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'Chinese Enamel Ware: Its History, Authentication and Conservation', by Liu Liang-Yu, 'The Robert H. Clague Collection, Chinese Glass of the Qing Dynasty 1644-1911', Phoenix Art Museum, Chinesisches Porzellan, Gunhild Avitabile, Stephen Graf von der Schulenburg. Condition report: Generally in good condition. Chines Glass of the Qing Dynasty, cover soiled, possibly damp spots but inside clean.
A Chinese porcelain globular ginger jar, late 19th century, decorated in the famille rose manner with three or four medallions with centralised shuangxi (marital harmony) characters on a ground of scroll work edged yellow, green and pink grounds, the remaining body decorated peony flowers amidst scrolling tendrils on a turquoise ground, the foot with border of yellow panels and the shoulder with black linear scroll pattern and a married cover decorated two phoenix beside a rock against a background of flowers, height 19cm. Condition report: Some rubbing to enamel where the lid sits.
A Liberty Tudric enamelled pewter cigarette box, the cover with inset enamelled panel showing a tree in a landscape, impressed 'Made in England 0997 Tudric' to base, height 5.5cm, 12.5cm square. Condition report: There are some fine scratches to the enamel and one small but deep scratch in the middle of the enamel panel. Hinge is good, slight distortion to lid.
A good large black slate calendar mantel clock with barometer, 19th century, the 18cm gilt metal and slate dial set with roman numerals, above a bronze seated figure of putti, 11cm high, flanked by an 11.5cm enamel calendar and barometer, the movement stamped 'E.LOURDELET E.S.G.O.G', height 61cm, width 58.5cm, depth 16cm. Condition report: A standard pendulum. Winds and runs. Not known if calendar works. There are no issues with the dial. Section of hand missing to left of mask. Chips above mask and at feet. Wear to gilding.
A Chinese Canton bowl, 19th century, the panels with interior scenes of figures, others with birds, butterflies and foliage, height 9cm, diameter 20cm and three Chinese celadon plates, each with blue seal marks, diameter 20cm. Condition report: Fine hairline crack. Two small chips to base rim. Glaze rubbed in places. The three plates have some enamel missing.
Foreign Coins, Token: Corozal, Jones and Young, copper 1½ d (three halfpence) token, 25th October, 1875, legend, rev. tall numerals in fraction, 20mm. (Lyall 131; Prid. –), very fine and very rare; together with a silver and enamel badge [1970], for the Belize City Hospital, by Thomas Fattorini, pre-Columbian image, 34 x 26mm., Birmingham hallmark, very fine (2) Jones & Young, retail merchants, proprietors William John Jones (†August 1883, aged 53) and David Alexander Young, both owners of sugar plantations. The Property of Richard Stuart
Ω A French brass mounted tortoiseshell mantel timepiece in the form of a miniature longcase clock The dial signed for Philippe, Paris, circa 1900 The circular single train eight-day movement with platform cylinder escapement regulated by sprung monometallic balance and numbered 2119 to backplate, the circular cream enamel dial inscribed Philippe, AU PALAIS ROYAL to centre, with raised Roman cartouche numerals and fine scroll pierced and engraved gilt brass hands set behind hinged convex bevel glazed bezel, the break-arch top case with brass mouldings to pediment and inset knopped columns flanking dial over concave ebonised throat moulding and recessed panel bordered by brass ogee inset mouldings to trunk, the sides plain, the rear ebonised with hinged circular glazed brass bezel for access to the movement, on plinth base with complex brass top moulding and conforming recessed panel to front over skirt base applied with further cast moulding, (some losses to mouldings), 41cm (16ins) high.Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Ω A rare French brass inlaid rosewood carriage clock with two-plane 'chaffcutter' escapement Paul Garnier, Paris, circa 1835 The circular eight-day two train movement with two-plane 'chaffcutter' escapement regulated by sprung three-arm monometallic balance set between the plates, the backplate with bell, visible winding clicks and signed PAUL GARNIER, H'LR DU ROI PARIS towards upper left hand margin over number 2207 to centre, the rectangular white enamel dial with blued steel trefoil hands, the rectangular case with hinged gilt brass carrying handle over inset bevelled rectangular t glass within brass foliate scroll and line-strung borders to top, the front with down-sliding glass and double-line decorated surround, the sides inlaid with musical trophies within scroll cartouche and conforming line borders, the rear with lift-out wooden panel, 13cm (5ins) high excluding handle. Paul Garnier is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS as born 1801 and receiving Silver Medals in the Paris Exhibitions of 1827, 34, and 39; and gold medals in 1844 and 49. He worked from various addresses at Rue Taitbout, Paris and died in 1869 leaving the business to his son of the same name who was still exhibiting carriage clocks in the Paris Exhibition of 1889. Paul Garnier is generally credited for being the first maker to essentially standardise the 'petit pendule portative' which was in effect to become the prototype for the archetypal French carriage clock.Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
A fine French gilt brass carriage clock Japy Freres, Beaucourt and Paris, circa 1860 The eight-day two train bell striking movement with gilt platform lever escapement regulated by unusual three-arm sprung monometallic balance applied with three axe-head shaped blued steel projections to rim, the backplate with small bell over stamped central oval trademark JAPY FRERES & CIE, EXPOSITION 1855, GRANDE MED. D HONNEUR and serial number 1055 to lower left corner, the rectangular white enamel Roman numeral dial inscribed BREVET D INVENTION S.G.D.G. to centre and with delicate blued steel moon hands, the bevel glazed gilt brass case with hinged handle modelled as entwined mermaids and strapwork panel bordered escapement aperture over decorated cavetto and ogee top mouldings, the canted angle uprights with elaborate foliate scroll cast upper and lower panels interrupted by niches containing standing silvered female figures emblematic of the four seasons, the front and sides with conforming glazed apertures and the rear with opening door, on cavetto moulded skirt base cast with further elaborate scroll tendrils and fruiting vines incorporating integral bracket feet feet, 18.5cm (7.25ins) high excluding handle. The firm of Japy Freres et Cie was founded by Frederick Japy in 1774 who set-up a modest workshop in Montbeliard as a watch and machine tool maker. Japy expanded his business rapidly and by 1804, the year he was awarded the Legion d Honneur by Napoleon (in recognition for his Brevets in horological machinery), he employed 300 people at his manufactory in Beaucourt. From 1806, he took five of his sons into partnership and the firm expanded adding buildings at Badevel and La Feschotte amongst others to become one of the largest makers of clocks in Europe. The business continued into the Twentieth century but during the inter-war period went into decline and is thought to have finally wound-up in around 1840. A detailed history of Japy Freres et Cie is provided in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development chapter VI pages 133-48.
A Marcolini period Meissen porcelain cased figural mantel clock The movement unsigned, late 18th century The Swiss made four pillar movement with rectangular plates incorporating going train with fusee and watch-type verge escapement set between the plates regulated by sprung three-arm monometallic balance pivoted behind a scroll pierced and chased oval balance bridge mounted on the backplate over regulation disc, the strike train with standing barrel and trip hour repeat sounding on a bell mounted behind the movement, the 2.75 inch circular convex white enamel Roman numeral dial with Arabic five minutes to outer track and scroll pierced and engraved gilt brass hands set behind hinged convex bevel glazed brass bezel, the polychrome painted porcelain case modelled with a seated putto reading a journal with quill in his left hand beside a blue diaper fabric and laurel draped simulated marble drum housing the clock movement with gilt detailed guilloche surround to the dial surmounted by a standing cockerel, the whole on simulated red porphyry base with further guilloche decoration to apron centred with a drop panel front with leafy spray, the angles with floret applied projecting panels over mottled green bun feet, underglaze blue crossed swords and asterisk mark to underside, 17cm (10.5ins) high. The Marcolini period of Meissen porcelain is characterised by the asterisk and crossed swords mark and is named after Count Camillo Marcolini who became director of the company in 1774, a position he held until 1814.
A fine George III brass mounted mahogany quarter chiming table clock with enamel dials James McCabe, London, circa 1800 The substantial six pillar triple chain fusee bell striking movement with verge escapement regulated by short bob pendulum and chiming the quarters on a nest of eight bells with eight hammers, the backplate signed James McCabe, LONDON to an oval cartouche within geometric borders incorporating panels with floral sprays to corners , the 7 inch brass full-arch dial applied with circular Roman numeral enamel centre with Arabic five minutes to outer track and pierced brass hands, the angles with applied foliate cast spandrels beneath subsidiary STRIKE/SILENT selection dial flanked by conforming cast mounts to arch, the case with brass ball finial to the gadroon-edged concave sided upstand with foliate scroll brass inlaid frieze above moulded break-arch top applied with four further ball finials and brass-fillet inset glazed front door flanked by brass stop-fluted quarter columns to front angles, the sides with hinged brass handles over fishscale sound frets, the rear with arch-glazed door, on brass faced cavetto moulded skirt base with ogee bracket feet, 61cm (24ins) high. James McCabe senior is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a 'very fine maker' who worked from Cheapside and Royal Exchange, London 1778-1811. The business was continued under his name by his sons and Robert Jeremy until 1883. The current lot has remnants of a label inscribed with Arabic text to the inside of the lower rail of the front door suggesting that at some point it was in a Middle-Eastern collection.
A Swiss brass inlaid ebonised carriage clock with push-button repeat and alarm The dial signed for Barevise, mid 19th century The two train eight-day bell striking movement with platform lever escapement regulated by sprung split bimetallic balance and visible strikework planted on the backplate along with standing barrel for the alarm both sounding on a bell mounted within the base of the case, the rectangular white enamel Roman numeral dial with blued steel moon hands over script BAREVISE and subsidiary alarm setting dial to lower margin, the ebonised case with shaped hinged brass carrying handle over small bevel glazed aperture within brass line strung borders to the cavetto moulded top edged in brass over bevel glazed dial aperture with conforming brass lines to surround, the sides with further brass stringing to margins, the rear with plain rectangular door, on brass capped ogee-outline skirt base, 18cm (7ins) high excluding handle.
A fine French engraved gilt brass gorge cased petit sonnerie striking small carriage clock with push-button repeat and alarm Unsigned but possibly by Drocourt, third quarter of the 19th century The eight-day two train movement striking the hour on the larger of two bells and ting-tang notation for the relevant quarter every fifteen minutes, with silvered platform lever escapement regulated by sprung split bimetallic balance and alarm sounding on the larger bell, the backplate with stamped serial number 563 to lower left corner, the circular white enamel Roman numeral dial with blued steel moon hands set within rectangular gilt brass mask finely engraved with rococo scrolls on a matted ground and incorporating conforming subsidiary alarm setting dial to lower margin, the bevel-glazed gilt gorge case with typical Drocourt type hinged carrying handle over rectangular escapement aperture within fine scroll border to top over complex upper mouldings and channelled uprights further engraved with rococo scrollwork, the sides decorated with conforming bird and floral festoon inhabited panels and the rear with door similarly decorated incorporating shuttered winding and hand/alarm setting apertures, on ogee moulded base with shallow pad feet, 11.5cm (4.5ins) high excluding handle. Although the current lot is unsigned it appears fairly typical of the high-end examples made by Drocourt during the third quarter of the 19th century (albeit a little smaller than normal). Indeed the design of the carrying handle is generally considered as one of their trademark details. Pierre and Alfred Drocourt are recorded in Allix, Charles CARRIAGE CLOCKS, Their history and development as working from Rue Debelleyne 28 and Rue de Limoges, Paris as well as Saint-Nicholas-d' Aliermont from circa 1860. Allix describes them as makers of 'Superb' carriage clocks who were awarded numerous medals for entries submitted to various international exhibitions throughout the second half of the 19th century, including a gold medal at the1889 Paris 'Exhibition Universelle'.
An Italian gilt brass miniature carriage timepiece La Vallee, Como, for Hausmann and Company, late 20th century The Swiss made eight-day single train movement with platform lever escapement and rectangular white enamel Roman numeral dial inscribed with retailers signature Hausmann to centre over makers name La Vallee to lower margin and with blued steel spade hands, the five-glass bevel glazed case with hinged carrying handle over oval escapement aperture and complex top mouldings above channelled canted angles, on conforming ogee-profile base incorporating small squab feet, 7cm (2 3/4in) high excluding handle; with original red leather covered outer travelling case.
A Viennese inlaid mahogany grande sonnerie striking Biedermeier wall clock Unsigned, circa 1840 The four pillar triple train movement with shallow arched plates and deadbeat escapement regulated by large diameter brass lenticular bob pendulum with ebonised wooden shaft, the quarter train sounding on the smaller of the pair of graduated gongs positioned behind the movement followed by the hour train sounding the last hour on the larger of the two, the 6.5 inch circular white enamel Roman numeral dial with delicate blued steel hands within repeating bud motif cast brass bezel, the boxwood edged three-light case with two-tier canted and cavetto moulded cornice over arch glazed front door with rounded angles inlaid with vertical repeating diamond lozenge decorated parquetry bands, the interior with conforming bands forming a rectangular panel behind the pendulum, the sides with slender glasses over cavetto shaped base moulding and line-bordered inverted ogee caddy with pendant finial to underside, 110cm (43.25ins) high.
Ω A French boulle pendule portative with two-plane 'chaffcutter' escapement Moser, Paris, mid 19th century The rectangular two train eight-day outside countwheel bell striking movement with two-plane 'chaffcutter' escapement regulated by sprung three-arm monometallic balance mounted on a gilt platform, the backplate stamped MOSER. A PARIS. and numbered 8976 to lower margin , the rectangular white enamel Roman numeral dial with blued steel trefoil hands over repeat signature MOSER PARIS to the lower margin of the minute ring, in a cut brass and red-stained tortoiseshell marquetry veneered case with shaped hinged brass carrying handle over small bevel glazed aperture within brass foliate scroll and line strung borders to the cast gilt metal edged top, the front with rising bevel glass to the dial aperture within conforming marquetry surround, the sides of serpentine outline veneered in shell, the rear similarly veneered and with rectangular door, on brass capped serpentine-shaped triple tier stepped base incorporating further brass scroll decoration to front, 21cm (8.25ins) high excluding handle. Very little seems to be known of the clockmaker Moser, Paris however and entry in the listings for the Great Exhibition of 1851 notes him as Watch and Clock Maker, 15 Boulevard du Temple, Paris .Cites RegulationsPlease note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
An English engraved gilt brass scissors twin-pendulum skeleton timepiece with calendar John Wilding, Sussex, late 20th century The substantial twin pillar single fusee movement with train vertically planted between strip plates with spire terminals incorporating escape wheel with twin-arbor pallets regulated by pair of dumb-bell pendula with decorative scissor handle terminals pivoted via decorative pierced cock in front of the dia, the front with visible motionwork and subsidiary day-of-the-week and date-of-the-month enamel dials within circular white enamel Roman numeral chapter ring signed John Wilding, England to lower edge and painted steel scissor hands, on twin pierced supports modelled as scissor handles decorated with foliate scroll engraving to front applied to rectangular moulded mahogany stand stepped to take a gilt brass framed glass cover and incorporating key drawer the burr wood panel veneered front over squab feet, (some relatively minor damage), the timepiece 52.5 cm (20.75ins) high; 63cm (25ins) high overall. The design of the current lot was inspired by an early 19th century French original now housed in the Henry Ford Museum, Dearborn, Michigan (see Royer-Collard, F.B. SKELETON CLOCKS page 88). The twin arbor escapement regulated by double pendulum is based upon a design by Jean Baptiste Dutertre developed in around 1735 for use in a marine timekeeper.
A French gilt brass four-glass mantel clock Japy Freres, Paris, circa 1900 The circular eight-day gong striking movement with Brocot type escapement regulated by mercury capsule pendulum with rate adjustment to suspension, the backplate stamped with JAPY FRERES, MED. D HONNEUR roundel over number 8129, 5 5, the circular white enamel Arabic numeral dial with vertical numerals, Arabic five minutes to outer track and fine scroll pierced gilt hands within milled bezel, the inverted breakfront bevel-glazed case with cushion moulded cornice over slender reeded Corinthian columns flanking dial and further pair to each sides, on shaped caddy moulded skirt base incorporating bracket feet, 32c, (12.5ins) high.
A fine miniature engraved gilt brass and blue champlevé enamel Japonesque carriage timepiece Retailed by Le Roy and Fils, Paris, circa 1880 The eight-day movement with unusual platform incorporating vertical lever escapement set between the plates regulated by horizontal sprung split bimetallic balance, the backplate with engraved signature LE ROY & FILS, 13. 15 PALAIS ROYAL, PARIS and No. 11516 over indistinct BREVETE trademark incorporating anchor and initials P M opposing further stamped number 12657, the circular dial with mid-blue and gilt rosette centre within faux Japanese cartouche numeral chapter ring, with blued steel hands set within bevelled convex-glazed gilt bezel, the mid blue enamel and gilt brass case with pierced hinged tied loop handle applied via quatrefoil fleur-de-lys strapwork boss onto the rectangular case decorated with stork and dragonfly inhabited stylised foliage, the rear with hinged door and the rounded angles applied with pierced leafy trefoil mounts to all four corners, 7cm (2.75ins) high. The stamped anchor trademark incorporating the initials P M to the backplate of the current lot is probably that of the maker of the movement who, as far as the cataloguer is aware, remains unidentified (although details in its execution suggests that it is possibly Swiss made). A closely related model using silver as the base metal for the case was sold at Bonhams, Bond Street, London in their sale of Fine Clocks 6th July 2016 (lot 134) for £2,000. The firm of 'Le Roy & Fils' can be traced back to 1785 when the business was founded by Basille Charles Le Roy at 60 Galerie de Pierre, Palais Royal, Paris. During the Revolutionary years the firm relocated to 88 Rue de L'Egalite before finally settling at Galerie Montpensier, 13 and 15 Palais Royal. In 1828 Basille Charles died leaving the business to his son, Charles-Louis, who continued producing clocks signed 'Le Roy & Fils' until 1845 when the firm was sold to his former employee Casimir Halley Desfontaines; who was in-turn succeeded by his son M. George Halley Desfontaines in 1883. In 1888 M. George Halley died leaving the business to his brother Jules Halley who then took-in as partner Louis Leroy (apparently no relation to the founders of the firm). In 1899 the firm left the Palais Royal and moved to Boulevard de La Madeleine from where it continued trading in the hands of various successors well into the twentieth century.
A rare French giant gilt brass four-glass mantel clock of one month duration Ambrosoni, Paris, late 19th century The rectangular four pillar bell striking movement with five wheel trains and visible Brocot escapement mounted within the dial regulated by Ellicott type compensated pendulum with Brocot rate adjustment, the backplate signed Ambrosoni, Paris and stamped with numbers 18204 and 24.8, the two-piece white enamel dial with visible escapement, gilt collet bordered winding holes and repeat signed AMBROSONI, PARIS to the recessed centre within Roman numeral chapter ring with regulation square at twelve o'clock, with blued steel moon hands and moulded gilt brass bezel, the substantial frosted gilt brass case with tablet upstand and cavetto cornice above heavy bevel glazed panels and caddy moulded uprights to angles, the interior with enamel beat scale annotated DEGREES OF THE CIRCLE to the upper surface of the conforming cavetto moulded skirt base incorporating bracket feet to the curved angles, 48.5cm (19ins) high.
A French gilt brass four-glass mantel clock Samuel Marti, Paris, circa 1900 The circular eight-day gong striking movement with Brocot type escapement regulated by mercury capsule pendulum with rate adjustment to suspension, the backplate stamped with Samuel Marti, MEDAILLE D OR, PARIS 1900 roundel over number 11599, 5 2, the circular white enamel Arabic numeral dial with vertical numerals, Arabic fifteen minutes to outer track and blued steel hands within milled bezel, the bevel-glazed case with caddy moulded upstand and cavetto cornice over slender reeded pilasters flanking dial and further pair to sides, on complex moulded skirt base incorporating squab feet, 32c, (12.5ins) high.
A fine George III gilt brass mounted ebonised quarter-chiming table clock with enamel dials Robert Philp, London, circa 1770 The substantial six pillar triple chain fusee bell striking movement with verge escapement regulated by short bob pendulum and chiming a melody for the quarters on a graduated nest of eight bells with eight hammers, the leafy foliate scroll engraved backplate signed Rob t Philp, London to an elaborate scroll cartouche, the 7 inch brass break-arch dial applied with circular convex white enamel Roman numeral centre with Arabic five minutes to outer track and pierced gilt brass hands , the angles with applied foliate cast spandrels beneath subsidiary STRIKE/SILENT selection dial flanked by conforming cast mounts to arch, the gilt brass mounted ebonised bell top case capped with urn finial to the scroll-outline upstand over rococo scroll cast gilt brass mounts and four further gilt finials to superstructure, the front door with inset gilt fillet moulding to the glazed dial aperture and scroll cast upper quadrant frets flanked by canted angles adorned with fine female caryatid and tied rose drapery cast mounts, the sides with hinged gilt brass handles over circular and concave-topped musical trophy and sunburst cherub mask cast sound frets, the rear with break-arch glazed door, the cavetto moulded shallow skirt base applied with lion s mask centred drapery swag mount to front, on generous leafy scroll cast feet, 51cm (20ins) excluding top finial; 56cm (22ins) high overall. Robert Philp is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London circa 1740-81. He was maker of musical and astronomical clocks and watches who was known to have supplied clocks sent to China and also movements for installation in Chinese cases (see White, Ian English Clocks for the Eastern Markets pages 223 and 225, Figure 8.14b). A particularly fine ormolu cased quarter striking table clock with revolving spherical moon made by Philp for the Chinese market was sold at Sotheby s in their sale entitled Arts of Europe , London, 10th July 2013 (lot 85) for £73,300.
A French Louis XV style ormolu and porcelain mantel clock Raingo Freres, Paris, third quarter of the 19th century The eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum with Brocot type suspension, the backplate stamped with RAINGO FRERES, Paris roundel to centre and numbers 563, 7 and 6 , the circular white enamel Roman numeral dial repeat signed RAINGO A PARIS to lower margin and with blued steel trefoil hands within milled gilt bezel, the waisted elaborate rococo scroll cast case with foliate spray surmount and unusual polychrome porcelain flowerhead and gilt leafy tendril applied decoration draped around the sculpted dial surround over diamond hatched panel enveloped with further floral sprays, the sides with further diamond hatched infill over scalloped shell lower margins, on leaf cast and chased scroll supports issuing further flowering foliage, the whole applied to an integral rococo scroll cast stand incorporating generous outswept curled feet; with further ebonised wood stand to take the glass dome cover, the clock 37cm (14.5ins) high; 44cm (17.25ins) overall including dome. The firm of Raingo Freres was founded in 1813 by the Belgian Zacharie Joseph Raingo. He was born in 1775, lived in Tournai and worked in Ghent before moving to Paris in 1813. By 1834 the company was being run by his four sons who received an honorable mention in an exhibition in Paris that year. While the Raingo brothers were first recognized as clockmakers, in 1841 they added bronzes and furnishings to their products. Known for the quality of their ormolu (gold plating), by 1860, Raingo Freres had supplied clocks, bronzes to Emperor Napoleon III and Empress Eugenia, examples of which are now in the collection of The Louvre. In 1862 the company exhibited at the International Exhibition in London followed by the world exhibitions of 1867, 1878 and 1889 where several medals were awarded including a gold medal in 1898.
SMALL 18CT GOLD HUNTER POCKET WATCH, having enamel face with Roman numerals, marked: Joseph French, London, and engraved to the movement: 'Joseph French, Chronometer maker, London, no. 17172. 40mm diameter approx.(B.P. 24% incl. VAT) CONDITION REPORT: Adjusts, winds and ticks, not tested long term. Hallmarks are worn but legible, but some minor dents and scratches to the outer case.Gross weight 60.8 grams.
YELLOW METAL LARGE CROSS PENDANT set with pearls and edged in blue enamel, 62 x 49mm, on a 9ct gold chain, weight in total approx. 25.8g.(B.P. 24% incl. VAT) CONDITION REPORT: Slight damage to enamel in several places.Cross - 16.7 grams.Chain - 8.5g rams.Overall weight - 25.7 grams.Unmarked.
CONTINENTAL STYLE THREE TRAIN MARQUETRY LONG CASE CLOCK, having gilt metal eagle pediment over circular face with enamel Roman numerals, glazed waist door revealing large brass pendulum on a foliate marquetry gilt metal mounted panelled base, with bracket feet. Three train movement striking on four gongs. Modern. 215cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Modern reproduction in good condition overall with only very minor wear and tear in places.
GEORGIAN MOURNING RING decorated with blue enamel inset to the centre with a foiled pink stone surrounded by pearls with engraved gold and blue enamel shank. Inscribed: 'Anne Pilkington ob 4th May 1819 age 34'. Ring size L. Weight 8g.(B.P. 24% incl. VAT) CONDITION REPORT: Some damage to blue enamel, otherwise good. Unmarked yellow metal.
19TH CENTURY FRENCH TWO TRAIN, REPEAT STRIKING, PRESENTATION BRASS CARRIAGE CLOCK, having full depth enamel face with Roman numerals and alarm indicator, engraved below: 'Sergeant Major E. Aston, First Battalion Rifle Brigade from Lieutenant Colonel H.R.H. The Duke of Connaught, May 29th, 1880. Two train movement striking and repeating on one gong with alarm. 16cm high. With key. (B.P. 24% incl. VAT) CONDITION REPORT: Winds, ticks and strikes. Face generally in good condition with some odd flecks/marks. Case generally worn, retaining little original gilding and very dirty but not damaged. All seems to be original.
LATE 19TH/EARLY 20TH CENTURY FRENCH CHAMPLEVE ENAMEL DECORATED, TWO TRAIN, STRIKING CARRIAGE CLOCK, the case with bands of blue ground floral enamelled decoration, Corinthian column pillars flanking circular enamelled face with Arabic numerals, on beaded feet. Two train repeat strike movement on one gong. 16.5cm high approx. Together with key and original leather covered carrying case. (B.P. 24% incl. VAT) CONDITION REPORT: winds. ticks and strikes, the case in good overall condition, retaining much of its original gilded finish. Enamel looks all good. "French maker" on back of movement. No 185 on bottom of case, stamped.
TWO SIMILAR CHINESE PORCELAIN, BALUSTER SHAPED, LIDDED VASES in transitional Wucai style. Both decorated in enamel palette with military and court figures within stylised bands and floral and foliate borders. One vase (the smaller) has an underglaze blue incorrectly drawn Kangxi seal mark to the base, the larger vase unmarked. (Together with two hardwood stands). Approx. height 40cm and 42cm. (2) CONDITION REPORT: These are not a pair, painted in different styles and details but from similar influences. The smaller vase is much lighter and has fritting and losses to the glaze internally around the rim, the cover has a significant chip and assorted and various frits and glaze blemishes. The larger vase appearing in better condition and being more heavily potted, some wear and glaze blemishes. Both vases are in very dirty condition.
18CT GOLD AND ENAMEL FANCY ENGRAVED HALF HUNTER FOB WATCH, having enamelled Roman chapter ring to the outer case, engine turned, florally decorated internal face, inner dust cover not gold. Back of movement engraved: 'T.R. Russell, Church Street, Liverpool, Maker to the Queen, no. 519973'. 37mm diameter.(B.P. 24% incl. VAT) CONDITION REPORT: Externally appearing in good condition, with no obvious damage, winds and ticks.Gross weight 48.7 grams.

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396323 Los(e)/Seite