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Los 805

A selection of English tea wares, early 19th century and later, to include a high ring handled teacup, coffee cup and saucer in the manner of Coalport, the central reserves hand painted with polychrome enamel floral sprays within a royal blue border edged with gilt scrolls, a similarly decorated spur handle teacup and saucer with green ground and another with pink ground, and a highly gilded loop handle teacup, coffee cup and saucer with matching sandwich plates (Qty) (at fault) CONDITION REPORT:The royal blue coffee cup's handle is detached.  Several of the other cups are dull when pinged.  All pieces show rubbing to the gilt highlights.

Los 806

A Coalport Pembroke shaped teacup and saucer, circa 1827, decorated with polychrome landscape panels within gilt scrolled borders on a burgundy ground, a continuous gilt foliate frieze to the interior, with a Coalport floral ring and spur handle coffee cup and saucer, circa 1830, with gilt scrolled cafe au lait borders and polychrome enamel floral reserves, (pattern number 4/328), a Coalport Empire shape teacup and saucer with high loop handle decorated with polychrome floral spays amid gilt scrolls, a Coalport topographical ring and spur teacup and saucer, with gilt scrolled cafe au lait foliate panels and landscape reserves (pattern number 3/501), a similar example decorated with central bird panels in the manner of James Giles, and an unusual teacup, coffee cup and saucers with polychrome rose spray central panels against a racing green border (see Berthoud plate 649 for a similar example) (14)

Los 837

A Royal Worcester blush ivory part service, late 19th century, comprising two low tazzas (one at fault) and twelve plates, each piece with polychrome enamel floral sprays bounded by a relief moulded trefoil border with pierced webs between each foil, each piece with puce maker's mark for 1897, the tazzas with 'RdNo 254791', the plates with 'RdNo 253408' (14) CONDITION REPORT: All pieces show minor surface wear including fine surface scratching, and rubbing to the gilt highlights. The at fault tazza shows a visible repair to one of the pierced webs and hairline cracks running from the pierced webs to the foot. The other tazza shows fine craze lines to the underside. 

Los 88

A set of four George V novelty silver place-card holders, Sampson Mordan & Co, London 1927, each modelled as an owl with feather effect chasing and amber glass eyes, each upon a plain polished circular base, each 29mm high, gross weight 2.81oztCR; Overall good. No major dents, splits or signs of repair. All show general scratching and wear to the bodies and bases commensurate with age and use. A couple of the owls have slight misshaping to the ears. Two of the four owls have fractures to the enamel eyes. There is some areas of enamel/glaze pooling in the eye sockets and around the necks (see pictures). A couple of examples show a build up of silver polish in the crevices. 

Los 89

A cased set of six Danish enamelled silver gilt coffee spoons by Marius Hammer, each with engine turned decoration and polychrome enamel to bowls and handles, each 9.5cm long, together with a cased set of four silver gilt and enamelled coffee spoons, Turner & Simpson, Birmingham 1961, each 8.6cm long, gross weight 2.81ozt (10)CR; Turner & Simpson examples: Some loss the the enamel on the reverse of the bowls on the blue examples. All show scratching and wear to the enamel decoration on the bowls and handles. Bowls show moderate scratching and some loss to the gilt. There is wear to all of the hallmarks, varying from moderate to heavy across all examples. There is some thinning around the edges of the bowls, most notably on the light blue example. No large dents, splitting or repair to any of the examples.Marius Hammer examples: Loss to the enamel on the edge of the bowl of the light blue example. All examples show scratching and wear to the enamel on the bowls and handles, though this is most notable on the dark blue example. General scratching and wear to the gilt of the bowls and handles. No large denting, splitting or repair. 

Los 12

A small group of English earthenware toy wares circa 1810-30 comprising a teacup and saucer, painted with roses and other swigs with swag border, saucer 10.5cm diameter; another similarly shaped cup and saucer, decorated with a stylised flower and leaves in pratt-type colours; a small pratt tea bowl, 5.5cm diameter; a helmet-shaped cream jug, painted with blue flowerheads and green leaves below a blue-lined rim, 7.2cm high; and a teapot and cover, printed and over-painted with opposing views of birds and highlighted in black enamel, 9cm highThe Enid and Bruce Moulder Collection.

Los 2043

A CHINESE WUCAI 'EIGHT IMMORTALS' BIRTHDAY BOWL MID-17TH CENTURY The exterior enamelled with Shoulou sitting with his deer and holding a sceptre, with the eight Daoist Immortals bearing gifts in a rocky landscape, the interior with peach leaves, the rim with a brown enamel line, 19cm. Provenance: from a British private collection, purchased from Berwald Oriental Art, 9th January 2012. A copy of the invoice is available.十七世紀中期 五彩八仙祝壽碗來源:英國私人收藏,2012年1月9日購於Berwald Oriental Art(附發票複印件)。

Los 2107

A CHINESE RUBY-ENAMELLED BOWL SIX CHARACTER DAOGUANG MARK AND PROBABLY OF THE PERIOD The flared body rising from a straight foot to an everted rim, covered on the exterior with an enamel of a dark ruby colour, the base with a Daoguang mark in underglaze blue, 11.8cm. Provenance: from an English private collection, Somerset, acquired in the 1970s, and thence by descent.清道光(可能) 紅釉碗《大清道光年製》青花篆書款來源:英國賽默賽特郡私人收藏,購於1970年代,之後由家族繼承。

Los 2047

A LARGE CHINESE BLUE AND WHITE 'PHOENIX' DISH TRANSITIONAL C.1660 Boldly painted with two phoenix beneath large peony blooms amidst rocks, one bird stands with its legs astride, with his elaborate tail raised, while the other mythical bird hides behind foliage, the rim with a brown enamel line, the reverse with a four character mark which reads Yu tang jia qi (fine vessel for the jade hall), with a paper label for R & G McPherson Antiques to the base, 34.7cm. Provenance: from a British private collection, purchased from R & G McPherson Antiques, 23rd July 2008.明末清初 青花鳳戲牡丹碟來源:英國私人收藏,2008年7月23日購於R&G McPherson Antiques。

Los 20

A silver vesta case mounted with enamel portrait of a Terrier dog, engine turned to front and back, hallmarked Birmingham, 1925, maker Atkins Bros, H.6cm W.4.5cm

Los 188

Regimental interest: A sweetheart brooch for The Black Watch (Royal Highlanders) by Charles Packer & Co., the bicoloured brooch with enamel detailing, maker’s mark, stamped ‘15CT’, length 42mm. £150-£200 --- Saleroom Notice Please be guided by the online description and image and not the printed catalogue. The description should read A sweetheart brooch for The Black Watch (Royal Highlanders) by Charles Packer & Co.

Los 180

A Royal Yacht Squadron burgee brooch, set with calibré-cut rubies and single-cut diamonds, the crown with orange enamel highlight, total diamond weight approximately 0.65 carat, width 35mm. £800-£1,200

Los 355

A ‘Cymric’ silver and enamel Coronation spoon, designed by Archibald Knox for Liberty & Co., 1901, the bowl chased with inscription ‘Anno.CoRON. ER VII’ with green and blue enamels within entrelac design, the slim handle with interlaced projections and tapering to pointed terminal, stamped ‘CYMRIC’, ‘L & Co’, and hallmarked for Birmingham 1902, length 16.2cm. £1,000-£1,200 --- Archibald Knox was commissioned to design commemorative items for the Coronation of King Edward VII, which took place on 9th August 1902, and for this he designed a number of ‘spectacular spoons’, the designs of which continued to be produced in later years without the commemorative lettering. Literature: Archibald Knox, ed. Stephen A. Martin, pub. Academy Editions 1995, see page 50 and page 114 for illustration of this lot. Archibald Knox (1864-1933), born and trained on the Isle of Man, came to London in the late 1890s, and was to become the principal silver and pewter designer for Liberty & Co from 1899-1912. Steeped in the Celtic tradition of design from his Manx upbringing, he refined and purified the Celtic style to portray a personal version of Celtic ornament which was to become idiosyncratic with his style. His Cymric and Tudric designs became market leaders for Liberty’s. The Liberty company policy of enforced anonymity of its designers may have been a welcome rule to Knox, being a shy man, of ‘personal modesty’, who, during the height of the craze for Liberty’s Celtic Revival Style, left London, preferring to work from his studio on the Isle of Man between the years 1900-1904, and sending his designs, drawn on paper, to London by post to be translated into metal by craftsmen in Birmingham. This long distance arrangement appeared to have suited all concerned parties, probably because of Knox’s solid and reliable record and Arthur Lasenby Liberty’s trust in his work. By 1908-9, the demand for Liberty’s Celtic Revival style began to subside, and by 1910, the movement in England was essentially over. After 1912, Knox ceased to work for Liberty’s, moving overseas to Philadelphia.

Los 148

Two guilloche enamel pendants, the first red enamel pendant within a cabochon ruby surround, to a single pear-shape ruby cabochon set bale, with beaded decoration and engine-turned reverse, the second blue enamel pendant with ropetwist decoration and cabochon sapphire set bale, both yellow precious metal mounted and with gilded Arabic script to the enamel, the blue enamel pendant stamped ‘22k’, largest pendant length 44.5mm. £800-£1,000

Los 30

Three pairs of cufflinks, comprising two pairs of mother-of-pearl cufflinks, the first centred with blue stone cabochon collets, the second with round-cut diamonds and black enamel decoration, together with a pair of diamond and garnet set silver cufflinks with textured rims and symbolic decoration, all three pairs with hook connectors, largest pair diameter 5.5mm. £300-£400

Los 325

Swiss. A lady’s gold wristwatch with bracelet, circa 1908 Movement: manual winding, 15 jewels Dial: white enamel, Roman numerals Case: 9ct gold, hinged back, 9ct gold expandable bracelet Signed: unsigned Dimensions: diameter 27mm, bracelet circumference approximately 170mm. £80-£100

Los 239

A 19th century gold watch bangle, circa 1870, the bloomed gold bangle with applied wirework and beaded decoration throughout, centred with a Swiss watch, enclosed beneath hinged cover with rose-cut diamond set initial ‘S’, the watch with white enamel dial and black Roman numerals, the bangle engraved with a German inscription: “Schnell fliegt hin die Zeit / des Mannes treue Liebe bleibt / Weihnachten 1883” translating as: “Time flies by quickly but a husband’s faithful love remains, Christmas 1883”, the clasp stamped ‘585’, together with winder key, bangle inner dimensions 58 x 46mm. £1,200-£1,500 --- Provenance: Purchased by the vendor’s grandfather as a wedding gift to his wife in 1928. The bangle was originally owned by Georg Friedrich Bernhard Wilhelm Ludwig Ernst zu Solms-Braunfel, 6th Prince of Solms-Braunfels (1836-1891) and presented as a Christmas gift to his wife, Emanuela (Gallone di Tricase-Moliterno) zu Hohenlohe-Waldenburg-Schillingsfürst. They were married in 1878.

Los 291

Formerly from the Collection of Her Royal Highness The Princess Margaret, Countess of Snowdon: An aquamarine and diamond brooch by Cartier, 1932, the oval hoop set with circular-cut aquamarines, each shoulder with hexagonal-cut aquamarine highlight set between twin scrolls of brilliant-cut diamonds, mounted in platinum, engraved with the ownership mark ‘M’ beneath The Princess Margaret’s coronet, numbered ‘9865’ and ‘6656’, width 51mm. £40,000-£50,000 --- Accompanied by the Certificate of Provenance from Kensington Palace, dated 13 June 2006, in original embossed leather folder. Provenance: Christie’s, Lot 12, Property from the Collection of her Royal Highness The Princess Margaret, Countess of Snowdon, sale 13 June 2006, London. The brooch was purchased by Her Majesty Queen Elizabeth the Queen Mother from Cartier on 23 January 1947 for £175. The brooch is unsigned however Cartier Geneva confirmed this brooch was made by Cartier London in 1932. This brooch was purchased a week before the Royal family set sail to South Africa on 1st February 1947. The major tour was both the first trip abroad for Princess Margaret and also the first time a reigning monarch had undertaken a tour with his whole family. The three month-long visit was not only an important display of imperial solidarity but an opportunity for the young Princesses to witness first hand the statecraft, duty and hard work required in order to fulfil their royal roles in public life. The tour was remembered for being the first occasion that Princess Margaret spent significant time with Captain Peter Townsend, equerry to King George VI. The Princess later confided how the time they spent together “in that wonderful country, in marvellous weather” was when “I really fell in love with him.” Later that year Townsend was to become the official charge on Princess Margaret’s first solo visits. Prior to the South African tour, it was agreed that the engagement between Princess Elizabeth and Lt. Philip Mountbatten would be formally announced upon the family’s return to England. The purchasing of the aquamarine brooch before departure perhaps foretold of the busy months ahead, with the engagement announced in July and the wedding planned for November. It was therefore decided that Princess Margaret would take on a greater role in public life. In August 1947 the Princess turned seventeen and it was widely reported at the time that this birthday would mark her official “coming out” and signal a turning point in her own independence. To celebrate the occasion, King George VI appointed the Princess to Colonel-in-Chief of the Highland Light Infantry and on her first official duty for the Regiment, in March 1948, Princess Margaret wore this aquamarine and diamond brooch to the reception at Glasgow City Chambers. It is likely that the brooch had been given to Princess Margaret the previous year on the occasion of her seventeenth birthday. In a letter to Queen Mary written in April 1944, Queen Elizabeth discusses the jewellery being given to Princess Elizabeth for her eighteenth birthday from her father, King George VI, and states: “It is almost impossible to buy anything good, but he may find something second hand.” This aquamarine and diamond brooch purchased from Cartier by Queen Elizabeth in 1947, yet manufactured in 1932, certainly reflects a similar perspective in regards to buying jewellery. Princess Margaret’s love of brooches was apparent throughout her lifetime and was highlighted by the jewellery auction in June 2006 at Christie’s which included over sixty brooches from her collection. This particular aquamarine and diamond brooch was one of the few Art Deco examples included in the sale and, more importantly, one of only a handful of jewels with Royal provenance extending back to previous generations. A large number of the brooches offered in the auction had been acquired directly by the Princess from the 1960s onwards. Unlike her sister, Queen Elizabeth II, who favours wearing brooches on the traditional left, Princess Margaret followed her grandmother’s style in regularly wearing them to the centre front of her neckline. One such photograph, taken in a garden during the official visit to The Caribbean in 1958, shows the Princess wearing this brooch at the centre of a floral dress. An earlier photograph, taken in 1950 at a dance at the Dorchester Hotel, shows the young Princess wearing the brooch on a strapless ballgown in ice blue brocade. Known for her sense of fashion and style, the Princess always coordinated her jewels to match her outfits. In 1959, when opening an exhibition, The Bulletin newspaper reported that Princess Margaret had pinned ‘a delicate ornament in aquamarines and diamonds’ to the side of her pale blue chiffon hat. The Princess was photographed wearing this brooch throughout her lifetime, seemingly always when dressed in blue. One such photograph shows Princess Margaret and Lord Snowdon introducing baby David Linley to his grandmother, The Queen Mother, in 1961. A more recent example from 1989 shows the Princess wearing the brooch on a striking blue suit at the Trooping the Colour ceremony. The photographs depict the whole Royal family with Princess Margaret standing beside Princess Diana and her two young sons, Princes William and Harry, on the balcony of Buckingham Palace. During the 1930s and following on from the Art Deco, Cartier displayed a progressive attitude towards design, materials and palette choices. The rigidity of geometry was gradually lost to a flexibility of form that, as seen with this brooch, featured curves, volutes and loops, combined with unusual six-pointed cuts that livened up the usual sequence of stones. The introduction of semi-precious materials saw a preference for colour overtake the monochromatic palette of the previous decade. Black and white jewels set with diamonds, rock crystal, onyx or enamel gradually evolved to feature aquamarines, topaz and amethysts. This brooch made in 1932 is an early example of the evolution seen in design over the course of the coming decade and showcases the originality and foresight of Cartier at the time.

Los 87

A serpent bracelet and ring, the bracelet of textured articulated scales, the head with polychrome enamel decoration, emerald eyes and chrysoprase highlights, the ring of conforming design, bracelet inner diameter approximately 5.5cm, ring size O. £1,000-£1,500

Los 177

Four Russian egg charms, circa 1900, comprising a late 19th century silver egg decorated with polychrome cloisonné enamel, bearing Russian assay mark 84 standard, the second gold egg, circa 1900, with hammered decoration and set with a turquoise cabochon, bearing Russian assay mark 56 standard and maker’s mark, the third garnet-set gold egg, circa 1900, with engraved decoration, partial St. Petersburg city mark and maker’s mark, the fourth egg formed of polished banded agate and mounted in gold, partial Russian assay mark 56 standard, together with a gilt metal egg with painted spider web and red glass reserve, various lengths. (5) £180-£220

Los 109

A gold and enamelled panel necklace, circa 1840, the hollow linked rectangular panels decorated to both sides with white stylised floral detail, against a black ground, to later ring and bolt clasp, (some enamel loss), length 64cm. £1,200-£1,500

Los 296

John Delafellix, London. A gilt metal pair cased verge watch, no. 2716, circa 1800 Movement: gilded full plate, verge escapement, pierced and engraved balance cock, no. 2716 Dial: white enamel Case: gilt metal, plain gilt metal outer case, maker’s mark IB Signed: Jno Delafellix, London Dimensions: diameter 55mm. £200-£300

Los 353

A silver and enamel ‘thistle’ napkin ring, centred with an enamelled thistle motif, Birmingham, marks rubbed, length 48mm. £30-£50

Los 24

A small collection of jewellery, comprising a gold mounted amethyst, citrine and seed pearl double heart brooch, a jadeite ‘fleur-de-lys’ bar brooch (untested for treatment), an amethyst single stone ring, a cat’s eye and diamond three stone ring, a painted enamel and seed pearl locket brooch with glazed verso, a white and green paste set brooch, a seed pearl necklace and a diamond set lady’s wristwatch, first brooch length 25mm. (7) £400-£600

Los 181

A Royal Thames Yacht Club burgee brooch, set with calibré-cut sapphires and single-cut diamonds, the crown with orange enamel highlight, total diamond weight approximately 0.25 carat, width 30mm. £800-£1,200

Los 299

Swiss. A silver open-faced keyless split seconds chronograph watch with date, circa 1900 Movement: gilded, lever escapement, stamped ‘The Winner’ Dial: white enamel, subsidiary dials for time, date and constant seconds Case: silvered, silver cuvette, no. 31499 Signed: unsigned Dimensions: diameter 55.5mm. £240-£340

Los 187

Regimental interest: A sweetheart brooch for The 51st Highland Volunteers by Garrard & Co. Ltd., the bicoloured 9ct gold brooch with enamel detailing, maker’s mark, hallmark for 1986, length 28mm. £300-£400 --- Saleroom Notice Please be guided by the online description and image and not the printed catalogue. The description should read A sweetheart brooch for The 51st Highland Volunteers by Garrard & Co. Ltd.

Los 298

Swiss: Retailed by Asprey. A silver Goliath keyless watch together with a split-seconds stopwatch, circa 1900 Movement: three-quarter plate, lever escapement, no. 7032, silver cuvette Dial: white enamel, Roman numerals, subsidiary seconds Case: silver, no. 131416 Signed: unsigned, dial signed C & G E Asprey, 165 & 166 Bond St W. Dimensions: diameter 72mm. Together with a base metal split-seconds stop watch £100-£150

Los 123

A French Art Nouveau enamel and pearl pendant by Georges Le Turcq, circa 1900, the gold foliate pendant formed of entwined tendrils with plique-à-jour enamel gingko leaves and three pearl highlights, suspended from an unassociated cable-link chain, pendant with maker’s mark and French assay mark, pendant length 55mm. £800-£1,200 --- Georges Le Turcq (1859-1940) trained at Paris École des Arts Décoratifs before partnering with fellow jeweller Julien Duval in 1885. At the 1889 Paris Exposition Universelle, the pair exhibited an extraordinary series of enamelled butterflies, insects and orchids alongside the acclaimed display by Tiffany & Co., of a similarly enamelled collection of twenty-five orchids. The partnership ended in 1894 and both went on to become extremely successful jewellers in their own right. Le Turcq continued to specialise in plique-à-jour enamel and worked in the characteristic Art Nouveau style inspired by Japanese design, organic form and flora. He continued to sell pieces under his own name as well as partnering with other jewellers, such as Vernier for the Faust bracelet in 1895, and creating pieces for the larger houses including Boucheron and Cartier. Literature: Vever, Henri (trans. Purcell Katherine), French Jewellery of the 19th Century, London, 2001. Nadelhoffer, Hans, Cartier, pub. London, 1984. Richard, Jean-Jacques, Georges Le Turcq: Un grand Joaillier Art Nouveau Francais, pub. London, 2015.

Los 302

Swiss, Retailed by Camerer Kuss & Co. A gold open-faced keyless watch, circa 1905 Movement: gilded, lever escapement Dial: white enamel, Arabic numerals, subsidiary seconds Case: 18ct gold, engine-turned back, milled band, gold cuvette engraved ‘Camerer Kuss & Co., 56 New Oxford Street, London, Swiss made’ Signed: unsigned Dimensions: diameter 45.5mm. £300-£500

Los 21

A sovereign pendant and fob watch, the Victoria sovereign, 1877, set within a scrollwork pendant mount, together with a gold mounted enamel and diamond set lady’s fob watch, plus a small collection of jewellery, pendant mount diameter 30mm. (6) £400-£500

Los 295

J. W. Benson. A silver hunting cased watch, No. 1792, 1872 Movement: gilded, full plate, lever escapement, no. 1792, dust cap Dial: white enamel, Roman numerals, subsidiary seconds Case: silver, engine-turned, cartouche to the cover with engraved initials, London hallmark for 1872, maker’s mark SJ, engraved inscription inside the cover Signed: movement signed J. W. Benson, 58 & 60 Ludgate Hill, London Dimensions: diameter 50mm. Accessories: silver chain with T-bar £40-£60

Los 89

A flowerhead necklace and ear clips suite, the turquoise coloured glass petals with blue and white enamel decoration and single-cut diamond highlights, the necklace chain with alternating blue and white enamel decorated fixed roundels, the earrings with clip and pin fittings, necklace gross length 38cm. £600-£800

Los 128

An 18ct gold dolphin bracelet and an enamel and gem-set ‘Arabesque’ pendant, the box-link bracelet chain suspending eight alternating dolphin and crescent moon charms, stamped ‘750’ and with Italian assay marks, the pierced pendant decorated with blue enamel and brown gemstone accents, the bale stamped ‘750’, bracelet length 25cm, pendant diameter 38mm. £300-£500

Los 300

Uylsse Nardin, Locle Suisse. A silver keyless deck watch in fitted wooden box, No. 124115, circa 1910 Movement: gilded, lever escapement, cam wheel regulation, no. 124115 Dial: white enamel, Roman numerals, centre seconds Case: silver, screw-down back, glass lacking Signed: case, dial and movement Dimensions: diameter 56mm. Deck box: wood, plaque with military arrow, length 120mm, width 102mm. £600-£800

Los 130

An enamel longchain and brooch/pendant, circa 1900, the gold belcher-link chain, closed, and spaced by a series of red and white enamel batons and grey seed pearls, with both swivel hook and jump ring fittings (one hook soldered shut) together with an enamel and seed pearl set brooch with floral motif decoration, chain length 18.7cm. £500-£700

Los 240

A French enamel and diamond bracelet, late 19th century, the gold rectangular links concave and engraved with scrolling foliage, with three oval bosses each decorated with blue enamel and a rose-cut diamond forget-me-not, the central panel with glazed locket verso, French assay marks, maker’s mark, length 17cm. £800-£1,000

Los 165

An Austro-Hungarian gem-set pendant and a pearl and garnet cluster ring, the pendant centred with an enamelled portrait of a lady in 18th century dress, within a surround of table-cut garnets, pearls and turquoise cabochons, in pinched collet settings, beneath double headed eagle surmount and gem-set bale, gilt metal mounted, together with a pearl, enamel and garnet cluster ring with partial enamel decoration, (pearls untested), ring size M. (2) £300-£400

Los 69

*A PAIR OF CHINESE FAMILLE VERTE GARLIC-NECK BOTTLE VASESChina, Qing Dynasty, Kangxi periodEach brightly enamelled with tear-shaped floral panels alternating with pairs of floral sprays below bands of lappets and scrolls, and green cracked-ice-pattern on the garlic necks. One bears three labels to the below reading as follow: “S. Marchant & Son”, “K’ang His 1662-1722” and “SF86”.H: 21,3 cmProvenance (according to the owner and the labels):- Wing Tai Curios Center, Macao, 1986/06/06;- S. Marchant & Son, London, United Kingdom.Notes:1. It is said that those vases may have been down for the Islamic market.2. For a related pair of vases at public auction, please refers to Christie’s London South Kensington, 2013/07/02, lot 336, sold for GBD5.000 incl. BP.一对彩绘蒜颈瓶中国,清康熙年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV black light checked;- the first one with 2 original imperfections in the glaze to the rim (firing time) and minor firing cracks to below as well as MARCHANT label;- the second one with a light star hairline to the below and a few faded enamel points.

Los 83

A MONOCHROME FLAMBE / OXBLOOD / LANGYAO GLAZED PORCELAIN PEAR-SHAPED VASEChina, Qing Dynasty, 18th to 19th centuryAll covered, but the foot rim, with a red glaze with whiter nuances.China, Qing Dynasty, 18th to 19th centuryH: 27 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.琉璃梨形瓷花瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- chips to the unglazed foot;- missing part of the enamel to the foot;- lines within the thick glaze.

Los 84

A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN BOTTLE VASEChina, Qing Dynasty, 18th to 19th centuryResting on a high ring foot, with a globular body and a tubular neck. All covered, but the foot rim, with a red glaze with lavender splashes.H: 22,4 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.釉面瓷花瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- chips to the unglazed foot;- missing enamel parts to the outer part of the foot;- UV / black light checked.

Los 85

A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, Qing Dynasty, 18th to 19th centuryAll covered, but the foot rim, with a red glaze with lavender splashes.H: 20,8 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.釉面瓷花瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- chips to the unglazed foot;- missing enamel parts to the outer part of the foot;- cracks in the thick cover near the foot.

Los 87

A ROBIN'S EGG GLAZED YIXING VASE BEARING THE SEAL OF GE MINGXIANG 葛明祥China, 19th century or earlierOf globular ribbed shape, shaped as a water melon, all covered with a thick and vibrant robin's egg glaze, the below stamped with the mark Ge Mingxiang (葛明祥) within a double square.H: 18 cmNotes:1. For a related vase at auction, see Sotheby's Paris, 2018/12/11, lot 250.2. A related vase is housed in the collection of the Victoria & Albert Museum under the accession number 295-1905.3. For an academic article on this topic, see Kerr, Rose "Yixing Wares in the V&A" in Orientations, Vol.14, no. 10, October 1983.青色釉面花瓶带有“葛明祥”款识中国,19世纪或早期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- bubbles in the glaze (imperfections from the time of firing);- one point to the shoulder near the rim with a bubble ending in a minor loss of enamel.

Los 10

A YELLOW AND RUSSET JADE BANGLE / BRACELET TOGETHER WITH A CABOCHON AND ENAMEL EMBELLISHED GILT FILIGREE SILVER BOX AND COVERThe jade: China, attributed to Ming DynastyThe box: China, circa 1900 / 1920Carved out of a celadon and russets stone, this jade bangle is inscribed to its outer part with an archaistic script inscription. The box, made of partially gilt silver, is embellished with filigree, with colourful enamels, coin / sapeque shape designs and hard stones cabochons, amongst which some are carved out jadeite jade, some others are carved out of tourmaline. The box is inscribed with the word “silver” to the below.Dimensions:- The jade bracelet (D): 6 cm- The box (H): 6,4 cmWeights:- the jade: 23,4 grams- the box (gross): 156 grams青赤玉手镯,配凸圆形和珐琅装饰镀金带盖银盒玉手镯:中国,归于明代带盖银盒:约1900/1920年[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- the inner rim of the box is distorted;- possibly missing a removable filigree ring.;- the jade bangle with natural veins and inclusions;- faded gilt to some parts of the inner rim of the box.

Los 115

A FAMILLE VERTE ENAMEL BISCUIT PORCELAIN MODEL OF A PARROTChina, Qing Dynasty, 18th to 19th centuryNaturalistically molded as a quail standing on a non-enamelled biscuit porcelain base with holes, possibly to hold joysticks. The bird is enamelled in famille verte enamels.H: 19 cm粉彩“鹦鹉”模型中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a few firing cracks to the base;- may a few tiny chips in the bird paws;- a restoration to the beak.

Los 116

A FAMILLE VERTE ENAMEL BISCUIT PORCELAIN MODEL OF A QUAIL THE PORCELAIN: CHINA, QING DYNASTY, 18TH CENTURYTHE ELECTRIFIED MOUNT: EUROPE, 19TH CENTURYThe standing parrot naturalistically moulded and painted with green and yellow enamels. Mounted in Europe as a lamp with curvy branches with flowers, a sprig going though the beak of the bird.  H (the parrot on its mount): 34,5 cm粉彩“鹌鹑”模型瓷器部分:中国,清代,18世纪电动底座: 欧洲,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: A few chips in the biscuit flowers.

Los 121

A CLOISONNE ENAMEL ‘LOTUS’ ARCHAISTIC JAR, HUChina, Ming Dynasty, 16th or 17th century he pear-shaped vase is finely enamelled around the globular body, shoulder and neck with registers of large lotus blooms borne on leafy meandering scrolls, all supported on a tall, splayed foot similarly decorated. The shoulders are applied with a pair of enamelled Taotie mask handles suspending flattened, loose rings that bear enamelled decorations as well. H: 36,2 cmWeight:  Note: For a related cloisonné jar at public auction, please refers to Zacke Vienna, 2021/03/05, lot 1, sold for €13,904 incl. BP. Also see Sotheby’s Hong Kong, 2015/04/07, lot 3727, sold for HKD250.000 incl. BP.景泰蓝 “莲花”仿古罐中国,明代,16-17世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a rare vase in that condition together with original handles;- foot and rim lightly distorted;- a few losses of enamels;- a few small restorations (around the rim and the foot notably).

Los 127

A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers and birds against a red ground. The below bears the mark De Sheng / 德成 as well as a an old label both inscribed in Chinese Mandarin and French describing the work of the studio.H: 36,2 cmweight: 2000 grams Note: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few losses of enamels;- UV / black light checked;- a restored part.

Los 128

A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers against a black ground. The below bears the mark De Sheng / 德成.H: 24,3 cmNote: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- little “chips” to the rim notably;- faded gilt to several points including the below;- scratches to the below.

Los 130

A CANTON ENAMEL ON COPPER INGOT SHAPED CUP BY THE WORKSHOP XUYANJI 许燕记 China, Guangdong, Late Qing Dynasty, Second half of 19th century The inner part richly adorned in vivid colours with four hydra dragons encircling a Shou (longevity) symbol against a white enamelled ground, the outer part with twice five bats circumscribing a flower. The below inscribed in iron red with the mark of the workshop within a double square: 粤东省許燕記. H: - L: 广东珐琅铜锭行杯-许燕记工坊制作中国,广东,晚清,19世纪中后期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition reports:- the foot is distorted;- lacks of enamels to some parts.

Los 171

A NEAR PAIR OF MING STYLE CLOISONNE ENAMEL ‘DRAGON’ TIBETAN TRUMPETS, DUNG-CHEN China, Late Qing Dynasty to Republic / Minguo period Made of cloisonne enamel and gilt copper, telescoping. Each adorned in bright and colourful enamels with eleven five-claw dragons flying amidst clouds over crashing waves, some of archaic frontal form (zheng long), some others seen from the side (xing long).  H (widely open): 186 cm – H (collapsed): 53,5 cm Notes: 1. The Dung-Chen is s a long telescopic trumpet or horn used in Tibetan Buddhist and Mongolian Buddhist ceremonies, preludes, processions and morning and evening call for prayers. It is the most widely used instrument in Tibetan Buddhist culture. It is often played in pairs or multiples, and the sound is compared to the singing of elephants.  2. In ancient China, it was unusual for musical instruments to be enamelled. This technique would mostly have been reserved for boxes or vases. It is acknowledged that examples of this type were among the many instruments made in China and sent as gifts to impress officials of bordering nations. Gifts of musical instruments and the musicians who played them were common in East Asia.3. A near pair of related trumpets dated to the Ming Dynasty are preserved at the Metropolitan Museum of New York (The Met), The United States of America, under accession number 1988.349.近一对明式风格景泰蓝龙纹小号中国,晚清至民国/现代[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition reports:- a few gilt copper rings with cracks;- some lacks of enamels;- restoration visible to one.

Los 188

A PHAP LAM / HUE ENAMEL ON COPPER ‘BAMBOO AND PRUNUS’ WINE CUPS POSSIBLY FROM ONE THE SERVICES OF H.M. THE EMPERORS THIEU TRI AND TU DUC TOGETHER WITH TWO ORMULU MOUNTS BY MAISON BOIN TABURET OF PARIS The wine cups: Vietnam, Nguyen Dynasty, Presumably 1841-1883The mounts: France, Paris, 19th centuryThe outers all covered in night blue with a gold honeycomb pattern as well as bamboo sprigs and plum flowers. Both presented on three lion legs ormolu stands by Maison Boin Taburet in Paris, both bearing the mark of the maker to the below as well as engraved numbers. Dimensions (each): H: 5,4 cm – D: 7,5 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- losses of enamels to the cups;- bends to the cups;- hairlines, mostly to the inner of the cups;- faded gilt to some points to the stands;- one stand missing two screws.

Los 189

A PHAP LAM / HUE ENAMEL ON COPPER ‘BAMBOO AND PRUNUS' DISH POSSIBLY FROM ONE THE SERVICES OF H.M. THE EMPERORS THIEU TRI AND TU DUCVietnam, Nguyen Dynasty, Presumably 1841-1883The obverse of the dish all covered in night blue with a gold honeycomb pattern as well as bamboo sprigs and plum flowers. The reverse of the wing painted with three chi dragons. D: 19,2 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - a few losses of enamels;- cracks.

Los 267

A PAIR OF CLOISONNE ENAMEL VASES BY OTA JIN’NOE (1858-1907) Japan, Meiji period Of elongated ovate shapes, both adorned in vivid enamels with flowers against a light cream white ground. Both below are incised with the mark of the artist: “太田造”. H: 24,4 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- hairlines / cracks around the neck of one;- a "stain" / trace to the vase with the cracks to the side;- a small stain to the same vase around the foot.

Los 532

WWI Campaign medal trio and ribbon bar, Corporal E. Richardson, service number R-4777, Kings Royal Rifles Corp and an enamel pin badge 'Armed Forces Veteran' [5]

Los 551

Three WWII Japanese medals, all in their lacquer presentation boxes (some with damage, and two with missing clasps) comprising:- The Order of the Rising Sun - Third Class (some small cracks to the enamel on both sides); Order of the Rising Sun - Sixth Class and The Order of the Sacred Treasure - Fifth Class; together with their corresponding scrolled presentation certificates bearing the mark of Emperor Hirohito (1901-1989), in a lacquer presentation box (some damage to the lacquer)

Los 575

An Egyptian Order of the Nile, Lattes stamped to the reverse, without Ribbon, some damage to enamel

Los 60

A SELECTION OF SCANDINAVIAN ENAMEL TABLEWARE, to include a set of five silver gilt Danish enamel oyster forks by Egon Lauridsen, each with a different coloured enamel handle, in green, blue, yellow, white and pale blue, with crown shape terminals, stamped Ela Denmark Sterling 925S, lengths 120mm, together with a pepper pot, open salt and spoon, all with blue enamel and by Volmer Bahner, stamped VB Sterling Denmark, lengths 40 to 50mm, approximate total gross weight 103 grams (condition report: overall good condition, the spoons have light to moderate surface scratches, enamel in good condition, the pepper pit, salt and spoon show moderate tarnishing in places, the spoon has some damage to the enamel)

Los 61

A SELECTION OF SILVERWARE AND OTHER PIECES, to include a small Russian silver gilt bowl with blue and green enamel leaf detail to the edge, with a similar design fork, with Russian assay marks, together with an early 20th century silver brush with pink guilloche enamel detail, a silver circular pill box with blue guilloche enamel lid, both with silver hallmarks, approximate total gross weight of pill box, bowl and fork 77.6 grams, together with a cased set of six enamel silver plated teaspoons, two enamel open salts, two pill boxes, and an enamel comb cover

Los 9

A BAG OF ASSORTED SILVER AND WHITE METAL JEWELLERY, to include a plain polished silver neck collar, hallmarked Birmingham, four white metal and black enamel rings, each stamped '925', a pair of white metal marcasite drop earrings, post and scroll fittings stamped '925', a pair of bow and heart drop earrings, post and scroll fittings, stamped '925', a white metal butterfly brooch, stamped 'St Silver', a heart shaped pendant fitted with a tapered bail stamped '925 Italy', together with other earrings some with marks to indicate silver

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