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396325 Los(e)/Seite
Los 16
Great War Voluntary Aid Detachment (V.A.D) Medal Group of Three, consisting of 1914-15 star, British War Medal and Victory Medal, all named to “K. B. BODDY V.A.D.” Comes with an enamel British Red Cross Society, London Paddington pin back badge. 34-year-old Miss Kitty Biggendon Boddy served as a Nurse with the Voluntary Aid Detachment in France between 12/8/1915 and 1/11/1915 at 20th and 24th General Hospitals.
Los 17
An Unusual Great War Balkans Nurses Medal Group of Three to Miss Edith Pierce Toms Who Served with the French Red Cross, consisting of British War medal, Victory medal “E.P. TOMS” with a Serbian Red Cross Medal 1912 in silver and enamel. Mounted as worn. Edith Pierce Toms medal index card indicates service as a Nurse with the French Red Cross entering the Balkan theatre of war in April 1915 (B.W.M. & V.M. only). The 7th November 1914 edition of The British Journal of Nursing has Miss Edith Pierce Toms working with the Society of Friends under the auspices of the ‘Association des Infirmières Visiteuses de France’. The edition of the Journal on 1st May 1915 reports that she is travelling to start work at Kragujevac, Serbia.
Los 18
An Interesting Medal Group of Five Awarded to a Resident of Jersey Who Served as a VAD Nurse During the Great War and Served in India During the Second World War, group consists Kaisar-I-Hind medal GVI in bronze in case of issue, Serving Sister of St John 2nd Type on ribbon bow, reverse engraved OLGA A SACHS, JAN 2ND 1940, QUETTA, British Red Cross Society Medal For War Service, unnamed as issued, Defence medal and War medal 1939-45. Lot includes a St. Johns pinback cap badge, and identity bracelet O A SACHS 225155 C OF E and an enamel British Red Cross Society, Jersey, Channel Islands badge engraved to the reverse OLGA LE CHASSEUR. Also includes several photographs. Olga Alice LeChasseur was born in 1892 in St. Helier on the island of Jersey. During the Great war she served in the VAD commencing her service on 13/1/1916 and was still serving in June 1919 at Chiseldon Camp Military Hospital, Swindon. Her record card indicates she was mentioned in despatches 17/4/1919 but this has not been located in the London Gazette. Post war she continued her Nursing training at Kings College Hospital London becoming a Registered Nurse in June 1923 and being gazetted as a Staff Nurse in Queen Alexandra’s Imperial Military Nursing Service on 7th November 1924. On the 8th December she married the Physician Albert Sachs (CB (1955), CBE (1952) BA Dubl (1926) MB ChB BAO (1926) MSc (1935) MRCP (1953) FRCP (1964) FRCPath (1964)) in Jubbulpore, India. Gazetted as a Serving Sister of the Order of St John on 2nd January 1940 and in the LG of 4th June 1943 she is listed as a Sister in Queen Alexandra’s Imperial Military Nursing Service. In 1948 she was awarded the Kaisar-I-Hind for services to the W.V.S. in India. Olga Sachs died on 23rd December 1979 in Crawley, West Sussex.
Los 20
Great War 1914-15 Star Trio and Silver War Badge Medal Group to a Chief Petty Officer in the Royal Navy, 1914-15 star, British War medal, Victory medal all named “145892 A. HAYES C.P.O. R.N”., with Silver War badge RN35869. This lot comes with a commercial book of photo postcards showing the aftermath of the Zeebrugge raid, an enamel buttonhole badge ‘Zeebrugge 1918’, metal identity tag and an interesting autograph book containing signed drawings, photos, poems and dedications. Most of the content appears to be from the Great War but there are some later additions. Noted amongst the contributors to the book is the poem by A.E. McKenzie A.B. H.M.S. Neptune who was awarded a Victoria Cross by ballot for the Zeebrugge raid. Born in Islington on 27th June 1872, Arthur Hayes started his Naval career as a Boy 2nd class on Impregnable in June 1888 and served through to June 1912 when he was discharged to pension. Re-joining for the war in August 1914 he was eventually invalided out in July 1919. SWB number confirmed as correct to Hayes.
Los 26
Grouping of Medals and Associated Items of 10th (Scottish) Battalion Kings Liverpool Regiment Interest, consisting of British War and Victory medals “4448 A. SJT. F.H. JONES L’POOL R”, 1939-45 star and a War medal 1939-45 (both unnamed as issued). Lot also includes 4 brass and enamel officers rank pips, a pair of Queen Alexandra’s Imperial military Nursing Reserve collar badges (Kings crown) and a white metal identity bracelet engraved ‘Sister G.G. Jones, Q.a.i.m.n. S.R., C.E.’ with the reverse engraved ‘2/RJ/676’. Frederick Henry Jones, born 1888 and gave his address as Osbourne Road, Tuebrook upon enlistment into 10th (Scottish) Bn. The Kings (Liverpool Regiment). Arriving in France in February 1917 he was later transferred to the Labour Corps serving in 64th POW Company and was demobbed in March 1919 giving his address as Mornington Avenue, Ilford, Essex. (Not been possible to determine the relationship of the other medals and items in this lot)
Los 264
Rare Special Mobile Force Mauritius Cap Badge, die stamped brass badge with red enamel centre. Two lug fittings to the reverse. The Special Mobile Force was formed following the withdrawal of the British garrison on Mauritius in 1960. The primary task of the SMF when it was formed was to ensure the internal security of the country. As formed, the SMF was made up of members of the local police force and Mauritian veterans of WW2.
Los 290
WW2 Polish 9th Bolonski Battalion Carpathian Rifles Breast Badge, silvered badge showing a diving Polish eagle holding an enamel shield with regimental details to the top of the shield. Screw post fitting on the reverse with the original dish shield having F M LORIOLI MILANO ROMA makers mark. Badge remains in good condition. Ex Jerry Withers collection.
Los 291
WW2 Polish 9th Flanders Rifle Regiment Breast Badge, brass example with Polish eagle and helmet of the Polish armoured division and 9B SF, missing the enamel Flanders emblem. Screw post fitting to the reverse with plain dish back. Badge numbered 504 to the reverse. The 9th Flanders Rifle Battalion was part of the 1st Armored Division of General Maczek. The regiment fought in France, then in the Netherlands, Belgium and Germany. Ex Jerry Withers collection.
Los 317
Early WW1 Period Royal Flying Corps Pilots Wing, fine quality embroidered pilots wing with the wreath and wing feathers picked out in a khaki thread. 10 feather variation showing signs of uniform removal. Accompanied by an other ranks RFC cap badge, brass RAF cap badge, gilt and enamel RFC sweetheart wing brooch (missing pin), RAF silver and enamel sweetheart brooch and a leather Army Air Corps badge. (6 items)
Los 358
2x WW2 Polish Air Force Identity Bracelets, first being a fine 1930’s deco style bracelet on linked chain with a red and enamel and mother of pear shield in the form of the Polish air force coloured diamond with Polish pilots badge to the centre. Reverse engraved “3-10-1902 L. WHERLY”. The second in the lot is a silver bracelet with Polish pilots badge to the centre and reverse is engraved “SOUVIENS – TOI TOUJOURS – JEAN – 1943”. Both remain in very good condition. (2 items)
Los 362
WW2 British 14th Army Identity Bracelet, fine example produced in silver and enamel with the reverse engraved “R.V. CHAPMAN 861971”, with linked wrist chain. Accompanied by a plain sterling silver linked identity bracelet engraved “F. SADLER W/79986 A.T.S” and a Italian campaign commemorative bracelet. (3 items)
Los 444
Kings Bodyguard of Scotland Royal Company of Archers Full Uniform, Headdress and Sword Grouping Contained in the Original Metal Storage Trunk Belonging to A A Lawrie, the grouping consists of the long pattern green cloth tunic with gauntlet cuffs and shoulder wings. Trimmed with black braid and crimson velvet, four bars of black braid across the chest, showing a light crimson velvet. Black braid and crimson velvet also to the collar. Crimson silk shoulder cords with gilt metal button. Fine quality sash with large badge in fine gilt metal to the centre and a lower sash badge in gilt and enamel retaining nearly all the original fire gilt finish. Royal Company of Archers cape in green cloth with collar. Bands to the inside to fasten the cape down. Cape lined at the shoulders with green Italian cloth. Gilt metal special pattern cape chains and large gilt metal buttons. Full dress bonnet in green cloth with black braid trim. Crimson tuft to the top. White and green silk cockades with fine gilt metal bonnet badge which retain nearly all of the original fire gilt wash finish. Complete with the original feathers. Black leather belt with sword frog and gilt metal Royal crest plate, the circlet inscribed “Kings Bodyguard for Scotland”. Parade pattern short sword made retailed by J Stewart & Son Edinburgh, ornate gilt metal hilt, acid etched blade with GRV cipher. Much of the original polish remains to the blade. Housed in the original leather and brass mounted scabbard. All housed in the original metal transit trunk with brass name plate engraved “A A Lawrie”. A truly fantastic condition set which shows very minimal wear. Ex Bennett collection. Please note we are not able to offer in house post and packing on this item due to weight and size.
Los 547
Third Reich SA (Sturmabteilung) Erased Rohm Inscription Dress Dagger by Carl Eickhorn, good untouched example with brown wooden grip having enamel SA device and eagle inserted. Rear cross guard with gau mark “Ha”. Complete with the original anodised scabbard with single brown leather hanging strap. Near mint condition blade retaining much of the original cross graining. Motto to the blade “Alles fur Deutschland”. Reverse of the blade with Carl Eickhorn Solingen makers mark. The blade has had the original Ernst Rohm dedication filled off very crudely. The blade measures 22 ¼ cms, overall 37 ½ cms.
Los 549
Third Reich SA (Sturmabteilung) Dress Dagger by F W Holler Solingen, good example of an early model SA dress dagger with the original brown wooden grip having inserted eagle and enamel SA device. Lower cross guard fitting stamped with Gau district mark “Nrh” and engraved “BR.15 / 1752”. Double edged blade with motto “Alles fur Deutschland”. Reverse of the blade with makers trade mark and engraved with a dedication “Sturmfuhrer Kurt Niehenke zum 35 Geleuntstag 25.6.36 S.A – Gruppe – Nordsee”. Blade measures 22cms, overall 37cms. We are of the opinion that the engraved inscription has been applied after the war, possibly to commemorate a veteran of the SA.
Los 559
Third Reich Hitler Youth Boys Dagger by F W Holler Solingen, untouched example with two piece chequered grips with loose fitted HJ enamel diamond badge inserted to the centre. Housed in its blackened steel scabbard with leather belt loop attachment and press stud fastening. Plain single edged blade with the reverse having RZM stamp and M7/33 for the maker of F W Holler, Solingen. Blade 13 ¾ cms in length, overall 25 ½ cms.
Los 560
Early Third Reich Hitler Youth Boys Dagger with Motto by Hartkopf & Co Solingen, untouched example with two piece chequered grips. Fixed HJ diamond insignia to the grip, one small chip to the enamel. Early type blade with the motto “Blut und Ehre!”and makers mark for Hartkopf & Co Solingen GES GESCHUTZ. Housed in its original blackened scabbard with the leather belt loop fitting and damaged fastener strap. Blade 13cms, overall 25 ½ cms. Dagger shows some wear but a rare to find makers mark.
Los 561
Third Reich Hitler Youth Transitional Boys Dagger with Motto by Tiger Solingen, untouched example with two piece chequered grips. Loose fitted enamel HJ diamond to the centre. Transitional type blade with the motto “Blut und Ehre!” and makers mark Tiger Solingen, also marked with RZM M7/68. On the same side of the maker is “Plon”, said to be the NPEA school. Housed in the original steel scabbard with leather belt loop fitting, this has an impressed stamping. Blade 13 ¾ cms, overall 25 ½ cms.
Los 562
Third Reich Hitler Youth Boys Dagger by Anton Wingen JB Solingen, well used example with plated pommel and cross guard. Two piece black chequered grips with enamel HJ diamond fixed (no movement). Housed in the original scabbard with leather belt loop. The blade has been heavily sharpened but the motto does still appear, “Blut und Ehre!”. Makers trade mark to the centre of the reverse. Blade measures 12 ½ cms, overall 25cms.
Los 584
Third Reich Period Adolf Hitler Strasse Enamelled Street Sign, superb example of the rare to find white enamel with black lettering “Adolf Hitler-Straße”. Drill holes to each corner of the sign. Some little scuffs along the edge of the sign and some surface rust spots to the black reverse but generally an excellent example of a rare to find street sign from the Third Reich period. Many towns in Germany would have had a street named after Adolf Hitler and other leading figures from the Third Reich. Examples for Adolf Hitler were highly sought souvenirs for British and American forces who liberated / occupied German cities on their advance. Many of the Adolf Hitler examples were damaged when removed from buildings but this example is the best of this type we have ever seen. Measures 87 1/2 x 15 1/2 cms approx.
Los 600
WW2 German Deutsche Kreuz (German Cross) in Gold, untouched example of the metal breast award with gilt wreath having 1941 date to the lower section. Black enamelled central swastika. Reverse with four rivet fittings and the original pin and catch fixing. Some wear and damage to the enamel swastika. Award has the features of the maker Steinhauer & Luck.
Los 613
WW2 German Luftwaffe Paratroopers Award Grouping, consisting of a machine embroidered cloth Parachute qualification badge, original paper packet for the Iron Cross 2nd class (no cross), crude pair of flight section enlisted ranks tunic shoulder straps, personal silver finger ring, Italian made enamel regimental tradition badge for the 1st Fallschirmjager regiment, plus other items.
Los 620
Third Reich Nurses Award & Insignia Grouping, consisting of the social welfare / red cross medal with its original full length ribbon, 2x brooch badges in enamel for the Deutsche Rotes Kreuz (German Red Cross), cotton Red Cross armband with the remains of the ink issue stamp visible and personal identity card from the German Red Cross with image of her in uniform. Group all belonged to Herta Tonndorf from Hannover.
Los 621
Third Reich Mothers Cross Award and Citation, bronze grade mothers cross award with small section of the medal ribbon but the original paper packet of issue. The paper packet has maker details of Ernst Schneider Ludenscheid to the reverse. Accompanying the medal is the original 1939 dated formal citation, awarding the medal to Albertine Gerke. Small bit of enamel damage to the medal, otherwise nice set.
Los 648
Grouping of WW2 Italian Fascists Badges & Insignia, including the circular breast badge of the G.I.L movement with profile of helmeted Mussolini to the centre, enamel lapel badge with Italian fasces on national colours with “P.N.F”, two other small enamel lapel badges, an Italian Air Force officers belt buckle in gilt metal, two bronze regimental medals and a personal ring. Ex Jerry Withers collection.
Los 649
Axis Forces Croatian Pilots Wing, fine example of the frosted silver and enamel pilots wing as worn by Croatian pilots who were serving with the Luftwaffe from 1942. Centre of the wing with enamelled shield in the Croatian national colours with black enamelled U to the top. Complete with its pin and catch fixing to the reverse. Remains in excellent overall condition. Ex Jerry Withers collection.
Los 844
2x WW1 Engraved Wristwatches, the first with un-marked enamel dial and subsidiary dial, engraved to the reverse of the casing “Cpl W. MILLS ATTD R.H. GDS 1917” and the other watch with white enamel dial, engraved to the reverse of the casing “M HERVEY PRES W.R.N.S 23.11.18”. Both do not appear to be in working order, first missing winder. (2 items) Ex Jerry Withers collection.
Los 265
painted wood, specimen wood and mother of pearl marquetry, enamel, comprising a WARDROBE, 174cm wide, 209cm high, 59cm deep; and a DRESSING TABLE, 106cm wide, 167cm hSaveigh, 50.5cm deep, stamped to wardrobe R329/ 147Footnote: Literature: Bennett, D. Shapland & Petter of Barnstaple, Museum of Barnstaple & North Devon, 2005, p. 79, pl. 5.24 illus.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 184
silver and enamel, signed lower left VARLEY, stamped STERLING SILVER 5.3cm x 3.6cmFootnote: Note: Fleetwood Varley (1863-1942) worked at The Guild of Handicraft from 1899 and was a renowned artist and gifted enameller. He was a friend of C. R. Ashbee and collaborated on finely painted enamel works mounted in silver at Chipping Camden.
Los 612
white metal and enamel, bears inscription under cover dated November 196213cm diameter, 22cm highCover - unmarked metal work all in good order, green cabochons all present, enamel work all in good order, engraving to underside of good quality and clear Base - Unmarked all in good order, applied decoration all complete, cabochons all presentBoth borders with applied wire work all good but tarnished
Los 357
white metal and enamel, marked verso R3.4cm acrossFootnote: Note: Frances Macdonald and her sister Margaret were skilled in metalware, jewellery and enamelling however few executed pieces of jewellery are known. A group of jewellery, attributed to McNair and engraved to the reverse with the letter R, as in the present lot, was sold at Christie’s, London, in 1992.For similar examples of jewellery in this group with this marking see Metropolitan Museum of Art, New York, Accession Numbers 2021.7.6 and 2021.7.5
Los 154
silver plate with enamel set openwork finial, bears an inscription to rim TO RUTH SPENCE GOWER 1912 D.D. T.H. & T.W. MINSHALL22cm diameterFootnote: Literature: See Crawford, A. C.R. Ashbee's English Silverwork, B. Weinreb, 1974, p. 345, pl. XIII where a similar dish in silver is illustrated.Provenance: Property from an Important Private Collection
Los 352
watercolour on silk and with ivory sticks, capped with silvered metal, inscribed, signed and dated THE ISLAND OF THE FAY/ PHOEBE A. TRAQUAIR/ 1889, set within card box32.5cm x 60cm (open)Footnote: Note: In the late 1880s the Irish-born Phoebe Anna Traquair was involved in a range of crafts in addition to painting her second Edinburgh mural cycle at the Song School, St Mary’s Episcopal Cathedral (1888-92). In addition, she was working on embroideries and beginning to engage in both commercial book illustration and finely illuminating modern British poetry, notably Alfred Lord Tennyson’s In Memoriam.Among her more everyday domestic crafts was fan painting. She first practised it at home in Dublin, winning a medal at the age of fourteen. A few years later, as a student attending the Royal Dublin Society’s art school, a second fan was awarded a Queen’s Medal in the school’s submission to South Kensington’s National Competition. Two later fans are known. The first, dated 1888, was likely made for her personal use as it subsequently passed to her daughter and granddaughter and thence to the V&A in the mid-1970s. Given the title The Sleeping Beauty, it was painted with a scene of a sleeping girl watched by Cupid.Traquair painted this fan the following year. Its subject, The Land of the Fay, was taken from Celtic lore, and gave her the opportunity to explore non-classical imagery. A boat is being steered to Tir Na Nog, the ‘land of the young’. The waters are peopled by mermaids and fish. In design it is unique, although in 1905 she would enamel a stunning mermaid necklace (also in the V&A), and her delight in patterning the swirling waters would soon find reinterpretation in The Souls of the Blest, the second panel (1889-91) of her embroidered draught screen The Salvation of Mankind (c.1886-93 (Edinburgh Museums and Galleries, City Art Centre), and later in her ceiling decoration The Six Days of Creation (1896) in the South Chapel of the Mansfield Place Church (Mansfield Traquair Centre).With thanks to Elizabeth Cumming for her footnote for this lotNote: Please be aware that this lot contains material that may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 351
enamel with foil in copper, within white metal mount5cm acrossFootnote: Literature: Cumming, E. Phoebe Anna Traquair 1852-1936 National Galleries of Scotland 1993, p. 85, no. 121, p. 82, no 101 Note: Traquair learned the craft of art enamelling from her friend Lady Carmichael in 1901, and over the coming decade her enamels would be set either as jewellery (notably pendants and necklaces) or ‘architectural’ formats such as triptychs in stands often designed by her architect son Ramsay. They were exhibited both in Scotland and in London with the Arts and Crafts Exhibition Society. Her fine enamels soon became the craft for which she was best known south of the Border, with The Studio critic commenting in 1906 that ‘the qualities which are attained in enamel by a worker with a sensitivity to colour make it peculiarly a medium which satisfies an artistic nature ... that enamelling is Mrs Traquair’s medium we do not doubt’. Her subjects, painted on copper or more occasionally silver or gold, were taken from classical or religious subjects, the latter often popularised as angels comforting or watching over female figures. A pendant, necklace or the occasional brooch, set to her design by John Maitland Talbot, Hamilton & Inches, Brook & Sons or (after 1909) Henry Tatton would sell for two or three guineas.Traquair the artist always gave her craft pieces titles, and The Dream copies the central plaque of a 1906 necklace of the same name. Enamels that were admired or which she herself found particularly satisfying were duplicated, with a number remaining unset in her studio. One such unmounted piece is The Dream, given to the V&A by her granddaughter and dated 1909. The enamel is from the same date: the setting may be by Brook. The dream concept was one that greatly appealed to her, and was introduced to her Mansfield Place Church mural where Joseph’s dream is central to the Old Testament narrative on the nave’s south wall (1900). A dream image was also present on the Lorimer piano painted for Frank Tennant as part of her illustrations of The Song of Solomon (National Museums Scotland).With thanks to Elizabeth Cumming for her footnote for this lot
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396325 Los(e)/Seite