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396323 Los(e)/Seite
A PAINTED GILT METAL PAIR CASED VERGE POCKET WATCH by Christopher Pinchbeck, London, No.284, the chain driven movement within glazed case with full gilt plate, foliate pierced white metal cock and similar foliate chased pillars, the white enamel dial with Roman numerals and Arabic seconds outer numerals, the inner case painted with St John the Baptist, the outer case depicting the Madonna inside and painted with a portrait of a Georgian gentleman in long wig to outside, dial 4cm wide, outer case 5cm wide
A SILVER GILT ENAMEL AND SHAGREEN PAIR CASED VERGE WATCH by Charles Haley, London, No.1259, the chain driven movement having full gilt plate, cylindrical scrolls and chased with mask, white enamel dial with Roman numerals, in silver gilt inner case, dated 1783, painted with a lady and a lion within red and white jewelled borders, on a rich blue ground, in gilt metal shagreen outer case, dial 3 3/4cm wide, outer case, 5cm wide
A SILVER PAIR CASED VERGE WATCH by George Biefield, London No.5790, the chain driven movement having full gilt plate, foliate pierced cock and square baluster pillars, the white enamel dial with Roman numerals and Arabic outer seconds numerals, in plain inner case and floral embossed outer case dated 1772, dial 3 3/4cm wide, outer case 5cm wide
AN ENAMEL AND GILT METAL PAIR CASED WATCH, the movement with strike-silent stop-go, chain driven verge escapement having full gilt plate, cylindrical pillars and scroll chased bridge, inscribed No.75894, the white enamel dial with Roman numerals and seconds dial, pierced and foliate chased inner case marked F.M., the similar outer case with seed pearls and red paste jewelled border, and rich blue enamel verso, dial 4 1/2cm wide, outer case 6 1/2cm wide
A SILVER AND TORTOISESHELL QUADRUPLE CASED VERGE WATCH made for the Turkish market by George Charle, London, No.8499, the gilt foliate plate chain driven movement having pierced scroll columns, white enamel dial with Turkish numerals, silver inner case dated 1788, second plain silver case, tortoiseshell third case and a Turkish silver full outer case, dial 4 1/2 cm wide, outer case 8cm wide
A FOUR GLASS AND GILT METAL MANTEL CLOCK, the twin barrel movement striking on a gong, the back plate stamped No.1459, 3 1/2" annular enamel dial with Arabic numerals and pierced scrolling foliate recessed centre, mercury pendulum, the case with fluted quarter columns surmounted by turned finials, the frieze and apron with cast floral banding, on turned feet, 13" high (Illustrated)
AN ARTS & CRAFTS TUDRIC CLOCK for Liberty & Co, No.0761, with spring driven French movement, 2 1/2" dial with blue enamel centre and copper chapter ring with navy blue enamelled Roman numerals, the spot hammered pewter oblong case with domed lid and tapering sides, on bracket feet, 8 3/4" high (Illustrated)
A GEORGIAN EBONISED TABLE CLOCK, Provincial, 18th Century, unsigned, the movement with verge escapement striking on the hour, the back plate engraved with rococo style foliate scrolls centred by an urn, 7" white enamel dial with Roman and Arabic numerals, the moulded case with domed cresting and brass carrying handle and pineapple finials, glazed sides, on brass bracket feet, 19" high (Illustrated)
A GILT BRASS STRIKING AND REPEATING CARRIAGE CLOCK, c.1900, the twin barrel movement with platform lever escapement striking on a bell, back plate stamped 665, the white enamel dial with Roman numerals signed Charles Frodsham, 84 The Strand, London, secondary calendar dial, in gorge case, 6 1/2" high, with associated red leather carrying case
A French Louis XV style gilt-brass mounted kingwood wheel barometer. Ronquetti, Paris, circa 1900. The aneroid mechanism with 7.5 inch eight-piece enamelled circular register calibrated in barometric inches and annotated in French, the centre signed RONQUETTI, A PARIS, the shaped outline case with cartouche-centred scroll-cast crest above alcohol Fahrenheit scale thermometer, the enamel plate with repeat signature with address and inscription RUE ST. ANTOINE, VISAVIS LA CASERNE DES GARDES FRANCAIS within a leafy scroll cast surround above convex glass and brass bezel, with musical trophy applied shaped base and elaborate rocaille cast mounts to borders terminating in a foliate pendant, 113cm high.
A French lacquered brass carriage clock with push-button repeat. Klaftenberger, Paris, late 19th century. The two train gong-striking movement with platform lever escapement and signed KLAFTENBERGER, PARIS to backplate, the rectangular Roman numeral enamel dial dial with repeat signature, in a cannalee type case with hinged carrying handle, 12.5cm high excluding handle.
A French brass carriage clock. Unsigned, circa 1900. The eight-day two train gong-striking movement with silvered platform lever escapement and rectangular cream enamel Arabic numeral dial, in a bevel-glazed case with applied repeating floral trail decoration to apron, frieze and uprights, and hinged carrying handle, 16cm high excluding handle, with original leather covered travelling case.
A French gilt brass oval carriage clock with alarm Martin & Co., late 19th century. The eight-day two train gong-striking movement with silvered platform lever escapement, alarm and push-button repeat, the white enamel Roman numeral dial with subsidiary alarm setting dial and indistinctly signed MARTIN & Co.. the moulded oval bevel-glazed case with hinged serpentine outline carrying handle, 15cm high excluding handle.
A French lacquered brass carriage clock with alarm and push-button repeat. Le Roy & Fils, Paris, late 19th century. The two train eight-day gong striking movement with silvered platform lever escapement and rectangular white enamel Roman numeral dial signed LE ROY & FILS, 59 New Bond Street, MADE IN FRANCE, PALAIS ROYAL, PARIS to centre with subsidiary alarm setting dial below, in a corniche type case with hinged carrying handle, 14.5cm high excluding handle.
A French lacquered brass gorge-cased grande sonnerie carriage clock with alarm Soldano, Paris, late 19th century. The eight-day two train movement ting-tang striking the quarters on two gongs and striking the hour on a single gong on every quarter hour, the silvered platform lever escapement stamped with J.S. trademark, with circular white enamel Roman numeral dial above conforming subsidiary alarm setting dial within a rectangular engine-turned gilt mask, in a gorge type case with hinged carrying handle and push-button repeat to top and three position selection lever annotated Hours Quarters, Silent and Quarters to underside, 15cm high excluding handle.
An English ormolu and white marble fusee mantel timepiece. Richard Ganthony, London, circa 1830. The circular single fusee movement with anchor escapement and heavy bob pendulum with holdfast to the circular backplate signed R. Ganthony, 83 Cheapside, London, with white enamel Roman numeral dial and heart tipped blued steel hands within an engine turned bezel and drum shaped case applied with tied acorn and oak leaf crest and resting on scroll cast cradle, the rectangular white marble base with floral festoon swag to front and on engine turned bun feet, 20cm high. A Richard Ganthony is recorded in Baillie G.H. Watchmakers and Clockmakers of the World as working in Cheapside, London 1821-45.
A French porcelain inset ormolu mantel clock. Henry Marc, Paris, late 19th century. The eight-day bell-striking movement with circular white enamel Roman numeral dial in a drum-shaped case with pink ground gilt decorated urn surmount and lion mask ring side handles above acanthus cast support fronted with a lambrequin inset with panel of a classical female, on shaped platform base inset with further gilt hightened panels and foliate cast feet, 33cm high.
A French green onyx and brass four-glass mantel clock. Unsigned, circa 1900. The eight-day gong-striking movement with mercury compensated pendulum and circular white enamel Roman numeral dial in a bevel-glazed case with shaped onyx top and base united by caddy moulded brass uprights, on integral bracket feet, 27cm high.
An French gilt metal Art Nouveau. four-glass mantel clock. Unsigned, circa 1910. The eight-day gong striking movement with mercury compensated pendulum and stylised orchid painted white enamel circular Arabic numeral dial in a rectangular bevel-glazed case with elaborate foliate and whiplash cast pediment above caddy moulded uprights and conforming relief cast base with foliate cast feet, 35cm high.
A French Louis XVI style gilt metal and marble mantel clock Unsigned, circa 1900. The eight-day bell striking movement with floral garland painted white enamel Arabic numeral dial set into a brass drum-shaped case with marble tablet issuing foliate spray to crest, raised on four pink veined marble columns with laurel finials, on rectangular base with turned brass feet, 40cm high.
A French Belge noir mantel clock garniture. Unsigned, late 19th century. The eight-day bell striking movement with visible Brocot escapement to the recessed centre of the two-piece white enamel Roman numeral dial, the drum-head case with mottled red marble dial surround and rosette fronted open side scroll supports, on a rectangular base with conforming coloured marble moulding above boss-centred panel fronted apron and turned feet, 35cm high, with a pair of matching tazza side pieces each with alternating bands or red and black marble to upright and pedestal stand, each 25cm high.
A French lacquered and silvered brass mantel clock in the Hispano-Moresque style. Maple and Company, Paris, late 19th century. The eight-day gong-striking movement stamped MAPLE & Co. Ltd. PARIS to backplate, the white enamel Arabic numeral dial with repeat signature and gilt centre set within a gilt mask applied with a silvered Islamic arch finely cast with foliate tracery infill and Islamic script to apron, the case with onion shaped dome and spire finials above bevel-glazed front door flanked by filigree overlaid corner columns and arch overlaid panel sides, on a stepped base with integral bracket feet, 36cm high.
A large German walnut and parcel ebonised eight-day regulator wall timepiece Lenzkirch, circa 1869 . The four pillar single train weight-driven movement with jewelled and capped arbors to the top three wheels of the train and pallet arbor, five-spoke wheel crossings, high pinion count, Harrison’s maintaining power, jewelled pallets, adjustable beat screw and substantial bi-metallic compensating pendulum with a fine regulating nut to the large brass bob, The backplate is stamped with LENZKIRCH above ‘one million’ trademark and numbered 431913, giving a production date of 1869, the 9 inch circular two-piece white enamel Roman numeral dial with blued steel moon hands and a sweep seconds hand, in a shaped arch-glazed front case with keystone centred break-arch pediment above scroll applied canted angles and inverted stepped ogee moulded base, 181cm high. The Lenzkirch clock factory was founded in 1849 by clockmaker Eduard Hauser and organ maker Ignaz Schpperle who decided to make clock movements and parts of the highest quality using line production in order supply individual clockmakers for finishing and casing. Within a few years the factory was producing complete clocks, however towards the end of the century the factory went into decline due to failure in keeping up with new production techniques. This resulted in the firm being sold to the Junghans brothers who continued it as an off-shoot until its final closure in 1932. The current lot demonstrates the fact that the firm were able to produce clocks of the finest quality.
An ormolu mounted white marble and biscuit porcelain ‘Venus’ mantel timepiece. The design attributed to Benjamin Vulliamy, late 18th/early 19th century. The French eight-day movement with platform lever escapement vertically mounted on the backplate and white enamel Roman numeral chapter ring to the engine turned-gilt dial within a rope-twist bezel, in a case with gilt compressed urn surmount above shaped upstand housing the movement and dial, raised on a half rotunda temple-form base with conforming ovoid pedestal vase finials above the gilt-capped Tuscan columns enclosing a figure of a semi-clad Classical female holding forth a dove flanked by male and female putti, the former with a basket of fruit the latter with a birdcage, the figures set on a shaped gilt plinth with mirror behind, the whole on stepped curved base, some restoration, 49cm high. Provenance: Christies, King Street Out of The Ordinary The Discerning And Individual Taste of Christopher Gibbs And Harris Lindsay 10th May 2006 lot 236. Where the case is attributed to Benjamin Vulliamy and the figures to Derby. The design of the current lot clock is perhaps related to the model celebrating the triumph of Love with Euterpe produced by Vulliamy with Duesbury Derby figures modelled by Johann Jacob Wilhelm Spangler in the early 1790’s. Both share the use of bisque porcelain figures within a well conceived and detailed temple-form case. The proportions and refined detailing of the current lot confirms the fact that this clock was conceived by someone highly versed in Classical Arts and Architecture such as Vulliamy.
A George III brass mounted mahogany pad-top bracket clock. Robert Flight, Bath, late 18th century. The five-pillar twin fusee bell-striking movement now with anchor escapement and signed Rob’t Flight, Bath to the foliate scroll engraved backplate, the 6 inch brass break-arch dial applied with convex circular white enamel Roman numeral centre (some damage) with Arabic five minutes, within foliate cast brass spandrels beneath enamel STRIKE/SILENT dial flanked by conforming mounts to arch, the break-arch case with hinged carrying handle and brass edged pads above arched fishscale frets to sides and caddy moulded angles to front door, on moulded base with cast brass bracket feet, 36cm high.
A Russian cloisonne black and white enamel vodka suite, Moscow, the tall parcel gilt bottle form pedestal flask with cork finial decorated with foliate sprays in black and white enamel upon a circular base, height 28 cm, upon a circular tray with conforming decoration with six pedestal vodka cups, marks to base of tray, overall height 30 cm, (8).
Four Omega gents wristwatches, to include; A gold plated cased Constellation automatic chronometer, with silvered dial and date aperture, fitted with later gilt metal expanda bracelet; A 9ct gold cased watch with champagne dial with subsidiary second dial, signed Omega fitted with a later 9ct gold mesh link strap; A gold cased example, with white enamel dial, gilt batton numerals, signed Omega, fitted with an omega black leather strap, also a Constellation stainless steel cased, automatic chronometer, with date aperture, fitted with stainless steel bracelet
An Omega stainless steel cased centre seconds military wristwatch. Manual wind, black dial with white enamel arabic numerals, luminous hour markers and hands, the dial signed Omega with white broad arrow and tritium `T` within a circle. Fitted with an associated leather strap, the rear of the case numbered below a broad arrow marker: 6645 101000 68/542 2018/53.
A Collection of five gents wristwatches, to include; A Doxa 14K gold case watch, manual-wind anti-magnetic movement, the rear of case numbered; 1177587 10335 14, with an associated black leather strap; An Inta gold plated case, automatic watch with part skeleton dial, with associated brown leather strap; A Swiss made 9K gold cased manual wind example of ultra slim proportions, with an associated brown leather strap; A Berkeley 9K gold case watch of rectangular shape, white enamel dial with roman numerals, signed Berkeley, the rear of the case numbered 2063, with associated brown leather strap also A Certina automatic watch with silvered dial and date, with dedication inscription to rear,with brown leather strap. (5)
Jaeger Le Coultre, an 18K rose gold cased, gents wristwatch. The gold dial with subsidiary second dial, gilt baton and black enamel 1/4 hour arabic numerals, signed Jaeger LeCoultre. Movement number 44904 and signed jaeger lecoultre, The rear of the case numbered 362935 A. Fitted with an omega black leather strap.
A Longines 9ct gold cased ladies wristwatch, c1960. Fitted with a 9ct gold bracelet, with a Longines presentation case; Also a 19th century Continental, 14K gold cased, ladies open face, top wind, pocket watch. With white enamel dial and gilt decoration. The case with facet edge design, with engraved decoration the case back. A/F (2)
A Jaeger Le Coultre oversized steel case, open face pocket watch, of slim proportions. Circular silver dial signed Jaeger Le Coultre With black enamel arabic 1/4 hour numerals, with an inner 24 hrs ring. The movement signed Le Coultre Co and numbered 59771. The case numbered 34907. 54mm diam.
A Collection of gold and costume jewellery. To include an Edwardian gold plated albert watch chain with 9ct gold `T` bar; a gold plated hoop link bracelet; two bar brooches; a continental gold cased ladies watch with later expanda bracelet; a silver plated pill box; a silver and blue enamel decoration oval pill box

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396323 Los(e)/Seite