Six Sèvres hard-paste porcelain dishes (compotier coquilles, compotier ronds and compotier ovale), circa 1785The wells decorated with floral sprays in green enamel and gilding surrounded by gilt and blue line borders, the rims with green and gilt dots and dashes between thin blue-edged bands of gilt dashes heightened in puce and green, gilt dentil rims, the oval dishes: 27.5cm long; the round dishes: 22.4cm diam., interlaced LL marks in blue, gilder's marks for the Weydinger family, various incised marks (6)Footnotes:A service with the same decoration is in the Royal Collection, illustrated in Geoffrey de Bellaigue, French Porcelain in the Collection of Her Majesty the Queen, vol. II (2009), no. 175.For further information on this lot please visit Bonhams.com
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396325 Los(e)/Seite
A Meissen clock case, late 19th centuryModelled with scrollwork heightened in puce, gilding and turquoise, applied with four putti emblematic of the Seasons and flower swags flanking the white enamel dial with Roman numerals, surmounted by a flower vase, 41cm high, crossed swords mark in underglaze-blue, incised No.399 x (typical minor damage)For further information on this lot please visit Bonhams.com
A Meissen circular tureen and cover, circa 1730Painted in Kakiemon style with a long-tailed bird perched on flowering chrysanthemum branches issuing from banded hedges, surrounded by further flowering branches, another bird in flight on the reverse, the cover similarly decorated and applied with a pinecone finial, 20cm high, crossed swords mark in blue enamel (some crazing to glaze) (2)Footnotes:Another example of the same shape and decoration, but with Japanese Palace inventory number N=17-/W, is in the Malcolm D. Gutter Collection (see M. Santangelo, A Princely Pursuit (2018), cat. no.87, plate 64). In the 1770 inventory of the Japanese Palace six tureens of this type were recorded: 'Sechs Stück detto (Terrinen mit platten Deckel, mit Vögeln und kleinen Blümgen gemahlt), mit einem blätterichten Knopf, 8. Zoll hoch, 9 3/4. Zoll in Diam' [six pieces of the same (tureens with flat-topped covers, painted with birds and small flowers), with a leafy finial, 8 zoll high, 9 3/4 zoll in diameter] (quoted in Claus Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p.72). Two chrysanthemum-shaped bowls in the Dr. Ernst Schneider collection have the same type of Kakiemon decoration (see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), pp. 231f, no. 214).For further information on this lot please visit Bonhams.com
Mary Ronayne Hamptons, 2023 Enamel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mary Ronayne draws heavily on Hogarthian satire but her gooey, candy pop colours give the work a contemporary edge. She searches magazine cutouts, classical art, literature, movies, plays and operas and is known for reinterprets these using enamel and domestic paint. The Irish painter brings wit and fun via historical and cultural reimagining but deeply relevant in an age of social media, news spin and meme culture. Education She studied Fine art in TU, Dublin and History of art in Cardiff. She holds an MA(Honours) from the National College of Art and Design, Dublin. Select Exhibitions/Awards Equilibrium, London 27 April-24th May 2023 Garden of Eden, London, 30 March-12 April 2023 Rhapsody of Colour, London, 13th Sept-4th Oct 2022 The Divine, Mykonos, 8-31st July 2022 The Divine, 8-22nd March 2022 Fool's Paradise, London, 16th-29th sept 2021 This Moment, London, 2-12th sept 2021 Awakening, London, 23-29th June 2021 Matter and Form, London, 29th April-29th May 2021 Gallery Representation HOFA (The House of Fine Art), Mayfair, London, Mykonos, Los Angeles. Statement about AOAP Submitted Artwork The work submitted for AOAP represents the style and subjects explored in much of her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mary Ronayne Lydia, 2023 Enamel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mary Ronayne draws heavily on Hogarthian satire but her gooey, candy pop colours give the work a contemporary edge. She searches magazine cutouts, classical art, literature, movies, plays and operas and is known for reinterprets these using enamel and domestic paint. The Irish painter brings wit and fun via historical and cultural reimagining but deeply relevant in an age of social media, news spin and meme culture. Education She studied Fine art in TU, Dublin and History of art in Cardiff. She holds an MA(Honours) from the National College of Art and Design, Dublin. Select Exhibitions/Awards Equilibrium, London 27 April-24th May 2023 Garden of Eden, London, 30 March-12 April 2023 Rhapsody of Colour, London, 13th Sept-4th Oct 2022 The Divine, Mykonos, 8-31st July 2022 The Divine, 8-22nd March 2022 Fool's Paradise, London, 16th-29th sept 2021 This Moment, London, 2-12th sept 2021 Awakening, London, 23-29th June 2021 Matter and Form, London, 29th April-29th May 2021 Gallery Representation HOFA (The House of Fine Art), Mayfair, London, Mykonos, Los Angeles. Statement about AOAP Submitted Artwork The work submitted for AOAP represents the style and subjects explored in much of her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Adam Taylor Winter, 2023 Oil and mixed on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Adam Taylor is a British contemporary artist. His paintings can be described as abstract compositions influenced by the coastal landscape of his surroundings in rural West Wales. He strives to capture the mood of the land, distilling the basic forms into pleasing shapes and colour. He works predominantly in oils, but will use enamel paint and different textures at the beginning of the painting process, producing a final piece which is raw and layered. He trained and obtained his degree in Fine Art in 2004 at Cardiff School of Art. In 2022, Adam was selected by the artist Sean Scully to exhibit alongside him at a group show in London. Education Degree at Cardiff University Select Exhibitions/Awards 2022/ group exhibition AKA Gallery, Cambridgeshire 2022/ group exhibition Flowers Gallery, London (curated by Sean Scully) 3rd April - 30th April 2023/ Solo Exhibtion at Ffin-y-Parc Gallery, North Wales 8th April - 27th May 2023/ RCA New Members Exhibition, Royal Cambrian Academy 10th May - 14th May 2023/ London Affordable Art Fair with Lucinda Dalton Gallery Gallery Representation Ffin Y Parc Statement about AOAP Submitted Artwork Abstract compositions drawing on the landscapes of where I live in Pembrokeshire Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Adam Taylor Winter 2, 2023 Oil and mixed on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Adam Taylor is a British contemporary artist. His paintings can be described as abstract compositions influenced by the coastal landscape of his surroundings in rural West Wales. He strives to capture the mood of the land, distilling the basic forms into pleasing shapes and colour. He works predominantly in oils, but will use enamel paint and different textures at the beginning of the painting process, producing a final piece which is raw and layered. He trained and obtained his degree in Fine Art in 2004 at Cardiff School of Art. In 2022, Adam was selected by the artist Sean Scully to exhibit alongside him at a group show in London. Education Degree at Cardiff University Select Exhibitions/Awards 2022/ group exhibition AKA Gallery, Cambridgeshire 2022/ group exhibition Flowers Gallery, London (curated by Sean Scully) 3rd April - 30th April 2023/ Solo Exhibtion at Ffin-y-Parc Gallery, North Wales 8th April - 27th May 2023/ RCA New Members Exhibition, Royal Cambrian Academy 10th May - 14th May 2023/ London Affordable Art Fair with Lucinda Dalton Gallery Gallery Representation Ffin Y Parc Statement about AOAP Submitted Artwork Abstract compositions drawing on the landscapes of where I live in Pembrokeshire Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mary Ronayne Janet and Pat's Backyard, Miami, 2023 Enamel on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mary Ronayne draws heavily on Hogarthian satire but her gooey, candy pop colours give the work a contemporary edge. She searches magazine cutouts, classical art, literature, movies, plays and operas and is known for reinterprets these using enamel and domestic paint. The Irish painter brings wit and fun via historical and cultural reimagining but deeply relevant in an age of social media, news spin and meme culture. Education She studied Fine art in TU, Dublin and History of art in Cardiff. She holds an MA(Honours) from the National College of Art and Design, Dublin. Select Exhibitions/Awards Equilibrium, London 27 April-24th May 2023 Garden of Eden, London, 30 March-12 April 2023 Rhapsody of Colour, London, 13th Sept-4th Oct 2022 The Divine, Mykonos, 8-31st July 2022 The Divine, 8-22nd March 2022 Fool's Paradise, London, 16th-29th sept 2021 This Moment, London, 2-12th sept 2021 Awakening, London, 23-29th June 2021 Matter and Form, London, 29th April-29th May 2021 Gallery Representation HOFA (The House of Fine Art), Mayfair, London, Mykonos, Los Angeles. Statement about AOAP Submitted Artwork The work submitted for AOAP represents the style and subjects explored in much of her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
George Lilanga di Nyama (Tanzanie, 1934-2005)Trying to get assistance through cellue phone 2002signé 'Lilanga' sur la basesculpture en bois et émailsigned 'Lilanga' on the basesculptured wood and enamel74.9 x 22.2 x 24.8 cm. (29 1/2 x 8 3/4 x 9 3/4 in.)Footnotes:ProvenanceVente: Phillips, New York, AFRICA, 15 may 2010, lot 199Collection privée, USAExpositionsParis, Centre George PompidouTokyo, Mori Art MuseumDusselforf, Museum Kunst PalastLondon, The Hayward GalleryBibliographieSimon, N., DuránL., Kunst, M., Johannesburg Art Gallery and Al, E. (2007). Africa remix : contemporary art of a continent. Johannesburg, South Africa: Jacana Media, p. 126, illustré en couleurThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
A Victorian silver cased lady's pocket watch, with enamel Roman numeral dial, a/f, 0.9toz overall, together with a collection of assorted silver and white metal jewellery, including a white metal filigree bracelet and silver bangle, 2.5toz, and a small collection of international coins. (1 bag)
A 9ct gold Royal Naval Air Service (RNAS) sweetheart brooch, circa 1954, in the form of a pair of wings centred by an anchor surrounded by laurel wreath with crown surmount, with green and red enamel detailing, marked J.W.B, Birmingham 1954, 4.3cm, 3.1g, in a fitted blue box branded for Gieves of Bond Street, London.
A group of 20th century silver and enamel flatware, comprising a set of six cake forks, a set of six teaspoons by Gustav Hellstrom, both with original cardboard boxes, together with a serving fork, all with enamel inlays, and a blue enamel napkin ring, all stamped '925S', overall 8.2toz, a/f. (1 bag)
A 19th century diamond and enamel novelty brooch of a horse drawn Hansom cab, the cab with freely turning wheel above a knife-edge bar, with safety chain, decorated with blue enamel, with open front for passengers but none to be seen through the glass window, and the driver, also enamelled, holding the reins seated above, horse is set with approximately twenty two old cut diamonds, length 4.2cm, 2.5cm high, in associated box.
A Large Victorian Oval Swivel Locket Brooch, glazed front and verso containing image of a bearded gentleman, within decorative border highlighted in black enamel; together with assorted costume jewellery, a baby's hinged bangle, cufflinks, cloth badges, heart shape locket pendant, buttons, jewellery boxes, etc :- One Tray
A Hallmarked Silver Match Box Cover, HBS, London 1936, also stamped "Benzie Cowes", detailed to the front in enamel with the burgee of the Royal Yacht Squadron Yacht Club and initialled, 6.1cm; together with a plated vesta case "County Borough of Blackpool Official Memento of the visit of Channel Fleet to Blackpool 9th 10th & 11th August 1907"; further vesta cases, match books, etc.
Royal Worcester Large Hand Painted Blush Ivory 3 Section Serving Dish with Handle, Decorated with Painted Enamel Images of Summer Flowers with Gold Highlights to Borders. Date 1915, Shape No 1994. Size 11 Inches - 27.5 cms Diameter. 1st Quality and Excellent Condition - Please Confirm with Photo.
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396325 Los(e)/Seite