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396325 Los(e)/Seite
![Attributed to William Hopkins Craft [1730-1811], A miniature portrait of George Frederick Handel [1685-1759] after Thomas Hud](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/a9c27e12-d7cb-4880-8763-af1d00caf5c3/468x382.jpg)
Los 1707
Attributed to William Hopkins Craft [1730-1811], A miniature portrait of George Frederick Handel [1685-1759] after Thomas Hudson, half-length, wearing a gilt trimmed brown coat, titled verso, enamel on copper, oval 10 x 8cm [tiny rim chip under frame] in giltwood and gesso rocaille frame [some losses]. * cf. a similar work accession no.3907 The Fitzwilliam Museum, Cambridge.
Los 1781
An Edwardian French carriage alarm clock: the eight-day duration timepiece movement having a platform lever escapement and sounding the alarm on a bell, the white enamel dial having black Roman numerals, blued steel spade hands and subsidiary alarm setting dial, the solid brass case with carrying handle and ball feet, complete with travelling box, height 10cm, handle up, 8.5cm handle down.
Los 1782
A French striking Victorian carriage clock: the eight-day duration movement striking the hours and half-hours on a gong, with a repeat button sounding the last hour at will, the white enamel dial with black Roman numerals and blued steel hands, the Corniche case having a three-bale handle, height 17cm handle up, 14cm handle down.
Los 1784
A French Victorian engraved Anglaise carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a gong with a push button to repeat the last hour at will, with alarm, the backplate stamped with the serial number 2718, the white enamel dial having black Roman hour numerals, blued steel moon hands and with a subsidiary alarm setting dial, with a silvered engine-turned dial mask, the engraved Anglaise style case with Greek-key handle, height 19cm handle up, 16cm handle down.
Los 1786
A brass mounted timepiece: the white enamel round dial set aslant and having black Arabic hour numerals, blued steel spade hands, a subsidiary seconds dial and signed Ogdens, Harrogate, M.M. & Co, Patent No. 22648, with screw bezel and winding at 12 o'clock, in a square brass case, height 8cm.
Los 1792
Henry Marc, Paris a gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a gong with an outside countwheel, the backplate stamped with the trademark of the retailer Henry Marc and the movement maker Japy Frères, the round white enamel dial having black Roman hour numerals, blued steel moon hands and signed Hry Marc, Paris, the classical gilt-metal case having inset porcelain panels, gilt-metal mounts and with a figure of a boy seated writing in a journal, height 22cm.
Los 1803
A French boulle mantel clock and stand: the eight-day duration movement striking the hours and half-hours on a bell with the pendulum having a female sunburst bob, the brass dial having applied white enamel plaques with blue Roman numerals and blued steel hands, the waisted boulle case of red tortoiseshell inlaid with brass decoration to the front and sides, with a glazed front panel and with cast brass ormolu mounts, all standing on a matching base, height 44cm.
Los 1806
Lauris, a contemporary burr walnut mantel clock in the 19th century style: the eight-day duration movement striking on a bell and signed Lauris, the brass dial having white enamel plaques with black Roman numerals, the shaped burr walnut case having a glazed front door, brass mounts and surmounted by a cast-brass floral finial, height 47cm.
Los 1807
William Horne, London, a small Georgian inlaid mantel clock: the thirty-hour fusee watch movement having a verge escapement with pierced and engraved balance cock, Bosley regulation and engraved Wm. Horne, Ratcliffe Highway, London, No.416, the four-inch white enamel dial with black Arabic numerals, the mahogany case with Sheraton-style urn-and-snake inlaid decoration to the front walnut panel, satinwood crossbanding, a brass carrying handle to the top and standing on brass bracket feet, height 27cm without handle, 29cm with handle. (hands missing)
Los 303
Replica Lusitania medal with box, Geo III 1797 Britannia 2d coin, Victorian silver crown 1898, British Red Cross medals, Municipal Tramways & Transport enamel badges 1937 / 8 / 9 and other badges including RAF, dog tag for C56214 C E Cribb RAF, small lidded pot "Franco British Exhibition London 1908", pocket knives, snuff boxes etc.
Los 1497
Tiffany & Co - A large early 20th century Tiffany & Co brass cased carriage clock. The carriage clock having a white enamel face with hand painted black roman numeral to the chapter ring. The case having brass top and base with bevelled glass panels to each side. Eight day movement. Measures 25cm x 15cm x 13cm.
Los 1632
A 19th Century Mahogany cased longcase grandfather clock having an enamel dial with Roman Numeral chapter ring, faceted hands and moonphase ship & sun to to arch. The faces corner spandrels being decorated with strawberries. Arched hood with scroll swan neck and brass ball globe finial. Complete with weights & pendulum.
Los 1719
An early mid 20th Century Vienna regulator type wall clock with white enamel dial having Roman numeral chapter ring with faceted hands. The clock case with glazed panel and large brass pendulum set with inverted finials and carved pediment and base. Together with a mantel clock and other ogee shaped clock with painted dial. Measures approx: 114x35cm.
Los 1476
Decorated with enamel cloisonné inlays, with a later date engraving. Russia, Moscow, Possibly Vasiliy Semenovich Agafonov ?, 19th century, hallmarks: Kokoshnik hallmark, assey mark: Ivan Sergeyevich Lebedkin, 84, unclear maker's mark (BA?), ZI - traces of use and minor damage. 39 grams, 84 Zolotniki 875/1000. Dim. W 3.5 cm, diam 4 cm.
Los 1478
Made in rich cloisonne enamel on silver embellished with gilding. Ivan Khlebnikov was an official supplier to the Imperial Russian family, the Grand Dukes and the Princes of Denmark, the Netherlands, Serbia and Montenegro. International fame in he participated, especially that fame in Vienna (1873) and Moscow (1872). His company was dedicated to producing decorative silver and enamelware that reinvented traditional Russian and folk art through its originality and colorful palette. In particular, Khlebnikov was known for his special cloisonné glaze. Khlebni's career began in 1867, when this son of a jewelry and diamond merchant opened his own jewelry company in Saint Petersburg. His three sons Nikolai, Mikhail and Alexei worked in his workshop and took over the company after the death of their father in 1881. When the Russian Revolution began in 1917, Khlebnikov's sons closed the company and donated their shares to the Moscow province of Zemstvo. Russia, Moscow, Ivan Petrovich Khlebnikov, 1867-1917, hallmarks: 88 Zol. Maker's mark, essay mark, Moscow city mark. 302 grams, 88 Zolotniki 916.6/1000. Dim. L 11.5 cm, W 8 cm, H 10 cm, diam 14 cm.
Los 119
Cauldron. China, 19th century.Bronze and enamel in cloisonné technique.The top of the lid is missing.Measurements: 35 x 38,5 x 23 cm.Chinese cauldron following Chinese models, completely decorated with cloisonné enamels, representing herons among ornamental motifs from the Chinese imagination. The censer is supported by a tangle of vegetal motifs. It has an ovoid body. It is covered with a circular lid. Also known as 'cloisonné' enamel is a technique that consists of depositing the vitreous paste of the enamel in recessed compartments or compartments formed by metal sheets that, in relief, make up the silhouette of the design.
Los 17
Chinese vase. Qing dynasty, 19th century.Blue-grey celadon porcelain.Some old restoration.Measures: 58 x 23 x 23 cm.Chinese vase, late Qing dynasty, 19th century. Hexagonal shape with open mouth, with side handles in the shape of small Foo dogs. Polychromed in bluish-grey celadon enamel.Celadon refers both to a glaze colour and to a type of pottery specific to China (Chinese: qingci, literally 'green porcelain'). Korean celadon ware from the Goryeo period (918-1392) used this translucent green or blue-grey glaze. There is, however, early celadon in China, where the process was invented in the Yue region of the Yangtze River basin. Celadon is very popular in Asia, as it allows the colour of jade, the sacred stone, to be obtained.
Los 29
Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century.Hand-polychromed porcelain.Red export wax seals on the back.Measures: 29 x 11 x 25 cm .Wear and tear. This lot can be seen in the SetdartBarcelona Gallery located in C/Aragón, 346.Pair of Foo "sang de boeuf" dogs, Qing dynasty. China, 19th century. In hand painted porcelain. These pieces were made in China for the foreign market (export to other countries). This is confirmed by the sealing wax seals on the back.Sang de boeuf enamel, a deep red ceramic glaze, first appeared on Chinese porcelain in the early 18th century. The name means "ox's blood". Sang de boeuf is a flamed and glazed glaze, marked by unpredictable but highly decorative and varied effects.The foo dog, similar to a lion, is an important symbol in Chinese Taoist culture and, through its influence, also in Japanese and Thai culture. It is identified with protection against evil spirits, and hence they are often depicted in pairs at the entrance of temples, imperial tombs, palaces, government buildings, etc. They are also known as Imperial Guardians, and were very common in traditional Chinese art. They are attributed with mythical powers of protection, and appear as early as the Han Dynasty (206 BC - 220 AD) at the entrance of important buildings.
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396325 Los(e)/Seite