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Los 63
A Musical Box Playing Eight Airs, By L'Epée with single-spring motor, typical adverse winding lever handle, single-section comb, in stained interior under dustlid, in grained case with the very good figured veneered lid bearing oval geometric coloured enamel inlay in the boullé taste - 19.1/2" (49.5cm) wide, the cylinder 12" (30.5cm)Plays smoothly, all teeth and tips present. Corrosion visible on both comb and cylinder. Serial no.25933.
Los 5
BIDDING FOR THIS LOT WILL BE BY TELEPHONE ONLY AND ONLINE BIDS WILL NOT BE ACCEPTED. IF YOU ARE INTERESTED IN THIS LOT PLEASE CONTACT DREWEATTS TO ARRANGE A TELEPHONE BID (+ 44 (0) 1635 553 553 | ytao@dreweatts.com) 本件拍品仅接受电话竞价，网上竞价无效，如您有兴趣，请联系陶映雯博士（ytao@dreweatts.com）A rare Chinese cloisonné 'pomegranate' box and cover, incised Xuande six-character marks and of the period, of circular shape, the centre with two ripe pomegranates, issuing from gnarled gold branches with blossoms and further smaller fruit, the vertical sides of the cover and box decorated with formal lotus scrolls, the slightly recessed base incised with a Xuande six-character mark, the interior of the cover similarly incised with Xuande six-character mark, 12cm diameter x 4.5cm high, wood standProvenance: Sotheby's, Oriental Ceramics, Hardstones and Works of Art, 1st March, 1946, lot 94, where bought on commission by Bluett & Sons, for £19.00, on behalf of Major Edward Copleston Radcliffe (1898-1967) and listed in the family archive as 'K3' Exhibited: National Gallery of South Africa, Chinese Exhibition, Cape Town, 1953, no. 231During the fifteenth century metalwork in China reached new heights. Bearing the Xuande (1426-1435) reign mark, this splendidly made cloisonné box is a rare example of the exquisite production of the Ming imperial workshop. The Xuande emperor was known as a great patron of the arts. During his reign the empire enjoyed a period of relative peace and prosperity. The present lot is particularly successful in presenting the pattern of pomegranate flowers in various stages of growth from delicate buds to exuberant bloom with lush petals. As the Chinese character for 'seed' (zi) is the same as that for 'son', the many-seeded pomegranate is viewed as a symbol of fertility and prosperity, and this has been a common theme in Chinese art since the Northern Song Dynasty. It was also one of the Xuande Emperor's favourite themes as he commissioned such designs in many media during his reign. See a bronze 'Pomegranate' censer (museum accession number故00142843), Xuande mark and of the period, in the Qing imperial collection in the Palace Museum, Beijing. See also a yellow-ground porcelain example of this pomegranate design from the Sir Percival David collection in the British Museum, London, illustrated in Regina Krahl and Jessica Harrison-Hall, Chinese Ceramics. Highlights from the Sir Percival David Collection, London, 2009, pl. 35. The present lot belongs to a group of five identified similar cloisonné enamel boxes known in private and museum collections. There is every indication that all five were made in the same imperial workshop with similar designs and in uniform size, approximately 12cm diameter. Sharing the motif of auspicious fruits on their covers, namely pomegranates, persimmons, melons and grapes, they are all doubly marked with an incised Xuande six-character reign mark on the underside of the box and the interior of the cover. The Radcliffe box is one of the only two known from private collections. The other example was purchased from Spink and Son, Ltd., London, by Lord Cunliffe (Honorary Keeper of the Far Eastern Collections at the Fitzwilliam Museum) in 1946. The Radcliffe box was purchased at Sotheby's on 1st March, 1946, lot 94, for £19.00, and was exhibited at the National Gallery of South Africa in 1953, 'Chinese Exhibition', No. 231. This would suggest both boxes came onto the market at about the same time. The other three remain today in public museums and institutions with the 'melons' box from the Qing Court Collection in the Palace Museum, Beijing; the 'persimmons' box in the Musée des Arts Décoratifs, Paris; and the 'grapes' box in Fenton House, National Trust, London.As Soame Jenyns said, 'It is the 15th century Ming cloisonné pieces which are likely to remain the chief monuments to the skill of the Chinese metal worker in the field'. Cloisonné enamel wares from the early Ming period are rare as production was strictly regulated by the Palace eunuchs who operated under the auspices of the Yuyongjian, a sub-division of the Neifu, 'The Inner Treasury', responsible for supplies to the Imperial Household. The group may have been made over a considerable period as the lotus blossoms on the sides of the covers are rendered in two different ways. The lotus heads on the 'melons' box (Palace Museum), the 'grapes' box (Fenton House), and the Radcliffe box are all executed in three enamel colours and the central areas of the lotus flowers are made of four petals, which suggest that the Emperor probably commissioned the three boxes as a set during the same time. The Lord Cunliffe box and the 'persimmons' box (Musée des Arts Décoratifs) differ in that they have an extra wire which divides the petal at the centre into two parts and the flowers have four colours rather than three. These two boxes were possibly made during a slightly later period of the Xuande reign.明宣德 "大明宣德年制"楷书刻款掐丝珐琅石榴纹盖盒拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族编号K3）， 1946年3月1日委托英国著名古董商Bluetts购自苏富比，拍品编号94号，购买价19英镑 展览信息：南非国家画廊，中国艺术展览，1953年，开普敦，编号23115世纪的中国正值大明帝国革故鼎新之时。此时宫廷的工艺制品技艺更是达到了巅峰，加上宫廷作坊对选料的精益求精，此时官造作品更是成为各时代工艺水平的最高代表。这件存世极为稀少的明宣德"大明宣德年制"款掐丝珐琅石榴纹盖盒无疑体现了大明宫廷作坊的巅峰技艺。宣德皇帝（1426-1435年）是一位艺术文化修养较高的皇帝，在他的统治期间，明帝国享有了一段相对和平与繁荣的时期。这件巧夺天工的明宣德掐丝珐琅石榴纹盖盒，灵活生动的刻画出了石榴花在不同时期生长阶段的图案，从娇嫩的花蕾到繁茂的花瓣。值得注意的是汉字中的'籽'与'子' 同音，多籽的石榴被寓为丰饶和繁荣的象征。自从北宋以来，这一直是一个十分受欢迎的艺术题材，也是宣德皇帝最喜欢的题材之一，可参考的是北京故宫博物馆馆藏的一件明宣德石榴纹铜炉（故00142843）， 以及一件来自大英博物馆大维德爵士收藏的黄地石榴纹碗， 并著录在由康蕊君和霍吉淑一起编著的《大英博物馆大维德爵士藏中国陶瓷精选》一书中。全球已知出版的同类型盖盒加上这件石榴花盖盒，存世仅仅5件，并都由博物馆以及私人收藏。如果我们对这5件盖盒的形制，尺寸进行仔细的研究以及对比，种种迹象表明它们很有可能都出自于同一个宫廷作坊。大约直径都为12厘米，它们的盒盖都以寓意吉祥的水果为主题，即石榴、柿子、西瓜以及葡萄，并在盖内和盒子外底，均双重錾刻六字"大明宣德年制"楷书款。此件明宣德掐丝珐琅石榴纹盖盒是全球现存世已知且纹饰形制相类似的两件中的其中一件，且两件均为私人收藏，另一件是英国Cunliffe勋爵（Lord Cunliffe ）的旧藏，于1946年购于伦敦著名古董商Spink and Son Ltd。此次上拍的这件盖盒，来源于Radcliffe上校家族，并且清楚地在Radcliffe上校家族档案（The Radcliffe family archive）中记载，此盖盒于1946年在苏富比购得，并于1953年在南非国家美术馆（National Gallery of South Africa）的' 中国展览（Chinese Exhibition）'展出（展览编号231号)。这意味着很有可能这两个盒子几乎是同时进入市场的。Cunliffe勋爵的盖盒，由伦敦邦瀚斯(2021年11月2日，拍品234号) 拍出。另三件盖盒都馆藏于全球著名的博物馆中，其中瓜果纹盒馆藏于北京故宫博物馆（The Palace Museum）；柿子纹盖盒馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）；葡萄纹盖盒馆藏于伦敦芬顿大宅（Fenton House）。正如Soame Jenyns提到："15世纪的掐丝珐琅制品无疑是各时代掐丝珐琅工艺水平的最高代表"，宣德一朝御用金属珐琅器是由当时制造御用器物的机构"御用监"所生产，其隶属于内府，内府则是当时为皇室成员提供生活所需的后勤供给的机构。上文所提到的五件掐丝珐琅盖盒 ，很有可能是在相当长的一段时间内制作完成的，因为盖盒两侧的缠枝莲以两种不同的方式呈现。北京故宫博物馆（The Palace Museum）馆藏的宣德款掐丝珐琅瓜果纹盒，伦敦芬顿大宅（Fenton House）馆藏的明宣德款掐丝珐琅葡萄纹盖盒，以及此次Dreweatts 即将上拍来自于Radcliffe上校家族的明宣德 掐丝珐琅石榴纹盖盒，此三件盖盒都在侧壁环饰由三种不同颜色，且中心为四朵莲瓣的缠枝莲花纹装饰，这说明它们很有可能在相近时间内由宣德帝下旨所铸造的。而Cunliffe勋爵的盖盒以及馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）的明宣德款掐丝珐琅柿子纹盖盒，这两件盖盒两侧的缠枝莲纹都由四种不同颜色的莲瓣组成，不同由前面提到的三件盖盒，所以Cunliffe勋爵的盖盒以及馆藏于巴黎装饰艺术博物馆（Musée des Arts Décoratifs, Paris）的明宣德款掐丝珐琅柿子纹盖盒很有可能是在宣德后期所铸造。Condition Report: Some damage on vertical sides and cover gilding extensively worn and old repairs and other wear and dents Condition Report Disclaimer
Los 6
A Chinese cloisonné enamel and gilt bronze tripod censer, Ming dynasty, late 16th or 17th century, of circular form supported on three cabriole feet, applied with a pair of small gilt-copper lion-mask handles, exterior with alternating coral-red, yellow, pale green and purple lotus wreathed by undulating foliate scrolls above a lappet border, the underside similarly decorated, the interior with a band of fruiting vine, Radcliffe Collection label 'K1' 16.2cm diameter x 9.5cm high, wood standCompare with a similar example illustrated in, Chinese Cloisonné, The Peter Uldry Collection, pl. 117Provenance:Major Lindsay F. Hay Collection, Sotheby's, November 17th 1944, lot 237, £9.00Major Edward Copleston Radcliffe (1898-1967) collection and listed in family archive as purchased from Bluetts in 1944, for £10-0s-0dExhibited: National Gallery of South Africa, Chinese Exhibition, Cape Town, 1953, no. 229明16/17世纪 掐丝珐琅缠枝莲纹三足炉拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族档案编号K1), 1944年购自伦敦著名古董商Bluett，源自苏富比1944年11月17日Lindsay F. Hay收藏。展览信息：南非国家画廊，中国艺术展览，开普敦，1953年，编号229Condition Report: wear and some losses commensurate with ageoverall very attractiveCondition Report Disclaimer
Los 62
A Chinese Sancai glazed Figure of Guanyin, Kangxi, wearing a high bun covered with a shawl falling over her shoulders, the robe with splashed aubergine, orange, green and brown glazes, traces of black enamel to hair knot, with Bluett & Sons and Radcliffe collection labels, 'A33', 18.5cm high Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and listed in the family archive, 'A33', as purchased Bluett & Sons, and recorded in the Bluett archive as sold to Major Radcliffe on the 29th July 1964, for £125-00, having been bought at Sotheby's, 23rd July 1964, lot 126, for £75.00清康熙 三彩观音像拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏，其于1964年7月29日以125英镑购自英国著名古董商Bluett & Sons，并 于其家族档案中标号A33，同年7月23日由苏富比释出，拍品编号126号Condition Report: right hand restored, chips to all fingers of left hand and loss above hand on wrist area, losses to ribbons on robe and other losses, base with 2.5cm chip on lower right side, hair crack to back and other small chips and loss of black enamel to hair knot Condition Report Disclaimer
Los 73
A Cantonese enamel dish of Wang Zhao Jun, Yongzheng (1723-1735), the base with a finger citrus, with Radcliffe collection label 'K2', 30cm diameter, wood standProvenance: Major Edward Copleston Radcliffe (1898-1967) and by family descent. Listed in the family archive as 'K2' purchased from 'Collier 1931', for £1-10s-0d清雍正 铜胎画珐琅昭君出塞图盘拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族档案标号K2），1931年以1.1英镑购自CollierCondition Report: some enamel loss and dented and with cracks Condition Report Disclaimer
Los 153
A Chinese rectangular 'bookcase' cloisonné enamel box with hinged cover, Qianlong, finely worked in the form of a book, all raised on a staged pedestal, decorated with key fret pattern reserved on a turquoise ground, with later added lock and hinge adapted for modern use, 16.5cm x 9.8cm x 4.8cm See a similar cloisonné box at the Palace Museum, Beijing, illustrated in Yongle wen yuan - exhibition of qing court scholar art, Macao Art Museum, 2007, pp 259 清乾隆 掐丝珐琅书卷式盒Condition Report: with later added hinge and later applied gilding to the interiorthe base possibly a replacementwear and minor loss to the enamelCondition Report Disclaimer
Los 156
A rare Cantonese enamel Inkstand, Qianlong, painted in brightly coloured enamels, the pen box with hinged lid and painted with a man flying a kite, the separately modelled inkwells with scrolling foliage, all supported on four circular feet, 21.5cm diameter x 13.5cm deep x 6cm high 清乾隆 铜胎画珐琅人物花卉纹墨水盒Condition Report: generally in very presentable condition but with some stress cracks and minor losses Condition Report Disclaimer
Los 160
A Chinese enamelled Yixing teapot, Qianlong, of square section with C-shaped handle, the body finely decorated with four oval panels of peonies in gilding amongst enamelled flowering branches, the base impressed with the four-character pan qian rong zhi mark, 15.5cm high清乾隆 紫砂珐琅彩花卉纹壶Condition Report: the spout is a later silver replacement.The cover with one damaged section of 3cm x 1.5cm and glued, and one firing crackwear to the enamel and gildingCondition Report Disclaimer
Los 269
An attractive pair of Chinese ormolu mounted biscuit porcelain parrot candelabra, the porcelain Kangxi (1662-1722), the parrots glazed in turquoise and aubergine and the mounts finely cast with tied acanthus leaves to the rear of the bases and with chiselled oval bases supported on four feet, with spiral branches supporting flower scones, the mounts French, Louis XVI, second half 18th century, overall height 29cm and the parrots each approximately 21cm high (2)Provenance: Asher Wertheimer (1844-1918), a leading art dealer in London Ferdinand Joseph Conway Wertheimer by descent circa 1925 Mrs Joan Young Conway, wife of the above, by descent, 1953 By descent through the family 清康熙 三彩鹦鹉一对 拍品来源：伦敦著名古董商Asher Wertheimer (1844-1918)，后由家族继承 Condition Report: one parrot broken in several places and with old glued repairs and while most pieces present some small filled repairs please see images for detailed reference to conditionthe other parrot with some loss of black enamel and old repair to tip of beak some overall wear to gilding commensurate with ageCondition Report Disclaimer
Los 273
A rare Chinese Famille Verte square dish, early Kangxi, circa 1680, the shallow sides rising to flat rims and resting on low, wide conforming foot, the interior decorated with a butterfly and grasshopper above pierced rockwork, large leaves and flowering plants, the exteriors with various floral sprays, the base with a four-character mark of Yu Hai Tang zhi, 'Made for the Hall of the Jade Sea' in black enamel within a double square, 13.2cm squareCompare with a similar example illustrated, Michael Beurdeley and Guy Raindre, 1987, Qing Porcelain, p.83, pg.84, and two related trays painted with insects, rockwork and flowering plants illustrated by John Ayers, Chinese Ceramics in the Baur Collection, 2, nos. 153, 154, collection no. (A549,550), p. 29Provenance: Property of a Gentleman. His father purchased the dish from Sydney L. Moss Ltd for £150.清康熙 素三彩"玉海堂制"款草虫图方盘拍品来源：英国私人收藏，其父亲以150英镑购自英国著名古董商Sydney L. Moss Condition Report: a few areas of retouches to the rim, two corners restoredCondition Report Disclaimer
Los 277
A Chinese Wucai 'Eight Immortals' bowl, Kangxi, the exterior painted with the Eight Immortals traversing to greet Shoulao, the interior with a Fo mark in green enamel, the base with underglaze blue six-character qishi baoding zhizhen mark within double circle, 14.3 cm diameter Provenance: Formerly in a private Swedish Collection 清康熙 "奇石宝鼎之珍"款五彩八仙图碗拍品来源：瑞典私人收藏Condition Report: 6cm hair crack running and small chip filled where crack starts on rimfurther minor rim frits and some scathing to interior Condition Report Disclaimer
Los 281
A large Chinese Armorial dish, the porcelain Kangxi, decorated with blue enamel foliage and flower heads and also with pale white and pale lilac flowers highlighted in black, iron-red details and gilding, 46.5cm diameter Provenance:The Wodehouse, Wombourne, Staffordshire.清康熙 外销粉彩家族纹章大盘拍品来源： 英国斯塔福德郡乡村大宅（The Wodehouse） Condition Report: some wear and scathes to enamel and gilding the rim with several chips but mostly on underside largest approximately 3.5cm x 5mm smaller also some chips latest 1.5cm x 5mm and smaller to unglazed foot see additional images for visual reference to condition decoration possibly European or later Condition Report Disclaimer
Los 286
A Chinese famille rose square vase, 19th century, with everted rim and the body painted with a continuous riverscape scene, under the rim inscribed in ink with names of five different scenic sites in Jiangxi Provence, 37cm high, with wooden base清19世纪 粉彩江西十景图方瓶Condition Report: the vase with minor wear to the enamel and the foot with a shallow chip of 2.5cm, star crack to the interiorCondition Report Disclaimer
Los 536
AN RAF SWEETHEART BROOCH, WHICH BELONGED TO LADY ESSY GORDON JANE MITCHELL just under 9cm in length, with diamonds, approximately combined 1.5 carats and enamel, the gold reverse is unmarked but is likely 18ctLady Essy Gordon Jane Mitchell was the wife of Air Chief Marshal Sir William Gore Sutherland.
Los 593
A GENTLEMAN'S SILVER TRENCH WATCH with manual wind movement, the white enamel dial with black Roman numerals and dark blue steel hands, with a leather strap; and two other gentleman's trench watches, one inscribed to the case back "A memento to 70th Battalion Fusiliers active service 1915 S.S80 N. Timbers" (3)
Los 546
FRENCH BRASS REPEATER CARRIAGE CLOCK LATE 19TH CENTURY the gilt dial with cream enamel chapter ring with black Arabic numerals, anglaise riche case of typical form with Corinthian columns and bevelled glass panels, the twin train brass movement with silvered platform escapement, striking to a coiled steel gongDimensions:11cm wide, 21cm high [handle up], 9.5cm deepProvenance:Provenance: Private Scottish Collection, Morayshire
Los 399
LATE VICTORIAN GILT METAL MOUNTED OAK BRACKET CLOCK LATE 19TH CENTURY the circular dial with a cream enamel chapter ring with Arabic numerals and a pierced brass centre, signed 'Manoah Rhodes & Sons Ltd, Bradford', the oak case with a caddy top mounted with Orientalist style gilt metal mounts, on bracket feet, the French twin-train brass movement by Vincenti et Cie stamped '23196', striking a gong, with matching number pendulumDimensions:27cm wide, 44cm high, 21.5cm deep
Los 199
MASON'S IRONSTONE PART DINNER SERVICE EARLY 19TH CENTURY with underglaze blue and overglaze ochre enamel decoration depicting a vase issuing flowers and foliage; comprising: twenty dinner plates, ten soup bowls, a meat drainer, five graduated ashets, a hexagonal twin handled soup tureen and cover, and three hexagonal low tureens and covers; impressed MASON'S PATENT IRON STONE CHINA, some with blue printed markDimensions:largest ashet 47cm long, plates 24cm diam, bowls 24cm diam, tureen 31cm high
Los 551
FRENCH ENAMEL CHEROOT BOX LATE 19TH CENTURY of rectangular form, the hinged cover and sides with scenes of ladies and gentlemen smoking and drinking, the interior and base painted with further smoking theme vignettes, with silver gilt mounts inscribed 'Gratty From Bunny . Novr . 1883', and retailer's inscription 'Paris 23 Bt des Capucines JONES & 41 St James's St . London', 16.5cm wide, 5.5cm high, 8.5cm deep; together with a CONTINENTAL PORCELAIN BOX, the hinged cover painted with an equestrian scene, the sides with various vignettes alternating with floral garlands, within metal mounts, underglaze blue, 7.3cm wide, 4.8cm high; and a BATTERSEA ENAMEL PILL BOX, the cover painted with a quayside scene within a scrolling cartouche on a pink ground, the sides with floral and diaper panels, the base with a gilt diaper design, within a metal mountDimensions:5.5cm wide, 3cm high, 4.3cm deep
Los 548
Y THREE PORTRAIT MINIATURES LATE 19TH CENTURY all watercolour on ivory, the first circular, depicting a gentleman seated in a library wearing a powdered queue, black coat and white cravat, spuriously signed 'Isabey' and dated1802, in a silvered brass frame with suspension loop; and a pair of oval portraits of an 18th century nobleman and lady, in gilt metal frames with blue enamel borders mounted with paste jewels, signed 'Hoffmann' Dimensions:largest 8.5cm diameter excluding frameNote: Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration submission Reference 30392417779Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 593
LOUIS VUITTON STEAM TRUNK CIRCA 1890 Damier canvas exterior, with black enamel handles, catches and a square brass lock, black enamel edging and brass studded wooden battens, roller wheels to underside, opening to pink double striped paper and cloth interior with two levels of lift out trays, the lid with pink grosgrain ribbon studded star lozenge, a paper label to the back 'Louis Vuitton, London 454, Strand, Paris 1 Rue Scribe 1' with handwritten black ink number '30824' Dimensions:91cm wide, 50cm high, 50cm deep
Los 359
ENGLISH BRASS CARRIAGE CLOCK BY HALL & CO, MANCHESTER LATE 19TH CENTURY the signed white enamel dial with black Roman numerals, plain gorge case with swing handle and bevelled glass panels, the twin train brass movement with silvered platform escapement, striking the full and half hours to a bellDimensions:9.5cm wide, 17cm high (including handle), 8cm deepProvenance:Provenance: Private Scottish Collection, Morayshire
Los 355
Y COLLECTION OF VARIOUS MINIATURE SILVER MOUNTED SCENT BOTTLES 19TH CENTURY AND LATER comprising three silver cylindrical examples, all with hinged covers and internal stoppers, with chased foliate or scroll decoration, one also incised with monogramed initials, two hallmarked for Birmingham, one for London; a cylindrical glass scent bottle with a white metal stopper and encased within a pierced silver body, marks rubbed; a white metal Japanese bottle, the body with chrysanthemums and irises with enamel details, two suspension rings; a bullet shaped scent bottle, the plain glass body with a white metal cover with chased floral and scroll designs; a feather-shaped white metal bottle with hinged cover, the body with chased scrolling decoration; a cut glass cylindrical bottle, with a silver cover inscribed 'Xmas 1911', 'Undine', Birmingham, maker J.G & S, 1910; a cylindrical jadeite bottle with a silver lid, hallmarks rubbed; together with an early 19th century TORTOISESHELL AND SILVER INLAID NEEDLE HOLDER AND A BRASS SEAL WITH CYLINDRICAL GLASS HANDLEDimensions:largest bottle 7.6cm long, smallest bottle 4.5cm long, seal 8.5cm longProvenance:Provenance: Private Scottish Collection, MorayshireNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 528
Y FRENCH RED TORTOISESHELL AND BOULLE MARQUETRY BRACKET CLOCK LATE 19TH CENTURY the gilt metal relief dial with enamel cartouches and black Roman numerals and engraved Arabic five minute markers, in a waisted Boulle inlaid case surmounted by a seated figure of a putto, the case door with a figure of a putto and basket of flowers, raised on foliate scroll feet, the twin train movement stamped 'J Marti & Cie', numbered '41485' and striking to a bell, with a matching number sunburst pendulumDimensions:31cm wide, 60cm high, 17cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 300
* King Juan Carlos I (1938-). King of Spain, 1975-2014 & Queen Sofía of Spain (1938-). A Cartier Santos quartz alarm clock, gilt metal and steel with black enamel details on a white face, the back with engraved presentation inscription for 'Xmas 1980' with engraved signatures of 'Juanito' and 'Sophie', 9.5 x 7.5 cm, folding desk stand, contained in original gilt-decorated red leather case, 12 x 11 x 5 cm overallQTY: (1)NOTE:This was a gift to Constantine II (1940-2023), the last King of Greece and Sofía's brother.
Los 134
A continental quarter repeater keyless wind full hunter chronograph pocket watch, unsigned white enamel dial with Roman numerals and outer minute track, two subsidiary dials, blued hands, jewelled movement numbered 31798 below a Swiss cross, gold filled case with stop/start button at 4 o'clock and chime button at 11/12 o'clock, case diam. 55mm. Condition - ticking briefly when wound, centre stop/start not working, chime button working, winding/advancing ok, generally wear to case including loss of gold plating to inner case.
Los 17
A 9ct gold Waltham full hunter pocket watch, signed enamel dial with Roman numerals with seconds subsidiary, 50mm case with 9ct gold import marks, gross wt. 82.7g. Condition - ticking when wound, advancing fine, time keeping not tested, bow bent, general wear including lights dings and scratches to case, glass replaced with plastic, outer cases a little thin, general wear throughout.
Los 153
An early 19th Century Chinese Bencharong tazza made for the Thai market during the Rama II period (1809-1824. The porcelain tazza decorated in the Thai taste with enamel decoration depicting floral motifs and lotus set panels. The tazza with Famille Verte ground and Famille Rose detailing. The tazza having a scalloped / serpentine edge with central botanical motif to the recess of the bowl. The bowl raised on footed pedestal base. Some visible chips to rim. A near identical example can be found in the Art Gallery NSW. Measures approx; 12cm x 5cm.
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396323 Los(e)/Seite