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Preisdatenbank abonnierenAN EARLY 20TH CENTURY SILVER OVERLAID GLASS SCENT BOTTLE AND STOPPER, with pierced and engraved foliate decoration, 11.5cm high; two pairs of Norwegian silver and vari-coloured enamel topped cut glass scent bottles, each pair on a fitted oval plate stand; a silver and blue enamel topped glass jar, Birmingham 1926; a cut glass powder jar, the top inset with an Art Nouveau style embossed portrait of a lady; and one other small silver topped jar (qty)
A COLLECTION OF SMALL SILVER ITEMS, to include an Edwardian Art Nouveau miniature photo frame, Birmingham 1903, 4.5cm, another miniature photo frame, Birmingham 1912, an Edwardian stamp box, on ball feet, Birmingham 1904, a lobed vesta case, an oval box and cover, an Edwardian oval photo frame with ribbon cresting, Birmingham 1909, an aide memoire, two decanter labels for Brandy and Port, other small items, a plated vesta with enamel 'Match to Strike' decoration, and other plated items including a rabbit baby's rattle with mother of pearl teether, and a small box in the form of a pig (qty)
A COLLECTION OF 19TH CENTURY AND LATER SEED PEARL JEWELLERY, comprising a seed pearl flowerhead pendant, suspended from a seed pearl fancy-link collar necklace, two pairs of seed pearl cluster earrings, a pair of seed pearl ear pendants, (drops detached), an enamel, diamond and seed pearl panel brooch, and further items, necklace length 33.5cm
AN EARLY 20TH CENTURY FRENCH SILVER AND PLIQUE À JOUR ENAMEL SMALL BOX, maker's mark D.L. probably Julien Duval & Georges Le Turcq for Tiffany & Co, the top of chequered design within a border of conjoined flowerheads, the sides with ribbon and flowerheads united by a silver winged cherub figure at each rounded corner, signed Tiffany & Co, Paris, 4.5cm wide
A GEORGIAN DIAMOND, ENAMEL AND HAIRWORK MEMORIAL PANEL RING, the navette-shaped panel centred with an ivory plaque, painted en grisaille to depict a maiden resting on an anchor, symbolising Hope, edged by rose-cut diamonds, to a plaited hairwork ground, with red enamel and bead borders, gold mounted, ring size L½
A MID VICTORIAN SILVER TROPHY CUP, with engraved decoration, by Augustus George Plessé, London 1863, 19cm high, 8 oz; together with other silver items comprising a cigarette box, a sweetmeat dish, a vesta with enamel pennant design, a navette shaped small box, a matchbox cover, a cut glass inkwell with silver cover, an Edward VII Coronation medallion, two Dutch crowns, and other coins (qty)
A SET OF SIX SILVER AND VARI-COLOURED ENAMEL COFFEE SPOONS, Birmingham 1960, in fitted case; another similar set with bean terminals, cased; a set of six silver fruit knives with mother of pearl handles, Sheffield 1923; a set of six silver teaspoons; a set of six silver cocktail sticks, all cased; and a Continental four piece silver handled christening set, cased (qty)
AN ENAMEL AND DIAMOND SET FOB WATCH, the circular dial with Arabic numerals and scroll pierced hands, to a keyless wind movement, the textured case modelled as a pansy flowerhead, centred with a rose-cut diamond and heightened with graduated white and purple enamel, stamped 'K18' and numbered 15066, case width 2.7cm
A COLLECTION OF JEWELLERY, to include a pair of diamond and vari gem-set ear clips, modelled as a spray of flowerheads and fruits, white metal mounted, stamped '925', a pair of amethyst ear pendants, each oval mixed-cut amethyst drop within a beaded border, on wire fittings, a green hardstone and diamond set heart-shaped pendant, two freshwater pearl and diamond set pendants on chains, a white metal and enamel half hunter fob watch, and assorted further jewellery and costume items, ear clips length 2.5cm (qty)
A COLLECTION OF JEWELLERY, comprising a rose-cut diamond set panel brooch, (two diamonds deficient), a half pearl set stick pin, a crescent brooch, a late Victorian/Edwardian panel brooch, (later fitting), a micromosaic panel brooch, and an enamel butterfly brooch, (half pearls untested for origin), first brooch length 4.7cm (6)
A COLLECTION OF 19TH CENTURY AND LATER JEWELLERY, comprising a garnet and half pearl cluster panel brooch, (later fitting), an enamel and half pearl cluster panel brooch, two half pearl and hairwork panel clasps, a cabochon garnet dress stud, a coral corallium rubrum clasp, and further items, (some fittings deficient, half pearls untested for origin), first brooch length 2.2cm (13)
A COLLECTION OF VICTORIAN AND LATER BROOCHES, comprising a black enamel and half pearl memorial panel brooch, glazed verso, (later fittings), a citrine single stone brooch, a stone set panel brooch, of foliate scroll design, an oval shell cameo brooch, and a heat treated amber brooch, 9ct gold mounted, (half pearls untested for origin), first brooch length 5.2cm (5)
A COLLECTION OF VICTORIAN AND LATER BROOCHES, comprising a citrine single stone panel brooch, (later fitting), a half pearl set panel brooch, glazed verso, with Victorian lozenge-shaped registration mark, a blue enamel and half pearl set panel brooch, glazed verso, (later fitting), an oval shell cameo brooch, carved to depict the profile of Demetre, and a lava cameo brooch, (later fitting), first brooch length 4.1cm (5)
A CHINESE IMPERIAL YELLOW-GROUND 'DRAGON' SAUCER DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Finely incised to the centre with two five-clawed dragons contesting a sacred pearl amidst stylised flames, one dragon picked out in green enamel, the other in aubergine, with bunches of grapes growing amongst leaves to the reverse, 13.3cm. Provenance: formerly a European private collection. Cf. The British Museum, registration no.PDF.777 for a dish of the same design on loan from the Sir Percival David Foundation of Chinese Art; see also The Wonders of the Potter's Palette: Qing Ceramics from the Collection of the Hong Kong Museum of Art, pp.58-59, no.24 for another similar example.清康熙 黃地綠褐彩趕珠龍紋碟《大清康熙年製》楷書款來源：歐洲私人舊藏。
A RARE CHINESE BAMBOO GILT AND LACQUERED SCHOLAR'S TEAPOT AND COVER YONGZHENG/QIANLONG The compressed circular body with a loop handle and spout, with gilt ruyi-heads centred by red lacquer encircling the rim, the cover decorated with two flowers set amidst stylised leafy tendrils and delicate scrollwork, the recessed base incised Jiezhai zao which can be translated as 'made in the studio of restraint', 12.1cm. (2) Cf. Christie's Hong Kong, 2nd December 2015, lot 3139 for another bamboo root teapot and cover with this mark; see also Bonhams Hong Kong, 28th November 2011, lot 250 for a Yongzheng Yixing inkstone and lacquer box decorated with comparable gilt scrolls. The lacquer decoration on this unusual bamboo teapot is comparable to that on Japanese lacquer pieces, particularly the delicate scrollwork to the cover and band of foliage resembling karakusa scrolls. The Yongzheng Emperor is known to have greatly admired Japanese works of art and aesthetics, and he was especially fond of Japanese maki-e lacquer with gold decoration. There were a large number of Japanese maki-e pieces in the collection of the Qing court. However, the Yongzheng Emperor's appreciation for Japanese lacquer led him not only to collect pieces made in Japan, but also to order imitation works from domestic Imperial workshops. Yongzheng is believed to have been the first Qing emperor to commission such imitation pieces, and this was to be continued by his son the Qianlong Emperor. These imitation pieces appear to have been valued as equal to rather than inferior to authentic Japanese examples. Aside from pure imitations, Yongzheng also encouraged the application of Japanese lacquerware designs on other media, including porcelain and enamel. An enamelled gilt-copper inro-style case produced in the Qing court workshops and now in the National Palace Museum collection is one example of these kind of pieces produced under the Yongzheng Emperor's reign. For a more in-depth discussion on Japanese lacquer in 18th century China, see K Kleutghen, Imports and Imitations: The Taste for Japanese Lacquer in Eighteenth-Century China and France, Journal for Early Modern Cultural Studies, vol.17, no.2, Spring 2017, pp.175-206. 清雍正/乾隆 竹雕鎏金加彩茶壺《節齋造》款
Various household china and effects, etc., a Haler 24 inch television in black, a further Toshiba 18 inch screen, attaché style case, glassware, etc. household items, enamel style pan, soft toys, mantel clocks, books, cases, cased kitchen collection set, various other items, Humax HDMI Freesat box, mantel clock, etc. (3 boxes and other)
A quantity of costume jewellery to include gold-plated Victorian bangle with turquoise set flowers, malachite beaded necklace and earrings, brooches, necklaces etc and a ladies' attaché case containing a good quantity of leather, suede and other driving gloves, a large enamel chainmail-type handbag and various other handbags and purses.
Dennison; a full hunter 9ct gold pocket watch, the dial set with black Arabic numerals and blue steeled hands, subsidiary seconds dial, stem-wind, Syren mechanism, gross weight approx 91g. CONDITION REPORT Some slight indents and scratches to the case, some slight star cracking from the centre of the enamel, only seen through a glass, in going order.
An early 20th century mahogany Vienna-style eight-day wall clock, Classical columns and pediment over gilded and enamel dial set with Roman numerals, pillar supports to either side, 92cm. CONDITION REPORT Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
A 1930s blue enamelled desktop rotating calendar, patent number 8521, with London hallmarks, a Victorian Sheffield silver Christening beaker, a Sheffield baby's spoon and push and a Chester silver lidded mustard pot with blue glass liner and spoon (5). CONDITION REPORT The enamel on the calendar is quite badly damaged around the central post for the calendar and through a fairly sizeable section of the rim, please see additional images.
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