A late 19th century Belgium slate mantle clock with carved applied decoration to the arched top, on a shaped rectangular plinth raised on four paw feet, with a centre panel in contrasting pink marble with incised decoration, two part contrasting white enamel dial with Roman numerals and minute markers, steel spade hands and visible Brocot escapement, dial within a cast brass bezel with a flat bevelled glass, eight-day Parisian striking movement, striking the hours and half hours on a bell. With pendulum. Dimensions: Height: 38cm Length/Width: 25cm Depth/Diameter: 14cm
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A French 19th century table clock in a decoratively engraved brass case on splayed bracket feet with carrying handle, white enamel dial, Roman numerals, minute markers, non-matching steel hands, dial attached to an eight-day spring driven movement. No pendulum. Dimensions: Height: 25cm Length/Width: 18cm Depth/Diameter: 13cm
A large and imposing late 19th century French mantle clock with a breakfront plinth constructed from Belgium slate, case adorned with a display of numerous weapons and accruements of medieval warfare, drum movement case housing a large 7� two-part white enamel dial with Roman numerals, minute markers and steel moon hands, visible Brocot deadbeat escapement with cornelian pallets, dial attached to an eight-day rack striking movement striking the hours and half hours on a bell. With Pendulum. Dimensions: Height: 54cm Length/Width: 60cm Depth/Diameter: 18cm
A French gilt spelter striking mantle clock housed under a glass dome c 1880, decorative gilt case on a padded wooden plinth with a depiction of an artist in 18th century dress reclining on a drum case with an eight-day Japy Freres movement, enamel dial with Roman numerals, steel spade hands and minute markers, with a twin train countwheel movement striking the hours and half hours on a bell, engraved silver presentation plaque dated 1886, with original oval glass dome on an ebonised wooden plinthWith pendulum & original bow key.Dimensions: Height: 43cm Length/Width: 40cm Depth/Diameter: 19cm
Gold-Armband mit Emaille-Dekor. 14 kt. GG, gest., reliefiert. Durchbrochen gearbeitete, quadratische Glieder mit grünen und blauen Emaille-Ringen verziert. B. 13 mm, L. 19,5 cm, Gew. ca. 31 g. - A Gold Bracelet with Enamel Ornaments. 14 ct. yellow gold, marked, with relief. Open worked, with green and blue enamel rings. W. 13 mm, L. 19,5 cm, weight approx. 31 g. -
Spindeltaschenuhr mit Emaille-Malerei. 19. Jh. Silber, undeutl. gest., tlw. ziseliert. Zifferblatt mit Emaille-Kartuschen, arab. Ziffern, Zentralzeiger. Polychrone Malerei eines Kreuzes mit Blüten. Gehäuse innen num. 4161. Mit Achat verziertem Schlüssel. Wenige Altersspuren. Dm. 53 mm, Gew. ca. 102 g. - A Spindle Pocket Watch with Painting. 19th cent. Silver, indistinctly marked, partly engraved. Dial with enamel cartridges, arab. numerals, central hands. Polychrome painting of a cross with flowers. Case inside numb. 4161. With agate decorated key. Few traces of age. 53 mm, weight approx. 102 g. -
Chanel. Kaskaden Sautoir mit CC-Logo. 2011. Metall, goldfarben, farbloser Strass, perlmuttfarbene Glasperlen sowie weitere in Lindgrün, Rot und Aubergine. 2 asymetrisch angeordnete Schmuck-Medaillons. CC-Logoglieder mit eingelegter Emaille in Aubergine. Am Verschluss zwei Ketten mit CC-Logo. Plakette gemarkt 'Chanel A11 P Made in France'. L. ca. 104 cm. Mit Box. - Chanel. A Cascade Sautoir wit CC Logo. 2011. Metal, gold coloured, colourless strass stones, mother-of-pearl coloured faux pearls and glas-pearls in red, light green and aubergine. 2 asymetric arranged medaillon. Individual CC-logo links with enamel in aubergine. Clasp with two cahins with CC logo. Lable marked 'Chanel A11 P Made in France'. L. approx. 122 cm. With box. -
Meuron Silliman & Comp. Spindeltaschenuhr. La Chaux-de-Fonds, Ende 18. Jh. 18 kt. RR und GG, gest., ziseliert, num. 6648, 'DP'. Emaille-Zifferblatt, röm. und arab. Ziffern, Louis XVI Zeiger, bez. Gehäuse mit Rokoko-Relief eines Paares. Werk gemarkt 'Meuron Silliman & Comp à Chauxdefond'. Stahlboden innen (erg.). Wenige Altersspuren. - Meuron Silliman & Comp. A Spindle Pocket Watch. La Chaux-de-Fonds, end 18th cent. 18 ct. red and yellow gold, marked, engraved, numb. 6648, 'DP'. Enamel dial, roman and arab. numerals, Louis XVI hands, labelled. Case with Rokoko Relief of a couple. Movement marked 'Meuron Silliman & Comp à Chauxdefond'. Steel bottom inside added. Few traces of age. Diameter 45 mm, weight approx. 86 g. Comp. Baillie. -
Luigi Duchêne. Spindeltaschenuhr mit feiner Emaille-Malerei. Genf, um 1800. 18 kt. Roségold und GG, undeutl. gest. Weißes Emaille-Zifferblatt, arab. u. röm. Ziffern, Filigran-Zeiger, bez. 'Ls Duchêne A. Geneve'. Übergehäuse ziseliert mit kl. Saatperlen (kl. Besch. u. Erg.), Emaille-Malerei eines Liebespaares in Parklandschaft. Werk gemarkt, num. 38597. Ohne Schlüssel. Dm. 43 mm, Gew. mit Übergehäuse ca. 85 g. Wenige Altersspuren. Vgl. Baillie. - Duchêne, Luigi Geneva, 1790 - 1820. A Spindle Pocket Watch with fine Enamel Painting. Geneva, around 1800. 18 ct. rosé and yellow gold, indistinctly marked. White enamel dial, arab. and roman numerals, filigrane hands, labelled 'Ls Duchêne A. Geneve'. Over case with floral decoration, engraved, set with small seed pearls (small damages and additions), idealized enamel painting of a couple in park scenery. Movement with filigrane verge bridge, marked 'Ls Duchêne Geneve', numb. 38597. Key missing. Diameter 43 mm, weight with over case in total approx. 85 g. Few traces of age. Comp. Baillie. -
Paar Fabergé Emaille-Manschettenknöpfe. Ende 20. Jh. 18 kt. GG, gest., num. 211/300, MZ: 'Fabergé' und 'VM', Collection Fabergé nach Entwurf von Victor Mayer. Blaues Emaille, im Zentrum je ein zargengefasster Kleinstbrill. zus. ca. 0,05 ct. Schauseite 19 x 13 mm, Gew. ca. 16 g. - A Pair of Fabergé Enamel Cufflinks. End 20th cent. 18 ct. yellow gold, marked, numb. 211/300, MZ: 'Fabergé' and 'VM', Collection Fabergé after Model of Victor Mayer. Blue enamel, each with 1 bezel set round brillant cut diam. in total approx. 0,05 ct. In front 19 x 13 mm, weight approx. 16 g. -
Spindeltaschenuhr. 19. Jh. Silber, vergoldet, gest. 'CFBD', num. 4289 T13. Emaille-Zifferblatt mit antikisierender Amor-Figur, schwarze röm. Ziffern, Zentralzeiger. Beidseitig mit Mikromosaik verzierter Schlüssel. Altersspuren. Dm. 51 mm, Gew. ca. 87 g. - A Spindle Pocket Watch. 19th cent. Silver, gilded, marked 'CFBD', numb. 4289 T13. Enamel dial with antique figure of Amor, black roman numerals, central hands. Key with micro mosaic decorated. Traces of age. Diameter 52 mm, weight approx. 87 g. -
Damen-Halbsavonette. 14 kt. GG, gest., ziseliert. Weißes Emaille Ziffernblatt, röm., arab. Ziffern, Goldzeiger. Alle Deckel gest., num. 56651. Momentan nicht lauffähig. Vergoldete Uhrenkette und Öse erg. Dm. 30 mm, Gew. ca. 21 g. - Ladie's Pocket Watch. 14 ct. yellow gold, marked, engraved. White enamel dial, roman and arab. numerals, golden hands. All covers marked, numb. 56651. Momentary not running. Gilded necklace, gilded eyelet added. Diameter 30 mm, weight approx. 21 g. -
Humbrol, Tamiya, Akah - A collection of over 50 mainly sealed acrylic model kit paint and enamel washes predominately by Humbrol. Lot includes Humbrol Acrylic #18, #225, #24; #81 and similar. Washes include Humbrol Enamel Dark Green; Black and similar. Lot also contains a sealed Akah # 47307 USSR Auto / AFV set. Majority of items appear sealed, and unused. (This does not constitute a guarantee)
An Ansonia Clock Company New York 8 day chiming mantle clock, oak cased with carved decoration, painted gilt decoration, enamel dial, Roman numerals, blued hands - 38cm tall, together with another Ansonia mantle cock, slate base painted metal case with gilt and marble decoration, dial flanked by cast metal lion heads, glazed front opens to reveal painted enamel dial, Roman numerals and exposed balance wheel - 26cm tall. (2)
Seven mantle clocks to include a W.A.Perry & Co Birmingham, balloon shaped mantle clock with fruit wood inlay and shell decoration, enamel dial together with four similar mantle clocks, a Kemp Brothers Union Street Bristol mantle clock with carved wood decoration and etched dial together with a Duverbkey and Boguel made in France mantle clock. (7)
Enamel pin badges - a collection of enamel pin badges to include ten Robertson's advertising badges, a silver and enamel 'Laborare est Orare Prefect' badge hallmarked Birmingham 1939, a Transport and General Workers Union Shop Steward enamel badge and similar, included in the lot is an enamel St Christopher medallion stamped Silver on long chain and a Southport Convention 1985 Delegate badge on ribbon
"Christ". Large chased and gilded copper figure with champlevé enamel. Limoges. France. Romanesque. 13th century. Due to its dimensions, 22,5 x 18 cm, it must have been the central figure affixed to a large processional cross. Christ alive, crucified, covered with a large loin cloth in ultramarine blue and turquoise tones, with a crowned head and glass eyes. This is a Romanesque depiction of Christ, who appears glorious and triumphant before death, with the head held high, not leaning, and with open eyes. The knees are bent and the naturalness of the torso augers the beginning of what would be the gothic model of the suffering Christ. There is a comparable example kept in the Musée d'Art et d’Archéologie in Senlis, France, which is still affixed to its original cross. (https://musees.ville-senlis.fr/Collections/Explorer-les-collections/Rechercher-une-oeuvre/Musee-d-Art-et-d-Archeologie/Christ-en-croix) As the museum mentions in the index card, both Christs show the characteristics of Limoges craftsmanship "opus emovicense" according to the expression used in the Middle Ages to define the objects made in enamelled champlevé copper in the Limoges workshops: champlevé enamel in ultramarine blue has been used on the loincloth and on the suppedaneum, the shelf on which Christ’s feet rest, although in this case the enamel has not been preserved, and there is fine chasing on the torso.
Attributed to Luis Juárez (Mexico, circa 1585 - 1639)."The Annunciation with Saint Jerome and Saint Francis of Assisi"Nun’s badge. Oil on copper. 13 x 10,5 cm.The LACMA in Los Angeles, has a nun’s badge in its collection by the Mexican painter Francisco Martínez (Mexico, 1687-1758) dated circa 1750, with the central theme of The Annunciation surrounded by Saints. (Inv. M.2015.142.1)As Professor Ilona Katzew, Curator and Head of the Latin American Art Department at the LACMA in Los Angeles, notes with respect to these nun’s shields:"This small-scale painting is a badge worn by nuns of the Order of the Immaculate Conception (also known as Conceptionists) in Mexico as part of their dress. Painted badges originated in Mexico in response to religious reforms introduced by the archbishop Francisco Manso y Zúñiga (ruled 1629-1635), who attempted to curtail the luxury and privilege of the convent lifestyle. He forbade nuns to wear shields made of gold, precious stones, and enamel. The nuns circumvented this rule by commissioning shields painted on copper or parchment, and set into frames made of tortoiseshell. Many of the badges were painted by the best artists of the day."This genre of devotional art was widespread during the 17th and 18th centuries in Spain and the New Hispanic world.They tended to be small pictures painted or embroidered with religious scenes, which nuns wore on their chests as they took their vows.It is in the classic portraits of crowned nuns, also with flowers, veils and other ornaments, where we can see the relevance these badges had.On occasions, artists of the calibre of José de Páez, Miguel Cabrera and Luís Juárez, who was, it seems to us, the painter of this shield, made some of these badges.
Dentistry.- Bourdet (Étienne) Soins Faciles pour la propreté de la Bouche, pour la conservation des Dents, & pour faire éviter aux Enfans les accidens de la Dentition, new edition, 3pp. privilege at end, book-label of H.Dierickx Mechlinien, contemporary mottled calf, rubbed, rebacked preserving old gilt spine with red morocco label, preserved in modern cloth slip-case, Paris, Jean-Th.Hérissant, 1771 § Gagliardi (Domenico) Anatome ossium..., 4 engraved plates, one folding, lightly browned, later sheep-backed paste-paper boards, spine rubbed, [Wellcome III, 80], Leiden, 1723, 12mo & 8vo (2)⁂ The second work includes observations on the anatomy and enamel of the teeth.
18ct gold diamond set ring, Sheffield import marks 1978, single strand pearl necklace, with 9ct gold gold clasp and a Norwegian silver enamel butterfly brooch by Hroar PrydzCondition Report:18ct gold ring approx. 3.95gm, size P-Q, pearl necklace length = 56cm, butterfly length = 32mm, enamel in good condition

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