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396323 Los(e)/Seite
Howell James & Co of London, a French gilt brass carriage clock, the white enamel dial with Arabic numerals, lever escapement, presentation inscription to the base dated 1887, 17cm tall to top of handle. Key present. Balance Swiss but doesn't run. Chimes the hours on thirty minute mark. Attention required.
Antique blue glass casket with applied enamel and gilt decoration in the manner of Moser of the Czech Republic, 14cm tall. Some scratches and rubbing to gilded lid. Gilding bare to feet and mounts. Lid doesn't close tightly.Casket appears free from chips and cracks.Hinged top sits slightly open
A collection of porcelain and enamel boxes including Limoges, second half 20th century, including two novelty Limoges boxes, one in the form of a fedora, the other a basket of forget-me-nots; a silver mounted cobalt blue porcelain oval box by Dubarry of Limoges; five other Limoges boxes and a basket; a Spode Stafford Flowers lidded dish; two enamel boxes by Crummles and Staffordshire enamels; and one other. (13) * Condition: All in good condition, with no faults.
A French brass architectural mantel clock 19th century, the white Roman enamel dial fronting a two-train movement with outside countwheel strike on a bell, stamped 'H.L.F.' and with Japy Fils exhibition mark, numbered 1120, the case with flaming urn and vine fruit finials to the pagoda top, turned columns and flared plinth base, 15in. (38cm.) high. * Condition: Winds and runs. Strikes correctly. Hairlines to dial. Gilt to case worn throughout. Decorated scrollwork panel below dial heavily worn, with only a trace of design remaining.
A late 19th century French brass mantel clock, with Japy Freres bell strike movement, no. 21718, retailer's mark for Miller & Sons and 'CAF', the gilt dial with husk rosette decoration and enamel Roman numeral inserts, the ornate balloon case with pineapple finial, grotesque masks, shells and gadrooned borders, on ornate bracket feet, 14½in. (36.8cm.) high. * Condition: Winds and runs, strikes correctly. Gilt wear throughout. Enamel numerals all in good condition.Small chip to edge of bevelled glass.
A French gilt brass carriage clock, early 20th century, the twin train movement striking the hours and half hours on a gong, signed by the maker Richard & Co. of Paris, white Roman enamel dial, corniche case, 5¼in. (13.3cm.) high plus handle, with original maroon morocco travel case and key. * Condition: Winds and runs. Strikes correctly. Some patches of tarnish and spotting to case. Morocco case worn and lacks handle.
A 20th century Baume & Mercier marine chronometer, with quartz movement, 3in. white Roman enamel dial with blued steel hands, in an octagonal, brass bound mahogany case, with gilt brass handles and fittings, 5 7/8in. (14.9cm.) x 5 7/8 (14.9cm.) x 4 7/8in. (12.4cm.).* Provenance: The Arthur Frank Collection. * Condition: Not currently running - battery probably requires replacement. Some tarnishing to brass hinge and the lacquer to the back right corner of the lid has two large flakes missing. Some lifting to lacquer to the other corners of the lid. Three small scratches to back edge of the lid.
A French gilt brass carriage clock by Duverdry & Bloquel, the single train movement with lion trademark, in a corniche case, white Roman enamel dial, in original morocco case with key, 5½in. (14cm). high, handle up. * Condition: Box very worn with many losses to outer leather covering. Clock winds and runs. Top right corner of dial has several small hairline cracks.
A French miniature gilt brass carriage timepiece, late 19th century, the ornate column case with applied ovolo masks to the frieze and apron, the pale green Roman enamel dial centered by a gilt rosette, with single train movement, 4 7/8in. (12.3cm.) high, handle up, with key. * Condition: Winds and runs. Good condition, with no faults.
A French oval gilt brass carriage timepiece by Duverdrey & Bloquel, 19th century, the white Roman enamel dial within a matted gilt mask, standing on four turned feet, the single train movement signed with the lion trademark, 6in. (15.2cm.) high, handle up, with key.* Provenance: Robin Fowler (Period Clocks), Aylesby, Grimsby * Condition: Good condition overall. Winds and runs. Dial has a small spot of glue residue to the lower centre edge. The handle is slightly distorted with a slightly uneven finish to the metal on this side, so may have been cracked and well restored at some stage. Two small chips to lower edge to left side glass and one tiny chip to lower left corner of movement door.
A fine William IV Ottoman style amboyna and ormolu English double fusee domed bracket or table clock, by Payne & Co. of 163 New Bond Street, London, circa 1830, the amboyna case with high domed top, profusely decorated with ormolu mounts, standing on ormolu double scroll feet to each of the outset corners, the arched sides and movement door with silk grilles behind ormolu masks, the gilt brass arched dial finely chased with leafy scrolls, with signed Roman chapter ring and Strike-Silent dial to the arch, fronting a restored double fusee movement striking the hours and half hours on a gong, with pull repeat, 16in. (40.7cm.) high.* Provenance: W. F. Turk, Fine Antique Clocks, Wimbledon Chase, London, c.1999 * Condition: Winds, runs and strikes correctly. In good condition overall. Movement very clean and has clearly been professionally cleaned and restored at some time. Minor veneer chips around key holes to sides. Locks original and functioning correctly. Some gilt wear to ormolu throughout. Dial very good, with a few tiny flakes to enamel on numerals and small scratch to centre. Case in good condition - old, minor cracks to veneers to movement door and a few tiny nicks and scratches to veneers and mouldings, which would be expected. Arched moulding above the movement door is slightly loose to one side. Two cracks to the lattice ormolu mask to the front of the dome, and one crack to the centre of the mask on the opposing side.
A French 19th century gilt metal and marble portico clock garniture, the drum case with floral swagged Roman enamel dial, floral wreath cresting and twin train movement with outside countwheel, striking the hours and half hours on a bell and gilt floral basket pendulum, raised on marble columns with gilt floral finials to a tablet base with beaded gilt toupie feet, 13¼in. (33.6cm.) high, together with a pair of gilt metal and marble vases with floral and foliate handles and finials. (3) * Condition: Winds and runs. Strikes correctly. Retailer's signature to dial worn. A little wear to gilt to case and cresting top top of drum a little loose on mounting. Crazing and slight discolouration to enamel around right hand winding hole. Otherwise in good condition, with no chips or damage to marble.
A Chelsea red anchor period moulded porcelain Warren Hastings type platter, c.1755, red anchor mark, of shaped circular form, the edge moulded in relief with rococo decoration and enamel painted animals and birds in three gilded reserves / cartouches, the well with scattered flowers and insects, 14½in. (36.8cm.) diameter. * Condition: wear to gilt areas and foot rim as expected, good.
A pair of Chinese export porcelain famille rose plates, late 18th century, painted with a jardiniere of flowers and peonies, 8 7/8in. (22.5cm.) diameter; together with a famille rose bowl, with iron red endless knot mark and incised single character mark, painted with various flowers, the interior with a roundel of peaches and leaves, 7½in. (19cm.) diameter; and a quantity of small famille rose dishes and saucers, most with 'lotus pond' decoration, late 19th / early 20th century, some pieces with faults. (17) * Condition: Pair plates: One with three restored chips/hairlines to rim. The other with a hairline to rim. Both with some wear to decoration.- Bowl: Good condition, with some glaze rubbing to interior.- Saucers: Five in good condition. One (with underglaze blue line to rim) with heavy flaking to painted decoration. One with large rim chip. Two with smaller glaze frits to rim and one of these with some flaking from enamel.Small dishes: Two with no damage but some wear to decoration. One with large rim chip, one with two rim chips. The last with one tiny frit to rim.
A Japanese Satsuma earthenware tea cup and saucer, c.1900, decorated with figures in a lakeside garden, Mount Fuji distant, signed, the saucer 5½in. (14cm.) diameter; together with a small Chinese porcelain famille verte pip dish, enamelled with a dragon and flaming pearl, four character mark to base, first half 20th century, 2¾in. (7cm.) diameter. (2) * Condition: - Satsuma:Good condition with no faults.- Chinese dish: Gilt wear and some scratching to enamel to dragon.
Three Japanese shotai-jippo (plique-a-jour) enamel vases, 20th century, all decorated with flowers, the largest with wisteria and tiger lilies on a blue ground, of ovoid form, 7 1/8in. (18.1cm.) high; together with a smaller, cream ground baluster vase, 5in. (12.7cm.) high; and a small globular vase, 3¼in. (8.25cm.) high, one with a hardwood stand. (4) * Condition: All three vases in very good condition, with no damage.
A fine 18th century Chinese cloisonne enamel and gilt bronze box, possibly Imperial, of rounded, rectangular form, the snugly fitting cover decorated with lotus flower sprays and scrolling flowers and foliage, on a turquoise ground, the inside of the lid and the base in gilt bronze, 4¼ x 2 7/8in. (10.8 x 7.3cm.), 2in. (5cm.) high. * Condition: In good condition overall - the only damage to the enamel is to the very lower edge of one corner of the lid, where there are a few tiny flakes missing. The gilt has some light scratching and light wear from the removal of the lid from the base. There are also a few small spots of verdigris type tarnish to the surface of the gilt bronze to both the base and inside of the lid. The box has been incredibly skillfully constructed, with the lid fitting exceptionally snugly, with a near airtight seal.
A Chinese cloisonne and gilt copper enamel box, 20th century, of rectangular form, with all over floral decoration on a dark red ground, the base and interior in deep turquoise enamel, 6¼ x 3 3/8in. (15.9 x 8.6cm.), 2in. (5cm.) high; together with three miniature Chinese cloisonne vessels, decorated with flowers on a white ground. (4) * Condition: - Box: Small bruise to enamel to both back corners of the lid. Otherwise good with no further faults.- Minitaure vessels: Good condition, with no faults.
A small Japanese moulded tsuiki-jippo enamel vase, Meiji period (1868-1912), of shouldered, ovoid form, decorated with a moulded single fan tail fish and a wave on a pale blue ginbari ground, 2¼in. (5.7cm.) high; together with two ginbari enamel vases, of slender ovoid form, with floral decoration, the larger signed with flower mark for Ota Tameshiro, 6in. (15.2cm.) high, both damaged. (3) * Condition: - Small 'fish' vase: Crack to enamel around the neck, just below the rim. Otherwise in good condition.- Larger floral vase: Extensively cracked across the surface of the enamel - the cracks have discoloured with dirt. A few small contact bruises to the shoulder.- Smaller floral vase: Several cracks to the enamel, most notably to the left of the main floral design.
A Chinese cloisonne enamel and copper bowl, 20th century, of bun form, decorated both side and out with finely graduated scale decoration, a ruyi band below the rim and the interior centred with a Shou symbol of longevity, all on a dark blue ground, 7¾in. (19.7cm.) diameter, 2 3/8in. (6cm.) high, on a carved hardwood stand, overall 6½in. (16.5cm.) high. (2) * Condition: Scratching and one small flake to enamel on base. Otherwise very good, with no further faults.
An unusual Japanese cloisonné enamel vase, Meiji period (1868-1912), of flattened pear form, with dark mottled blue-green ground set with fine silver wired butterflies and flowers, the neck with a deep band of alternating lappets of black and cream on alternating beige and mauve grounds, all with flower heads and scroll foliage, the flared foot and neck rim with multiple cream and brown chevrons and polychrome decoration, 7 3/8in. (18.8cm.) high. * Condition: The rim mount is loose. A chip on the neck rim below mount approx. 4 x 1mm. Another chip from a chevron centre on the neck rim - approx. 4mm. wide and 3mm. down to chevron point. No other faults.
A small Japanese cloisonné enamel black ground vase, Meiji period (1868-1912), decorated with a sparrow in flight beside large peonies and other flowers in fine silver wire, signed to base with impressed crossed flags and single character mark, 6 1/8in. (15.5cm.) high. * Condition: A few small unfilled enamel indentations and pits, from the making. Tiny pin head indent to rim. Otherwise in good condition, with no damage or restoration noted.
A pair of midnight blue ground Japanese cloisonné enamel vases, Meiji period (1868-1912), of slender, high-shouldered form, with short everted necks, each with silver wire decoration of doves perched on blue and white wisteria, with various garden flowers beneath, unsigned, 8½in. (21.5cm.) high, faults and restoration. (2) * Condition: One with damage to the enamel just below the rim and three large bruises to the enamel, one to the shoulder at the back, one to the lower right of the main design and one to the lower left of the main design (both of which have been ground down). The other vase has been restored, with some areas of painting to cover damage to the enamel, and has been varnished overall, which is flaking throughout.
A silver wired Japanese cloisonné enamel baluster vase, Meiji period (1868-1912), with elongated slender neck and flared rim, decorated overall with yellow, blue, red and green small butterflies interspersed with chrysanthemum heads, on a black ground, the neck rim with red beads and the foot with red and ochre lancets, 5 7/8in. (14.9cm.) high. * Condition: Small dent to edge of base and tiny flakes from enamel above. A little fine pitting to surface, from the making. No other damage or restoration noted.
A small silver wired Japanese cloisonné vase, Meiji period (1868-1912), of ovoid form, the black ground decorated in fine silver wire with two sparrows flying among large roses, the short everted neck and flared foot edged with demi-lunes in red, the reverse with white irises, 5in. (12.7cm.) high. * Condition: Some small pitting to black ground, from the making, and a larger pit to base of neck. Chip just above footrim, with two red enamel semi-circles missing. Very slight dent to footrim. No other damage or restoration noted.
A pair of small Japanese cloisonné enamel bottle vases, Meiji period (1868-1912), the black ground bodies with overall C-scroll decoration and varying sized circles of polychrome flowers and insects, on flared foot rims with covered bases, 4¾in. (12.1cm.) high; together with a small Japanese cloisonné covered baluster vase, Meiji period, the body with circular reserves of floral and butterfly decoration in fine silver wire on a brown over goldstone ground, the flared foot with bands of blue and red scales and the domed lid with butterflies and flowers, 4½in. (11.5cm.) high. (3) * Condition: - Pair: Some pitting from the making, but otherwise in good condition, with no damage or restoration noted.- Single: Some overall pitting from the making, and 2 small lines of enamel missing from lid, approx. 1.0 cm. & 0.75 cm. long. No other damage or restoration noted.
A Japanese cloisonné enamel four sided tapered vase, Meiji period (1868-1912), the black ground with all-over C-scroll decoration set with varying sized circular reserves with flowers and butterflies and interspersed with smaller circles of various motifs, the angular shoulders and short neck with conforming decoration and the domed foot edged with red beads below a band of mottled green scales, 6 3/8in. (16.3cm.) high; together with a pair of Japanese cloisonné baluster vases, Meiji period, the brown and goldstone bodies decorated in fine silver wire with butterflies and flowers with further floral decoration to the shoulders on a folded ribbon, the neck with C-scrolls on a black ground between bands of mottled green and yellow and the top rim edged with red beads, 6 1/8in. (15.5cm.) high. (3) * Condition: - Single: A little pitting to some decoration from the making, and a knock to underside of brass foot rim, which has caused two tiny flakes from the red enamel above. Two tiny chips to red beaded border at one corner of shoulder. No other damage or restoration.- Pair: Some expected fine pitting to the surface of the enamel, from the making. A slight dent to metal foot on one vase - no enamel loss. One or two tiny areas of unfilled enamel.
A closely matched pair of 19th century Chinese Canton famille rose covered vases, the vases of baluster form with elongated necks, the shoulders each with two sinuous dragons chasing a pearl, the domed covers with fo dog finials, one holding a pearl, painted and enamelled throughout with reserves of figures on pavillion terraces, sprays of flowers and fruit with birds and butterflies and smaller floral reserves, all within borders of C-scrolls, leafy scrolls and bats & butterflies, 18½in. (47cm.) high, one with hairline to neck. (2) * Condition: One vase has a 2in. hairline to the neck, visible on both the inside and outside, and a ckiln contact flaw to one of the figures enamelled faces, which has smudged the decoration. The other vase with a shallow chip to the edge of the base, which appears to have been caused during manufacture (as the edge of the chip is enamelled with the white ground enamel), plus another smaller chip to the edge of the foot, again a manufacturing fault. Both with gilt wear. Both covers have several glaze chips to the lower edge.
An early 20th century enamel advertising sign for "Hornimans Pure Tea - Finest Boudoir - In Red Tins only as Illustrated", 30 x 24in. (76.2 x 61cm.). * Condition: Good original condition with losses to the enamel at the edges and several losses across the surface. Colours very strong. Possible small retouch to the letter 'P'.
A group of six comprising Military Cross, unnamed as issued, 1914-15 Star named to 2520 Pte J. Crabtree L.N.Lan R. War Medal and Victory Medal named to Capt J.J. Crabtree, Second World War Defence and War Medals, unnamed as issued. Mounted as worn. James Joseph (Jimmy) Crabtree (1895-1965) was born in the Lancashire town of Clitheroe, the second son of James Crabtree a Brewer from Burnley who married Margaret a Clitheroe girl in 1884. He was a pupil at Stoneyhurst College, Clitheroe and later worked as a clerk in one of the cotton mills owned by the chairman of Blackburn Rovers Football Club. He was to become a very successful goalkeeper before and after the First World War playing a total of 77 games in the Football League. Initially playing for Stonyhurst College he played for Clitheroe Amateurs and performed so well that he made ten appearances for Blackburn Rovers proir to the War, deputising in goal for the final game in 1914 when Blackburn clinched the championship. He also played in goal for England amateurs in 1914 when England beat Wales 9-1 at Home Park, Plymouth. After the War he made 60 appearances for Rochdale who played in the third Division, despite being the regular keeper, on one occasion he scored two goals whilst playing at left back. In 1924 he joined Accrington Stanley where he managed just six first team appearances. Crabtree's Military career began almost as soon as Britain entered the War, being amongst the first to volunteer joining the 1/5th Loyal North Lancashire Regiment on the 5th September 1914. He left for France on the 11th February the following year and his abilities were soon recognised as he was recommended for Officer Training on the 9th October 1915. He returned to France as a 2nd Lieutenant with the 1st Loyal North Lancs. He was wounded during fighting at the Battle of Morval on the 25th September 1916, the final objective of Flers-Courcelette as part of the Battle of the Somme when this area was held by the German 1st Army. A short spell in Hospital saw him return to his unit by December and he saw further action at the Battle of Arras and then at the Third Battle of Ypres known as Passchendale. Whilst fighting at St Julien, on the 26th September 1917 his courage and leadership led to the award of the Military Cross (London Gazette 26th September 1917, p9974. The London Gazette of the 9th January 1918 p596 providing a citation:. 'For Gallantry and Distinguished Service in the Field: When his company commander had been killed and the other officer wounded, he led his company on and captured his objective in spite of heavy machine gun fire. He afterwards reorganised the company, which had suffered many casualties, and successfully consolidated his position. During the three days which followed, his splendid cheeriness and disregard for personal safety very greatly inspired his men. Four weeks later he was wounded for a second time and returned home to Britain to recover, he would not return to the fighting leaving the Army in 1919. Playing his part for a second time between 1939 and 1945 he served with the Border Regiment and was promoted from a War Substantive Captain to Captain from 1st April 1949 with seniority from the 3rd July 1940. He continued his part in football becoming a linesman and referee in later years. Married to his wife Frances he worked as Travelling representative for a brewery, perhaps his Fathers'. He died on the 1st December 1965 and is buried in his home town of Clitheroe. With the case for the Military Cross, his Amateur International blazer badge, enameled 9ct gold medal for the East Lancs Charity Cup 191-13 Blackburn Rovers, J. Crabtree, 12.19g. Ribblesdale Cricket League 9ct gold Championship medal named to J. Crabtree 1923. 12.89g. Border Regiment shoulder title and cap badge. Clitheroe school badge, Preston Catholic College silver and enamel badge and Lancashire Referees Society badge *Condition: All in good condition with only light rubbing or surface marks.

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396323 Los(e)/Seite