396323 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenPEARS SOAP; an original pictorial advertising wall mirror depicting a baby in a tin bath, inset within gilt frame, 19 x 27cm, and an enamel 'Gentlemen' sign, 6 x 25cm (2).Additional InformationThe mirror has crazing/lines to the mirror plate, chips and losses to the frame. The enamel sign with an area which has been broken off one end and has been glued back.
A rare 18th century Chinese Canton enamel lobed box cover, the central panel with landscape featuring two figures riding across a bridge to foreground and walled complex with villages and mountains to background, the lobes featuring Buddhist symbols and floral sprays on blue ground between ruyi borders, the interior with turquoise ground, diameter 38cm (restored).Additional InformationThere has been professional restoration to the lobes with some very small areas to the outer edge of the central panel also having been restored; numerous hairline and star cracks and small chips to the enamel throughout, misshapen as does not lie flat on an even surface, frame has suffered knocks.
An 18th century Chinese Canton enamel ewer of helmet form decorated with floral sprays and scrolls on knopped stem to spreading circular foot, height 28.8cm.Additional InformationProfessional restoration to base, hairline and star cracks as well as small chips to enamel throughout, upper section appears to have been reattached to the stem but refer to additional images; both upper and lower rims with knocks and missshaping.
GARNIER & CO OF 86 FARRINGDON STREET; an original advertising double sided pictorial enamel sign, 'Agents for the India and China Tea Co's Trade Mark I & C Registered Afternoon Digestive Tea', 21.5 x 43cm.Additional InformationGood sheen to the sign, light chipping to the enamel on the edges and on the back centre.
A pair of early 20th century French brass and mother of pearl handled opera glasses with enamelled floral decoration (af) and a Stevengraph bookmark inscribed 'To My Darling' featuring the poem of 'Mary had a Little Lamb' (2).Additional InformationSadly damage to the enamel on both main bodies of the opera glasses, the eye pieces, handle and enamel band to the handle are ok as is the extending section, the action works well. Some wear to the Stevengraph.
THAINAKON; a sterling silver and niello enamel photograph frame featuring Buddha and foliate scrolls, maker's mark, logo and further stamped 'Sterling Thailand' to reverse with additional white metal plaque inscribed 'C. P. Group Co., Ltd.', 19.5 x 20.5cm, with easel back, cased with label to interior inscribed 'By appointment to H.M. The King Thai-Nakon R.O.P Court Jeweller Bangkok Thailand'.Additional InformationSome surface pitting, tarnish and light general wear.
An 18th century Chinese porcelain blue and white footed bowl painted with Buddhist precious objects and prunus sprays, diameter 21cm, a plate painted with figures, bears six character mark to underside, a doucai bowl featuring yin/yang symbol to centre within trigrams and border featuring winged fish and floral sprays, bears six character and double ring mark to base, and a Chinese floral decorated enamelled bowl, diameter 12.5cm (4).Additional InformationChipping to the rim of the enamel bowl, scratches and scuffs and has a large crack running through the piece and numerous chips. The blue and white plate has a large crack running through the piece. The smaller bowl appears fine.
An early 20th century French brass carriage clock with white enamel dial set with Roman numerals, with swing loop handle, height 12.5cm, also a Schatz eight day carriage clock (2).Additional InformationBoth tick when wound, but no guarantee to be in working order. Tarnishing to the metalware but the dials both appear to be good.
the profile bust length relief portrait of a woman in thin pressed gold set on a woven hair ground, within an oval border of red enamel with overlaid rope twist wirework, covered with a rose cut rock crystal, collet and closed back set with scallop and claw mount, the outside of the shank engraved with the memorial (now much worn), reading 'MAN*? DIA*? MANTON OB: 30 AUG 177? ÆT 73'; size approximately K, head dimensions 15.8 x 14.3mm, unmarked yellow metal, tested to at least 18ct quality, weight 5.1gCondition report: It is possible that the outer part of the scalloped mount is a reinforcement - it perhaps looks later, and the gold is a fractionally different colour, there are some work lines where the shank joins; but if so the work has been done extremely neatly. Scuffs and wear appropriate to age
the first, a string of cultured pearls graduating from 3.5 to 7mm, yellow metal clasp set with a garnet and six pearls, stamped '9CT', length 44cm; the second, a four-leaf clover brooch set with four faceted heart shaped peridots surrounded by a border of red enamel and seed pearls, pin and hook fitting, 2.4cm in diameter, unhallmarked yellow metal stamped '15ct', gross weight 18.6g, (2)
of Indian origin and possibly a bridal jewel, the oval shaped centrepiece with green and red enamel decoration and lower fringe, suspended from a fringed chain, length, 36cm, unmarked yellow metal tested to at least 18ct gold, gross weight 17.2gFootnote: Colours are significant in Indian jewellery. In this case, green signifies good luck and fertility and red signifies energy and prosperity. Both colours are very often used in bridal jewellery.
the body of opal and mother of pearl, with ruby eyes and multicoloured enamel decoration, pin and revolver fitting and fixed bale to allow for wear as a pendant, dimensions 3.2 x 3.9cm, unhallmarked white metal stamped '925', weight 8.7gFootnote: Plique-à-jour (French for 'letting in daylight') is a vitreous enamelling technique where the enamel is applied in cells without any backing so the light can shine through, giving a similar effect to that of a stained-glass window. It is very challenging technically and there is a high failure rate during production.
the body set with a cluster of grain set eight cut diamonds together with vibrant blue and green enamel striped decoration, round faceted ruby eyes, pin and revolver fitting, overall length 2.5cm, wing span 2.6cm, yellow metal with Italian marks for 18ct gold, white metal pin tested as 18ct gold, weight 8.4g
c1900, the front lid with blue enamel Roman numerals and chemin de fer chapter ring, signed white dial, additionally marked '08764 AD. Fmsz', 42mm diameter, with black Roman numerals, blued double swell spade hands, subsidiary seconds register at 6 o'clock and chemin de fer chapter ring, signed crown wind mechanical movement with diamond end stone, top plate marked 'by appointment to the Queen 115 New Bond Street late of 84 Strand London number 08764', the raised area over the barrel engraved with a scroll pattern, hand setting button at 4 o'clock and onion shaped winder, case, 50mm diameter, by Harrison Mill Frodsham, numbered 08764 and with London hallmarks for 18ct gold, the cuvette similarly marked, gross weight 137.5gFootnote: Charles Frodsham was a distinguished English horologist, founding his business in the 1840s. From 1884, he traded as Charles Frodsham & Co, which remains in existence as the longest continuously trading firm of chronometer manufacturers in the world. At the Great Exhibition in 1851, he was awarded a first-class medal for his timekeepers. The firm won fourteen further medals and honours at the major international exhibitions over the rest of the nineteenth century. The coded letters 'AD Fmsz' can be seen on the dials and movements on many Frodsham watches. This cryptogram corresponds to '1850', the year Charles produced his new caliper watch, and was used thereafter as a sign of the highest quality. The fact that diamond was used as the endstone seems to confirm this. This is an outstanding example of British Victorian horology at its best, housed in a heavyweight, finely made case.
the white dial, 32mm diameter, with central decoration, black Roman numerals, blued spade hands and chemin de fer chapter ring, crown wind mechanical movement with hand setting button at half past 2 and pumpkin shaped winder, case, 38mm diameter, marked '18K' and signed 'A.F & Ce', numbered 16117, the cuvette, similarly numbered and engraved 'Manufactured for D. Gill & Son, 78 Union Street, Aberdeen', verso decorated with a scallop edged blue guilloché enamel section set with a flower head cluster of rose cut diamonds within a gold scrolling border, outer and edge decorated with foliate engraving, gross weight 42.1gFootnote: David Gill senior was a well-known watch and clockmaker and retailer with premises in Union Street, Aberdeen's principal thoroughfare. It was David Gill’s son, however, who became one of Scotland’s most famous people. Gill junior was interested in 'time', but even more interested in astronomy. He was made junior partner in the firm in 1863 and at the same time became involved in setting up the Cromwell Tower observatory in Aberdeen. Combining horology and astronomy, the firm of D Gill & Son supplied the observatory with the master clock which was regulated by reference to the prime standard of the stars. He inherited the clock & watchmaking business from his father after his death, but kept it only a few years before pursuing his main interest as an astronomer. He became Her Majesty's Astronomer at the Cape of Good Hope and went on to be the only Scot to have been awarded the Bruce Medal for lifetime achievement in astronomy, the Watson medal for outstanding astronomy and the Gold Medal of the Royal Astronomical Society twice. He was knighted KCB by Queen Victoria in 1900. He retired to London, joining the council of the Royal Geographic Society, becoming president of the Royal Astronomical Society and the British Association for the Advancement of Science. Few British scientists of the 20th Century have been so widely honoured and so well respected as Sir David Gill, Scotland’s most notable astronomer, and his portrait hangs in the Royal Astronomical Society and in the Royal Society of London.
two claw set central pearls surrounded by a white enamel border with gold Greek key decoration in turn surrounded by a plain black enamelled border along with beading and further enamelled decoration, verso with vacant window, dimensions 4 x 3.4cm, unmarked yellow metal tested as 18ct gold, weight 13.9g
the first, of target style with a central round banded agate surrounded by foliate decoration at cardinal points and a black enamel and scrollwork decorated border, verso glazed memorial compartment, pin and hook fitting, 3.2cm in diameter,, tested as base metal; the second, a bar brooch of scroll style with five graduating round faceted garnets spaced with two sections of seed pearls, pin and hook fitting with safety chain, length 3.5cm, stamped '9ct', gross weight 15.3g (2)
the first, a larger brooch featuring a bust portrait of a lady, seed pearl and black enamel border and scroll mount, pin and revolver fitting with additional hinged pendant bale, dimensions including bale, 6 x 4.7cm, unmarked yellow metal, tested as 15ct gold, weight 32.6g; the second, a miniature version in a plain mount with a pin and revolver fitting, dimensions, 2.7 x 2.2cm, unmarked yellow metal, tested as 15ct gold, weight 8.2g (2)
marks of 2nd standard silver (900/1000 purity), Vienna, maker not traced, of rectangular form with cut corners, the sides and base decorated with cream coloured guilloché enamel, the piano hinged cover with dark blue guilloché enamel border, an inner border of pale blue champlevé patterns and a centre of cream coloured guilloché enamel around an oval decoratively pierced grille, gilded interior, stamped '31', 9.5 x 7cm, 6.5ozt
both of rectangular form, the piano hinged cover decorated with a central cream coloured guilloché enamel panel overlaid with gold coloured fleur de lys within a border of symmetrical and repeated engraved design between two lines of dark blue enamel, verso of the same design minus enamelwork, stamped '800'; the cigarette case 8.5 x 6cm, with convex ends, gilt washed interior and elasticated retainer, numbered '371', 3ozt; the match case 6 x 5cm, with cabochon sapphire thumbpiece,1.9ozt (2)
A group of vintage 1980’s Halcyon Days Enamels and Bilston & Battersea Enamels commemorative trinkets boxes / Easter eggs trinkets boxes in a shape of Easter eggs with enamel decoration and hinged lid. Years to include: 1979, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989. All with makers stamp underside and original presentation boxes.
An early 20th century silver hallmarked Mappin & Webb guilloche enamel worked vanity set complete in the blue leather travel suitcase. The set comprising multiple items with green engine turned guilloche enamel backed silver items. Hallmarked for Mappin and Webb, London 1934. The case wtih lined interior and tray along with outer canvas cover.
A good Chinese cloisonne enamel and brass mounted vase. The heavily enamelled vase raised on wooden socle plinth base. Of unusual shape with flanged body under waisted gu shaped neck with open top of circular form. The enamelled body heavily detailed with chintz pattern flower heads all over. Measures 35 cm tall.
A collection of seven 1980’s Halcyon Days Enamels and two Bilston & Battersea Enamels trinket boxes / years commemorative trinket boxes of an oval form with hinged lids and enamel floral motifs decoration. Hearts to include: 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1989. All with makers stamp underside and original presentation boxes.
A hallmarked sterling silver open faced pocket watch by J G Graves of Sheffield. The pocket watch with inset subsidiary seconds dial, blue hands, black Roman numerals, white enamel dial, all within case. Set to a hallmarked silver graduated Albert chain with stamp holder. bearing hallmarks for Sheffield, 1922, Makers mark illegible.
A Tibetan gilt bronze monk, 18th century, his face with traces of white enamel to the eyes and red to the mouth, the robe with geometric decorated borders, seated on a rectangular plinth with floret border, the front with lotus flower and scroll, 289g, 13cmCondition report: A small hole in the heel of his left palm.
A pair of hors d'oeurve dishes, probably late 19th century, enamelled and gilt and in underglaze blue in the Japanese style, with clouds, flowers and leaf borders, underglaze blue Artemesia mark to the underside, 18.7cm diameterCondition report: Gilded rims on both are rubbed with only partial gilding remaining. One dish has a small chip to the bottom right corner and a tiny chip to the top right corner. Some erasing of the red enamel scroll border and also of the gilding in the main field, otherwise in good order.
An unusual Japanese 'Kakirita', 18th and 19th century, painted in underglaze blue with the banded hedge pattern and later embellished in iron red and gilding with flowers, the rim moulded with rope twist and brown enamel, 19.3cm diameter; an18th century saucer with blue Artemesia leaf to the underside and a saucer dish with gilt and iron red floral sprig to the underside, 12.8 & 16.8cm diameter
A Chinese Canton enamel butter dish, cover and stand, early - mid 19th century, the cover with gilt fruit finial, each piece painted with panels of figures, birds and flowers, with gilt rims, the stand 16cm diameter,Condition report: The dish has a 5mm firing crack on the interior rim, but is otherwise good. The cover is in good condition. One third of the stand rim has fritting and a couple of chips.
A Canton enamel quatrefoil box & cover, late Qing, the lid decorated with three figures, the sides with lotus flower and blossoming tendrils, four character Qianlong seal mark, 9.3cm diameter, together with a Canton enamel circular box and cover, the top decorated with two females in a fenced garden, the sides with panels of flowers between lotus flowers and tendrils on a yellow ground, on a circular foot, pseudo four character Qianlong mark to the underside, 8cm diameter, and a Canton enamel small dish, depicting two boys i a garden landscape, 9.5cm diameter, all late QingQty: 3
A Chinese Famille Rose vase,中国, 粉彩花瓶一件，19世纪中叶mid 19th century, the shoulders with lion mask handles, the spherical body painted with figures on foot and on horseback before a mountainous background, the tall foot with shaped panels depicting a boy on a buffalo and verso a fisherman on a bridge, above false gadrooned border. Ink inscribed calligraphy to the underside. 56cm high.Condition report: The neck reduced and ground down. Very fine hairline crack running all around the base of the neck, visible on the interior and exterior. Some very light enamel chips to the body and base but nothing too detrimental. Gilding rubbed to handles and shaped panels. A blister mark to the interior base rim. Most faults visible on images.
Two Chinese canton rose enamel porcelain dishes, circa 1860/70, decorated with a floral basket and vase framed by Buddhist symbols, the other with fanciful birds, butterflies, fruits and flowers, each with apocryphal seal marks to the underside, 19cm diameterCondition report: Buddhist symbol dish with a small section of restored rim chips. The rose canton plate with a small firing fault rim chip.
A Chinese Canton Rose enamel part teaset, circa 1860/70, comprising large teapot, two small teapots, milk jug on three legs, two jars and covers, an ointment pot and cover and ten assorted cups, each with typical Canton figural panels opposing panels of birds amongst flowers, (17)Condition report: Large teapot with break and chip to spout tip which has been glued. The smallest jar and cover has a tiny rim chip to the cover and a larger chip on the jar rim. The larger of the smaller teapots has a small chip to the tip of the peach finial and a small chip to the underside of the rim, the spout has a chip at the tip. The smallest teapot has a small interior rim chip. One leg on the milk jug g=has been broken off and glued back on. The ointment pot has small chip around the rim of the cover. Of the two smaller cups - one has a 4cm hairline crack. Of the eight larger cups four have faults - one has a restored handle, one has a rim chip from which issues a 4cm 'J' shape crack and a 3cm crack, one cup has a poorly restored rim chip from which issues a full length hairline crack, one cup has a 5cm hairline crack.
A Tudor style dolls house, English 1930s, with painted white exterior and Tudor style exposed beams, carry handles to base, and with five glazed windows and front garden with fence, steps leading to wooden panelled front door, and having red tiled pitch roof with two large chimney stacks, green guttering and down-pipe, the house is open to the back and has four rooms, hallway and bathroom, two interior doors to ground floor and lino to floors, living room with fireplace and surround, kitchen has built in oven and dresser, all rooms with a good amount of furniture including various beds, chairs, tables, metal pram, settee, blue enamel set including coffee pot, ornaments and more, (condition: some pieces to fence missing), 30 ½” (80cm) tall, 41” (104cm) wide, 21 1/2 “ (54.5cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.
A Chinese Daoguang porcelain bowl, the interior with turquoise glaze and gilt rim, the exterior white ground applied with red enamel seal marks, on a pink enamelled footed base, the underside with red archaic seal mark, 15 cm diameterCondition report: loss of gilding to the rim, pitting, no chips, cracks or breaks, overall good condition
A Chinese Mandarin Qianlong plate, 18th century, of octagonal form with central figural scene with children, dogs and maidens in an outdoor setting by a lake, applied with polychrome enamels and gilt embellishment, 21.5 cm wideCondition report: overall good condition, two small chips to the rim of the plate, minor loss of enamel and gilding, some pitting to the back.
Loading...
