396323 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396323 Los(e)/Seite
Los 391
An early French 19th Century enamel 18ct gold and silver ring. The ring having a blue enamel head with blue marcasite studded fleur de lys emblem having a marcasite halo to bifurcated reeded band. French eagle and partial makers lozenge to outside of band. Head measures approx 2.5ms . Tests indicate 18ct gold & silver. Weight 4.8g. Size O.
Los 383
A South Staffordshire enamel box, circa 1770Of oval shape, the domed cover embossed with emblems of the Arts, comprising a set square and compass, an artist's palette, a paint brush, a pencil and a roll of paper, inscribed 'Je peindrai vos bautes', the sides and base painted with flowers on a white ground, 6cm wideFootnotes:A box produced from the same mould is illustrated by Susan Benjamin, English Enamel Boxes (1978), p.82 (right). Both boxes are inscribed with the same misspelt motto.For further information on this lot please visit Bonhams.com
Los 436
A Derby cup and saucer, circa 1775-87Made as a replacement or matching for a Meissen service of around 1735 and of octagonal form, the cup with two figural panels reserved on a purple ground, a richly gilded laub und bandelwerk border inside, the saucer with a larger panel and matching border, the underside with a purple ground, saucer 13.1cm wide, crossed swords marks in overglaze blue enamel, 62 in gold (2)Footnotes:Two similar cups and saucers were offered for sale by Charles Woollett and Son of Wigmore Street in the late 1960s with provenance from the Wallace Elliot Collection. These cups were discussed by Bernard Rackham, Mr Wallace Elliot's Collection of English Porcelain, The Connoisseur, September 1927. One of these was subsequently sold by Bonhams, 3 December 2012, lot 187, bearing a Wallace Elliot Collection label and inscribed in his hand to the effect that the lot was included with a Meissen service sold at Christies. See also The Cheyne Book of Chelsea China and Pottery (1924), pl.20, no.61. Another cup and saucer in the Victoria and Albert Museum (C.76-1932) comprises a Derby cup and a Meissen saucer from the original service. Carefully executed matchings of old family services were clearly a specialism of the Derby factory, both the shape and decoration being carefully copied.For further information on this lot please visit Bonhams.com
Los 374
A rare set of five South Staffordshire enamel counter trays, circa 1770Of pierced oval form, the larger painted in the centre with a banknote, playing cards and five gold coins, the banknote inscribed 'Govt and Comp of Bank of England/ John Bridget', the four smaller trays with three playing cards, the pink grounds painted with scattered floral sprays, 13.2 and 9.1cm wide (5)Footnotes:This set was made for use when playing Quadrille, a popular card game in the 18th century.For further information on this lot please visit Bonhams.com
Los 367
Two South Staffordshire enamel snuff boxes, circa 1770Of rectangular form, one finely painted with two figures in a classical landscape, the sides with pastoral scenes, the light blue ground with a diaper design in white, the other with a shepherdess and her admirer, the sides with boar and stag-hunting scenes, 9.7 and 7.8cm wide (2)For further information on this lot please visit Bonhams.com
Los 143
A rare wash-enamelled airtwist wine glass, circa 1760The ogee bowl painted in a thin white enamel with a branch of fruiting vine, the veins of the leaves scratched into the enamel, the double series airtwist stem with a multi-spiral column encircled by a pair of mercurial twists, over a conical foot, 15cm highFootnotes:ProvenanceSotheby's sale, 15 May 1978, lot 58Sotheby's sale, 10 February 1986, lot 31Sotheby's sale, 30 November 1999, lot 163A C Hubbard Jr. Collection, Bonhams sale, 30 November 2011, lot 158LiteratureWard Lloyd, A Wine Lover's Glasses (2000), p.78-9, pl.100(b)An ale glass from the same distinctive group and with a similar stem was sold by Bonhams on 14 November 2018, lot 112. See also that from the Lazarus Collection in Bristol Museum and Art Gallery (inv. no.Na830).For further information on this lot please visit Bonhams.com
Los 142
A highly important Beilby enamelled armorial light baluster wine glass, circa 1765The round funnel bowl finely decorated in polychrome with the arms of Yeoman, a red heart pieced by two arrows on a white ground, within an elaborate rococo scrollwork cartouche painted in shades of purple, pink and cream, flanked by long green palm fronds, the reverse with a crest of a winged red heart, resting on a scrollwork bracket flanked by foliate sprays, traces of gilding to the rim, on a stem with an angular knop over an annular knop, beaded inverted baluster and small basal knop, over a conical foot, 18.1cm highFootnotes:ProvenanceMrs W D Dickinson CollectionCommander Sir Hugh Dawson CollectionWith Sheppard and Cooper LtdPrivate British CollectionLiteratureW A Thorpe, A History of English and Irish Glass (1929), pl.CXXXII, fig.B3R J Charleston, English Glass (1968), no.56Delomosne and Son, Gilding the Lily (1978), p.26, no.64L M Bickerton, Eighteenth Century English Drinking Glasses (1971), no.739 and (1986), p.330, no.1071Christopher Sheppard and John Smith, Glass from the Restoration to the Regency (1990), pp.78-9, no.113ExhibitedEnglish Glass, Victoria and Albert Museum, 4 July-31 August 1968In the historic literature the arms on this glass have been presumed fictitious but were identified at those of the Yeoman family of Dryburgh in Berwickshire, Scotland, see Sheppard and Smith (1990), p.79. The crest of the winged heart on the reverse was used by several families, but may be that of either Constant or Peake. Sheppard and Smith suggested that this may be a marriage glass.The Beilby workshop specialised in armorial decoration and their most celebrated productions are a series of royal wine glasses and goblets. Understandably, many proudly bear the Royal arms of George III, King of Great Britain while other specimens show Dutch royal armorials. The British royal glasses mostly have bucket-shaped bowls and opaque twist stems, forms that were popular in England at the time.Once known as 'Newcastle' balusters, glasses of this distinctive form are now known to have been manufactured in Holland as well as England. It is possible that the Beilbys imported undecorated light-baluster glasses from Holland, as most surviving examples of this shape with Beilby decoration have identical stems. The Beilbys will have been aware that the best glass engravers working in Holland, such as Jacob Sang, favoured the light-baluster shape for their most prestigious commissions. Fourteen Beilby-decorated wine glasses or goblets of similar shape are recorded including the present lot. Eleven of these bear armorials or crests, while three are painted with vine in opaque white enamel. The latter include one in the Victoria and Albert Museum (inv. no.c.625/1936), one in the Kunstmuseum Den Haag (inv. no.1005203) and one in the Fitzwilliam Museum (inv. no.C.513-1961).Of the crested and armorial examples, eight have direct Dutch connections. They include the magnificent Prince William V goblet from the A C Hubbard Jr. Collection sold by Bonhams on 30 November 2011, lot 142, a smaller wine glass also bearing the arms of Prince William V sold by Bonhams on 1 May 2013, lot 116, two wine glasses with the arms of Prince William V and Princess Wilhelmina accollé, including one from the Julius and Ann Kaplan Collection sold by Bonhams on 15 November 2017, lot 33 and one in Museum Rotterdam (inv. no.17), together with three glasses in private collections bearing the crest of the Tilly family of Haarlem, including one in the Durrington Collection, see Roger Dodsworth's catalogue (2006), p.35, no.29. A goblet attributed to the Beilby workshop from the Buckley Collection bearing the arms of the Van Dongen family of Amsterdam, now in the World of Glass Museum in St. Helens, is the only other heraldic goblet with a Dutch connection.A further signed Beilby wine glass enamelled with a presumably fictitious coat of arms, again from the Buckley Collection, is in the Victoria and Albert Museum (inv. no.C.623-1936) and was originally acquired in Holland. The only other light baluster wine glass with a Scottish family connection is in the Museum of London (inv. no.34.139/334) and bears the arms accollé of the Paton family of Ferrochie, Fifeshire. The cartouche on the present glass bears a number of close similarities in style and palette to that on a goblet bearing the arms of Anderson impaling Consett from the Julius and Ann Kaplan Collection, sold by Bonhams on 15 November 2017, lot 32.For further information on this lot please visit Bonhams.com
Los 365
A rare South Staffordshire enamel patch box, circa 1815-20Of oval form, the hinged cover printed in outline and hand-coloured with a couple standing before a priest, inscribed above 'The Single Married, the Married happy', reserved on a pale pink ground, 4.7cm wideFor further information on this lot please visit Bonhams.com
Los 379
A South Staffordshire enamel patch box, circa 1793-95Of oval form, the hinged cover painted with the execution of Louis XVI by guillotine on 21 January 1793, the unfortunate king lying prostrate as the blade is raised above his head, title 'La Guillotine', the base in blue, 5.1cm wideFootnotes:The source was a print entitled 'Massacre of the French King, View of La Guillotine; or the Modern Beheading Machine at Paris', taken from a broadsheet by William Lane. A related box from the Mort and Moira Lesser Collection was sold by Bonhams, 19 October 2011, lot 192.For further information on this lot please visit Bonhams.com
Los 377
A South Staffordshire enamel snuff box, circa 1775Of rectangular form with hinged gilt metal mounts, painted with a floral spray and smaller sprigs to the sides, reserved on an unusual bright yellow ground, 4.5cm wideFootnotes:The bright yellow ground is most unusual.For further information on this lot please visit Bonhams.com
Los 363
A South Staffordshire enamel etui, circa 1770Of tapering form with gilt metal mounts, the hinged cover opening to reveal a full set of contents including scissors, snuff spoon and tweezers, finely painted with panels of figures in classical landscapes, the white ground with bianco-sopra-bianco decoration, 10.2cm longFor further information on this lot please visit Bonhams.com
Los 372
A London or Birmingham enamel box and two Birmingham boxes, circa 1750Of circular form, the first with gilt metal sides decorated with scrollwork, naively painted with three figures beneath a tree, one Birmingham box painted with a shepherdess with vignettes to the side, the other with classical ruins, the sides with floral sprays, 5.1cm-5.7cm diam (3)For further information on this lot please visit Bonhams.com
Los 376
A rare South Staffordshire enamel bonbonniere, late eighteenth centuryIn the form of a pocket watch with a gilt metal hinge, mount and hanging loop, the glazed and painted dial with gilt metal hands, the reverse painted in puce monochrome with lovers in a rural landscape edged with white scrolls against the blue ground, 6cm longFor further information on this lot please visit Bonhams.com
Los 371
A rare Battersea enamel snuff box, circa 1755Of rectangular form with a hinged gilt metal mount, the cover printed in puce with a boar hunting scene, the sides with putti emblematic of the arts, three in a lighter tone of puce and one in sepia, the underside in sepia with a fisherman and his companion in the grounds of a country house, 7.9cm wideFootnotes:See Egan Mew, Battersea Enamels (1926), fig.34 for the Ravenet engravings used on the sides of this box. It is most unusual to find prints of different colours on the same box.For further information on this lot please visit Bonhams.com
Los 381
A pair of South Staffordshire enamel plaques, circa 1780Of upright oval form, printed in outline and hand-coloured with a shepherdess seated beneath a tree, a gentleman standing beside her, the other with a seated lady and a standing shepherd, within original pressed brass frames, plaques 9cm high (2)For further information on this lot please visit Bonhams.com
Los 423
A Lowestoft model of a pug dog, circa 1775Modelled seated on a rectangular base with its head turned to the left, its tan fur naturalistically painted with fine detail picked out in dark brown enamel, its puce collar secured with a rosette, puce scrollwork to the base, 9.2cm highFootnotes:ProvenanceGordon and Lorna Turner CollectionAn example of this model left in the white was sold by Bonhams on 23 June 2021, lot 199 and the companion model, seated with head turned to the right was lot 198. A seated pug decorated with patches of manganese and an enamelled example similar to the present lot are illustrated by Sheenah Smith, Lowestoft Porcelain in Norwich Castle Museum, Vol.2 (1985), pl.19a, figs.103 and 104. Although initially attributed to Longton Hall, corresponding fragments recovered from the Lowestoft factory site in 1967 suggest otherwise. The highly phosphatic body disproves a Staffordshire origin in any case. For further discussion see John Howell, Lowestoft Manganese-Decorated Animals, ECC Trans, Vol.13, Pt.3 (1989), pp.183-4 and pls.167-9.For further information on this lot please visit Bonhams.com
Los 360
A pair of rare tinplate caskets and covers mounted with Birmingham enamel plaques, circa 1755Of rectangular form with shaped bracket feet, the covers mounted with enamel plaques painted with a harbour scene, the borders and bombé sides japanned with rococo scrollwork and flowers, 10.3cm wide (4)Footnotes:ProvenanceSotheby's New York, 13 December 1984, lot 37These rare boxes belong to a small group japanned in similar style and mounted with Birmingham plaques depicting harbour scenes or Italian landscapes. Since the tinplate industry thrived in Birmingham and nearby Wolverhampton, it is likely that the caskets were produced nearby. See Susan Benjamin, English Enamel Boxes, (1978), p.67 and Therle and Bernard Hughes, English Painted Enamels (1967), p.137 for related examples.For further information on this lot please visit Bonhams.com
Los 368
A large Birmingham or South Staffordshire enamel bonbonniere, circa 1760-65Modelled as the head of a lion, its mouth open to reveal a fine set of teeth, its fur painted in tones of brown, the hinged cover painted with two figures on horseback in pursuit of a lion, 6.5cm longFor further information on this lot please visit Bonhams.com
Los 386
A South Staffordshire enamel hunting bonbonniere, circa 1765-70Of oval shape and moulded in high relief with hunting trophies including a pistol, powder flask, hunting horn, game bag and a shot hare, a ribbon inscribed 'A la chasse amoureuse', floral sprigs on the sides and on the hinged cover, 6cm wideFootnotes:A similar example with a dark green ground is illustrated by Susan Benjamin, English Enamel Boxes (1978), p.82 (left).For further information on this lot please visit Bonhams.com
Los 375
A South Staffordshire enamel etui, circa 1765-70Of tapering form with gilt metal mounts, the hinged cover opening to reveal a full set of contents including scissors, ruler, penknife and tweezers, finely painted with a portrait of a fine lady wearing a straw hat trimmed with a red garland, the reverse with lovers, the cover with flowers and cut fruit resting on a ledge, the blue ground with diaper panels in white, 10.2cm highThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Los 382
A South Staffordshire enamel box, circa 1770Of rectangular form with a hinged gilt metal mount, fluted corners and an attractive pink ground, the cover painted with lovers in a rural landscape within an unusual scrolled border in white and dark blue, the sides with rural scenes within gilded borders, 10cm wideFootnotes:A box of similar shape also with a pink ground is illustrated by Bernard and Therle Hughes, English Painted Enamels (1967), col. pl.III.For further information on this lot please visit Bonhams.com
Los 373
Three South Staffordshire enamel boxes, late eighteenth and early 19th centuryWith gilt metal mounts, comprising a rectangular snuff box painted with a rural landscape reserved on a pink and blue gingham ground, an oval patch box printed and hand-coloured with a figural scene, another patch box painted with a basket of flowers on a gilt diaper ground, and a later French box printed with a portrait of a lady, 5.0cm to 6.3cm wide (4)For further information on this lot please visit Bonhams.com
Los 385
A South Staffordshire enamel etui, circa 1770Of ornate rococo form with light relief-moulded scrolled panels, the hinged gilt metal-mounted cover opening to reveal a full set of contents including scissors, penknife, snuff spoon and tweezers, the panels delicately painted with figural scenes in classical style, the pink ground with a diaper design in white, 11.2cm longThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Los 378
A South Staffordshire enamel box of Nelson interest, circa 1806-10Of oval shape, the hinged cover with a hand-coloured print of Nelson shown half-length with the Battle of Trafalgar raging behind him, a banner above his head inscribed 'Nelson and Victory', 5.2cm wide, painter's numeral 5 inside footrimFor further information on this lot please visit Bonhams.com
Los 85
A COLLECTION OF ENAMEL WARE, TO INCLUDE; A PAIR OF ENGLISH ENAMEL OPEN CIRCULAR SALTS IN THE BILSTON MANNER, 18TH CENTURY White cartouches with floral sprays on pink ground, with label for D M & P Manheim each 3.5cm high, 6.3cm diameter A BILSTON ENAMEL DOME TOP BOX 18TH CENTURY Decorated with garden scenes, with label to interior for D M & P Manheim 7.5cm wide AN ENGLISH ENAMEL BOX IN THE BILSTON MANNER, 18TH CENTURY Decorated with Italian vignettes 7cm wide (3) Provenance: Private Collection, London Condition Report: salts- old crazing and restorations Bilston box- restored to corners- crazing and hairlines Bilston style box- crazed and with restorationsCondition Report Disclaimer
Los 1540
Georgian and later hallmarked silver cutlery, Chinese silver spoon by Sing Fat, spoon with aqua blue enamel decoration marked 925, two white metal napkin rings and a cased set of hallmarked silver cocktail sticks, weight of silver and white metal items 295g all in, further plated spoons glass vase with base marked Hawkes Sterling, height 31cm
Los 1562
Feature hallmarked tastevin with double snake handle, London 1977, maker John Henry Odell, length 9.5cm, weight 76g, hallmarked silver wine coaster, diameter 8cm, Norwegian silver and white guilloché enamel pickle fork and a hallmarked silver buttonhole posy holder, weight of fork and posy holder 21g all in
Loading...-
396323 Los(e)/Seite