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396323 Los(e)/Seite
Los 112
A Cased Set of Six Pairs of George V Silver Dessert-Spoons and Dessert-Forks, by Henry Wigfull, Sheffield, 1935, Retailed by Bootle and Dunthorne, Liverpool, Hanoverian pattern, in fitted red leather covered case; Together With: a cased set of six silver-gilt and enamel coffee-spoons, the back of each bowl with differing coloured enamel over an engine-turned ground, with ebonised coffee-bean finial, the first box 33.5cm wide, total gross weight 21oz 8dwt, 666gr (18)
Los 185
Three cigarette-cases, a watch chain with fob and a small dish, two cigarette-cases plain oblong, one engraved with a crest, the third cigarette-case engine-turned and applied with an enamel plaque, the fob pivoting and with two uncarved matrices, the dish plain oblong, gross weighable silver 11oz 9dwt, 357gr (5)
Los 20
An Austro-Hungarian 'Gem'-Set, Enamel and Gilt-Metal Snuff-Box, Apparently Unmarked, Late 19th Century, in the form of a double-barrelled firearm, the barrel opens to reveal the compartment, with overall vari-coloured enamel and set with 'gems', 10.5cm longHinge functioning, cover stays closed but the catch not engaging properly, minor wear, scratches and dents to the metal throughout, some wear and losses to the enamles, largest moonstone with an internal fracture, smaller four stones in good order
Los 298
Eleven items of early 20th century and later Canton famille rose porcelain, including a cylindrical jar and cover, a barrel form jar and cover, five vases, etc (two trays) (most a.f.)Box and cover one - repair throughout body and cover including old stapled repairs and poorer later attempts with some losses also. Box and cover two - repaired and re-painted lid, the main body with a restored rim and foot, some paint scratches. Box and cover three - some wear to the enamel decoration. Teapot one - lacking cover and with two chips to the rim, large chip to the shoulder, and wear throughout. Teapot two - no evidence of damage but with heavy wear. Vase and cover - with repaired knop, the cover with multiple flea bite chips and rubbing, the main body with a chipped rim and heavy wear. Bottle vase - with poorly repaired rim and a large loss there also. Chipped foot and paint scratches. Baluster vase one - with fully and poorly repaired neck and rim. Rubbing and later gilded decoration. Some losses and paint scratches. Baluster vase two - with rubbing, later gilded decoration, glaze loss and paint scratches. Twin-handled vase - with chipped rim, rubbing and some paint scratches.
Los 32
A French Silver-Gilt Mounted Enamel Scent-Bottle, With French Mark for Small Wares, Late 19th Century, cylindrical, the sides enameled with an elegant lady in a landscape, with hinged cover, 4.6cm high; Together With: a gilt-metal mounted hardstone scent-bottle, with suspension chain, 3cm high excluding suspension chain (2)Hinge in good condition free from play, enamel free from chips, cracks and repair, harstone scent in good condition
Los 3211
Japan, een paar en een enkel cloisonné emaille vaasje, ca. 1900, het paar gedecoreerd met panelen met gestileerde bloemen en mythologische dieren, het enkele vaasje met prunus en irissen (een met restauratie) Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [3] h. 18-21 cm Japan, a pair and a single cloisonné enamel vase, ca. 1900, the pair decorated with stylised flowers and mythological animals, the single vase with prunus and iris (one with restoration), provenance: Dutch private collection
Los 3431
China, famille rose Canton geëmailleerde theepot, 19e eeuw, gedecoreerd met figuren in een rivierlandschap met opstaand handvat (deksel ontbreekt, restauraties) [1] h. 17,5 cm. China, famille rose Canton enamel teapot, 19th century, decorated with figures in a river landscape with overhead handle (cover lacking, repair to one foot and to handle, body reglued, cracks)
Los 3276
China, Canton emaille hors d' oeuvreset, 19e eeuw, gedecoreerd met een dicht lotuspatroon, bestaande uit een centraal rond schaaltje omgeven door acht losse schaaltjes (defecten) [9] diam.40,5 cm China, Canton enamel sweetmeat set, 19th century, decorated with a dense lotus pattern, comprising a central circular dish surrounded by eight separate dishes (damages), provenance: Dutch private collection
Los 3255
China, cloisonné emaille zeskantige 'draken' vaas, ca. 1900, elke zijde gedecoreerd met een verschillend gekleurde draak tussen gestileerde wolken en boven gestileerde golven, de binnen- en onderzijde bedekt met kobaltblauw emaille (slijtage) Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [1] h. 26,4 cm China, cloisonné enamel hexagonal 'dragon' vase, ca. 1900, each side decorated with a variously coloured dragon between stylised clouds and above stylised waves, the interior and base covered with a dark blue enamel (wear), provenance: Dutch private collection
Los 3253
China, Canton emaille hors d'oeuvre set, 19e eeuw, gedecoreerd met bergachtig rivierlandschap, bestaande uit een centraal rond schaaltje omgeven door acht losse schaaltjes (enkele beschadigingen) Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [9] diam. 31 cm China, Canton enamel sweetmeat set, 19th century, decorated with a mountainous river landscape, comprising a central circular dish surrounded by eight separate dishes (some damages), provenance: Dutch private collection
Los 3210
Japan, vier verschillende cloisonné emaille vaasjes, 20e eeuw, een gedecoreerd met duiven in blauwe regen, een met vogels en prunus, een met pioenroos en een met mythologische figurenpanelen (een met restauratie, enkele slijtage) Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [4] h. 15,5-19 cm Japan, four various cloisonné enamel vases, 20th century, one decorated with wisteria and doves, one with birds and prunus, one with peony and one with mythological figural panels (one with restoration, some wear), provenance: Dutch private collection
Los 3260
China, Canton emaille vierkant schaaltje en een muntenhouder, 19e eeuw, beide verschillend gedecoreerd met figurenscènes, het schaaltje met apocrief Qianlong merk (enkele beschadigingen) [2] w. 8,7 cm. / h. 3,7 cm. China, Canton enamel square dish and a coin holder, 19th century, both variously decorated with figural scenes, the dish with apocryphal Qianlong mark (some damages)
Los 3209
Japan, een paar en een enkel cloisonné emaille vaasje, 20e eeuw, het paar verschillend gedecoreerd met vogels en prunus op een donkerblauwe ondergrond, het enkele vaasje met vogels op een prunustak op een zeegroene ondergrond Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [3] h. 12,2-16 cm Japan, a pair and a single cloisonné enamel vase, 20th century, the pair variously decorated with birds and prunus on a dark blue ground, the single vase with birds on a branch of prunus on a sea-green ground, provenance: Dutch private collection
Los 52
OMAS STOLOGRAPHIC PEN "30 YEARS OF PEACE AND DEMOCRACY", YEAR 2005Barrel and cap made of enamel and 925 silver with filigree.Nib 18 kts. gold, with engraved crown.Piston loading, screw cap.Limited edition 300 copies.No box.Measurements: 13,90 cm length; 15,5 mm. diameter.Pen of the prestigious firm Omas manufactured in 2005, it is dedicated to the 30 years of the reign of H.M The King of Spain. It is a limited edition of 300 pieces. It is made of blue enamel, the colour of the Bourbon family, and filigree decorations in sterling silver (silver 925 thousandth). On the top of the cap is a crown engraved in relief and the cap is in the shape of a cross. The nib is made of 18-karat gold and is engraved with the crown and the years 1975-2005. The nib measures 13.5 cm.
Los 88
MASRIERA AND CARRERAS.Pendant brooch in 18k yellow gold. Modernist frontispiece with marked romantic symbolism decorated with the figure of a winged nymph, wearing a long pleated tunic topped by a slightly pearled lower pearl with movement. She rests on a circular structure decorated with a calibrated ruby-cut carré, total weight ca. 2.50 cts, and holds a large diamond in her hands. The figure is framed in a translucent background worked in 'pliqué-à-jour' enamel with lines decorated with diamonds weighing ca. 1.00 cts.A similar model is catalogued in "Els Masriera. Un segle de joieria i orfebreria", p. 132, ref. 101.According to this publication, the original drawing of a very similar model appears in the 1908-1916 Workshop Book. A very similar coloured drawing appears in Álbum Masriera Hermanos Colgantes Figura, 90, num. 12.0290. This piece corresponds to a particularly symbolist model which was very successful and in great demand at the beginning of the 20th century, which is why there were many commissions with different variants, especially between 1908 and 1911.Measurements: 9 x 4 cm.The firm was founded in Barcelona in 1838 by Josep Masriera Vidal. The process of making the pieces, from the design to the final polishing, was carried out in the family workshop, which gradually expanded as demand increased and, with it, production. By the end of the 19th century, the Masriera workshop was already the most important in the city of Barcelona, winning the Gold Medal and the Unique Prize awarded by the Associació d'Artífexs en Joieria i Plateria de Barcelona (Association of Jewellers and Silversmiths of Barcelona). In 1887 they changed their name to "Masriera Hermanos", and with Josep Masriera Manovens at the helm, production was extended to jewellery, partly thanks to the recovery of various enamelling techniques, together with his son Lluís Masriera Rosés, who became the jeweller of Catalan Modernisme, achieving international renown.
Los 176
A Swift Student Petrological Microscope English, c.1900, signed to foot Swift & Son, London, supported on a black enamel foot with plano-concave mirror on an articulated arm, with swing-out sub-stage polariser and pull out condenser, rotating black glass stage, body tube incorporating a slide in/out analyser and Bertrand lens, with two Swift objectives, two eyepieces, and other items in fitted mahogany case, width 34cm
Los 18
A Vecabe Dental Model, French, c. 1920, by Vecabé, full set of teeth made from enamel, each one secured to the mandible with brass pin and can be removed, fitting together perfectly to form an anatomically correct bite, metal block opens through 180 degrees to allow detailed inspection, on upper surface engraved “Vecabé Brevet D’invention 675996 SGDG Modèle D’Examen Destiné a L’Art Dentaire Brevets Dans Touts Les Pays Civilisés 12032â€, 6.2cm high closed
Los 204
AN UNUSUAL PAIR OF CLOISONNÉ-ENAMEL VASES IN THE FORM OF MORNING GLORYMeiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryEach vase naturalistically rendered with the trumpet-shaped calyx rising from arrow-shaped leaves outlined in gilt wire encircling the foot and opening up in blooming petals in shades of pink forming the flared rim, each vase unsigned; with two cloth-covered storage boxes. Each vase: 24.5cm (9 5/8in) high. (4).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 205
ANDO JUBEI COMPANYA Pair of Cloisonné-Enamel Tall Baluster Vases Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryWorked in silver wire of varying gauge with a complementary design of a stem of blooming white rose and bud trailing across the front of the body, reserved on a slate-grey ground; each vase signed on the lime-green base in silver wire with the Ando seal. Each vase: 30cm (11¾in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 206
OTA TOSHIRO (1869-1940)A Pair of Cloisonné-Enamel Tall Baluster Vases Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in silver wire on a speckled dark brown ground, the body with large slate grey and seafoam green panels enclosing bird-and-flower scenes, the large panels separated by smaller blue lobed panels enclosing butterflies on a karakusa ('Chinese grasses') ground and black and amber aventurine-flecked ground shields enclosing stylised dragons and ho-o birds; the neck with speckled pale-pink lobed panels with floral arabesques and bisected by a brown geometric band, the foot decorated with dense karakusa on a speckled yellow and brown ground; each vase signed on the base with two impressed characters Ota within a koro-shaped seal. Each vase: 38.7cm (15¼in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 208
OTA KICHISABUROA Cloisonné-Enamel Slender Vase Nagoya, Meiji era (1868-1912), late 19th/early 20th centuryWorked in silver wire of varying gauge with sparrows flying amidst tall stems of wild chrysanthemums, the foot with a band of repeated foliate motifs, reserved on a mauve ground; signed on the underside of the foot with two impressed characters Okichi. 18.5cm (7¼in) high.For further information on this lot please visit Bonhams.com
Los 211
TWO CLOISONNÉ-ENAMEL VASESOne by the Ando Jubei Company, Meiji era (1868-1912), late 19th to early 20th centuryThe first of tall baluster form, worked in silver wire with a family of doves in flight and perched among on autumnal branches of icho (ginkgo) and leaves, the neck and foot with a narrow band of repeated lappets, unsigned, 60.5cm (23¾in) high; the second of slender form, worked in gilt wire and decorated on the front with tall leafy stems of daisies on an azuki (red bean)-coloured ground, applied with a silver rim; stamped on the base in silver wire with the seal mark of Ando Jubei, 30.7cm (12in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 212
ANDO JUBEI COMPANYA Cloisonné-Enamel Ovoid Vase Meiji era (1868-1912), early 20th centuryWorked in partly musen and yusen enamels with a coastal view of a snow-capped Mount Fuji in the distance towering over pine trees on rocky islets in a slight mist rendered on a pale grey-blue ground, applied with a silver rim and foot, signed on the base in silver wire with the mark of Ando Jubei; with a wood tomobako storage box inscribed and signed on the lid Shippo Tokai shokeizu kabin, Jubei tsukuru (Cloisonné vase with scenic view in the Tokai Region, made by Jubei) with seal. 18.7cm (7 3/8in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 215
ATTRIBUTED TO ITO YUSABURO (FL. CIRCA 1900s) OF NAGOYAA Cloisonné-Enamel Shallow Dish Meiji era (1868-1912), early 20th century Worked in silver yusen and musen enamels with pine and cherry trees at the bottom foreground and a snow-decked Mount Fuji soaring in the distance; the base signed in wire Ito. 36.2cm (14½in) diam.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 216
ATTRIBUTED TO THE HAYASHI KODENJI WORKSHOP OF NAGOYAA Cloisonné-Enamel Dish Meiji era (1868-1912), late 19th/early 20th centuryFinely worked in silver wire of varying gauge with an eagle perched on flowering maple branches and gazing intently at the small prey in flight on a midnight-blue ground; unsigned. 24.2cm (9¼in) diam.For further information on this lot please visit Bonhams.com
Los 218
NAMIKAWA YASUYUKI (1845-1927) OF KYOTOA Fine Double-Gourd Cloisonné-Enamel Vase Meiji era (1868-1912), late 19th centuryDelicately worked in silver wire on a midnight-black ground with two coiling five-clawed dragons, flames licking around their bodies, between formal floral borders, the neck with similar repeated stylised foliate motifs, applied with a silver rim and foot; signed on a silver tablet Kyoto Namikawa. 23cm (9 1/8in) high.Footnotes:This dragon design, typical of a pattern used by Namikawa Yasuyuki during the peak of his career in the late 1890s, is extremely close to that illustrated in the design book, Kyo Shippo Monyo Shu (A Collection of Designs for Kyoto Enamels), Yoshida Mitsukuni and Nakahara Kenji, eds., Kyoto, 1981, p.182, which states that the 'pair of coiled dragons' pattern was applied to a cloisonné dish made by the artist in 1896.Only a few models of this vase by Namikawa are hitherto known: an almost identical example but with variation in the foliate motifs is illustrated and published in Hida Toyojiro et al., Namikawa Yasuyuki no shippo: Meiji shippo no yuwaku: Tomei na kuro no kansei (Namikawa Yasuyuki and Japanese Cloisonné: The Allure of Meiji Cloisonne: The Aesthetic of Translucent Black), Tokyo, Mainichi Shinbunsha, 2017, no.14; a second was sold at Christie's, New York, 15 April 2016, lot 92; a third with the two dragons facing in other directions was offered in these salerooms, 11 November 2010, lot 315.Born in 1845 to a rural samurai family, Namikawa Yasuyuki started his cloisonné business in Kyoto in 1873 and by the 1880s was successful enough to build, and then extend and upgrade, a large compound that eventually included workshops housing 20 or more employees, a showroom, a family residence and a garden with a fishpond. He used these facilities to create a carefully orchestrated private retail experience that was described in admiring detail by American and European travel writers, selling many of his finest wares directly to private clients, as well as carrying out imperial commissions and participating in international expositions. Between 1876 and 1904 he won 11 overseas awards and in 1896, along with his unrelated namesake the Tokyo enameler Namikawa Sosuke (the two family names are written with different characters), was among the first individuals to be appointed to the ranks of Teishitsu Gigeiin (Artist-Craftsmen to the Imperial Household). Such was his reputation that at the 1900 Paris Exposition Universelle his wares were snapped up the moment they were unpacked and sold for up to ten times the amount anticipated. For a detailed biography of Namikawa Yasuyuki, see Frederic T. Schneider, The Art of Japanese Cloisonné Enamel: History, Techniques and Artists, 1600 to the Present, Jefferson, N.C., McFarland, 2010, pp.86–87.For further information on this lot please visit Bonhams.com
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396323 Los(e)/Seite