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396323 Los(e)/Seite
Los 103
TWO VINTAGE ENAMEL ADVERTISING SIGNS, Player's Navy Mixture, red and white lettering on a green ground, 37.5 x 86.5cms and Wills's Gold Flake Cigarettes, double-sided, black lettering on yellow ground, 28 x 37.5cmsProvenance: private collection ConwyComments: Players sign has chipped and rusted losses to all the outer edges, approx. five chipped losses within and just outside the display area, Wills's sign - chipped and rusted losses to all the outer edges, three chipped losses to the display area with four similar verso, wall mount return mostly lost, one small area remaining with one mounting hole
Los 113
VINTAGE ENAMEL ADVERTISING SIGN, Telephone, brown lettering and border, cream ground, 20.5 x 61cms,Provenance: private collection ConwyComments: slightly bent between the E and L lettering with lined stress fracture apparent, some chipped losses to areas of the outer edging, particularly along the top line
Los 115
VINTAGE ENAMEL ADVERTISING SIGN Brooke Bond Tea, black lettering, orange ground, black and white checkered border, 51 x 76cmsProvenance: private collection ConwyComments: minor chipped losses to all the outer edges, roughly five or six chipped rusting losses within the checkered border, one being 5.5cms length extending slightly into the orange ground
Los 106
VINTAGE ENAMEL ADVERTISING SIGN Sunday Times, red shield with white lettering against a yellow ground with black lettering, Est. 1822, price 1p, Griffiths & Browett Ltd. Birmingham, 39 x 32cmsProvenance: private collection ConwyComments: chipped losses to all of the outer edges, one larger and a few smaller chipped losses within the wording, surface scratches
Los 118
VINTAGE ENAMEL ADVERTISING SIGN FOR HOLDFAST BOOTS with black lettering and single line border, yellow ground, central white oval with twisted knot detail, Chromo Wolverhampton makers mark lower right corner, 46 x 61cmsProvenance: private collection ConwyComments: 11cm length chipped enamel loss extending 5cms in, upper central area of sign, chipped losses around all four mounting holes to the corners, chipped enamel loss within the letter 'B', further slight chipped losses to all the outer edges
Los 225
Jas. Sagar Blackburn - silver key wound pocket watch, cream enamel Roman dial with large subsidiary seconds, double bottom coin edged case, Chester 1840, signed fusee movement no. 30824, D51mm, gross weight 3.4ozt and similar pocket watch by Benj. Gaunt & Son Barnsley, Chester 1889, D51mm, gross weight 3.4ozt (2)
Los 119
Waltham 'Lady Waltham' rolled gold Hunter fob watch, white enamel Arabic dial with subsidiary seconds, bright cut Essex Superior 14K rolled gold case case no. 686033, signed Grade Lady Waltham 16 jewel 3/4 split plate movement serial no. 7514447, D39.5mm and a Swiss cylinder key wound silver fob watch, stamped .935 no. 262502, D40.1mm (2)
Los 217
Gregory Marshall Rotherham - silver key wound pocket watch, white enamel Roman dial with subsidiary seconds, double bottom case no. 4841, Chester 1892, signed full plate lever movement no. 4841, gross weight 3.8ozt D51.2mm and Edward Sweeney Bradford - silver key wound pocket watch, signed cream enamel dial with subsidiary seconds, double bottom coin edged case no. 234398, Birmingham 1892, signed full plate lever movement no. 234398, gross weight 4.3ozt, D53.2mm (2)
Los 122
Waltham retailed by G. Werni & Son, Reading - presentation gold half hunter keyless pocket watch, signed white enamel Roman dial with subsidiary seconds, W.H.S. case no. 31960, hallmarked .375 London Import Mark 1924, signed Grade 625 3/4 plate 17 jewel movement no. 12878452, D49mm, gross weight 87.2g
Los 224
H. Samuel, Market St., Manchester - silver key wound pocket watch, signed Roman dial with subsidiary seconds, engine turned double bottom coin edged case no. 120111 Birmingham 1889, signed full plate movement no. 120111, gross weight 4.1ozt, D52.5mm and a Patent - silver key wound pocket watch, cream enamel Roman dial with over size subsidiary seconds, double bottom coin edged case Birmingham 1816, gilt full plate fusee movement no. 8321, gross weight 3.1ozt, D48.6mm
Los 222
Swiss white metal key wound pocket watch, white enamel Roman dial with subsidiary seconds, engine turned coin edged case no. 113853 stamped .935, Swiss cylinder movement, gross weight 3.3ozt, D51.6mm and two other similar pocket watches one retailed by Kendal & Dent stamped .935, gross weight 5.2ozt (3)
Los 236
Elgin rolled gold keyless half hunter pocket watch, signed wite enamel Roman dial with subsidiary seconds, A.W.C. Co. Empress case no. 2029426, signed Grade 292 3/4 plate 7 jewel movement no. 22985547, D50.5mm and an Elgin open face rolled gold keyless pocket watch, movement no. 22658645, D49.2mm (2)
Los 216
Victorian Patent Lever silver pair case pocket watch, white enamel Roman dial with subsidiary seconds, case no. 18518 London 1860, full plate fusee lever movement no.18518, gross weight 5.3ozt, D60mm and R. Cooper Chatham silver pair case pocket watch (lacking outer case), white enamel Roman dial, London 1805, signed full plate verge movement no. 7965 with Tompion type regulator, gross weight 3.5ozt, D48.8mm (2)
Los 125
Victorian silver key wound pocket watch, silvered engraved dial with applied Roman numerals with subsidiary seconds, gilt full plate fusee lever movement with engraved balance cock no. 3911, London 1857 D50mm and Mardon keyless gun metal open faced pocket watch, white enamel Roman dial with subsidiary seconds, movement signed, D50.8mm (2)
Los 112
Waltham Traveller rolled gold half Hunter pocket watch, white enamel Roman dial, Dennison Star case no. 428058, signed Grade Traveller 7 jewel bridge plate movement movement serial no. 17515031, D50.4mm; Ingersoll Triumph chrome plated pocket watch, D50.1mm and a Swiss silver fob watch, case stamped .935, D41.4mm (3)
Los 218
Swiss retailed William Owen Leeds - silver keyless Hunter pocket watch, signed white enamel Arabic dial with subsidiary seconds, case no. 89805, Birmingham 1920, Swiss 17 jewel movement adjusted to four positions no. 204703, gross weight 3.5ozt, D52.2mm and Tavannes Watch Co. - white metal Hunter pocket watch stamped .875 gross weight 2.4ozt, D50.4mm (2)
Los 220
Swiss - silver keyless pocket watch, white enamel Arabic dial with subsidiary seconds, case no. 157411, Birmingham 1919, unsigned Swiss 15 jewel movement, gross weight 3.2ozt, D50.7mm and similar silver pin set keyless pocket watch, case no. 437, Chester 1895, movement no. 109370, gross weight 3.6ozt, D50.4mm (2)
Los 321
B te S G.D.G Paris - late C19th French alabaster and gilt 'swinging cherub' mantel timepiece, 3 1/4" white enamel Roman dial, signed single train movement no. 14, H23.1cm; two-compartment tea caddy on bun feet; bronze mortar; two marble ashtrays mounted with cold painted spelter pheasants; two silver backed dressing table accessories, etc.
Los 221
Improved Patent English Lever - silver key wound pocket watch, signed white enamel Roman dial with subsidiary seconds, double bottom coin edge case no. 536506, Chester 1901, full plate reversing Pinion movement no. 532136, gross weight 5.1ozt, D58mm and silver key wound Hunter pocket watch, double bottom coin edged case no. 249, Chester 1909, full plate Safety Pinion movement no. 847848, gross weight 4.2ozt, D53.8mm (2)
Los 17
A COLLECTION OF HALLMARKED SILVER TO INCLUDE A GLASS AND SILVER DRESSING TABLE JAR AND SILVER EXAMPLE. GUILLOCHE ENAMEL LIDS, A SIMILAR THREE FOOTED JEWELLERY BOX, AN ENAMELED SCENE OF BOATS ON A RIVER AND SILVER CLOTHES BRUSH A GLASS AND SILVER DECANTER, SCENT BOTTLE AND FURTHER JAR AND AN ENAMELLED SILVER SPOON
Los 263
A PAIR OF QIANJIANG CAI BEAKER VASES, GU, JIANGXI PORCELAIN COMPANY 一對淺絳彩花觚Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, Jingdezhen, first half of the 20th century. Each well decorated in mirror image with Shoulao surrounded by boy attendants holding objects including a book, a lingzhi fungus, and a ruyi scepter under a gnarled pine tree amid colorful shrubbery, above the slightly bulbous mid-section with a bird perched on a branch amid leafy floral sprays, the lower section with four spotted deer in a meadow with a pine tree and rockwork. The vases with several inscriptions as well as an artist signature and dating, the bases with iron-red six-character studio marks. (2)Inscriptions: Each vase, to the top section, signed and dated ‘Xu Shanqin on a summer day in the Year of Gengzi’, and inscribed ‘collect books to educate the descendants’, one seal. To the mid-section, ‘in the eighth year of the period, painted in Zhushan’, one seal. To the lower section, ‘to repay a debt’, one seal. To the base, ‘Jiangxi Ciye Gongsi’.Provenance: French trade.Condition: Very good condition with minor wear and firing irregularities, occasional light scratches, little rubbing to enamels.Weight: 3,217 g and 3,263 gDimensions: Height 41.8 cm and 41.9 cm Xu Shanqin was a Chinese porcelain artist who was active during the late 19th and early 20th century and specialized in qianjiang painting.The Jiangxi Porcelain Company (or Jiangxi Ciye Gongsi) is the most well-known Chinese porcelain studio of the first half of the 20th century, located in Jingdezhen. It was established in circa 1910 as a large semi-government company funded by private owners and the five provinces of Hebei, Hubei, Jiangsu, Anhui, and Jiangxi. It is located near the Zhushan – the Pearl Hill – adjacent to the former Imperial porcelain workshops. It is often said that the Jiangxi Porcelain Company of the early 20th century replaced the Imperial kilns, making porcelains for the court in the last years of the Qing Dynasty.Qianjiang is a term used to describe a type of over-glaze enameled ware that was very popular during the Late Qing/Early Republican Period. The term Qianjiang cai (enamels) or Qianjiang porcelain was only coined in the 1950s. Prior to that, annals or commentaries in the late Qing and Republican periods did not classify it as a new distinctive type of over-glaze enamel decorative technique on porcelain. The term was initially used to describe a distinct style of landscape painting by the Yuan master Huang Gongwang. It is typified by the use of a particular color scheme: varying ink tones for outlines and reddish-brown for other aspects such as foliage, flowing water, mountain shades etc. The term was subsequently used to describe a porcelain painting style that used similar techniques but with additional colors such as aquamarine, moss green, pale blue, red and light pink.The relationship between qianjiang and fencai painting has caused quite a bit of confusion. In terms of the decorating medium, qianjiang utilizes fencai enamels. The main difference is actually the source of inspiration for the painting because the Qianjiang school draws its inspiration from the Chinese literati style, whereas the typical fencai work is more akin to gongbi painting. For fencai painting, the areas within the outlines of the motif are first applied with an arsenic-based opaque white pigment. The deeper and lighter tones are then obtained by mixing the enamels with different amounts of this opaque substance. For Qianjiang, the enamels are applied directly without the opaque white pigment. Hence, the enamels are thin and lack tonal gradations, especially on the early qianjiang works.
Los 11
A CLOISONNÉ ENAMEL PHOENIX TAIL VASE, YENYEN, WANLI PERIOD 萬曆掐絲琺瑯鳳尾尊Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1573-1620. The baluster body rising from a splayed foot to a long slender neck with a trumpet mouth, finely decorated in bright enamels on a turquoise ground to the exterior and the interior of the mouth with stylized lotus blooms borne on scrolling leafy vines, with a band of ruyi heads bellow the rim and a lappet band above the base.Provenance: Raymond and Victoria Tregaskis, Sydney, Australia. A noted Austrian private collection, acquired from the above. Dorotheum, Vienna, 12 October 1993, lot 219, the catalog entry confirming the dating above. A Viennese private collection, acquired from the above. Raymond ‘Ray’ and Victoria ‘Vicki’ Tregaskis are noted collectors, scholars, and dealers in Asian art from Sydney, Australia, who have been active since 1978.Condition: Old wear and expected manufacturing irregularities, including pitting. Some losses to enamels with associated old fills and touchups, small dents, minor nicks. The neck slightly leaning.Weight: 1,603 gDimensions: Height 36.7 cm Auction result comparison: Type: Closely related Auction: Christie’s London, 8 November 2011, lot 62 Price: GBP 10,000 or approx. EUR 18,500 converted and adjusted for inflation at the time of writing Description: A cloisonné enamel ‘phoenix tail’ vase, 17th century Expert remark: Compare the closely related phoenix-tail form and lotus decoration. Note that the notched flanges were clearly applied later, as they cover some of the lotus blossoms which would have been unacceptable at the time of the original manufacture of the vase. Note the closely related size (36.5 cm).Auction result comparison: Type: Related Auction: Bonhams London, 13 May 2021, lot 13Price: GBP 20,250 or approx. EUR 29,500 adjusted for inflation at the time of writing Description: A large cloisonne enamel ‘lotus’ vase. Yuhuchunping, 17th centuryExpert remark: Compare the closely related lotus decoration. Note the different form and the size (42.5 cm).Auction result comparison: Type: Related Auction: Christie’s New York, 22 August 2019, lot 149 Price: USD 9,375 or approx. EUR 10,000 adjusted for inflation at the time of writing Description: A Chinese cloisonne enamel vase, Meiping, Ming dynasty, 16th-17th centuryExpert remark: Compare the closely related lotus decoration. Note the different form and the size (32.3 cm). 萬曆掐絲琺瑯鳳尾尊中國，1573-1620年。喇叭形大撇口，豐肩，鼓腹下斂，至底外撇。掐絲琺瑯工藝裝飾，天藍色琺瑯釉作底，整器飾纏枝蓮紋，足部以芭蕉葉紋與如意紋為飾，佈局舒朗有致。 來源：Raymond and Victoria Tregaskis，Sydney，Australia. 澳大利亞悉尼Raymond 與Victoria Tregaskis收藏；奧地利知名私人收藏，購自上述收藏；維也納Dorotheum拍賣行，1993 年 10 月 12 日，拍品 219，目錄條目確認了上述日期； 維也納私人收藏，購自上述拍賣。Raymond ‘Ray’ 和 Victoria ‘Vicki’ Tregaskis 是來自澳大利亞悉尼的著名亞洲藝術收藏家、學者和經銷商，自 1978 年以來一直活躍在亞洲藝術領域。 品相：磨損和製造缺陷，包括點蝕。一些琺瑯釉質損失與小修，釉面小凹痕、小刻痕，頸部微微傾斜。 重量：1,603 克 尺寸：高36.7 厘米 拍賣結果比較： 形制：非常相近 拍賣：倫敦佳士得，2011年11月8日，lot 62 價格：GBP 10,000（相當於今日EUR 18,500） 描述：掐絲琺瑯纏枝蓮紋鳳尾瓶 專家評論：比較非常相近的鳳尾外形、蓮紋。請注意缺口凸緣顯然是後來修補的，因為它們覆蓋了一些蓮花紋，這在花瓶最初製造時是不可接受的。請注意非常相近 尺寸(36.5 厘米)。 拍賣結果比較： 形制：相近 拍賣：倫敦邦翰斯，2021年5月13日，lot 13 價格：GBP 20,250（相當於今日EUR 29,500） 描述：十七世紀銅胎掐絲琺瑯纏枝蓮紋玉壺春瓶 專家評論：比較非常相近的蓮紋。請注意不同的的外形和尺寸(42.5 厘米)。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2019年8月22日，lot 149 價格：USD 9,375（相當於今日EUR 10,000） 描述：十六至十七世紀明代銅胎掐絲琺瑯梅瓶 專家評論：比較非常相近的蓮紋。請注意不同的的外形和尺寸(32.3 厘米)。
Los 19
A CLOISONNÉ ENAMEL CIRCULAR BOX AND COVER, QIANLONG PERIOD 乾隆掐絲琺瑯圓蓋盒 Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. Of circular form, supported on a short, slightly spreading foot and surmounted by a domed cover. Finely decorated in bright enamels to the cover with a central stylized flowerhead encircled by lotus blossoms borne on leafy scrolling vines, and to the box with further lotus scroll above a band of circles, all against a turquoise ground, encircled by a red-ground ruyi-head border above and below the gilt rims.Provenance: London trade.Condition: Good condition with minor wear and firing irregularities, including expected pitting, some with associated old fills, as well as minor flaking and small losses to enamels and occasional light scratches.Weight: 232.1 gDimensions: Diameter 8 cm Auction result comparison:Type: Closely relatedAuction: Bonhams London, 12 May 2014, lot 554Price: GBP 4,375 or approx. EUR 7,500 converted and adjusted for inflation at the time of writingDescription: A cloisonné enamel circular box and cover, QianlongExpert remark: Compare the related form (albeit less compressed than the present lot) and the closely related decoration, with similar central flowerhead and lotus scroll, and size (7.6 cm). 乾隆掐絲琺瑯圓蓋盒中國，1736-1795 年。 呈圓形，子母口，圈足，圓頂蓋。以明亮的琺瑯精美裝飾，松石綠地，纏枝蓮紋。邊沿各有一周如意紋。盒内松石綠地。來源：倫敦古玩交易。 品相：狀況良好，有輕微磨損和燒製不規則，一些小修，以及輕微剝落和琺瑯的小缺損，以及局部輕微劃痕。 重量：232.1 克 尺寸：直徑8 厘米拍賣結果比較： 形制：非常相近 拍賣：倫敦邦翰斯，2014年5月12日，lot 554 價格：GBP 4,375（相當於今日EUR 7,500） 描述：乾隆銅胎掐絲琺瑯圓蓋盒 專家評論：比較相近的外形、非常相近裝飾，具有相似的中央花卉和蓮花卷紋，以及尺寸(7.6厘米)。
Los 16
A CLOISONNÉ ENAMEL MALLET VASE, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIOD 乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. The cylindrical body rising from a spreading foot to a tall neck with gilt rim, decorated around the exterior with lotus blooms borne on meandering leafy scrolls between ruyi bands, the foot encircled with C-scrolls and circles, all reserved on a distinct turquoise ground. The base incised with a five-character mark Qianlong nianzhi zuo and of the period.Provenance: British trade. Condition: Good condition with expected old wear, minor crackling and small fills typical for these wares. Minuscule nicks, some dents with associated small losses, the vase slightly leaning.Weight: 226 g Dimensions: Height 14.4 cmBased on its size and mallet shape, this vase was made to hold incense instruments. These types of small cloisonné vases, censers, and instruments (luping sanshi) which were made for the burning of incense had an additional character below the reign mark and were made for the Qianlong court. Some scholars have suggested that the fifth character under the Qianlong mark could have been a way to number the large group of objects in the correct order, see H. Brinker and A. Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York, 1989, pp. 74-79.Literature comparison:Compare a similar cloisonné enamel vase with Qianlong five-character mark and of the period, from the Robert H. Clague Collection, Phoenix Art Museum, illustrated in Bèatrice Quette, Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, p. 291, pl. 130.Auction result comparison:Type: Near identicalAuction: Christie’s New York, 18 September 2014, lot 613Price: USD 37,500 or approx. EUR 44,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonné enamel bottle vase, Qianlong four-character mark inscribed in a line and of the periodExpert remark: Compare the near identical bottle or mallet form, motif, five-character mark, and size (14.5 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 11 May 2017, lot 180Price: GBP 22,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonné enamel bottle vase, Qianlong five-character mark and of the periodExpert remark: Compare the closely related mallet or bottle form, motif, and five-character mark. Note the slightly larger size (17 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 17 May 2012, lot 139Price: GBP 20,000 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonné enamel and gilt-bronze long-necked cylindrical vase, incised Qianlong five-character mark and of the periodExpert remark: Compare the closely related form, motif, and five-character mark.乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶中國，1736-1795年。長頸，直腹，底足微束，足微外撇。外壁掐絲琺瑯描繪纏枝蓮紋，瓶口下裝飾一圈如意紋。底足内刻“乾隆年製”與“左”字款。 來源：英國古玩交易。 品相：品相良好，有磨損、輕微裂紋和小填充物。微小的刻痕，一些凹痕、缺損，賞瓶略微傾斜。 重量：226 克 尺寸：高 14.4 厘米
Los 18
AN IMPERIAL PAIR OF QUADRILOBED CLOISONNÉ ENAMEL ‘LOTUS’ VASES, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIODPlease note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1736-1795. Each baluster body is distinctively four-lobed and rises from a splayed foot to a waisted neck surmounted by a trumpet mouth with an everted lip in gilt-copper. Decorated around the exterior with bands of lotus blooms borne on meandering leafy scrolls between bats, ruyi and stylized lappet bands, all reserved on a deep turquoise ground. The recessed gilt copper base neatly incised with a five-character mark Qianlong nianzhi ze and of the period. (2)Provenance: From the collection of J. J. Lally, New York, USA. To each box, a collector’s label, ‘Lally & Co. New York’ with handwritten inventory number ‘4289.’ James J. Lally was a renowned antique dealer and connoisseur, recognized as one of the greatest scholar-dealers of Chinese art, who has been a leader in the field for more than 40 years. After graduating from Harvard College and Columbia University, Lally joined Sotheby’s where he held many positions within the Chinese art department. In 1970 he served as the director of Chinese works of art at Sotheby’s in New York and Hong Kong, and by 1983 was named president of Sotheby’s in North America. In 1986, he founded his namesake gallery, J. J. Lally & Co., at 41 East 57th Street in New York - just a few blocks away from the MoMA, to provide advisory services for keen collectors. Lally fondly recalls the moment, not long after he opened his gallery, when a young man walked through the door with a Shang Dynasty gong-a bronze vessel shaped like a gravy boat-decorated with a dragon and tiger and in beautiful condition. It was, Lally described, “one of the most important objects I ever had in my hands.” The young man said he had inherited it from his father and was not really interested in Chinese art himself. He wanted to buy a sailboat and wondered if the gong was valuable enough to pay for that. “I was very happy to tell him that it was valuable enough to buy two sailboats,” Lally noted. The gallery helped to establish New York as a major center of commerce for Chinese art and allowed Lally to concentrate on his own specific interests, particularly early ceramics, ritual bronze vessels, archaic jade carvings and sculpture. Lally brought a learned approach to his work, publishing detailed, scholarly catalog that have remained important reference guides within the field. This meticulous approach continued when he produced his own exhibitions and catalog. Giuseppe Eskenazi, dubbed the “Godfather of Chinese Antiques,” and one of the world’s most esteemed Chinese art dealers, also spoke highly of Lally for his achievements in the industry, alongside William Chak from Hong Kong, and the Marchant family from London. In the spring of 2023, Christie’s and Bonhams conducted single owner sales of Lally’s collection which broke several auction records.Condition: Excellent condition with expected manufacturing irregularities and wear to gilt, minute hairlines, dents and nicks to enamels. Minor losses to enamels with associated old fills. Overall displaying exceptionally well.Weight: 1494.1 g and 1499.2 gDimensions: Height 36.3 cm (each) Each with a padded silk box and cover. (4)Auction result comparison: Type: Related Auction: Christie’s London, 11 May 2010, lot 110 Price: GBP 37,250 or approx. EUR 73,500 converted and adjusted for inflation at the time of writing Description: A large and rare cloisonné enamel vase, gu, Qianlong incised four-character mark within a double square and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark. Note the size (57 cm), different form, absence of an additional character to the reign mark, and that the lot comprises only a single vase.Auction result comparison: Type: Related Auction: Christie’s Hong Kong, 28 May 2014, lot 3005 Price: HKD 400,000 or approx. EUR 56,500 converted and adjusted for inflation at the time of writing Description: A fine Imperial small cloisonné enamel ‘lotus’ dish, Qianlong incised six-character mark within double rectangles and of the period Expert remark: Compare the related cloisonné decoration, lotus motif, and incised reign mark (albeit six characters). Note the size 13 cm), different form, absence of an additional character to the reign mark, and that the lot comprises a single bowl.Due to length restriction on Drouot this entry is shortened. For full description please visit www.zacke.at.由于Drouot平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看
Los 142
A RARE CLOISONNÉ ENAMEL ‘DOUBLE BAT’ SNUFF BOTTLE, 18TH CENTURY 十八世紀罕見掐絲琺琅開光雙蝠鼻烟壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 1715-1760. Probably imperial, attributed to the palace workshops in Beijing. Of bianhu form and with a ‘lotus’ mark underneath. Finely enameled within gilt and raised wire inlays with a deep-blue medallion on each side showing a bat above a swastika and amongst ruyi, with lappet panels around the foot and further ruyi and lotus at the shoulders.Provenance: From the collection of Dr. Erika Pohl-Ströher (1919-2016), thence by descent in the same family. Dr. Erika Pohl-Ströher was a German-born Swiss resident and heiress to the hair care and cosmetics company Wella AG. She was a passionate collector and had amassed in her lifetime various important art collections, as well as one of the world’s most valuable collections of gems and minerals.Condition: Superb condition with only minor manufacturing flaws.Stopper: Gilt bronze stopper, fitting and spoonWeight: 33.3 g Dimensions: Height including stopper 59 mm. Diameter neck 12 mm and mouth 5 mmThis bottle represents cloisonne enamel at its finest, with a simple, formalized design beautifully disposed on an elegant form, the simple coloring giving strength to the abstraction and the substantial wires well gilded against a perfectly even surface.Auction comparison: Compare to a related cloisonne enamel bottle at Christie’s Hong Kong, Important Chinese Snuff Bottles from the J&J Collection, 25 April 2004, lot 812, sold for HKD 239,000.十八世紀罕見掐絲琺琅開光雙蝠鼻烟壺 中國，1715-1760年。可能爲御制，北京清宮御用工坊所制。 扁壺形，底足可見蓮花紋。掐絲，琺琅釉，兩面開光，藍地上蝙蝠紋。兩肩上勾蓮紋，足部芭蕉葉紋。 來源：Erika Pohl-Ströher（1919-2016）博士收藏，保存於同一家族至今。 Erika Pohl-Ströher 博士是德國出生的瑞士人，護髮和化妝品公司Wella AG的女繼承人。 她是一位忠誠的收藏家，一生中積累了許多重要的藝術收藏以及世界上最有價值的寶石和礦石收藏之一。 圖片：Dr. Erika Pohl-Ströher 品相：狀況極佳，僅有少量製造缺陷。 壺蓋：鎏金蓋與蓋托，小壺匙 重量：33.3 克 尺寸：總高59 毫米，頸部直徑12 毫米，嘴部直徑5 毫米 拍賣結果比較：一件相近景泰藍鼻烟壺見香港佳士得 Important Chinese Snuff Bottles from the J&J Collection拍場，2004年4月25日 lot 812, HKD 239,000.
Los 236
A LARGE FAMILLE-VERTE ‘KUI XING’ BRUSHPOT, BITONG 硬彩魁星筆筒Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: The figures depicted in this brushpot are both scholarly and immortal in their appearance. The standing scholar holding a scroll represents Wenchang Wang, the God of Literature. The elderly man riding the mule depicts Zhang Guolao, whose epithet ‘Lao’ added at the end of his name means ‘old’, and who is often shown riding a donkey or mule. The two attendants holding a lotus flower (‘he’) and box (‘he’) are the Hehe Erxian, typically depicted as boys. The true star in this scene, however, is Kui Xing standing in characteristic pose within a cloud emanating from Zhang Guolao’s head, perhaps mentioned by the elderly scholar in conversation to his colleague, thereby revealing the significance and meaning that this brush pot once had for its original owner.China, Qing dynasty or later. Well potted with gently waisted sides, the exterior painted in bright enamels with gilt highlights to depict two scholars engaged in conversation, one standing and holding a large scroll, his attendant carrying a sack filled with scrolls, the other riding a mule and holding a ruyi scepter, a cloud emanating from his head enclosing Kui Xing, all within a verdant mountainous landscape with gnarled trees, craggy rockwork, and wispy clouds.Provenance: Dutch trade. Condition: Good condition with expected old wear and firing irregularities, including pitting, glaze recesses, firing cracks, and dark spots. Few shallow chips and fritting to the rim.Weight: 2,081 g Dimensions: Diameter 18.9 cm Identified by the writing brush held in his right hand and his iconic 'back-kick' posture, Kui Xing (‘Chief Star’) is a Daoist deity worshipped to obtain academic success. It therefore was auspicious for a scholar to have an item decorated with this figure on his desk, to inspire him in his writing and achievement of examination success.The Chinese character ‘Kui’ is composed of the ideographs for ‘demon’ and ‘ladle’ (or ‘dipper’, as Kui Xing is also associated with the North Star). Kui Xing is often portrayed with a demonic appearance, a hideous face, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the civil service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical beast called ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature.Dreaming of Kui Xing the night before the exams was considered an auspicious sign. The candidate who obtained the highest results, known as the First Scholar (zhangyuan), would walk first on a staircase decorated with the ao. Representations of Kui Xing are thus a symbol of literary success and highest achievement at the Imperial examinations. Auction result comparison: Type: Related Auction: Christie’s New York, 30 March 2005, lot 399 Price: USD 10,200 or approx. EUR 15,000 converted and adjusted for inflation at the time of writing Description: A famille verte brushpot, bitong, 18th/19th century Expert remark: Compare the closely decoration and manner of painting with similar sparse surroundings and blue enamel as well as the related size (17.7 cm). Note that considering recent findings, this brush pot more likely dates to the 19th than the 18th century.Auction result comparison: Type: Related Auction: Sotheby’s New York, 17 March 2009, lot 108 Price: USD 20,000 or approx. EUR 26,500 converted and adjusted for inflation at the time of writing Description: A large ‘famille-verte’ brushpot, Kangxi period Expert remark: Compare the related decoration and manner of painting with similar gilt highlights. Note that this bitong dates from an earlier period than the present lot.
Los 13
A GILT-BRONZE CLOISONNÉ ENAMEL DISH, CHINA, 18TH CENTURY 十八世紀鎏金掐絲琺瑯菱花口盤Please note this Lot is to be sold at No Reserve. 本拍品不設底價The shallow lobed sides rising from a recessed foot to an everted and barbed rim. The interior and base are finely gilt. The rim is neatly decorated in crisp enamels with lotus blossoms borne on scrolling vines, the exterior sides with stylized lotus sprays, all against a bright turquoise ground. Note the overall elegant yet strictly functional design, typical for the period.Provenance: From a private collection in Paris, France. Condition: Very good condition with old wear, mostly to gilt inside the well as a result of long-time usage, and expected manufacturing irregularities, including pitting to the enamel. The rim with small losses to enamels, minute dents, and light wear to gilt.Weight: 686 gDimensions: Diameter 19.8 cm Auction result comparison: Type: Closely related Auction: Christie’s New York, 24 March 2023, lot 1233 Price: USD 9,450 or approx. EUR 8,800 converted at the time of writing Description: A cloisonné enamel dish, 18th century Expert remark: Compare the closely related gilt interior and base. Note the similar size (18.3 cm).Auction result comparison: Type: Related Auction: Christie’s New York, 23 March 2018, lot 1031 Price: USD 10,625 or approx. EUR 12,000 converted and adjusted for inflation at the time of writing Description: A cloisonné enamel bracket-lobed dish, 18th century Expert remark: Compare the closely related form and size (20 cm). Note the shou-character medallion. 十八世紀鎏金掐絲琺瑯菱花口盤菱花口盤，折沿，弧腹，花口足。盤內和足底內鎏金。折沿處掐絲琺瑯松石綠地繪製卷草紋，外壁開光纏枝蓮紋。請注意整體優雅而嚴密的設計，是該時期的典型特徵。 來源：法國巴黎私人收藏。 品相：狀況極好，有磨損，由於長期使用而在盤內鎏金，有製造不規則，包括琺瑯上的點蝕。邊緣有輕微的琺瑯缺損、微小的凹痕和輕微鎏金磨損。 重量：686 克 尺寸：19.8 釐米 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2023年3月24日，lot 1233 價格：USD 9,450（相當於今日EUR 8,800） 描述：清十八世紀掐絲琺瑯開光蓮紋盤 專家評論：比較非常相近鍍金內部和底座。請注意相似的尺寸(18.3 釐米)。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2018年3月23日，lot 1031 價格：USD 10,625（相當於今日EUR 12,000） 描述：清十八世紀掐絲琺瑯八吉祥紋菱口盤 專家評論：比較非常相近的外形和尺寸(20 釐米)。請注意盤中以壽字裝飾。
Los 109
A MUGHAL GILT AND ‘GEM’-INLAID JADE STEM CUP, INDIA, 18TH CENTURY 印度十八世紀蒙兀兒鎏金嵌寳高足杯Please note this Lot is to be sold at No Reserve. 本拍品不設底價The deep flared sides raised on a tall slender foot with a wide flat base, intricately incised with floral motifs. The body with a central bulbous section in gilt bronze with carved decorations and fine enamels, framed by beaded bands inlaid with ruby-red and emerald-green glass beads. The base is further embellished with gilt bronze and turquoise enamel bowstrings.Provenance: From an old Danish private collection.Condition: Good condition overall, with a minute nibble on the rim, natural fissures, a natural hairline crack on the foot with traces of adhesive, minor losses to the inlays. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks over time.Weight: 124 gDimensions: Height 10.5 cm Auction result comparison: Type: Related Auction: Christie’s New York, 19 September 2006, lot 22 Price: USD 28,800 or approx. EUR 40,000 adjusted for inflation at the time of writing Description: A rare Mughal pale greenish-white jade ‘gem’-inlaid ewer and cover, 17th/18th centuryExpert remark: Compare the closely related style of inlay. Note the larger size (22.5 cm).Auction result comparison: Type: Related Auction: Sotheby’s London, 24 October 2007, lot 203 Price: GBP 13,700 or approx. EUR 28,500 adjusted for inflation at the time of writing Description: A Mughal enameled and gold-wire inlaid jade mirror, India, 19th centuryExpert remark: Compare the closely related style of inlay. 印度十八世紀蒙兀兒鎏金嵌寳高足杯高足杯外壁雕刻的花卉圖案繁複精美。杯體中央是鎏金銅，飾有精美琺瑯，四周鑲嵌紅寶石和翠綠色玻璃珠。 底座鎏金銅和松石綠色琺瑯。 來源：丹麥私人舊藏。 品相：整體狀況良好，邊緣有輕微磕損，自然裂痕，足部自然細微裂紋，有粘合劑痕跡；鑲嵌物有輕微缺損。帶有天然内沁和裂隙的玉料，隨著時間的推移，其中一些已經發展成細小的裂紋。 重量：124 克 尺寸：高10.5 厘米 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2006年9月19日，lot 22 價格：USD 28,800（相當於今日EUR 40,000） 描述：十七至十八世紀蒙兀兒青白玉杯和蓋 專家評論：比較非常相近的內嵌設計。請注意尺寸較大 (22.5厘米)。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2007年10月24日，lot 203 價格：GBP 13,700（相當於今日EUR 28,500） 描述：十九世紀印度蒙兀兒嵌金琺瑯玉鏡 專家評論：比較非常相近的內嵌設計。
Los 20
AN EXCEEDINGLY RARE MINIATURE CLOISONNÉ HAT STAND, JIAQING 嘉慶掐絲琺瑯花卉紋帽座Please note this Lot is to be sold at No Reserve. 本拍品不設底價Opinion: This splendid little ‘hat stand’, the perfect receptacle for the finest and smallest brushes, belongs to a rare group of miniature cloisonné scholar’s objects, examples of which only seldomly come up for auction. However, the present lot even stands out from this illustrious group, with its unusually fine enameling, naturalistic subject matter, and the extremely rare hat stand form, including the hallmark apertures.China, 1796-1820. Of cylindrical form, the turquoise ground finely decorated in bright enamels and gilt wire with butterflies and crickets amid leafy sprays of blossoming peony, chrysanthemum, plum, and hibiscus, all framed by a ruyi-head band below the rim and a leafy lappet border above the foot, the body further pierced with quatrefoil apertures. The interior of turquoise enamel. The rim, foot, and base of gilt bronze.Provenance: From a noted English private collection, acquired in the 1970s, and thence by descent to the last owner. Condition: Excellent condition with minor old wear and manufacturing irregularities.Weight: 50.8 gDimensions: Height 5.8 cmHat stands made from porcelain first appeared at the beginning of the Jiaqing reign (1796-1820) and were originally conceived as unusually tall, cylindrical vessels only. But commencing later in the Jiaqing period, and through to Daoguang and Tongzhi, these tall vessels were equipped with a number of distinct apertures cut into the body, promoting a flow of air and thus assisting in the removal of odors from the hat, which was placed on top of the vessel. From Guangxu (1875-1908) onwards the apertures slowly disappeared again.The decoration of butterflies and various flowers offers opportunities for symbolic and auspicious meaning. For example, the combination of a butterfly and plum blossom signifies a quest for blissful love. In Daoism, butterflies represented the freedom of the soul.Auction result comparison: Type: Related Auction: Christie’s Hong Kong, 1 June 2011, lot 3874Price: HKD 150,000 or approx. EUR 24,500 converted and adjusted for inflation at the time of writing Description: A rare miniature cloisonne enamel brushrest, Qianlong periodExpert remark: Note the small size (3.5 cm)Auction result comparison: Type: Related Auction: Christie’s Hong Kong, 29 May 2007, lot 1423Price: HKD 144,000 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A rare pair of miniature cloisonne enamel scroll weights, Qing dynasty, 18th centuryExpert remark: Note the small size (5.7 cm)嘉慶掐絲琺瑯花卉紋帽座中國，1796-1820年。圓柱體。帽傘上近口沿處裝飾如意雲頭紋一周，腹部主題紋飾為蝴蝶紋理、勾連紋、卷草紋、如意雲頭等紋樣。松石綠地，鎏金靚麗，光彩照人。 專家注釋：這件精美絕倫的小“帽架”，屬於稀有的迷你景泰藍文人藏品，很少見。其琺瑯異常精美，傳統題材，極為罕見的帽架形式，包括用來熏香用的小孔。 來源：英國知名私人收藏，上世紀七十年代前購買，保存至今直到家族最後一位主人。 品相：狀況極好，有輕微的磨損和製造瑕疵。 重量：50.8克 尺寸：高5.8厘米 帽座最初為瓷器，最早出現於嘉慶年間（1796-1820年），初期為異常高大的圓柱形器。從嘉慶後期開始，直到道光和同治，開始在帽架上鏤空，内置熏香，從而有助於去除帽子上的氣味。從光緒（1875-1908）開始，這些孔又慢慢消失了。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2011年6月1日，lot 3874 價格：HKD 150,000（相當於今日EUR 24,500） 描述：乾隆時期小型掐絲琺瑯筆擱 專家評論：請注意尺寸非常小 (3.5厘米) 。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2007年5月29日，lot 1423 價格：HKD 144,000（相當於今日EUR 25,500） 描述：清代十八世紀一對小型掐絲琺瑯紙鎮 專家評論：請注意尺寸非常小 (5.7厘米)。
Los 284
A ‘QIANJIANG CAI’ ENAMELED ‘LUSH FORESTS AND HIGH BAMBOO’ PLAQUE, BY JIN PINQING (1862-1908) 金品卿(1862-1908) 淺絳彩《茂林脩竹》瓷板Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: Qianjiang cai or 'pastel palette' enamels reflected the late Qing potter's increasing inability to produce the more technically demanding vibrant colors of the earlier High Qing or the later Republic period. To borrow a modern aphorism however, the determined late Qing artisans turned this 'bug' into a 'feature' – notably the dreamlike faintness of these colors became popular with the melancholy intelligentsia of the time and led to masterworks by the best, with Cheng Men (1833-1908) and Jin Pinqing (1862-1908), the painter of the present lot, being the most renowned.The rectangular plaque painted in orange, green, and blue tones with thinly applied enamels depicting a forest landscape with hills and mountains, bamboo groves and pine trees in the foreground. Two scholars sit conversing in a field while a third approaches them on foot, two houses with a tranquil river running beside it which disappears into the mountains. The plaque with a lengthy dedication written by Wang Fengchi (1824-1898), a scholar and official who was friends with Jin Pinqing and often collaborated with him on porcelain paintings.Inscriptions: Top center, titled ‘Lush Forests and High Bamboo’, signed ‘written by Jin Pinqing’, two seals. Top left, inscribed ‘Some time ago in the Yijin Studio in the capital, I saw an ink painting by the master Wang Jian from Taicang with a lush forest. The landscape was quite unique. The [present] painting was painted for me by Pinqing in the style of porcelain paintings from Zhushan. The paintings complement each other. The ink style is so gentle and mild like a breath of air. The [original] painting was done in the Spring of the Year of Dingchou [corresponding to 1877] in the third year of the Guangxu era. I am very touched, thus I wrote this dedication. Wang Fenchi.’Provenance: Boston trade. Acquired from a private estate.Condition: Good condition with minor wear and firing irregularities, some of the enamels slightly faded and with minor rubbing and minimal losses, and light surface scratches. Weight: 2,651 gDimensions: Image size 26.3 x 40.7 cm. Size incl. frame 34.1 x 48.6 cm.With an associated gilt wood frame. (2)Qianjiang is a term used to describe a type of over-glaze enameled ware that was very popular during the Late Qing/Early Republican Period. The term Qianjiang cai (enamels) or Qianjiang porcelain was only coined in the 1950s. Prior to that, annals or commentaries in the late Qing and Republican periods did not classify it as a new distinctive type of over-glaze enamel decorative technique on porcelain. The term was initially used to describe a distinct style of landscape painting by the Yuan master Huang Gongwang. It is typified by the use of a particular color scheme: varying ink tones for outlines and reddish-brown for other aspects such as foliage, flowing water, mountain shades etc. The term was subsequently used to describe a porcelain painting style that used similar techniques but with additional colors such as aquamarine, moss green, pale blue, red and light pink.Auction result comparison: Type: RelatedAuction: Christie’s London, 16 May 2014, lot 1254Price: GBP 18,750 or approx. EUR 32,000 converted and adjusted for inflation at the time of writingDescription: A large circular famille rose ‘landscape’ plaque, late 19th/20th century, dated Bingzi year, corresponding to 1874Expert remark: Note the size (47.6 cm diameter).Auction result comparison: Type: RelatedAuction: Bonhams San Francisco, 11 December 2015, lot 2291Price: USD 21,250 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A qianjiangcai enameled plaque, dated by inscription to 1894Expert remark: Note the size (55.2 cm).
Los 12
A LARGE ‘BIRDS WORSHIPPING THE PHOENIX’ CLOISONNÉ BASIN, MING DYNASTY 明代大型《百鳥朝鳳》掐絲琺瑯盆Please note this Lot is to be sold at No Reserve. 本拍品不設底價China, 16th to early 17th century. The interior exquisitely decorated in bright enamels with a majestic phoenix standing proudly on one leg, surrounded by adoring birds including a crane beside a tree, a peacock in flight amid colorful clouds, mandarin ducks in a pond, and pheasants perched on bamboo stalks, all encircled by red-ground foliate and white-ground lappet bands. The cavetto with a band of alternating lotus blossoms and the Eight Treasures (babao) below a diapered floral band, the everted rim with a band of chrysanthemum flowerheads and scrolling vines above a ruyi-head border, all against a dark blue ground.Provenance: Sotheby's London, 2 November 2022, lot 291. A private collector, acquired from the above. A copy of the invoice from Sotheby's London, dated 8 November 2022 and stating a purchase price of GBP 8,190 or approx. EUR 10,000 (converted and adjusted for inflation at the time of writing) accompanies this lot. Condition: Good condition with some old wear and expected manufacturing irregularities, including pitting to the enamel, the cavetto with small losses to enamel and associated old fills, minute dents, light wear to gilt. Weight: 1,960 g Dimensions: Diameter 37.5 cmPhoenixes surrounded by various birds, including cranes, mandarin ducks, and pheasants, are a common motif in Chinese culture. Phoenixes are regarded as the king of the birds, as they represent power, virtue, and grace. The present lot is a rare example of such a depiction on a cloisonné basin. Literature comparison: Compare a related cloisonné phoenix basin, dated to the late Ming dynasty, illustrated in the Compendium of Collections in the Palace Museum: Enamels 1, Beijing, 2011, no. 170. Two Ming dynasty cloisonné enamel basins decorated with phoenixes from the 15th and 16th centuries are illustrated by H. Brinker and A. Lutz in Chinese Cloisonné: The Pierre Uldry Collection, The Asia Society Galleries, USA, 1989, pls. 19 and 63.Auction result comparison: Type: Closely related Auction: Christie’s Paris, 9 June 2021, lot 166 Price: EUR 17,500 or approx. EUR 19,000 adjusted for inflation at the time of writing Description: A cloisonné enamel ‘phoenix’ basin, China, Ming dynasty, 16th-17th centuryExpert remark: Compare the closely related form, enamels, decorative bands, and phoenixes. Note the slightly smaller size (35 cm). Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 30 May 2018, lot 653 Price: HKD 175,000 or approx. EUR 22,500 converted and adjusted for inflation at the time of writing Description: A cloisonné enamel ‘carp’ basin, Ming dynasty, Wanli periodExpert remark: Compare the closely related form, enamels, and decorative bands. Note the slightly smaller size (35.5 cm) and different subject. Auction result comparison: Type: Related Auction: Christie’s Paris, 10 December 2020, lot 6 Price: EUR 56,250 or approx. EUR 61,500 adjusted for inflation at the time of writing Description: A large cloisonné enamel basin, China, 17th centuryExpert remark: Compare the closely related form, enamels, and decorative bands. Note the significantly larger size (53.5 cm) and different subject.明代大型《百鳥朝鳳》掐絲琺瑯盆中國，十六至十七世紀初。盆折沿，弧腹，平足。明豔精美的琺瑯，盆中開光描繪一隻威風凜凜的鳳凰單腿站立，周圍環繞著可愛的鳥兒，包括樹旁的鶴，彩雲中飛翔的孔雀，池塘中的鴛鴦，竹上的雉鷄；盆内壁可見纏枝蓮紋帶與八寶紋帶。 來源：倫敦古玩交易。 品相：狀況良好，有一些磨損和製造不規則，包括琺瑯點蝕和凹陷、鎏金有些缺損和相對應的修補、鎏金輕微磨損。 重量：1,960 克 尺寸：直徑37.5 厘米
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