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396325 Los(e)/Seite
Los 87
A Turkish 925 silver, gilt and enamel necklace. Formed by eight foxtail chains and nine circular gilt and enamel roundalls and similar bar clasp, stamped 'ISTANBUL HOUSE SILVER' and 925, length 43.5cm, 91g.Soldered repairs on both sides to the chain where they attach to the clasp. Not noticeable when wearing. Slight scratches to the enamel on the clasp.
Los 19
A Chinese famille rose style floor vase of baluster form with all-over floral decoration, bearing six character Guangxu mark within concentric rings to base, 92 cm high CONDITION REPORTS Has general wear and tear conducive with age and use to include losses to the enamel in various places, surface scratching, firing faults including a particular dark line at the base of the vase. See images for further detail.
Los 229A
A 19th Century gold and diamond set mourning brooch the central panel with floral spray 5.5cm CONDITION REPORTS Total weight in grams 32.8gms. There is chipping to the enamel at top of flower. The diamonds have a redness behind them, internal flaws. There is a couple of small areas of damage to the gold edging and some filling. The whole piece needs a good clean. Wear and tear conducive to age and use. See images for more details.
Los 69
GLUB (Madrid, 1969).Untitled, 2022.Enamel painting on canvas.Signed and dated on the back.Measurements: 94 x 116 cm.Born in Madrid in 1969, he graduated in Fine Arts, specialising in painting, in 1998. He began painting in the streets of the city in 1986. For a few years he only made signatures within the Madrid graffiti movement, the so-called flecheros. Glub's signature is already part of the history of graffiti, together with the popular Muelle, as one of its pioneers. He has continued the style of the native signatures of Madrid up to the present day. A few years ago he moved permanently to Valencia, very close to Alicante, the city he used to frequent and "bomb" with his graffiti in his youth.On the other hand, in 1989 Glub burst onto the Spanish hip hop scene producing more elaborate graffiti, in the aesthetics of New York graffiti, at a time when this movement was just beginning in Spain. He is therefore considered one of its precursors, part of what is known in hip hop as oldschool or old school. He has also continued to create graffiti within this movement up to the present day, covering a wide range of styles.In 1992 Glub exhibited his paintings for the first time in a Madrid gallery, as part of a group exhibition of the most emblematic graffiti artists of the time. In parallel to making graffiti, he has also been painting pictures. In 2009 he published online "Relatos de un escritor de graffiti", his own texts with collaborations of renowned graffiti artists such as: Trase, El niño de las pinturas, Erik, Suso 033, Besdo, Dolar One, Remebe, Grito, Vato, Vota Dier, Einsamkeit, Tarantini, Ape, Suis, Wendy, Loco13, Jeosm, Bboe and the illustrator Pepe Valera. In keeping with the altruistic philosophy of his graffiti art, this book is free and can be downloaded on the Internet. A year and a half before, he self-published "Memorias en graffiti", a book in Spanish and English, with his personal story in relation to graffiti and the birth of the movement in Madrid in the 80s. It narrates the evolution of his style in the first person, together with photos of his own and others' works.
Los 310
Pair of German Kriegsmarine Third Reich binoculars Pair of German WWII Kriegsmarine Third Reich 8x60H binoculars by Carl Zeiss Jena, an early pair with the makers name to the left side, below the mark 'T' for coated, also marked H for Helligheit (increased brightness). The left side marked with an eagle over swastika and 'M' for Marine, with issue number N 896. The left drum has a screw capped cover for red light to allow for torpedo work at night.These binoculars came into the possession of the vendor's Uncle, Jack White who served as an engineer throughoput WWII in Merchant Navy. Whilst in Rouen, France he swapped cigarettes for the binoculars.25.5cm longThe binoculars show a fairly clear and sharp image when sighting through them. Both lenses will adjust and focus on different ranges. The view through the binoculars has slightly yellow tint to it. When viewing the objective lenses, the right hand lens (if you were using the binoculars the correct way round) has a mistiness that can be seen on the inside. There is a prominent 3mm scratch around 10mm from the edge at 3 o'clock as well as a very minor one close by of similar size. The left hand objective is much clearer there are no obvious signs of scratches or damage. The right-hand barrel has a verticle line with short cross hair that can be seen when sighting through the binoculars.The exteriors of the binoculars show no signs of major damage but there is significant wear to the enamel finish as well as the protective textured covering. There is no serial number on the washer on the bar between the two objective lenses.
Los 69
Deactivated Vickers .303 belt fed machinegun with accessories. Deactivated Vickers .303 belt-fed machinegun, stamped with several broad arrow marks, inspectors stamps and numerous 'MA42' denoting Australian manufacture in 1942, fitted with folding .303 VII No.2 MkI rear sight, serial number 6011, mounted on a cast steel 'Mount Tripod M.G. Mk IV' dated 1942 and serial numbered 4599, together with A.R.P green painted water can, reproduction water hose, a white enamel ammunition tin stenciled belt Vickers .303 M.G. No.10, ninety-nine inert rounds, and 1940 Machine Gun Handbook Volume I pamphlet No.2. Deactivated to current EU/UK specifications with certificate. No licence required to purchase. Buyer must be over the age of 18.111cm long
Los 11
A modern L'epée gilt brass carriage clock retailed by Mappin & Webb with white enamel Roman dial, Arabic five minutes, rolling moon aperture and subsidiary dials for days, alarm and date, platform level escapement and gong strike, the case with all over foliate engraved decoration and push button repeat, 15cm highIn very good clean condition overall with no damage or losses. Movement winds and runs but not tested or guaranteed.
Los 15
A Goliath pocket watch with a silver plated case and enamelled dial with roman numerals and a subsidiary second hand dial, overall 10.5cm diameter with a fitted tortoise shell and silver mounted caseWatch has surface scratches and blemishes to the silver and surface scratches to the glass. White enamel face has two pin prick dents and a very fait scratch.Ticking at present.Case shutting mechanism slightly faulty. Leather has ware and nicks; tortoiseshell has surface scratches. The silver is tarnished.
Los 19
A Late 19th century French carriage clock with a white enamel roman dial inscribed J.C Vickery to her majesties 179.181.183. regent street. The movement with platform lever escapment, gong strike with a push repeat all in a squat corniche case. 11.5cm highDial has chip to top left corner not visible square on. Faint hairlines, one from centre to three o’clock the other across bottom left corner.Movement currently working. Striking and repeating although out of sync but not tested or guaranteed.Case with wear to gilding especially to handle and top small chips to corners of back door glass. One minor chip to bottom back corner of left glass and front glass.
Los 21
A 19th century Drocourt carriage clock, the circular white enamel roman dial with breguet hands over a subsiduary alarm dial with fine foliate engraved gilt mask. Replaced platform lever escapment, gong strike with push repeat. the back plate with a Drocourt trade mark No 11736, the cannelese case with all over foliate engraving 13.5cm high.Going train winds and runs. Striking train spring broken.
Los 22
A late 19th century french drum traveling timepiece by R.E.D with white enamel roman dial inscribed Frank Flower, 3 Piccadilly, London. Blued steel spade hands, single train fusee movement and dual plane escapment and silvered platform. The nickle plated case with half baluster pillars to the glazed band, ring handle and shuttered back plate on toupie feet 10.5cm diameter. See Allix and Bonnert carriage clocks, their history and development pages 213, 214.Dial with faint hairline from centre to 09:15 + 15:15. Minor scratches and chips to glass. Movement winds and runs. Not tested or guaranteed. Nickle plating to case worn in areas but nicely patinated.
Los 7
A late 19th century French carriage clock, the white enamel Roman dial with Arabic five minutes inscribed James Truscott, Tenby & Paris, the movement with platform cylinder escapement and bell strike, 12cm high; together with an Art Deco Swiss travelling timepiece with eight day movement and square case with outer case (2)
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396325 Los(e)/Seite