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Preisdatenbank abonnierenA PAIR OF LATE VICTORIAN SILVER PEPPERS three silver napkin rings; a silver scent flask with green enamel hinged cover; a silver cheroot holder case; five silver teaspoons; a pickle fork with a Connemara marble shamrock finial; a small magnifying glass; a propelling pencil stamped 'Sterling'; a pair of Indian bud vases; a metal topped glass bottle; and some plastic napkin rings; 222g (7.1 troy ozs) gross weighable
A LARGE 8-DAY WELSH LONGCASE CLOCK A LARGE 8-DAY WELSH LONGCASE CLOCKin substantial mahogany case with inlaid decoration, the enamel dial inscribed 'J HUGHES CARNARVON' with Roman numerals, subsidiary seconds dial and calendar aperture, painted to the centre with a scene of Adam and Eve in the Garden of Eden, allegorical figures to the spandrels and moon phase to the break arch, 64cm wide 26cm deep 236cm high
Two mid 20th century silver and enamel powder compacts, J. G. Ltd., Birmingham 1947 and 1948, the larger with pink flowerheads on an off white guilloche ground, 3½in. (9cm.) diameter, chips to enamel edge, the smaller enamelled with two blue birds on branch and pink flowers on a guilloche ground, 2 5/8in. (6.7cm.) diameter. (2)
An 18ct gold and enamel ladies half hunter fob watch, import marks for London 1907, three quarter plate gilt lever movement, 28mm. white enamel Roman dial with subsidiary seconds at six, plain case with cobalt blue enamel chapter ring with white Roman numerals; together with a small French rose gold cased fob watch, a/f cdn. (3), * Condition: 18ct fob watch: Glass cracked. Small flake to edge of enamel and some small dings to outer case (back and front). Dial good with no hairlines. Working. Small fob watch: Case dented, lacks glass and hands. Movement is working.
A Goliath pocket watch in silver mounted stand, the watch with plated case stamped '170809', the 60mm. enamel dial with Arabic numerals, sweep seconds, marked 'Goldsmiths & Silversmiths Co., 112 Regent St., London W' and '8 Days', in a silver fronted leather case engraved with the crest of the Hunter-Little family of Monmouth, the motto 'Magnum in Carvo', G&S Co., London 1915, the case 4½ x 4in. (11.5 x 10.2cm.); together with a plated photograph frame containing a photo of John Little. (2)
An unusual French gilt brass pillar case carriage clock, early 20th century, by Duverdrey & Bloquel, the white enamel Roman dial signed indistinctly, single train movement with lion trademark, within a pillar style case with fluted and turned columns and pierced trellis and florette frieze panels to upper and base sections, bevelled glass, 6in. (15.3cm.) high.
A French gilt brass half hour striking carriage clock, early 20th century, in squat Corniche case, white enamel Roman dial, bevelled glazed sides, platform escapement visible through oval top light, eight day twin train movement striking a gong on the half hour and hour, in original fitted morocco case with glazed front panel, with key, 6¾in. (17.3cm.) high.
An inlaid slate cased mantel clock, late 19th century, white enamel Roman dial, marked 'Dufet A' Nantes', eight day bell strike movement signed for Vincenti, 1855, within a waisted form central body, with slate and Eretria marble top with bronze covered urn surmount, decorated with rose florettes and thorned stem handles, on wider base bearing Eretria marble inlay, 13in. (33cm.) high, 8¼in. (21cm.) wide.
A rococo gilt metal Louis XV style mantel clock, late 19th century, by the Ansonia Clock Co., signed to 52mm. Roman enamel dial and backplate, typical rococo style floral and foliate decoration with standing cupid figure, his right hand holding an arrow pierced heart, his left hand bearing a bow, a sash worn quiver to his left hip, the rococo base supported on four scroll feet, 8½in. (21.5cm.) high.
A Victorian circular oak knife polisher, with open ironwork base and S shaped handle, the knife sockets with brass mounts and a raised brass maker's coat of arms to the front, 'Kent Patentee & Manufacturer', an oval enamel plaque below 'Kent's Knife Cleaner with Improvements Patented 1865 and 1870', 19in. (48.25cm.) high.
A French gilt brass repeating carriage clock, c.1890, with gong strike, the dial signed 'Le Roy a Fils, Regent St., London, Palais Royale, Paris', the circular Roman enamel dial within an engine turned gilt brass plate, 3¾ x 3½in. (9.5 x 8.75cm.), 5½in. (14cm.) high, with its original leather travelling case with key.
A graduated set of six French enamel covered kitchen storage pots, mid-20th century, white and blue striped, named 'Sucre', 'Café', 'Farine', 'The', 'Epices' and 'Poivre', 4½in. to 7¼in. (11.5cm. to 18.5cm.) high; together with a pale yellow enamelled coffee pot, an enamelled measuring jug and an aluminium sorbet maker. (9)
A Chinese floral enamel box, 19th / early 20th century, rounded rectangular form, 3¼ x 2¼ x 2in. (8.25 x 5.7 x 5.1cm.); a Chinese Canton ivory fan with finely pierced sticks and carved guards, 7¼in. (18.25cm.) long; and a Chinese carved and red stained ivory bodkin case, 6in. (15.25cm.) long. (3)
A slate and marble cased drum clock garniture, 19th century, white enamel ring form dial with painted Arabic numerals, recessed brass centre marked for 'Le Forest Paris' with visible escapement, eight day signed Japy Freres bell strike movement encompassed by a gilt husk decorated bezel, adjoined to a glazed door with brass edge, supported on a concave cradle with cylinder form sides above a centralised bevelled glazed window, flanked by two reeded Eretria marble columns, mercury regulator pendulum, hinged access panel to rear, 18¾in. (47.75cm.) high, 15in. (38cm.) wide, the matching pair of tazzas of conforming design and decoration, 10¼in. (26cm.) high. (3)
A French oval gilt brass cased, four glass mantel clock, c.1900, the S. Marti & Cie two train movement, no. 106275.7, with visible escapement and striking the hour and half hour on a gong, the enamel chapter ring with Roman numerals over the compensating mercury pendulum, 8¼in. (21cm.) wide, 12in. (30.5cm.) high.
A French ormolu baroque style mantel clock, late 19th century, the movement with outside countwheel strike, movement signed 'Medaille d'Or Paris 1827' in a roundel, numbered '7-2 243', the drum case with French enamel numeral dial, supported on an open scrolling foliate and rocaille base with seated cherub holding cymbals, on shaped platform with foliate scroll feet, 16in. (40.5cm.) high., * Condition: Working but only briefly as pendulum not original and too small. Currently hangs from looped thread - original attachment missing. Case good with some gilt wear to edges and upper surfaces of casting. Small chip to enamel to edge of one numeral and very minor paint rub to another.
A Second World War Fascist ‘Zbor’ Yugoslav National Movement Members Stick Pin bearing the sword and shield device of Dimiture Ljotic political party, together with an enamel ‘Yugoslav Action’ lapel badge (2). £40 - 60 Yugoslav National Movement(Jugoslavenski narodni pokret), also known as the United Militant Labour Organization (Združena borbena organizacija rada, or Zbor) was a Yugoslav fascist movement led by politician Dimitrije Ljotić. Founded in 1935, it received considerable German financial and political assistance during the interwar period and participated in the 1935 and 1938 parliamentary elections, in which it never received more than 1 percent of the popular vote. Following the Axis invasion and occupation of Yugoslavia in April 1941, the Germans selected several Zbor members to join the Serbian puppet government Milan Nedić. The Serbian Volunteer Corps (SDK) was established as Zbor's party army. Ljotić had no control over the SDK, which was commanded by Colonel Kosta Mušicki. In late 1944, Ljotić and his followers retreated to Slovenia with the Germans and other collaborationist formations. In March, Ljotić and Chetnik leader Draža ć agreed on a last-ditch alliance against the Yugoslav Partisans. Ljotić's followers were placed under the command of Chetnik commander Miodrag Damjanović. Ljotić was killed in an automobile accident in late April 1945. His followers later fled to Italy alongside the Chetniks. The Western Allies extradited many back to Yugoslavia following the war, where they were summarily executed and buried in mass graves. Those who were not extradited immigrated to western countries and established émigré organizations intended to promote Zbor's political agenda.
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