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396323 Los(e)/Seite
19TH CENTURY WELSH OAK STANDING CORNER CABINET, glazed door with bone escutcheon, above cupboard base, 193cm h, together with German Vienna-Style walnut 30 hour wall clock, 2 part white enamel dial, 112cm h and 19th century provincial oak 30 hour longcase clock, 'Tibbott, New Town', 11 1/2in. painted dail with calendar aperture, 219cm h (3)Comments: 30 hour wall clock - seconds hand missing, one finial damaged, plinth worn
Shipping interest: Yeoward Line, SS Ardeola table top cigarette box with Arts & Crafts enamel roundel inset to the top, possibly Liberty & Co., 10.5cms wide.Condition ReportThe cover is misshapen around the edges and all of the corners are knocked. There are no splits to the cover or body, the enamel roundel has several small losses and scratches to the surface. The box is made out of pewter.
An Archibald Knox for Liberty Tudric Pewter twin-handled dish with pierced shamrock borders and central blue enamelled roundel, 28cm wide. Condition ReportIn general good condition, the dish sits flat and square and there are no splits or cracks to the pewter. The enamel has a little crazing and the odd scratch.
A late 19th / early 20th century mahogany cased miniature longcase clock, the white enamel dial with Roman numerals and signed 'W Thornhill & Co, Bond St, London', 40cms high.Condition ReportThe dial is damaged at the 6-8 o'clock position around the rim and has been cracked and reglued. The case is in general good condition with just the odd mark and scratch commensurate with age. The movement winds but doesn't run, in need of servicing and it does have a key.
An early 20th century silver and guilloche enamel powder compact, 4cm dia; together with a blue guilloche enamel brooch (2).Condition ReportThe green compact has some very very small fritting losses where the enamel meets the mounts on both sides, otherwise in good condition. The brooch has one small scratch but no chips or cracks, otherwise in good condition. The total weight of this lot is 42g.
A yellow metal and enamel four-draw telescopic propelling pencil pendant, on a 9ct gold chain; together with a French yellow metal (tests as 15ct) and enamel plaque 'Ce N'est Que Le Première Pas Qui Coûte', the pencil and chain 18g, the plaque 6g.Condition ReportThe telescopic propelling pencil does work but the blue enamel is damaged in several areas. The enamel plaque is damaged/cracked at the bottom edge where it says 'Première'.
An Arts & Crafts rectangular copper wall mirror in the manner of Liberty, with repousse and enamel decoration, 92cm high. Condition ReportThe frame has no cracks or splits, just some visible lines where the sections of copper have been joined to the frame. The two sections of enamel decoration have some crazing and the mirror plate shows some signs of foxing and looks to be original, all the conditions are commensurate with age. The mirror is 92cms high and 41cms wide, the size of the plate is 73cms high and 29cms wide. The mirror is rectangular flush with the frame and it is not waisted.
Victor Mayer for Faberge, a limited edition 18ct gold diamond, blue chalcedony and blue enamel egg charm pendant, signed Faberge, maker's marks for Victor Mayer, number 20 out of an edition of 1000, estimated total diamond weight 0.30ct, hallmarks for Edinburgh, length 3.3cm, 12.3g, with maker's case- Overall good condition - A few small marks, in keeping with age and general wear - Chalcedony is a translucent medium blue hue, in good condition - Diamonds are very well matched, lively and bright - Enamel is in good condition, with light marks and a few small scratches only, no apparent chips or loss - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Victor Mayer for Faberge, a limited edition 18ct gold brilliant-cut diamond and blue enamel locket pendant, with central fleur-de-lys highlight, signed Faberge, maker's marks for Victor Mayer, number 125 out of an edition of 200, hallmarks for Edinburgh, length 3.8cm, 16.5g- Overall good condition - Some marks, a few noticeable scratches, and small dints, in keeping with age and general wear - Small area of localised discolouration - Diamonds are very well matched, lively and bright - Enamel is in good condition, with a few marks and some scratches, no apparent chips or loss - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Christian Dior, a leather Diorama handbag, designed with a green leather exterior, featuring the maker's iconic cannage raised motif, with polished silver-tone hardware, chain-link and leather shoulder strap, green enamelled front plaque, cannage crest-shaped magnetic fastening and a black grosgrain lined interior, measuring 10 by 19 by 29cm- Overall good condition - Few minor marks to the leather exterior - One screw missing front the front enamel plaque - Discolouration throughout the interior lining - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Cartier, a stainless steel and enamel travel alarm clock, reference 2749, serial 184248GD, box and partial papers, measures approximately 10.4 by 9 by 2.1cm- Movement is not currently functioning - May only require a new battery, we have not tried to replace it - Dial appears to have minor marks only - Hands show mostly small marks only - Case has marks, scratches and minor dints - Glass has a few, mostly light marks and - Enamel has small scratches throughout, no apparent chips nor any obvious loss to the enamel - Comes with a blank guarantee certificate - The measurement stated in our main description includes the surmount and is a full measurement at the widest and longest points of the clock - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Hamilton & Inches, an Art Deco silver gilt quaich, with red and white enamel initial to the interior, maker's marks for Hamilton & Inches, hallmarks for Edinburgh 1928, measures approximately 11.9 by 7.7 by 3.1cm, 103g- Overall good condition - Some marks and scratches, in keeping with age and general wear - Personal engraving to underside 'From C. C-S. 30th May 1929' - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An early 20th century 14ct gold mesh purse or evening bag, with black enamel scrolling surmount, suspended from a 14ct gold mesh chain, mount stamped 585, length excluding chain approximately 18.5cm, length of chain 16cm, total weight 142g- Overall fair condition - Marks and scratches, in keeping with age and general wear - Enamel with several chips and two areas of enamel loss - Mesh chain in overall good condition, a few chains with stretch and some damage - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A Quantity of Jewellery, including a 9 carat gold fancy link chain, length 46cm; a 9 carat gold cultured pearl pendant on chain; a pair of cultured pearl earrings, stamped '375'; a paste pendant on chain and matching earrings; two further pairs of earrings; and an enamel cross pendant on chainPieces hallmarked 9 carat gold, stamped '9CT'/'375' etc - 11.8 grams. Unmarked - 4.0 grams.
A Small Quantity of Jewellery, including a 9 carat gold cameo ring, finger size P; a cameo brooch in a scroll gilt metal frame; a curb link bracelet suspending nine coins; six loose coin pendants; a silver pendant; an enamel brooch; a gilt metal four row fancy link bracelet, with a padlock clasp stamped '9CT'; a blue glass necklace; a gilt metal locket on chain; three paste rings; a necklace and pair of similar earrings; a double row simulated pearl necklace etc Cameo ring - 3.3 grams.
An 18 Carat Gold Open Faced Chronograph Pocket Watch, 1902, manual wound lever movement, enamel dial with Roman numerals, case with Chester hallmark for 190252mm wideThe inner dust cover is 18k gold and has an engraved inscription, case back with engraved initials, wind smoothly, hand setting correctly, movement in going order.Case diameter: 53mmGross Weight: 138.6 grams
An Enamel Brooch, by David Andersen; A White Stone Eternity Ring, stamped '9CT', finger size K1/2; A 9 Carat Gold Pendant on Chain; together with A Large Quantity of Costume Jewellery, including paste and gilt metal jewellery, simulated pearls, brooches, cufflinks, studs, earrings etcEternity ring - 3.0 grams. Pendant on chain - 2.0 grams.
An Alabaster and Gilt Metal Mounted Mantel Timepiece, circa 1890, surmounted by a figure riding a horse, another alabaster mantel timepiece surmounted by a winged cherub, circa 1890 and a domed anniversary timepiece, movement stamped Gustav Becker, circa 1900The Alabaster timepiece is surmounted with a man on a horse, 43cm high with chips to the alabaster surfaces and scuff marks in part, gilt metal surfaces are discoloured, the wooden base is worn dial with chips around the winding hole, movement is dirty, with pendulum, the other alabaster timepiece surmounted by a cherub, 29cm high with small chips and scuffs to the alabaster surfaces in parts, metal mounts are discoloured, enamel dial with scratches and minor chips around the winding hole, movement is dirty, with pendulum, anniversary clock, 32cm high with metal surfaces discoloured, glass dome with chips around the bottom rim and scratches, dial with scratches and slightly discoloured, movement is dirty and needs cleaning
A 15 Carat Gold Split Pearl and Enamel Ring, finger size O1/2; A Yellow Stone and Split Pearl Mourning Ring, unmarked, finger size Q1/2 (a.f.); and A Multi-Gem Set Mourning Ring, unmarked, finger size L (a.f.)15 carat gold ring - 3.2 grams. Yellow stone ring - due to the limitations of the settings the yellow stone is undeterminable, 7.8 grams. Mourning ring - 2.9 grams.
A Quantity of Jewellery, including a Baden Powell pendant; a coral and cultured pearl bar brooch, stamped '9CT'; a split pearl and diamond stickpin; coral necklaces; jet jewellery; a silver gilt enamel powder box etcBaden Powell pendant - 6.8 grams. Coral brooch - 1.5 grams. Split pearl stickpin - 2.3 grams.
Three Hunting Related Bar Brooches, comprising of a running fox example, a huntsman example; and a diamond crop exampleHorse example - enamel loss throughout the huntsman, stamped 'A&W' and '9CT', fastens with a pin and revolver catch. Crop example - Good condition, stamped '15&PLAT', fastens with a pin and c-hook, approximate qualities of the diamond are; caratweight 0.10, colour I/J, clarity SI1/SI2. Fox example - good condition with cabochon ruby eye, fastens with pin and c-hook, stamped '9CT'. Two stamped '9CT' - 8.1 grams. One stamped '15&PLAT' - 4.3 grams.
A group of Sèvres porcelain of Du Barry service type, circa 1771 or laterEach decorated with a gilt and floral monogram 'DB' in the centre, the rims with a border of urns filled with flowers linked by floral swags, a band of blue dots within gilt ovals and lines around the edge of the rims, comprising: seven plates, three lobed bowls (saladiers of the second size), three circular shallow dishes (compotiers), the plates: 24.2cm diam.; the bowls: 23.5cm diam.; the circular dishes: 21.2cm, interlaced LL monograms enclosing date letter S and painters' marks for Jean-Baptiste Tandart (l'aîné), Nicolas Catrice, Jean-Nicolas Le Bel, Nicolas Bulidon, Bertrand, Guillaume Noel in blue or puce (worn, three plates with a rim chip) (13)Footnotes:See D. Peters, Sèvres plates and services of the 18th century, vol. II (2005), pp. 471ff. for a discussion of the service acquired by Madame Du Barry in 1771.XRF-analysis reveals no evidence of chromium in the green enamel on any of the pieces in this lot. There is, however, little if any difference between the painting on these pieces and others which have chromium in the green and so are without doubt decorated in the 19th century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A group of later-decorated Sèvres porcelain of Du Barry service-type, the porcelain early 1770sPainted with a gilt and floral 'DB' monogram and a border of blue urns filled with flowers and hung with floral swags, a border or blue dots within gilt ovals around the rims, comprising:seven circular dishes (21-22cm across);three plates (24.2cm);two shell-shaped dishes (22cm across);one quatrelobe dish (22cm across);three square dishes (18cm across);one circular butter tub and cover on a fixed stand;one bottle cooler (19.2cm high);one shaped oval dish (19cm across);one shaped oval dish (22cm across), interlaced LL monograms enclosing date letters S and v and various painters' marks (some wear and damage) (20)Footnotes:According to XRF-analysis, most of the pieces in this lot contain chromium in the green enamel and so can be securely dated to the 19th century.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Sèvres soup plate (assiette à potage) from the 'Service de la Reine' ordered by Marie-Antoinette, dated 1784Painted by Charles-Nicolas Buteux (fils), with a rose spray in the centre surrounded by a blue-ground pearl border and gilt dentil bands, the rim with a band of alternating roses and cornflowers on a maroon ground interspersed with six similar medallions enclosing pansies between gilt beaded and laurel leaf borders, 24.3cm diameter, interlaced LL monogram enclosing date letter GG, painter's mark 9, incised mark (restored through middle)Footnotes:Provenance:Ordered by Marie-Antoinette, and either delivered to Gustav III, King of Sweden, or Marie-Antoinette in 1784In early 1784 Marie-Antoinette (1755-1793), Queen of France, expressed the desire to order a new dinner service from the Sèvres manufactory. In February 1784 Antoine Régnier, the director of the manufactory, wrote to the comte d'Angiviller, the Superintendent of Buildings, Arts and Manufactures: 'La Reyne m'ayant fait dire quelle verroit une Assiette d'Echantillon pendant son diner, elle a choisi une assiette de 36 livres et ma ordonné un service Entier avec les plats. Sa Majesté en est pressée, il y a 22 ouvriers qui y travaillent' [The Queen told me that she would see a sample plate during her dinner, she chose a plate for 36 livres and ordered a full service with all dishes. Her Majesty is in a hurry, there are 22 workers working on it] (quoted in Geoffrey de Belaigue, The Louis XVI Service (1986), p.8). Already on 3 May d'Angiviller noted that the service would be finished immediately (de Bellaigue op.cit., p.8). However, the Queen was to be denied immediate delivery of her service. Back in March of the same year Louis XVI (1754-1793) had sent an invitation to Gustav III, King of Sweden (1746-1792), to visit France, and his acceptance triggered the speedy collection of various treasures for a diplomatic gift, including the 'Service de la Reine', which was of suitably impressive quality for the Royal Gift. Travelling under the pseudonym 'comte de Haga', Gustav III arrived in Paris on 7 June 1784 and subsequently presented with the service by Louis XVI (recorded in the Journal des Présents du Roi on 23 July, see David Peters, Sèvres Plates and Services (2005, revised edition 2015), vol. III, no. 84-5, p.723). He must have been thrilled by the gift, as additional pieces were delivered on 7 September of the same year (David Peters, op.cit., no. 84-8). Marie-Antoinette in the meantime finally received her service, described as 'Service decoration riche en Couleurs et Riche en Or', consisting of a dinner and dessert service, on 26 August 1784.Both services were almost identical in composition (apart from the additional pieces in the second delivery to Gustav III) and were listed in the artists' ledgers under the same descriptions, mainly as 'Service de la Reine. In some cases the same decorators were involved on both (especially the assiettes), although mostly different painters worked on the two services (Peters, op.cit., no. 84-10, p. 738). Buteux (fils) was listed in the artists' ledgers as having worked on both (Peters, vol. VI, artists' list 46), although in about May 1784 he is specifically mentioned to have 'avoir doré pendant deux mois tout les piéces à dessus du Service de la Reine ...' [to have gilded for two months all the pieces above for the Queen's service], referring to the entries of enamel decoration by Buteux for the Gustav III service (Peters, op.cit., no. 84-5, p.725). Peters notes that some previously sold assiettes à potage decorated by Buteux (fils) are likely to have been from the second Gustav III delivery (Peters, op.cit., no. 84-10, p.740).Recent sales of pieces from the services include a tureen stand, sold at Christie's New York, 24 October 2012, lot 205, two plates, sold at Sotheby's New York, 04 November 2011, lot 296, a pair of bottle coolers, sold at Coutau-Bégarie & Associés, Drouot Paris, 28 May 2021, lot 8, a plate, sold at Pecheteau-Badin, Drouot Paris, 23 March 2018, lot 183, and a bouillon cup and cover, sold at Paris Enchères - Collin du Bocage, Drouot Paris, 13 June 2018, lot 13.For further information on this lot please visit Bonhams.com
Six Sèvres hard-paste porcelain dishes (compotier coquilles, compotier ronds and compotier ovale), circa 1785The wells decorated with floral sprays in green enamel and gilding surrounded by gilt and blue line borders, the rims with green and gilt dots and dashes between thin blue-edged bands of gilt dashes heightened in puce and green, gilt dentil rims, the oval dishes: 27.5cm long; the round dishes: 22.4cm diam., interlaced LL marks in blue, gilder's marks for the Weydinger family, various incised marks (6)Footnotes:A service with the same decoration is in the Royal Collection, illustrated in Geoffrey de Bellaigue, French Porcelain in the Collection of Her Majesty the Queen, vol. II (2009), no. 175.For further information on this lot please visit Bonhams.com
A Meissen clock case, late 19th centuryModelled with scrollwork heightened in puce, gilding and turquoise, applied with four putti emblematic of the Seasons and flower swags flanking the white enamel dial with Roman numerals, surmounted by a flower vase, 41cm high, crossed swords mark in underglaze-blue, incised No.399 x (typical minor damage)For further information on this lot please visit Bonhams.com

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396323 Los(e)/Seite