A Swiss 18ct gold and enamel cased keyless wind open-faced lady's pocket watch, first half 19th century, with unsigned gilt movement, the gold inner case back detailed 'Moulinie Aine & Cie Geneve', the silvered dial with floral engraved centre and black Roman hour numerals, the case back interior detailed '18K', the case back enamelled with polychrome flowers on a black ground, total weight 27g, case diameter 3.5cm (some faults), with winding key. Note: Moulinie Aine & Cie were reputed watchmakers working in Geneva during the first half of the 19th century.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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An early 20th century German brass four glass mantel clock, the eight day movement striking hours and half hours on a gong, with mercury compensated pendulum, the circular white enamel dial with black Arabic hour numerals, the glazed brass case with arched pediment, on bracket feet, height 35cm, with winding key.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A silver Turkish market .800 silver hunting cased keywind gentleman's pocket watch, the jewelled movement detailed 'Sakalaroff & Cie Constantinopolitain', the signed enamel dial with black Turkish hour markers and subsidiary seconds, the case with engine turned decoration, diameter 5.5cm, together with two other Turkish market hunting cased keywind pocket watches, case diameter 5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late 19th century French gilt metal mounted and red tortoiseshell boulle cased mantel clock with eight day movement striking on a bell, the backplate stamped 'L & B', the embossed gilt dial inset with enamel hour markers, the balloon shaped case with foliate scroll mounts, surmounted with a seated putto above lattice fret panels to sides and griffon scroll feet, height 44.2cm, with pendulum and winding key.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Packer 18ct gold circular cased wristwatch, the gilt jewelled lever movement detailed 'Swiss Made 15 Jewels', 18ct gold inner case, the signed enamel dial with Arabic numerals and centre seconds, import mark London 1915, case diameter 3.4cm, with a gold cased expanding curved bar link bracelet, detailed '9ct Britannic', total weight 33.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A mid to late 19th century French ormolu mantel clock, the eight day movement striking on a bell via an outside countwheel, the backplate with stamped 'Raingo Freres Paris' maker's mark, the scroll embossed gilt dial inset with white enamel hour plaques with blue Roman hour numerals, the rococo scroll moulded balloon shaped case cast with fruiting vines and foliate scrolls, on an integral scroll moulded base, height 40.3cm, with pendulum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
JAEGER-LeCOULTRE, ATMOS MANTEL CLOCK CIRCA 1960-69 no.138236, the white enamel chapter ring set with gilt dagger hour markers and Arabic numerals at 3, 6, 9 and 12, in giltmetal case22cm highCondition good to fair. Crude repair to bottom left of door. Further wear as per use and age. Works at time of testing. Additional images now available.
VICTORIAN WALNUT MANTEL CLOCK with one train eight day movement, the white enamel dial with Roman numerals, subsidiary seconds dial, the drum head case with carved and moulded foliate detail, stepped oblong base43cm highIs ticking, no guarantee of working order, no key present but simply operated by winding
FRENCH MANTEL CLOCK 19TH CENTURY with twin train eight day movement by Rango Freres striking on a bell, the white enamel dial with Roman numerals, the gilt and brass case with Medici lion surmount, on scroll bracket feetBody appears to be bronzed brass or a similar sheet metal with gilt metal mounts; 42cm high, 30cm wide
OVAL REPEATER CARRIAGE CLOCK LATE 19TH CENTURY with twin drum eight day movement, the white enamel dial with Roman numerals, in brass and bevelled five glass case12cm highTicks when wound and chiming mechanism works when repeater button pressed so appears in working order but we cannot offer any guarantee
FRENCH BLACK SLATE MANTEL CLOCK LATE 19TH CENTURY with bronzed figural surmount, the enamel dial set with Roman numerals and flanked by relief panels, with eight day Japy Freres movement, raised on cast paw feet47cm highQty: 1Not in working order, has been overwound, mechanism will require attention; chips and losses, see images
FRENCH ORMOLU AND WHITE MARBLE MANTEL CLOCK LATE 19TH CENTURY with eight day movement and visible escapement, the white enamel dial with Roman numerals, inscribed Raingo Fres. of Paris, contained in a glazed ormolu case with bird finial, the white marble base on acanthus bracket feet42 cm high
JAEGER-LeCOULTRE, ATMOS MANTEL CLOCK no. 430614, the white enamel chapter ring set with gilt dagger hour markers and Arabic numerals at 3, 6, 9 and 12, in giltmetal caseClock currently working. Light wear to case as expected with age. Someone appears to have marked it to the back right corner of the base with A serial code in invisible ink. Additional images now available.
GOOD FRENCH JAPONISME CLOCK GARNITURE LATE 19TH CENTURY with two train eight day Japy Freres movement striking on a coil, the painted enamel dial set with Arabic numerals, the domed case with pineapple to urn finial, set with hand-painted porcelain panels decorated with birds and foliage in the Japanese taste, beaded and acanthus gilt metal borders, the block base with central mask, on four bun feet, with similiarly decorated white metal side urnsQty: 3Silvered and gilt metal; surface scratches, scuffs and rubbing to silvering and gilding; some small chips and dents; tarnish, some oxidisation and pitting to metal; not currently running when wound, assume mechanism will require attention; additional images available; clock 42.5cm high, garniture 28cm high
* Melehi (Mohamed, 1936-2020). Composition, circa 1980s, cellulose paint and spray paint on thick wood panel, of a wave motif in yellow, pink and purple on a dark blue background, with original printed label to verso of Art and Design Consultants label with 'artist: Melehi, reference number: 55, dimensions: 400 cms L x 236 cms H and specifications: enamel steel' in manuscript to verso, some minor chips to lower edge, 29.5 x 45 cm (11 5/8 x 17 3/4 ins)QTY: (1)NOTE:The present work may have been submitted as a small-scale sample for the large mural by Mohamed Melehi commissioned by Jeddah Airport in the 1980's. The label to verso refers to the suggested size of the completed work: 4 metres x 2.36 metres.Melehi was born in Asilah, Morocco, in 1936. He studied at the Ecole des Beaux Arts in Tétouan in Morocco from 1953–1955, and in Seville, Madrid, Rome and Paris before crossing the Atlantic to Minneapolis and New York, spending time at Columbia University with a Rockefeller Foundation scholarship. He returned to Morocco in 1964 and was an influential teacher at the School of Art in Casablanca as well as a founder member of the ‘Casablanca group’ of artists that included Farid Belkahia and Mohamed Chabâa. He was also arts director at Morocco’s Ministry of Culture (1985–1992) and a cultural consultant at the Ministry of Foreign Affairs and Cooperation (1999–2002). His work has encompassed being a publisher, graphic designer, sculptor, painter, muralist, teacher, organiser of exhibitions and festivals. He is regarded as a major figure of postcolonial Moroccan art and of modernism in the Global South.
* Melehi (Mohamed, 1936-2020). Composition, circa 1980s, cellulose paint on thick wood panel, of a wave motif in orange and grey colours on a light blue background, with original printed label to verso of Art and Design Consultants with artist: Melehi, reference number: 53, dimensions: 400 cms L x 236 cm H, and specifications: enamel steel in manuscript to verso, a few minor surface marks, 29.7 x 45 cm (11 5/8 x 17 3/4 ins)QTY: (1)NOTE:The present work may have been submitted as a small-scale sample for the large mural by Mohamed Melehi commissioned by Jeddah Airport in the 1980's. The label to verso refers to the suggested size of the completed work: 4 metres x 2.36 metres.Melehi was born in Asilah, Morocco, in 1936. He studied at the Ecole des Beaux Arts in Tétouan in Morocco from 1953–1955, and in Seville, Madrid, Rome and Paris before crossing the Atlantic to Minneapolis and New York, spending time at Columbia University with a Rockefeller Foundation scholarship. He returned to Morocco in 1964 and was an influential teacher at the School of Art in Casablanca as well as a founder member of the ‘Casablanca group’ of artists that included Farid Belkahia and Mohamed Chabâa. He was also arts director at Morocco’s Ministry of Culture (1985–1992) and a cultural consultant at the Ministry of Foreign Affairs and Cooperation (1999–2002). His work has encompassed being a publisher, graphic designer, sculptor, painter, muralist, teacher, organiser of exhibitions and festivals. He is regarded as a major figure of postcolonial Moroccan art and of modernism in the Global South.
SELECTION OF MOSTLY SILVER JEWELLERYincluding a marcasite and turquoise enamel set silver pendant on silver chain, a red lacquered pendant on silver chain, other pendants, a silver ball link neck chain, a silver heart locket pendant, a stone set unmarked silver ring, a silver gilt slider bracelet, various silver charms, a silver brooch decorated with an antelope, etc.
TRAVELLING CLOCK AND TWO POCKET WATCHESthe travelling clock in a folding steel case with a circular dial with Arabic numerals marked 'Swiss Made'; a pocket watch with a circular enamel dial with Arabic numerals and a subsidiary dial marked Recta, the case marked B.R.(Sc) (British Railways Scotland) 1106; and a pocket watch with a white enamel dial, Arabic numerals and a subsidiary dial, the case marked with the Broad Arrow, G.S. MKII A85221 (3)
LADIES FIFTEEN CARAT GOLD WRISTWATCHby James Weir Glasgow, the white enamel dial with Arabic numerals, with fifteen jewels movement and on fifteen carat gold expanding bracelet strap, total weight approximately 26.7 gramsNote: The watch is set up for a left handed person with winder to the left.
19th CENTURY FRENCH GILT METAL MANTLE CLOCKwith a circular enamel dial marked Hry Marc A Paris, with Roman numerals and an eight day movement, with a maiden seated in flowing robes holding a sickle and a sheaf of corn with a basket and hoe to one side above two painted porcelain panels, standing on elaborate scroll supports on an ebonised plinth under a glass dome, 36.5cm x 54cm excluding plinth and dome
French 19th century repeater carriage clock. With enamel, engine turned decoration, back plate stamped Aigullies, height 13.5cm handle down.One side panel has a large re-enamelled section and a few cracks, there is a single crack on the opposing panel.There is no key, however, the escapement rotates and the repeater functions but appears out of sync.
A Vienna regulator type walnut wall clock. Late 19th century, with ebonised mouldings and architectural cornice, circular white enamel dial, and single weight, height 106cm.We have not seen this clock running, it has a key, weight, and pendulum.There are a few hairline cracks on the dial. There is a split on the case and some veneer loss, please see extra images online.
A 19th century French gilt metal black enamel circular wall clock. With an enamel face with Arabic numerals and floral swags, diameter 10.5cm.The clock glass is lacking, scratches to the black lacquer, cracks and chips to the enamel face, the key is lacking, the movement has been running for 15 minutes and is still running.
An African Porcupine quill container. Together with an 18th century Chinese blue and white tea bowl, a small Chinese soapstone figure, a French folding travel Parker clock, silver plate sugar tongs, a Masonic enamel badge, various other pins and badges, a brass seal, a Mixed Dainty Dinah Toffees tin circa 1920 with contents, a brass and copper powder flask, a copy of Laura Knights Oil Paint and Grease paint Vol 2 and a biscuit tin with old pennies etc. (tray)
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