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396325 Los(e)/Seite
An attractive 19th Century ormolu cased French Carriage Clock, the face with painted dial decorated with flowers, birds and butterflies, and Sevres type panel sides and back with cherubs and flowers, as is, approx. 10.25cms (4 1/4") high; together with a miniature ornate gilt metal carriage 8 Day Clock, decorated enamel dial with exposed aperture and embossed panels, approx. 10cms (4"). (2)
An attractive Art Nouveau silver two part pierced and decorated Ladies Belt Buckle, with floral and figural design, hallmarked, an unusual enamel and Sterling Badge "Argentina," of Art Nouveau design; a rare circular enamel Medal for the obverse inscribed 'Provincias del Rio de la Plata -' with a central sunburst, the reverse inscribed 'En Union Y Libertad 1813,' unusual and Scarce. (3)
A heavy polished grey and black limestone Mantle Clock, France c. 1900, the movement by J. Marti #22479.2 with outside count wheel and striking on a steel bell, the circular enamel two stage white dial with visible escapement and Roman numerals above a glazed panel, showing a mercury type double chamber pendulum on a moulded black plinth with two grey marble bows, 36cms h x 38cms w (18'' x 15''). (1)
A 19th Century boulle Mantle Clock, the circular enamel dial with Roman numerals over a concave rectangular body profusely decorated with brass inlay with ormolu mounts on turned ormolu feet, the works by H. Marc, Paris; together with an attractive unusual boulle stationery Box of same decoration with fitted interior and remnants of label for Austin of Dublin on base. (2)
An exceptional Napoleon III large French ormolu Mantle Clock, the group of three children and mother, after Francis Theodore Devaulx (1808-1871), emblematic of the Arts, sculpting, painting and writing, the base overall cast with foliate scrolls and flower heads, the circular enamel convex dial with Roman and Arabic numerals, and signed Raingo Fres a Paris, Foundry number 1086 struck on back, 60cms x 74cms (23 1/2'' x 29''). (1)
A good Chinese cloisonné enamel dragon Jar and cover, 12cms (5''); a pair of small cloisonné Jars, 7cms (2 3/4''); an Indian cloisonné Gravy Boat on three legs, and a cone shaped large Candle Snuffer, 18cms (7''); a Chinese cloisonné enamel Ginger Jar and Cover, in bronze with floral pattern and rows of wire scrolls, 17cms (6 3/4") and another slightly larger ditto, 21cms (8 1/2"); a set of 3 Chinese graduating cloisonné dragon Bowls, each with a four character mark to base, 34cms (12 1/2") the largest, 20cms (8") the smallest; a Damascus brass copper and silver overlaid Wall Platter, 33cms (13"); an Indian brass Jardinière or Bowl, 19cms (7 1/2"); a smaller circular Bowl and a small Indian Jar, 11cms (4 1/4"); a Meiji period Japanese cloisonné enamel Platter, of circular lobed form, the centre panel with colourful phoenix inside a series of medallions with stylized flowers, 31cms (12"); and a pair of smaller circular ditto with colourful flowers, 18cms (7 1/4"). (a lot)
An impressive pair of gem-set gold anklets North India, 19th/20th Centuryeach of circular form, one half tubular, the other hinged with two raised bosses and a central flattened section with waisted ends and a central raised flowerhead, decorated in polychrome enamel with scrolling floral and foliate designs on a red ground, the exterior set with table-cut diamonds, cabochon emeralds and a cabochon ruby in floral settings, one anklet later turned into two tasselled necklaces each of 12.9 cm. outer diam. max., 8.9 cm. inner diam. max.; 800 g. combined weight(2)Footnotes:An engraved silver anklet of this form is illustrated in Thomas Holbein Hendley, Indian Jewellery, London: Extracted from the Journal of Indian Art, 1909, pl. 72, fig. 457. Hendley describes the anklet in his book as a kara and attributes it to Karachi, though the enamel colours in the present lot are more in line with those used in Rajasthan. For a hinged blue and green enamelled anklet of similar form with a central protruding flowerhead attributed to 20th century Multan, see the Victoria & Albert Museum, London (IS.120-2009).For further information on this lot please visit Bonhams.com
A gem-set enamelled gold navratna armband (bazuband) North India, 18th/ 19th Centurycomprising a central element in the form of a rosette, set with gems including diamond, blue sapphire, rubies, coral (corallium rubrum), cat's eye chrysoberyl and pearl, the reverse decorated in polychrome enamel with floral motifs, with four-stringed chain and hook clasp the central element 5.1 cm. wide; 39.3 g.Footnotes:A navratna is composed of nine gems that represent the nine cosmic influences from the Hindu system of astrology. In a typical navaratna setting, each of the gems represent the following: ruby at the centre as the sun, surrounded by diamond as Venus, pearl as the moon, red coral as Mars, hessonite as Ragu (the ascending lunar node), sapphire as Saturn, cat's eye as Ketu (the descending lunar node), yellow sapphire as Jupiter and emerald as Mercury.For further information on this lot please visit Bonhams.com
A gem-set enamelled-gold navratna armband (bazuband) with 19th century European bracelet North India, 18th/ 19th Centurycomprising a central square element set with gems including ruby, sapphire, coral (corallium rubrum), half pearl and cat's eye chrysoberyl on a ground of green enamel with foliate designs, flanked by two openwork foliate elements set with emerald, ruby and diamond, the reverse and sides decorated in polychrome enamel with floral and foliate motifs the central square element 4.1 x 3.9 cm.; 67.5 g. total weightFootnotes:A navratna is composed of nine gems that represent the nine cosmic influences from the Hindu system of astrology. In a typical navaratna setting, each of the gems represent the following: ruby at the centre as the sun, surrounded by diamond as Venus, pearl as the moon, red coral as Mars, hessonite as Ragu (the ascending lunar node), sapphire as Saturn, cat's eye as Ketu (the descending lunar node), yellow sapphire as Jupiter and emerald as Mercury.For further information on this lot please visit Bonhams.com
A diamond-set enamelled gold necklace North India, 19th/ 20th Centurycomprising eleven openwork elements in the form of flowers between two strings of seed pearls, the screw clasp of openwork form with foliate motifs, the reverse, sides and securing pin decorated in polychrome enamel with floral and foliate motifs and cartouches containing birds 40.8 cm. long; 157 g. For further information on this lot please visit Bonhams.com
A gem-set enamelled gold armband (bazuband) North India, 19th Centurycomprising three hinged openwork foliate panels set with gems including diamond, white topaz and white sapphire, a further pink gemstone to the centre (possibly a spinel), the reverse and sides decorated in polychrome enamel with floral and foliate motifs 9 cm. long; 53.6 g.For further information on this lot please visit Bonhams.com
Three gem-set enamelled gold bangles (kada) North India, 20th Centurya pair and a further bangle, each of circular form, the hinged clasps in the form of two confronting elephant heads with intertwined trunks, decorated in polychrome enamel with floral designs and set with rubies and diamonds the pair each 8 cm. max.; 198 g. total weight(3)This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A FRENCH LOUIS XV ORMOLU CARTEL WALL TIMEPIECE WITH PULL-QUARTER REPEAT GODEFROY, PARIS, CIRCA 1770 The single train movement with later Brocot-type recoil escapement and pull-quarter repeat mechanism visible on the backplate, the circular white enamel Roman numeral dial Signed 'GODEFROY, A PARIS' to centre and with fine scroll-pierced and engraved gilt brass hands, the case cast with urn surmount and female terms flanking the dial 66cm high, 33cm wide Condition Report: Ormolu case looks to be largely untouched- surface dirt from age which has left overall appearance slightly less impressive than it actually is- will be rewarded from having a good sympathetic clean. Small hole drilled to side of top- no missing ornament that we can tell- perhaps for suspension? Dial with loss around winder and further small nibbles to outer edge- later screws to margins around dial, hands possibly original and minute hand with old repair. Movement as per cataloguing- later additions and in need of clean and overhaul, with a later pendulum but no winder. Has not been in use or working order for some time Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Condition: due to the mechanical nature of clocks and the fact that most are of great age we cannot offer any guarantee as to whether they are in working order or free from major faults or restoration. Although we endeavour to catalogue items in a fair and informed manner, omission of any comments or observations regarding the condition or originality of a clock in the description does not necessarily indicate that it is free from significant faults, restoration or is in working condition. We would strongly advise any prospective purchaser to view the item in person or request a condition report and/or further images prior to bidding. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AN ENAMEL BOX DECORATED WITH HAREWOOD HOUSE LATE 18TH/EARLY 19TH CENTURY Exterior with painted print of the front of Harwood House (sic), the interior inscribed "A trifle from Harrogate", with metal mounts, formerly gilded 8.7cm wide, 6cm deep, 3.6cm high Condition Report: With professional restoration- the lid to top of the image and lower right hand corner, some scattered typical glaze crazing Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer
Mixed Lot: An antique bovine apple corer, Victorian mother of pearl carving depicting Joseph, Mary and the baby Jesus, circa 1860, a mid 19th Century metal snuff box, a Georgian enamel patch box (a/f), a Victorian striped metal double sovereign case together with a metal watch holder, supporting a gun metal cased fob watch (a/f)
Mixed Lot: A George V Old English silver ladle, Sheffield 1921, makers mark for John Round & Son Ltd, six silver bean end coffee spoons, Sheffield 1933-35, makers mark for Viners Ltd, three silver and enamel souvenir spoons, a Georgian silver mustard spoon and a bright cut decorated teaspoon, g/w 190gms
Freemasonry, Port of Hercules Lodge (No 4626), a silver and enamel badge by Spencer, London, named (Presented to W. Bro: H.W. Mills P.M., in recognition of his Services as W.M., 1935-1936), hallmarked Birmingham 1935, 118 x 44mm; George V, Silver Jubilee, 1935, Isle of Man, a plated brass medal, unsigned, 33mm (W & E 5698C.1); George VI, Coronation, 1937, Isle of Man, a plated brass medal by Vaughton, 33mm (W & E 7370D.3); Elizabeth II, Coronation, 1953, Isle of Man, a white metal medal, unsigned, 33mm (W & E 8025E); together with a silver coronation medalet of Edward VII, and a Goole Co-op milk check [6]. First with minor damage to enamel otherwise good very fine, others very fine or better but one with some surface corrosion £40-£50
A fine contemporary Russian silver gilt and champlevé enamel decorated tea service comprising teapot, two graduated lidded jugs, a sugar bowl and cover with swing loop handles, six cups, six saucers and six spoons, height of teapot 22cm, combined approx. 113.38ozt/3526.6g. Condition Report: Minor rubbing to the gilding particularly on the interior of the cups and the saucers but overall in excellent condition with no damage to the enamel.
JAMES WALTER TIPTAFT; an Art Deco dressing table set, comprising tray with green and black enamelled decoration, 21.5 x 31cm, with pair of cut glass dressing table jars with silver lids, with matching black and green enamel decoration, diameter of top 9cm, weighable silver approx. 22.86ozt/710g.

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396325 Los(e)/Seite