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396323 Los(e)/Seite
A Liberty & Co Pewter and Enamel Cigarette Box, Model No.01021, of rectangular form, cedar lined, the hinged lid with plaque by Fleetwood Charles Varley, depicting a windmill and thatched cottages, stamped Z MADE IN ENGLAND ENGLISH PEWTER 01021, 18.5cm by 11.5cm, 6cm high .Chip to the top right edge of the enamel. Bending to each corners of the hinge.
A Pair of Arts & Crafts Silver and Enamel Napkin Rings, made by William Hair Haseler, with stylised roundels, maker's mark W.H.H and Birmingham 1928, 2.5cm wide, in a Liberty & Co fitted box .Some areas of wear and damage to the enamel. Surface wear consistent with age. The box is worn and dirty.
A Phillips Model Z Brass and Enamel Desk Lamp, designed by Louis Christiaan Kalff, with black enamelled shade, cast Phillip's mark to top, 44cm high Literature Charlotte & Peter Fiell, 1000 Lights, Taschen, page 522. .Wear to the black enamelled shade. Missing a nut. Painted white at top of brass arm. Wear consistent with age and use.
A Victorian silver gilt and enamelled double scent bottle vinaigrette, Henry William Dee, London 1870, retailed by W J Thomas, Old Bond Street, reticulated and chased foliate trellis and scroll designs over blue guilloche enamel, between chased Gothic trefoil and Japonesque bands, in the Aesthetic Revivalist style, the central hinged section opening to reveal a further hinged vinaigrette, each main vessel with a spherical cap, on sprung hinged, the other screw fitting, 13cm long
Charles Fleetwood Varley for Liberty and Co., an Arts and Crafts silver and enamelled pin badge, Birmingham 1911, the shield form plaque with central roundel of a flower in in green metallic and blue enamel, flanked by foliate tendrils and raised inscription Love Never Faileth, suspended on two chains on an open scroll bar brooch, 6cm, 22.6g
William Mark, an Arts and Crafts silver and enamelled brooch, Chipping Campden, circa 1912, the fire opal enamel cabochon within a pierced lappet border, stamped marks, 3.5cm diameter Note: Australian silversmith William Mark worked at the Guild of Handicraft from 1909, before setting up on his own and remaining in the Cotswolds until his return to Australia in 1920. The influence of his Australian heritage is seen in the simulation of a black opal, emerging out of Australia in the late 19th century.

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396323 Los(e)/Seite