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396323 Los(e)/Seite
George VI Royal Marines Officers Dress Helmet Attributed to Major J Lampen RM, standard pattern white dress helmet having kings crown officers headdress badge to the centre with blue enamel centre backing. Brass ball top and linked officers chin chains. Interior with officers pattern lining. Housed in metal storage tin with painted name details to the lid. Some wear and staining.
WW2 ARP Air Raid Wardens Post Enamel Building Plaque, rectangular green enamel plaque with white ARP emblem to centre and “AIR RAID WARDENS’ POST”. Four drill holes to the plaque. Measures 30 ½ x 9cms. Accompanied by a smaller yellow enamel plaque with “ARP WARDEN” to the centre, measures 12 ½ x 9cms. First with some rusting and enamel damage. (2 items)
Selection of Post WW1 Old Comrades Association Regimental Lapel Badges, including brass and enamel 9th Lancers; brass and enamel The Suffolk Regiment; brass and enamel North Somerset Yeomanry; silver and enamel Warwickshire Yeomanry; brass and enamel 4th Queens Own Hussars RA; Royal Irish Comrades of the Great War brass and enamel lapel; brass and enamel 13th / 18th Hussars; brass and enamel Sussex Yeomanry lapel badge; brass and enamel 13th Hussars; brass and enamel The Royal Dragoons; brass and enamel Royal Horse Artillery; silver and enamel 4th / 7th Royal Dragoon Guards; silver and enamel Somerset Light Infantry. All generally good condition. (13 items)
4x WW1 On War Service / Home Front Enamel Badges, consisting of Engaged in the Manufacture of Munitions of War Charles Manson & Sons (enamel damaged), London County Council London Fire Brigade, Bournemouth & Poole Electricity Supply Co Ltd On Public Service and Latch & Batchelor Ltd Hay Mills 1915 On War Service. Various conditions. (4 items)
11x Special Constabulary Badges, consisting of early WW1 type gilt and enamel County Borough of Wigan Special Constable numbered “541” to the reverse and made by Fattorini & Son; early type gilt and enamel Borough of Guildford Special Constable lapel badge by Fattorini & Sons; gilt and enamel Cardiff City Special Constabulary; brass and enamel City of Exeter Special Constable (missing pin from reverse); bronze Norfolk Constabulary Special Constable badge; white metal Oxfordshire Special Constable lapel badge numbered “977” to the reverse; Bury St Edmunds Special Constabulary cap badge with two lug fittings to the reverse; brass City of London Special Constable cap badge with slider fitting; chrome Glamorgan Special Constable badge (damaged fitting to reverse); bronze and enamel East Sussex Police Reserve lapel badge; Special Constable Patrol lapel badge with fitting to the reverse. (11 items)
41x Regimental Sweetheart Brooches, fine selection, various periods, including gold framed Royal Flying Corps, gold and tortoise shell Durham Light Infantry, mother of pearl Royal Naval Air Service, various examples on mother of pearl backing and other brass and enamel, etc. All mounted onto a display board.
A smoky quartz dress ring, the oval brilliant cut stone 12mm x 10mm, four claw set, with tapered shoulders terminating in a three leaf design, pierced gallery, in a 9 carat yellow gold shank, ring size N, with certificate, an orange stone dress ring, the stone 13.5mm x 10mm, four claw set, wide shoulders with two rows of eight yellow stones separated by a snakeskin effect enamel panel, in 9 carat white gold, ring size N, and a pale blue and purple stone dress ring, indistinct marks, ring size O. (Qty: 3)
A rare Staffordshire enamel tape measure c.1770, the cylindrical form painted with flowers on a pink ground, wound with a dark green ribbon measure, an enamel model of a bureau with hinged cover, painted with panels of birds and flowers on a pink ground, and an enamel model of a hat painted with flowers, a repair to the bureau, 6.5cm max. (3)
Three enamel snuff boxes 2nd half 18th century, including Bilston and south Staffordshire, one painted with polychrome flowers on a chevron-moulded green ground, with gilt metal mounts, another gilded with scenes of lovers on a green ground, the last decorated with flowers on a blue and white linen or gingham ground. a later rectangular box painted with panels of putti, and a south Staffordshire cylindrical pot and cover with panels of flowers reserved on a blue ground, some damages, 9.5cm max. (6)
A group of bonbonnières and patch boxes modern, including three porcelain fruit boxes, a strawberry-shaped porcelain scent bottle, three Halcyon Days patch boxes, three other patch boxes, three enamel egg-shaped boxes, two enamel wine labels for 'Hamman Bouquet' and 'Sherry' and a resin surprise apple-shaped box, 6.5cm max. (16)
Two English enamel ιtuis or bodkin cases c.1760-80, of cylindrical form, one painted with small figures in landscape scenes within white enamel scroll borders reserved on a dark blue ground, the other painted with flowers around a scroll inscribed 'Gage d'amitie Sincere', the latter restored, 12.2cm max. (2)
Six English enamel gaming baskets c.1770-80, three of shaped quatrefoil form, the interiors painted with playing cards and flower sprays on pink and yellow grounds, a large basket of similar form, painted with cards, a bank note and coins on a white ground, and two smaller oval baskets, painted with playing cards, the other with a panel of figures before ruins, the rims variously reticulated, some damages and losses, 13cm max. (6)
A rare English enamel ballooning-subject patch box c.1785, the oval form printed and coloured with two figures in a boat-shaped basket suspended from a globe-shaped balloon, around a banner inscribed 'Stat Sine Mort Decus', the sides with stylized vertical leaf motifs, some restoration, 5.5cm. The ballooning scene depicted on this box is probably that of Dr John Jeffries and Jean-Pierre Blanchard crossing the English Channel from Dover to Calais on 7th January 1785.
Five English enamel snuff boxes 2nd half 18th century, one circular and painted with a couple in exotic dress, two smaller circular boxes painted with figures beside Classical ruins, an oval box decorated with a chinoiserie landscape, and a smaller oval box painted with figures in a landscape within a green zigzag border, some damages and repairs, 9cm max. (5)
Two Staffordshire enamel bonbonnières c.1760-80, one shaped as a heeled shoe and painted with floral panels on a pale blue ground, the other shaped as an egg with landscape panels on a pink ground, two enamel door or furniture handles, one printed in black with buildings, the other painted with a polychrome flower spray, and an enamel watch face painted with a Classical figure beside a vase, mounted as a sprung box, some enamel losses, 9.5cm max. (5)
Eight Chinese porcelain plates and dishes most Qianlong 1736-95, including two small bowls painted in famille rose enamels with peach sprays, an octagonal soup plate painted with peacocks, a saucer dish painted with cockerels and peony, a plate painted with flowering peony, a pair of Chinese Imari soup plates painted with landscape panels within panelled borders, and a yellow ground small bowl incised and decorated with green dragons chasing flaming pearls, six character Kangxi mark but later, and a Canton enamel mug painted with figures in a garden, some damages and repairs, 23.2cm max. (9)
A pair of Staffordshire enamel candlesticks 2nd half 18th century, the knopped shapes sparsely painted with polychrome flower sprays, and a third painted with landscape panels on a white ground, and an enamel inkstand, probably French, the rectangular form boldly painted with colourful flower sprays, edged in gilt metal and set with two later cylindrical enamel inkwells and a porcelain candlestick, some damages and restorations, 24cm max. (10)
Nine English enamel tripod salts late 18th century, including three pairs, the circular bodies variously decorated with flower sprays and panels of landscapes and further flowers variously reserved on pink, blue, white and green grounds, all raised on three small feet, some damages and repairs, 7.5cm max. (9)
A south Staffordshire snuff box c.1760-80, the lid painted with figures on and beside a meandering river, within raised enamel scrolls on a white textured ground, an oval snuff box painted with similar panels of figures in landscapes, and a small ιtui or needle case with similar decoration, some cracking and losses, 8.8cm max. (3)
A Paris porcelain (Clignancourt) armorial plate late 18th/early 19th century, painted with the crest and shield of the Ainslie family above the motto 'Pro Rege et Patria', within a floral garland border, stencilled red monogram, and a Paris porcelain tray, painted in sepia camaieu with two putti within a scrolled panel, the rim with rabbits amidst gilt and enamel scrollwork and leaf borders, blue crossed arrows mark possibly for La Courtille, some rim sections restuck, 31.5cm max. (2)
Three English enamel patch boxes c.1760-70, one painted with a portrait of a lady, possibly the actress Nancy Dawson, another printed in black with a girl holding a dog, with a later metal base, the last of waisted cylindrical form, the top applied with a later small Continental plaque, and a rectangular snuff box, painted to the interior lid with a half length portrait of a lady in a blue dress and cloak, the exterior with panels of flowers, some damages and repairs, 8.2cm max. (4)
A small rectangular enamel plaque late 18th/19th century, painted with a portrait of a lady with ringlets, wearing a low cut dress, in a deep giltwood frame, and a small Continental porcelain plaque of a lady wearing a white dress and wrapping a gauzy black scarf around her head, in a velvet and gilt metal frame, 22.3cm overall max. (2)
A Sèvres jewelled can and saucer (gobelet litron et soucoupe) date code for 1773, decorated possibly in the 19th century, the can with a hexagonal enamel panel of a young girl, the saucer with a shaped panel of lovers, within elaborate jewelled borders in red, turquoise, blue and gilt, blue interlaced Ls to the can, the saucer with puce crowned interlaced Ls and the painter's mark for Louis-François Lécot, some jewelling retouched, 14.7cm. (2) Provenance: purchased from John Whitehead, 10th October 1990. Cf. The J. Paul Getty Museum, Accession No. 81.DE.28 for a similar example on a black ground.
A south Staffordshire enamel oval patch or small snuff box c.1770, the oval form decorated with floral motifs in raised gilt and enamels on a pink linen or gingham ground, a circular snuff box painted with figures in a boat on a river, and another with raised flowers, both reserved on puce linen or gingham grounds, some restoration, 6.4cm max. (3)
Three Sèvres cups c.1763-87, one a gobelet couvert painted with a young couple reclining beneath trees, after François Boucher, another painted by Etienne-Jean Chabry with flower sprigs either side of a bleu nouveau band with a formal gilt design, the last with pink and blue flower sprigs on a puce band, with a Sèvres sucrier (pot à sucre Hébert), painted by Pierre-Antoine Méreaud with flower wreaths linked by gilt scrolls beside trellis panels of gilt and white enamel on a blue ground, varying interlaced Ls marks, 6.8cm max. (4)
λ A group of four painted brooches in metal frames, on enamel and ivory, two depicting lovers, one a Classical maiden, and one a portrait. Together with a miscellaneous collection of other items, including a painted glass roundel of a shepherd in a landscape, in an alabaster frame; an 18th century hand coloured print depicting a scene from The Babes in the Wood; a late 18th century hand-coloured print of a christening; a cast metal plaque of the Virgin and Child enthroned; a cast metal roundel of Napoleon in profile; and other items. (14)
Three English enamel scent bottle holders c.1760-80, of flattened rectangular form, one painted with panels of flowers reserved on a pink gingham or linen ground, another with baskets or vases of flowers on a white ground, the last with a geometric gilt and blue design on a pink ground, the first two enclosing a glass scent bottle and stopper, some restorations, 6cm max. (3)
A group of seven miniature paintings on enamel and porcelain, including a depiction of a flower girl, inscribed John Simpson Stoke July 1840 to verso; a still life of flowers on a ledge; a Meissen plaque with a landscape including a country house; lovers in a landscape; and three portraits of young girls; one unframed. (7)
A Sèvres two-handled cup with cover and stand (gobelet à lait et soucoupe) c.1769, painted probably by Jean-Charles Sioux l'aîné in overglaze blue enamel with flower garlands above feathered, gilt floral and blue oeil de perdrix rims, the cover with an open floral finial, crowned blue interlaced Ls mark, 18.5cm. (3) Cf. Gardiner Museum, Object number G96.5.111a-b for a cup and trembleuse saucer with similar decoration.
Four enamel plaques or box lids 18th/19th century, one rectangular and painted with a portrait of the actress Peg Woffington, wearing a bonnet, framed, a pβte sur pβte plaque of a maiden and two putti teasing a satyr, signed 'L Mercier', a small circular plaque of a woman holding a riding crop, and a Continental plaque of the Penitent Magdalen, signed Gido, some faults, 9.3cm max. (4)
A collection of 18th and 19th century gilt-metal items, comprising: an ιtui case, c.1760, shaped baluster form, chased with figures and foliate scroll decoration, lacking contents, plus a buckle with enamel decoration, a gilt metal mounted glass egg, a Palais Royal aide memoire with a pencil, the mother-of-pearl panels inscribed 'SOUVENIR', two vinaigrettes, one of watch form, the other of rectangular form, plus a mother-of-pearl toothpick box of rectangular form. (7)
Two Sèvres cups and saucers (tasses etrusque et soucoupes) c.1794-99, one painted with berried leaf sprays and foliate scrolls between yellow panels and Classical vases within purple bands, the other painted by Hirel de Choisy with polychrome enamel scrolls and garlands around Revolutionary symbols on a bright yellow band enclosing a maroon ground with gilt dots, blue script Sèvres marks, RF monograms, some wear, the revolutionary symbols erased and replaced, 13.3cm. (4)
A 1940s ladies leather travelling vanity case containing silver mounted and guilloche enamel fittings, the brown leatherette finished case with brass mounts, stamped 'G. S. A.' with an exterior fabric cover, 49cm x 36cm, the hinged lid opening to reveal a silk lined interior containing a blue enamel mirror, two hairbrushes, two clothes brushes and a receptacles jar, together with a pink enamel manicure set, two perfume bottles, and circular and rectangular receptacles jars
A Chinese ginger jar and cover, probably late Qing dynasty, with over glaze enamel decoration, the lower border with lotus panels framing auspicious objects, the upper section with diamond diaper border, the centre with well executed painting of figures, possibly one of the Qing Emperors, accompanied by an attendant, meeting a modest figure who stands beside an elephant, height 20cm, together with an accompanying stand, appears in good condition with no noticeable cracks or chips, or restoration. Please see the additional images.

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396323 Los(e)/Seite