frances Macdonald and J. Herbert McNair, Hunterian Art Gallery Glasgow, 2006 & Walker Art Gallery Liverpool, 2007, M23Note: After completing studies together at the Glasgow School of Art, Frances Macdonald McNair and her sister Margaret established a small studio together, where they often worked in collaboration with each other as well as Herbert McNair and Charles Rennie Mackintosh. Together they became known as ‘The Four’, developing widespread international acclaim for their designs.Frances and Herbert married in 1899 and soon after moved to Liverpool where they both taught design classes at the Art Sheds at the University. It was in these early years that Frances really began to explore her interest in jewellery design. Sadly, very few examples of the jewellery she produced during this time are thought to have survived, however a rare handful of original designs are still known, including these four works, which can be traced directly back through the family.Each is skillfully executed and illustrates a strong sense of creativity and refinement as well as a fascination with stylised forms and decorative linear patterns. It is thought that Frances particularly admired the work of Lily Day, a staff member at the Art Sheds, after attending her evening classes in enamelling. Indeed, these particular designs may also indicate inspiration from C. R. Ashbee, as she sought to delicately balance fine wirework and enamelled details, with her distinctive mystical imagery. After her son Sylvan was born in 1900, motherhood and children became a significant theme in her work, exemplified in Lot 354. This figure appears in several of her works throughout her career, namely in The Spirit of the Rose, a textile design that Frances adapted for this particular pendant.Some of Frances’ designs were exhibited at St George's Hall, Liverpool in 1900 and again in Turin in 1902, yet after the demise of the Art Sheds the McNair’s financial situation was precarious and they moved back to Glasgow in 1908 where she taught classes in embroidery and metalwork at the School of Art. Latterly her focus turned to watercolours, revisiting themes of motherhood, and thus her venture into jewellery-making was relatively short-lived. Nevertheless, her designs had a lasting impact on the work of artists such as Edgar Simpson and Jessie Marion King, and demonstrate her impact on the development of the Art Nouveau aesthetic.
white metal, and enamel, set with two opaline stones, with later chain, pendant 6.5cm long; together with a SMALL BROOCH, probably by the same hand, white metal and enamel, set with pearl segment, 4cm longFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A LATE 19TH CENTURY ELGIN NICKEL CASED CROWN WIND POCKET WATCH, serial No 19941269, with white enamel dial and subsidiary seconds, 57mm case, working order, a gold plated record open face POCKET WATCH, a silver cased JW BENSON "Ludgate" open faced POCKET WATCH, London 1891 and a Swiss open faced white metal POCKET WATCH, a.f. (4)
An Edwardian 14ct gold fob watch and chain, the fob watch with gold coloured dial and highlighted silvered numbers, with outer enamel and Greek key border, 2.5cm wide, bezel wind with a plain design back with similar border and tiny diamond set centre old cut approx. 0.10ct going through the entire back face, numbered 504096, stamped 14k with a later plated and black metal bow brooch clasp, 7cm high in total, the watch 4cm high, 21.7g all in.
An early 20th century silver and gold plated cased Omega pocket watch circa 1912, the signed white enamel dial having Arabic numerals, Louis XIV style hands and seconds subsidiary, the case back and dust cover marked '0.800' to inside with Omega logo and numbered 5105027, case diam. 50mm. Condition: currently in working order although not sold with any guarantees, dial clean no damage, glass and case with surface scratches throughout, hinges ok, crown functional, knife marks to opening and name inscribed to inside back, movement serial number 4425769
A late 19th/early 20th century Swiss 14ct gold ladies pocket watch having white enamel dial with Roman numerals, finely engraved foliate design through the case, marked '14K' with Swiss cartouche to inside, case diam. 32mm, gross weight 26.5g. Condition: not currently running and won't be sold with any guarantees, hour hand missing tip, will not wind and will be sold as found, very small chip to enamel above 12 o'clock, inner dust cover marked 'curve' (copper), some surface wear to case throughout, loop not marked, no holes or major damage to case.
A Georgian pair case key wind fusee pocket watch with white enamel dial having Arabic numerals, the gilt movement engraved 'Roborson, London', and having pierced floral decoration, tortoiseshell outer case with piqué inlay and gilt banding, diam. 50mm. Condition: not currently running and won't be sold with any guarantees, hands missing, movement requires attention as chain is loose and will require replacing, some signs of oxidisation to movement, no winding key present, some rubbing and oxidisation to dial with minor niggles to enamel around outer edges, rubbing throughout to inner case, some cracking with minor losses to front of tortoiseshell case.
Three early 20th century continental silver watches comprising a ladies cocktail watch marked '.925' with import duty marks, together with two ladies pocket watches marked '0.800' & '0.935', all as found, gross weight 83.5g. Condition: various, none running, key winder not present, others will not wind, case split on smaller pocket watch, enamel dials appear in tact, various surface wear, scratches and dents throughout.
An early 20th century gold plated Waltham full hunter pocket watch, circa 1910 having signed white enamel dial with Roman numerals, spade & whip hands and seconds subsidiary, movement no. 17941611, diam. 49mm. Condition: not currently running and won't be sold with any guarantees, crown and movement require attention, balance wheel doesn't not move freely, dial appears damage free, some dust and dirt build up, case and glass with surface wear, scratches and small dents.

-
396325 Los(e)/Seite