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396323 Los(e)/Seite
Robatham Hampstead; a Regency mahogany brass strung bracket clock, the moulded arched top with brass carrying handle, the re-painted enamel dial with Roman numerals, having pierced brass side grilles, a rippled lower frieze, on brass ball feet, the twin train fusee movement striking on a bell, 50cm high, with key (2).Illustrated
Charles Vincent & Cie; a George III style rosewood boxwood strung and ebonised case lancet top mantel clock, early 20th century, the white enamel dial with Arabic numerals above a fan paterae oval, silver lion mask ring side handles hallmarked for James Deakin & Sons, Sheffield 1908, on brass ogee bracket feet, the twin train movement striking on a gong, 30cm high.
Two Halcyon Days enamel boxes, boxed, carved bone needle case, 19th century, set of brass letter scales and weights, two carved wooden bears, opera and field glasses, Stratton compacts, sewing etui, late 19th century pair of West German figures of cockerels, pair of Vienna style vases, Noritake and other items (qty).
A PAIR OF FRENCH ENAMEL OPERA GLASSES, LATE 19TH C painted in polychrome with 18th century lovers, a woman seated beneath a tree to the reverse, mother of pearl fittings, 5.5cm h, silk lined velvet bag++In fine condition and working order, excellent examples, no restoration. Case original but threadbare
A FINE GERMAN ENAMEL BINDING, attributed to Georg Strauch, NureMberg, 17th c painted with Christ and the Virgin Mary surrounded by a wreath and bright orange tulips and other flowers, the corners and spine with further flowers, in chased copper gilt mounts with a contemporary edition of Ofsicium B. Mariae vir.g, title in red and black with engraved portrait of the Virgin, marbled endpapers, aeg and gauffered, Antwerp 1665, 7.7 x 11cm The present newly discovered binding, a small but beautiful example of 17th century German enamel work of the highest quality, is here firmly attributed to the Nuremberg miniaturist and enameller Georg Strauch (1613-1675). The distinctive bright colours, combined with the meticulous technique of a miniature painter is enlivened and enhanced by the white ground. Other enamels by Stauch are recorded on the work of both Augsburg and Nuremberg goldsmiths on various objects, such as canisters and several other rare bindings. An example of one of these is in the Musee Condée, Chantilly. It appears undoubtedly to be by the same hand as the present lot. See Schneeberger (P-F) Les Peintres sur Email Genevois au XVIIe et au XVIIIe Siecle, Geneva 1958, pp93-4, fig 13. Another, very similar, slightly larger binding attributed to Strauch, painted with allegorical scenes of Charity and Felicitas with Justice, with a provenance from its ownership by William Boyd Carpenter, Bishop of Ripon (1841-1918) Chaplain to Queen Victoria and subsequently in other distinguished collections including that of Grace Whitney Hoff (1862-1938) was sold Christie's, 3 June 2014, lot 373. ++Binding detached, the upper board with internal scratch and tiny faint hairline crack possible caused in firing otherwise very fine, book detached, incomplete, lacking some leaves and all after p674, text block weak and strengthened with glue
A VIENNESE ENAMEL DISH, ATTRIBUTED TO HERMAN RATZERSDORFER, C1870 the central depiction of the Sacrifice of Iphigenia bordered by continuous mythological scenes, the underside painted with seven different flowers on a gilt ground, on low silver gilt foot, 20cm w++Two hairline scratches in the border at 11 and 4 o'clock, on the reverse two flat chips near the edge, no restoration
A STAFFORDSHIRE PEARL GLAZED EARTHENWARE MODEL OF A FOX, C1820 with overglaze enamel painted decoration, 10cm hThis model with its companion, was also made at the Derby porcelain factory as well as cast in bronze. For the Derby versions see Rice (D G), English Porcelain Animals of the Nineteenth Century, Woodbridge 1989, fig 25 (upper centre) and col plt 26.++Firing hairlines and one or two tiny grazes, no restoration
A STAFFORDSHIRE PEARL GLAZED EARTHENWARE TOBY JUG, OF UNUSUAL SMALL SIZE, C1800-20 with overglaze enamel painted decoration, 17cm h++Chip on one back corner of tricorn, left thumb chipped, small chip on front of base, vessels held in hands and handle in good condition, no other damage detected, no restoration
A RARE PINXTON ETRUSCAN RED GROUND BREAKFAST CUP, MANSFIELD DECORATED, C1800 painted with classical figure silhouette tablet to the front, 6cm h, black enamel decorator's initials LDLiterature: A Pinxton coffee can with the same decoration, but unsigned, was exhibited Mansfield Museum & Art Gallery, Billingsley Mansfield Exhibition, 1999, Catalogue No 88.++Slight scratches to brown colour and wear to gilding on rim
FIVE GOLD MOURNING BROOCHES AND ANOTHER, ALL ENGLISH, EARLY 19TH C comprising enamel, coral, split pearl and foiled garnet examples, 25mm and smaller, one engraved J Higginbottom died 23 Jan 1829 aged 71++The gold examples all in good condition, the gold plated small rectangular brooch with wear showing brass, noticeable under magnification
A PINXTON BUTE SHAPED TEA BOWL AND SAUCER, 1796-1813 pattern 44, enamelled in blue and green with pink accents and gilt with sprigs and ribbon border, saucer 13.5cm diam, P 44 in purple and a matching teacup (3)++Tea bowl and saucer in good condition and clearly marked in purple enamel. Cup with finely grazed and slightly stained glaze and wear
A DERBY GARNITURE OF THREE VASES, C1820 painted with a central round panel of flowers, 30cm h, crown and D mark++Large vase - localised flaking of the enamel on the flowers, no substantial damage or significant wear, one of the smaller vases with firing crack in rim, one handle damaged, tiny chips on foot. Second smaller vase - some small areas of flaking of the enamel on the flower painting, no significant damage, no recent or professional restoration detected on any of the three. An attractive garniture
A PAIR OF MINTON BONE CHINA CANDLESTICK FIGURES AND CONTEMPORARY REVIVED ROCOCO ORMOLU CANDLESTICKS, C1830 28cm h Literature: Another pair is illustrated Atterbury (P) and M Batkin, The Dictionary of Minton, Revised Edition, Woodbridge 1998, col plt 7. ++ Boy - Hat chipped (missing piece)lacking left foot and with flaking of the black enamel on the shoes, one or two tiny chips to the flowers and encrusted decoration but no other substantial damage, the candlesticks very dirty, the leafy drip-pan hanging somewhat loosely which might imply the lack of a spacer or similar between them and the sconce, both with the original nozzle Girl - head off and restuck, paint flaking in places, small hairline crack to back of one leg
TWO SÈVRES TEA BOWLS AND THREE SAUCERS (TASSES A THE ET SOUCOUPES), 1765-1769 & CIRCA painted with flowers, two tea bowls and one saucer by Nicolas Dutenda, J-B-D Bienfait L'aine or Mathieu, saucers 12cm diam, blue enamel interlaced L's, date and painters' marks ++One of the saucers with no painter's mark with tiny flat chip outside the rim, one tea bowl with slight wear to gilding on the rim
A FINE JAPANESE CLOISONNE ENAMEL SNUFF BOTTLE BY NAMIKAWA YASUYUKI, MEIJI PERIOD with butterflies and flowers on turquoise or green reserves between diaper, 8cm h, engraved signature++Undamaged, no restoration and with the superb quality associated with this eminent maker, cap original but stuck fast and no attempt has been made to open
A CANTON EXPORT IVORY FAN, C1840 the leaf brightly painted to both sides with various scenes, the figures with applied ivory faces, intricately pierced guards and carved sticks, giltmetal loop with red and white silver tassels, sticks 28cm, in the original black and gilt enamel box and eleven later French and various other fans, one with painted silk leaf of a young woman and Putto (12)++Canton fan with one broken guard, otherwise good, fan box with slight wear, the other fans in the lot in mixed condition, some good
AN ORMOLU MANTLE TIMEPIECE, STORR & MORTIMER LONDON, C1840 in Louis XV style, with associated enamel dial and chain fusee movement having round plates, the backplate inscribed Storr & Mortimer New Bond St, in openwork case with engraved diaper frets, 29cm h++Dirty, the enamel dial chipped, lacks pendulum, movement apparently complete but untried, handle slightly distorted and associated
A FRENCH GILTWOOD AND COMPOSITION WALL CLOCK, C1850 of picture frame design, the three train movement with enamel dial and two coiled wire gongs, pull repeat and close mounted musical box-movement, the fenestrated mask revealing pierced pendulum bob, 54 x 44cm++Movement requires attention, enamel dial slightly chipped, case with small losses to moulding and gilding
A FRENCH ORMOLU MOUNTED CUT BRASS INLAID, RED STAINED HORN AND EBONISED 'BOULLE' CLOCK, LATE 19TH C striking on a bell, 44cm h++In basically good unrestored original condition, the case with much build up of old dirt and grime, minor lifting of the brass in places, all mounts present, enamel numerals in good condition, movement complete and in working order although would benefit from an overhaul, oily/dirty
A FRENCH MALACHITE INSET GILT BRASS CARRIAGE CLOCK, LATE 19TH C in engraved gorge case, the movement striking on the hour and half hour on a bell, with platform lever escapement and repeat button in the top, the engraved door with shutter, 11cm h, case and backplate stamped 2114++Dirty/oily but in good working order having been running for over 24 hours when catalogued, back door lacking one pin, causing it to detach when opened but otherwise undamaged, enamel dial in good condition, the hands free from rust, both bevelled glass lights undamaged, striking/repeating correctly, escapement original and undamaged
A FRENCH ORMOLU MOUNTED SEVRES STYLE BLUE GLAZED VASE SHAPED MANTEL CLOCK IN LOUIX XVI STYLE, EARLY 20TH C the enamel dial painted with swags and inscribed GOWLAND BROTHERS PARIS, the door with paste set bezel, the movement striking on a coiled wire gong, backplate stamped FRENCH MAKE A851, 31cm h++Good condition

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396323 Los(e)/Seite