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396325 Los(e)/Seite
Los 267
Halcyon enamel pill box with dog motif and a Toye Kenning and Spencer enamel box The Worshipful Company of Engineers, boxed, a pair of Japanese Kutani vases 23cm high and a Japanese blue and white bowl 24cm dia and a Wedgwood jasper ware vase Condition report for Kutani vases onlyBoth with extensive damage cracks and chips to rims and cracks to body please see additional images
Los 324
A ladies open face pocket watch with white enamel dial, black Roman numeral hour markers within a bead minute track, steel hands, fitted with a lever wind movement, the case back marked 18 ct yellow gold Movement winds and hands turn. Not tested for timekeeping.Gross weight 35 gramsdiameter measuring approximately 35mminner dust cover stamped CuivreLight scratches to case surfaces .Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 38
A miscellaneous selection of small items of porcelain and enamel, various dates late 19th and mostly 20th century, including enamel boxes, porcelain boxes and other itemsProvenance: Property of a private family collection.Condition Report: Some damage and restoration to be found in this lot. Sold 'as viewed'. Condition report not available.Condition Report Disclaimer
Los 273
Fry's Pure Concentrated Cocoa an enamelled tin advertising sign, makers to the King and Queen, a Lyon's Tea and Yorkshire Tea double sided enamel advertising sign, a Drink Coca Cola Ice Cold enamel sign, a Lyon's tea enamel sign and a Fry's Chocolate enamel sign 121 x 30.5cm, (5) Provenance The collection of Pam and Mark Taylor.
Los 321
A pair of Elkington & Co cloisonne enamel vases, tapering cylindrical form with everted top rim, decorated with butterflies flying amongst berried and flowering foliage sprays, in colours on a blue ground, signed in the enamel Elkington & Co and stamped mark to base, damages, 17cm. high, (2)
Los 323
A Guild of Handicrafts copper and enamel box by Arthur Cameron and Charles Robert Ashbee, the hammered rectangular box on ball feet, the hinged cover inset with enamel panel of a standing rhinoceros by Arthur Cameron, cedar lining, enamel signed AC monogram, paper John Jesse label, 18 x 11cm, 5cm. high Provenance Charles & Lavinia Handley-Read John Jesse Andrew McIntosh Patrick Literature Alan Crawford C.R.Ashbee Architect, Designer & Romantic Socialist, Yale, page 329 plate IX for three comparable silver and enamel boxes illustrated including one by Arthur Cameron. The illustration also shows an enamel by William Mark of St George on Horseback based on an engraving by Durer. This enamel is also after the Rhinoceros woodcut by Durer dated 1515.
Los 36
A large Minton's Kensington Art Pottery Studio wall charger, in the manner of Dr Christopher Dresser, the design depicting a bird flying past bamboo shoots, in colours on a black ground, outlined in gilt and imitating Japanese cloissone enamel, printed factory mark, painted monograms, 39cm. diam. Literature Dan Klein Aspects of the Aesthetic Movement, Catalogue number 70, illustrated on the front cover for a comparable example with a date code for 1872.
Los 384
An Osiris Isis pewter and enamel biscuit box after a design by Archibald Knox, model no.436, circa 1905, flaring square section on flaring foot, cast in low relief with Art Nouveau entrelac design, the twin-hinged cover set with green and blue enamel roundels, cast marks to base, 12.5cm. high Literature Stephen Martin, Archibald Knox, ARTMEDIA, page 245 for the original Liberty silver design illustrated.
Los 393
An impressive George Hunt silver, enamel and pearl set brooch, the pierced oval frame enamelled with a large exotic bird perched amongst foliage, set with five pearl cabochon, stamped GH shield mark, 6cm wide. Provenance George Edward Hunt, thence by descent. text before section George Edward Hunt It will be 14 years ago next month that the touring exhibition, 'George Edward Hunt-The Silent World of an Arts and Crafts Jeweller' took place. It was the first time that his work had been focused upon in any depth. The majority of exhibits came directly from the family. The exhibition illustrated the diverse range of items George, who was deaf, produced from his workshop in Birmingham. It showed how George not only designed and produced pieces in his own inimitable style but drew upon bygone influences and embraced current trends-from revivalist silver work to enamel panels and jewellery all steeped in the Arts and Crafts ethos. As a result of the exhibition his work is now better recognised, understood, appreciated and collected. It is once again thanks to the family that a selection of his work is being offered here. Allowing an opportunity to acquire pieces featured in the exhibition and others that have never been seen outside of the family circle since leaving George's humble garden workshop. John Kelly October 2020.
Los 394
A George Hunt silver and enamel St George and the Dragon brooch, dated 1937, oval wirework frame with rivet panels, central oval enamel painted with ST George on horseback fighting the dragon, in colours, highlighted in gilt, signed G Hunt 1937, 6.5cm. long Provenance George Edward Hunt, thence by descent.
Los 395
A George Hunt silver and enamel brooch, dated 1924, rectangular wirework frame set with two green jade cabochon, with corded border, central enamel panel with sailing ship at full sail before the rising sun signed G Hunt 1924, 4.2cm. long Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 28 catalogue number 49 (not illustrated).
Los 396
A George Hunt silver and enamel Secessionist brooch, dated 1937, the rectangular silver frame with offset leaf with chrysoprase stone, set with an enamel of a woman before a rainbow, and another George Hunt silver and enamel brooch enamelled with a basket of flowers painted G Hunt 1937 to main, second signed G Hunt, 5.5cm. long, (2) Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 38-39 catalogue number 76.
Los 402
A George Hunt silver and enamel brooch, circular wirework frame set with blue enamelled leaves, set with two agate cabochon and a moonstone, and a George Hunt silver and enamel bar brooch set with abalone unmarked, 3.5cm. diam. (2) Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 22-23 catalogue number 29 (circular brooch).
Los 403
A George Hunt silver and enamel brooch, dated 1922, the oval wirework frame with rope twist border, set with oval enamel panel of white lily stems, and another George Hunt enamel brooch enamelled with a panel of stylised anemone flowers dated 1936, main signed G Hunt 1922, 6cm. long (2) Provenance George Edward Hunt, thence by descent.
Los 404
A George Hunt silver and enamel dress clip, double circular wirework frame with blue enamel leaves and pink and white enamelled flowers, set with small sapphires, the frame set with eight moonstone cabochon, the silver clip engraved with foliate wreath, stamped GH shield mark, 6cm. long Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 36 catalogue number 71
Los 405
A George Hunt silver and enamel St Francis of Assisi pendant, dated 1933, oval wirework frame with green enamel leaves set with four amethyst stones, set with central enamel panel painted with St Francis, with empty drop, enamelled G Hunt 1933, 7cm. long Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 16 catalogue number 17 (not illustrated). A pendant with the same subject matter was exhibited at the Walker Art Gallery in Liverpool in 1922.
Los 406
A George Hunt silver and enamel pendant necklace, wirework frame with leaf motif, set with two coral cabochon, the rectangular enamel panel painted with a wooded landscape, with green agate drop, the chain with two green agates painted G Hunt 1924, chain broken, 7.5cm. long (2) Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 20 catalogue number 25 (not illustrated).
Los 409
A George Hunt pewter and enamel brooch, square section cast in low relief with foliate design, central large blue enamel stone, a smaller pewter and orange enamel sunrise brooch and another pewter mounted brooch, sunrise brooch stamped GH shield mark, 5cm square (largest), (3) Provenance George Edward Hunt, thence by descent.
Los 412
A George Hunt silver and enamel portrait pendant of Anne Lutterell Duchess of Cumberland, dated 1932, the oval panel set in simulated pearl border, green enamelled foliate frame set with turquoise coloured paste cabochon and colourless pastes, with paste bead drop, signed, titled and dated to reverse of enamel, 8cm. long Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 26 catalogue number 44 (not illustrated).
Los 414
An impressive large George Hunt silver and enamel brooch, dated 1929, the oval wirework frame with stylised foliate sprays set with colourless, blue and green pastes, rope border housing a central enamel panel of a bouquet of flowers in colours on a blue ground, signed G Hunt dated 1929 to reverse, 6.5cm. long Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 34-35 catalogue number 69.
Los 415
A George Hunt silver and enamel brooch, dated 1937, the wirework frame with blue enamelled leaves and set with four abalone shell panels flanking two moonstone cabochon, central oval enamel painted with a basket of forget me not flowers, painted G Hunt 1937, 6.5cm. wide Provenance George Edward Hunt, thence by descent. Exhibited George Edward Hunt The Silent World of an Arts and Crafts Jeweller. November-December 2006, Bonhams, page 36 catalogue number 74 (not illustrated).
Los 417
A large George Hunt silver and enamel brooch, oval frame set with rose quartz and abalone shell stones, flanked with blue enamel leaves, the central panel enamelled with a flower bouquet, a smaller George Hunt silver and enamel brooch enamelled with a single flower stem, dated 1937, and another silver and enamel brooch second brooch signed G Hunt and dated 1937, 8cm. long (main brooch), (3) Provenance George Edward Hunt, thence by descent.
Los 421
A George Hunt silver and enamel bar brooch, modelled as a stylised tree, with enamelled blue tree and set with green and lavender stones, and two George Hunt silver and enamel geometric brooches, stamped GH mark to all three, 5.5cm. long (main (3) Provenance George Edward Hunt, thence by descent.
Los 431
A William H Haseler silver and enamel moth pendant, modelled as a stylised moth enamelled green and orange, with circular enamelled drop, stamped WHH silver, 4.5cm. long Literature Victor Arwas, Liberty Style, Parco, page 71 for a comparable design illustrated. Simplicity or Spendour, Cheltenham Museum & Art Gallery, figure 82 catalogue number 113 for a comparable example illustrated.
Los 436
An Art Nouveau William H Haseler silver and enamel pendant necklace, pierced and cast with foliate design, enamelled in shades of blue and yellow, on simple chain necklace, stamped makers marks under flooded enamel, 4cm. long Literature Victor Arwas, The Liberty Style Academy Editions, page 17 for a comparable design illustrated.
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396325 Los(e)/Seite