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396323 Los(e)/Seite
A child's silver Christening set of egg cup and spoon and napkin ring, engraved poultry, cased; a nursery rhyme egg cup and silver spoon, cased; a modern two handled silver bowl; four silver and enamel commemorative spoons (two Irish, one with a Jubilee mark), other spoons and pickle forks. Different dates and makers. (A lot)
A Japanese Satsuma ware saki pot with cover decorated sages in orange, black and gilt, 3in (7.5cm) diameter, a Japanese Imari porcelain dish in the form of a fish, 10in (25.5cm), and a pair of continental ware pillar vases sky blue ground with tree blossom and oriental pheasants, 9in (25cm), and a pair of Japanese blue and white bowls, 7.25in (18.5cm). An eighteenth century Chinese porcelain bowl decorated panels of figures in famille-rose enamel, 7.1in (18cm) diameter, a pair of Cantonese porcelain plates decorated court scenes in famille-rose enamel, the gilt ground borders with blossom insects (one chipped), 9.8in (25cm).
Faberge, a silver, gilt & red enamel, buckle. Each part of the buckle inset with a single diamond surrounded by a laurel wreath mount, over a translucent blood red enamel with concentric circle engraved decoration below. Both sections of the buckle stamped k.faberge makers ma rk, stamped 88 standard, with work master cyrilic initials for Ivan Futikin, Moscow, 1896-1907. 6.5cm long x 3cm wide. With associated box.
A French silver - gilt and enamel oval box and cover, early 19th century. Marks rubbed, bearing hares head petite garantie mark for Paris 1819-1838. The whole exterior of the box chased with scrolled vignette and geometric hatched decoration, decorated in enamels to the vigne ttes, with floral sprig. With gilded interior. 8cm max diameter.
A plated snuff box, of waisted circular form, the base set with engine-turned tortoiseshell, the cover with an enamel plaque depicting an architectural study, diameter 6.5cm, a cased gold mounted lacquered tortoiseshell lined snuff box, diameter 6cm, and a child's combination whistle and rattle with four bells and a coral teething stick. (3)
A Continental 14K gold cased open face, key wind pocket watch. The white enamel dial signed 'E. Harris & Co Liverpool'. case no: 69628, with a matched key. Also a Continental 19th century, 14K gold cased, green enamel and seed pearl set, ladies circular cased wristwatch. Whit e enamel dial with arabic numerals, case no 211245. (2)
An Indian 18K gold and enamel hinged bangle and matching ring. The front designed as two opposing rams heads. Decorated all over with multi coloured enamels to simulate gems. The bangle of pierced hollow round section, stamped 18 on the hinge. 6cm diam. The ring formed of a s ingle rams head, with all over multi coloured enamel decoration, size ' O' uk. (2)
'Tutankhamun', a copper and enamel miniature propelling pencil, also a silver and enamel charm in the form of a mose's basket; 4 Victorian and later gold stick pins; an edwardian 9ct gold and amethyst pendant on chain; an opal set stick brooch; a 9ct gold and opal set pendant also a silver pendant pill box. (a lot)
Cecily Brown b.1969- Untitled, 1993; oil and enamel on metal panel, 183x56.5cm., (unframed). Provenance: Purchased by her tutor, the artist Ron Bowen at her final year degree show at The Slade School of Fine Art, London. Ron Bowen recalls: 'Cecily's final exhibition at the S lade was both like and singularly unlike any of the work she had previously made. All the works were on metal (the leftovers, I believe, from some sculpture that Bruce McLean was working on at the time), relatively narrow and in landscape format, painted in a mixture of oils and enamel. The long horizontals suggested a sort of 'moving through' as if one were in a slowly moving limousine. Taken together they conjured up a certain kind of ominous urban landscape. Attack dogs, guns, sexy pigtailed girls, guys, hangin', cars drifting by, all drawn or painted, in slightly cartoonish attitude, with a sort of loose decorativeness. The paint attack was extraordinary assured, the world evoked, entirely convincing, at the same time incredibly casual and highly charged. I thought they were simply terrific'. 'I think the painting on metal certainly came from Bruce McLean. The imagery, including the attack dogs and the distortion perhaps from Jock McFadyen - she was talking a lot to him then - I'm not sure about my own input, but I was collecting up images in similar fashion from various sources then, talked with her about this collagist approach, and lent her quite a few images from my collection'. (may be subject to Droit de Suite)

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396323 Los(e)/Seite