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Preisdatenbank abonnierenA documentary Vienna oval tray, circa 1800-12, painted by Alois Helmuller, signed, with a landscape scene of peasants and a horseman by a river, with sheep and cattle in the middle distance and mountains in the background, the polished gilt rim with tooled formal borders and a black enamel line border, faint shield mark in underglaze-blue, impressed P and indistinct date code 8..., 42cm., 16.5in.
A Vienna cabinet plate, the porcelain circa 1827, the decoration later, painted with a titled scene depicting `L'ORIGINE DELLA PITTIRA.', as a young woman seated on the knee of a young man, each wearing classical robes and she holding a paintbrush aloft, the light of an oil lamp casting shadows on the wall behind them, the rim with panels of grisaille masks alternating with panels of grotesques against green and brown-ground borders embellished with gilt scrollwork, C.H. monogram in gilding to painted scene, script title in red to reverse, shield mark in underglaze-blue, impressed 827 and 6, 63 in puce enamel, 24.2cm., 9.5in., some minor flaking to enamels on her robe.
A Royal Copenhagen `Flora Danica' part table service, late 19th-early 20th century, each piece finely painted with a named botanical specimen below pink-ground pearl borders within gilt-edged serrated rims, comprising: a large oval bowl and domed cover, the entwined branch handle with flower terminals, Cytisus Laburnum.L., 40cm., 15.75 in., a circular bowl and domed cover, Leontoden autumnalis.L., 23.7cm., 9.25 in., a large oval dish, Trapa nalans.L., 52.2cm., 20.5 in., a circular dish, Corydalis cava.L., 35.5cm., 14in., a medium oval dish, Solanum miniatum Bernh., 37.5cm., 14.75 in., a shaped rectangular dish, Papaver Argemone.L., 29.8cm., 11.75 in., a shaped triangular dish, Oxalis Stricta.L., 28.3cm., 11.125 in., two small shaped triangular dishes, Cirsium acaule.All. and Oxalis corniculata.L., 21.3., 8.375 in., an oval dish with entwined branch handle, Viola Silvatica.Fr., 24.2cm., 9.5 in., two leaf-shaped dishes with handles, Pingvicola vulgaris.L. and Primula farinosa.L., 21.2cm., 8.375 in. and four later circular individual butter dishes, 7.7cm., 3in., wave marks in blue, script titles in black, some with Royal Copenhagen and crown marks printed in green, various numerals and painter's mark in green enamel, impressed numerals, a few minor rim chips, (18).
A composite Anstice, Horton and Rose Coalport part tea and coffee service, circa 1805-10, decorated in orange enamel and gilt with cornucopia flanking trellis panels sprouting foliate scrollwork between banding beneath a simple gilt foliate band, comprising: a teapot with bridge spout, cover and stand, a sucrier and cover with lion-head end handles, a slop basin, nine teacups, six coffee cans, sixteen saucers and a cake plate, gilt pattern number 427, teapot cover riveted, minor damage and wear, (38).
A pair of English porcelain rectangular portrait plaques of Joseph Moore, dated 1825, painted by William Corden, each seated before red drapery, inscribed on reverse, `Joseph Moore A.M MD, painted by W.Corden, 51 Oxford St., April 1825' and ` Joseph Moore Esq., Plymouth, aged 72 years, April 1825, painted by W.Corden, 51, Oxford Street., 15 by 12.75cm., 6 by 5in., framed, small area of enamel flaking to one, (2).
An enamel snuff box, Birmingham, circa 1755-1760, rectangular, the lid painted with five small vignettes of waterside buildings and ruins within raised gilt scrolls and flowers, the sides and base with bianco-sopra-bianco diaper and gilt dot panels within further raised gilt scrolling, gilt-metal mounts, width 8.5cm, 3.375in.
Two English enamel scent bottles, Staffordshire, circa 1770, each of flask form, the first painted with ruin subjects on a pink ground with raised white ornament, later chained gilt-metal bird stopper, 8.5cm, 3.375 in; the second scattered with gilt and polychrome flowers, later chained gilt-metal bird stopper, 8.8cm, 3.5 in, (2).
Three silver nutmeg graters, Joseph Willmore, Birmingham, 1821, Phipps & Robinson, London, 1808 and maker's mark only TW, circa 1800, first oval with wrigglework decoration; second plain oblong with stag crest; third oval with initials and bright-cut decoration; and two Staffordshire enamel examples, one with inscription Trifles Show Respect, other painted with flowers, circa 1770.
19th Century French Mantel Clock, the enamel dial inscribed "Le Roy a Paris" and with Roman numerals, thirty-day movement, chiming on a bell and contained within a rosewood and satinwood inlaid case, the top with cast brass carrying handle and glazed panel, front and sides decorated with vases and leafy scrolls, on plain feet.
Johann Sachs, Wien, a Viennese and French enamelled table watch, early to mid 19th Century, the oval case with champleve enamelled dial with Roman numerals, opening to figural enamelled interior with detached signed fusee movement supported over a figure emblematic of Asia over a domed base, figural enamelled vignettes bordered in black enamel and raised on three winged mask feet (one deficient), 6.5ins
A George III ormolu quarter chiming and repeating table clock, by J.H.Borrell, London, surmounted by waterfall automaton feature, clock with enamel dial, twin-fusee movement, further fusee and chain powers musical and automaton work, engraved backplate, on scroll supports with gridiron pendulum, rotating on giltwood plinth, 25ins high
A George III gold and enamel triple case pocket watch, with reverse glazed green fish skin applied gilt metal outer case, enamelled mid case with raised diamond inscription 'Remembrance' on a blue ground, and plain inner case with enamelled Arabic dial and pierced gold hands, verge movement signed James Green, London, no. 6708, hallmarked London 1794
Earl Wellington: an unusual pearlware jug moulded with a half length military profile looking to dexter within a horse shoe cartouche impressed with the name Earl Wellington below, flanked by moulded vignettes of fruits and foliage, well painted in coloured enamels and lined in silver lustre, circa 1812, 120mm high, some enamel flaking, minor star crack
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