396323 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396323 Los(e)/Seite
A patinated copper box in the manner of A E Jones, rectangular with hinged cover, on ball feet, the cover applied with silver foliate panels to the corners, the centre applied with enamel panel, enamelled with a B in green on a mottled blue ground, and another enamelled copper box unsigned, 12cm. wide. (2)
A silver mounted glass tankard and cover, swollen low base on four tapering, scrolled feet, cast in low relief with geometric band and shield panel with central red enamel roundel, tapering glass body with central ropetwist band with engraved shield panel, silver top rim with hinged domed cover with radiating straps and red enamel roundels, central floral finial, stamped hallmarks, London 1901, 23cm. high
A rare silver mounted cloisonne enamel plaque by Harold Stabler, dated 1915, the rectangular panel depicting a faun training a hare or rabbit, holding a laurel sprig, in colours on a vivid blue ground, the silver frame with hanging loop, signed HS to the front, the reverse signed Harold Stabler London 1915, 9.5cm wide, 9cm high Literature Annette Carruthers and Mary Greensted Simplicity or Splendour The Cheltenham Museum Collection, figure 87 catalogue number 156 for a comparable framed enamel by Harold Stabler. Catalogue notes Harold and Phoebe Stabler were often assisted by S Kato who was a Japanese enamel worker.
Mabel Penelope Sefton (1881-1957) Come Fill the Cup and in the Fire of Spring, 1908 (The Rubaiyat of Omar Khayyam) enamel on copper, framed, signed titled and dated May 1908 in gilt to reverse 10 x 8cm (panel) Provenance The Blood Collection, Mellors & Kirk, 26th February 2009, lot 19. Mellors & Kirk, 20th September 2017 , lot 608. Private collection.
A Gothic Revival Hillard and Thomason silver gilt and enamel card case, dated 1851, shaped rectangular section engraved with stylised foliage panels and bands in the manner of AWN Pugin, set with central pale blue enamel heraldic panel to both sides, stamped mark H & T Birmingham 1951, 9.5cm. long. (2.2toz)
A Guild of Handicraft silver and enamel brooch, rectangular form with wirework frame of berried foliage, with central green and blue enamel panel, stamped GofH Ltd, London marks, 3cm. long Literature The Guild of Handicrafts Ltd, undated catalogue page 10 this design illustrated priced at 12s. 6d. Provenance A private collection of Guild of Handicraft silver and jewellery.
A fine Guild of Handicraft silver and enamel peacock brooch designed by Charles Robert Ashbee, wirework feathers with enamelled blue and green eyes, set on mother of pearl shell back, the bird set with demantoid garnet eye, holding a mother of pearl drop, stamped marks to side and back, GofH Ltd mark, London 1907, 7.5cm. high Provenance Duke's Auctioneers 27th April 2006 lot 820 Private collection Literature Modern Design in Jewellery and Fans, The Studio Special, 1901-1902, plate 20 for a comparable peacock brooch by C.R. Ashbee illustrated. Alan Crawford C.R. Ashbee Architect, Designer and Romantic Socialist, Yale, page 360 plate 178 for a variation of the Peacock design. Michael Jeffery Christie's Arts and Crafts Style, Pavilion, page 159 for another example of a Guild of Handicraft peacock brooch illustrated. Catalogue notes. This example is probably number 10, dated 1907, listed by Alan Crawford in C.R Ashbee Architect Designer and Romantic Socialist (page 456 footnote number 55 in a private collection). The Peacock, along with the galleon was one of Ashbee's favourite subjects and he used as the basis for some dozen individual brooches in the early 1900s. he wrote 'I hold the Peacock a most fitting symbol of the Arts and Crafts. It started with a splendid tail, all eyes and pride but that the tail subsequently came off in fireworks. However too the peacock is a symbol of the resurrection'. The Poor Peacock of the Arts and Crafts with his proud tail exploding in fireworks, Charles Robert Ashbee, 1892.
A good Liberty & Co Cymric silver and enamel carriage clock designed by David Veasey, model no.50039, rectangular, footed form with flaring, slightly domed mantle, cast with Art Nouveau tulip stem columns, and panel of a stylised tree in a landscape, enamelled in shades of blue and green , the circular dial enamelled green and blue, with Roman numerals, stamped marks, L & Co Cymric, Birmingham 1903, 12cm. high Provenance Applied Arts, Sotheby's Bond Street, 25th October 1991 lot 307. Property from the Estate of Roland Baker deceased.
A Liberty & Co English Pewter sugar basin designed by Archibald Knox, model no. 0375, cast in low relief with Art Nouveau whiplash foliage design, a Liberty & Co pewter and enamel napkin ring designed by Archibald Knox, model no.0920, a Liberty pewter vase model no.029, and a pair of pewter vases model no.0763, stamped marks, 9cm wide (sugar basin), 20.5cm. high (tallest vase) (5)
A Liberty & Co English Pewter and enamel Bollelin dish designed by Archibald Knox, model no. 044, circular, cast in relief with a border of scrolling foliage, the central shield shaped panel enamelled blue, inscribed to Mr & Mrs Arthur E Jalland, 1914, with applied hanging loop to reverse, stamped marks to back. 25.8cm. diam. Provenance Private collection.
Three silver pocket watches comprising James Turner of Liverpool with subsidiary seconds dial, silver Breguet hands, black Roman numerals, cream dial and signed and engraved movement, an unsigned example with subsidiary seconds dial, blued hands, black Roman numerals and white enamel dial and a ladies keyless winding example with gilt decorated dial and engraved case, largest case diameter 52mm.
Two keyless winding open faced pocket watches Cyma military with inset subsidiary seconds dial, luminous hands, Arabic numerals, white enamel dial and case back marked 'GS/TP S 056978' below ministry broad arrow and one other with subsidiary seconds dial, blued hands, black Arabic numerals and cream dial, largest case diameter 52mm.
Silver keyless winding half hunter pocket watch with inset subsidiary seconds dial, gold hands, black Roman numerals, white enamel dial, inlaid blue enamel Roman numerals to the case and unsigned movement, case diameter 44mm, serial number 2522783, on hallmarked silver double graduated chain.
Robert Cockburn of New York 'Coin' silver keyless winding full hunter pocket watch with blued hands, inset subsidiary seconds dial, black Roman numerals, stepped white enamel dial, red minute markers, engraved case and Rockford Watch Co signed movement, case diameter 28mm, serial number 230492, on hallmarked silver chain.
Hallmarked silver keyless winding open faced pocket watch with inset subsidiary seconds dial, blued hands, black Roman numerals, white enamel dial and engraved movement, case diameter 52mm, serial number 81894, on hallmarked silver double graduated chain, in original 'H W Bedford Worcester' fitted box.
Georgian hallmarked silver bottle ticket for brandy, Birmingham 1827, maker Joseph Willmore, various Georgian and later hallmarked silver cutlery, blue guilloché enamel mirror and brush, hallmarked silver cased pocket watch, silver chain with two whistles and a silver plated bottle ticket, 140g weighable silver

-
396323 Los(e)/Seite