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Preisdatenbank abonnierenA 19th Century French Slate and Marble Cased Mantel Clock, by Vincenti & Cie, No. 884, the 3.5ins diameter white enamel dial with Roman numerals to the eight day two train movement striking on a bell, contained in polished black slate Sienna marble and gilt metal case, surmounted by a figure of a rearing horse, on bun feet, 17ins high
A Late 19th Century French Lacquered Metal and Porcelain Mounted Cased Mantel Clock, retailed by John Walker, 77 Corn Hill, London, the 3.75ins diameter white enamel dial with Roman numeral to the eight day two train movement striking on a bell (lacking pendulum), contained in gilt metal case surmounted by reclining Cupid flanked by two additional figures inset with porcelain panels enamelled in colours with floral sprays, the front decorated with floral swags 12.25ins high
A Liberty & Co. Tudric Pewter Cased Mantel Timepiece, the 3.25ins copper chapter ring with Roman numerals and blue/green enamel centre dial, to the French movement contained in arched top case of hammered finish on squat bun feet, 6.25ins high, stamped 'Made in England, Tudric Pewter, 01346'
A Chinese cloisonné enamel twin handled vase, Qing Dynasty, mid to late 19th century, of Hu form, decorated in Ming style with stylised chrysanthemums against a scrolling blue ground, engraved four character seal mark to base, a/f damaged, 18 by 25cm high.In average condition with several major issues; the body has been dented and further small knocks enamels at shoulder, the footrim has two patches of lost enamel, and both handles have been re-attached previously.
Three 18th century South Staffordshire enamel patch boxes, one of navette form, painted with a bee hive and inscribed 'A Friends Gift', another with a lamenting figure 'the Absent not Forgotten', the third with doves above a parchment scroll 'Esteem the Giver' (3)A Friends Gift, proffesional restoration to the enamel on the top. Hinge in good order and box closes tightly, mirror in good order. Some hair cracks to the inside of the box. Wear to the underside.The Absent Not Fogotten, hinge good and box closes tightly. Mirror in good order. Numerous minor hair cracks to the top and base. Wear to the underside. Esteem the Giver, hinge good, box closes tightly. Mirror in good order. Some minor hair cracks to the inside of the base. Wear to the underside.
Three 18th century South Staffordshire enamel patch boxes and three snuff boxes, each with insciptions, one with doves 'We Live in Hope' (6)A Liberality patch - cover with a sereis of cracks, small pieces re glued to the left side. Hinge good, box closes tightly. Mirror broken into three and tarnished. Sereis of hair cracks inside the base and underside. We live in hop patch - professional restoration to the top. Hinge good, box closes tightly. Mirror broken in two and tarnished. Base with slight underside wear only.Thou alone hast patch - hinge good and box closes tightly. Heavy tarnishing to the borders of the mirror with some loss to the silvering. Slight underside wear to the box.Happy the man snuff - cover panel broken and profesionally restored. Hinge good and box closes tightly. Some repair to the base.Long may you live snuff - hair crack to the top showing through both sides, another crack to the . Top presses on tightly. Loss to the inside rim of the base. Filled chip to the outside rim at the same point and a sereis of hair cracks all around the base. This for my friend snuff - top with hair cracks and wear. two edge chips to the underside of the rim. Top presses on tightly. Hair cracks and wear to the base.
An 18th century South Staffordshire enamel snuff box, decorated to the cover with three military figures on horseback under a scrolling cartouche and to the sides with similar scenes, together with a similar smaller example (2)Larger box - large chip to the top left corner of the cover, hinge good and box closing tightly. Chips to all corners of the underside of the base. Another chip to one corner under the metal mount of the base. Numerous hair cracks running form the rim of the base. Heavy wear to the underside.Smaller example - hinge good, box closes tightly. Slight chips to the underside of the base with wear also.
An 18th century South Staffordshire enamel navette formed patch box painted with a shepherdess, together with a further three enamel boxes (4)Pink monochrome - restoration to the base, steel mirro heavbily pitted and tarnishedLambs - base restored, mirror tarnishedMonochrome black - base with cracks and small losesLandscape - top with some restoration and cracked, heavy wear to the baseall hinges good and boxes close tightly
Three 18th century South Staffordshire enamel patch boxes, one decorated and inscibed for 'the Cheshire Farmer', another 'An Emblem of Inocence' and another inscibed 'Trifles Show Respect' under a border of gilt flowers (3)Cheshire farmer outer enamel in good order, wear and scratches to the underside, hinge good, box closing tightly, internally with a crack to the mirror and heavy tarnishing to the mirrors silvering and with a series of fine hair cracks inside the base, Emblem of Inocence enamel in good condition, except for minor abrasions to the reverse, with wear and scratches to the underside, hinge good with box closing tightly, polished steal surface with heavy wear and pitting, enamel in good condiiton accept for one fine short haircrack to the front, with wear and scratches to the underside, hinge good, box closing tightly, the mirror silvering tarnished
An 18th century South Staffordshire enamel patch box inscribed 'A Trifle from Manchester', together with another box inscribed 'a Present from Bath' and a further two patch boxes decorated with flowers (4)Bath - metal mount re glued, some restoration to the baseTrifle - hair cracks to top, mirror tarnished, chip to the inner rim of the base, base with chip and sereis of cracks and wearTwo flowers - short cracks to top, mirror tarnished, hair cracks to the rear of the baseSingle flower - polished steel pitted and worn, top restored, sereis of fine cracks to the baseall hinges good and boxes closing tightly
Three 18th century South Staffordshire enamel patch boxes and a snuff box, each with inscriptions, 'Thy Eyes Have Power to Kill or Cure', 'Fear God and Honor the King, Kiss a Pretty Girl, that's no Sin', 'I Prize the Gift, Because I Love the Giver' and 'A Tender Heart and Vurtuous Mind, Secure Esteem from all Mankind' (4)Prize - restoration to the top and base, hair crack inside the baseFear God - top restored, fin cracks to the underside and with wearTender Heart - top with a slither chip, some hair cracks, mirror tarnished, inside with hair cracks, outside base restoredThy eyes - sereis cracks to the top, mirror tarnished, inside with hair crack, base badly chipped around edge, sereis of cracks undersideall hines good, boxes close tightly
An 18th Century Staffordshire Enamel Snuff-Box, oval, the hinged cover enamelled in high relief with a scene of a leopard attacking a hunter, the hinged cover with an enamelled plaque painted with a scene of the hunter with a bow and arrow surprising the leopard, (a.f), 9cm wideThe main section loose from the metal mount, with losses to the enamel around the entire circumferance, some small sections unstable and some to the leopards rear legs and body, with some areas of repair and heavy wear to the higher points, the oval panel with minor areas or loss and with heavy wear, with heavy series of haircrack throughout, hinge in tact and the box closing properly
Two Limoges bonbonieres formed as sliced fruit, together with a modern boxed Bilston and Battersea Enamels box, a Staffordshire Enamels box formed as a Russian Orthodox Church, similar examples and one volume, English Enamel Boxes, from the eighteenth to the twentieth centuries, Susan Banjamin
A Chinese porcelain punch bowl, Qianlong, painted in famille rose enamels with figures in gardens and landscapes within panelled cell and diaper borders33cm diameterA large U section broken out and professionally restored, a large flat chip to the inner rim of the foot, and some general enamel and gilt wear
Moorland chelsea works trial vase, Shelley drip glaze, glove and pottery, various items of Poole pottery, Myott art deco ewer and a clarice cliff celtic harvest conserve jar (one shelf) Myott bow tie jug - some restoration to the spout, slight enamel flaking elsewhere, crazed. Shelley jug and cover with loss to the inner rim of the cover.Shelley jug, good condition. Moorland vase, good condition.Clarice Cliff conserve, lacking cover, heavily crazed and with some staining. Burleigh ware jug, some crazing.Maling dish, crazed.Remaining Poole pottery, free from chips and cracks, older pieces with some crazing and slight staining.
A Collection of Assorted Silver and Silver Plate, the silver including: a pair of German silver candletsicks, stamped '800', 22.6cm high; a Tiffany silver spoon depicting the Statue of Liberty; a silver cigarette-case; a German silver spoon; a silver-mounted travel inkwell and a cased set of six cake-forks, weighable silver 556gr 17oz 17dwt; the silver plate including various dishes and items of flatware; Together With: a quantity of silver or silver plate souvenir spoons, many with enamel terminals (qty)
A Collection of Assorted Cased Sets of Spoons, comprising: two sets of six coffee-spoons, each with differing composition bean terminal; a cased set of twelve teaspoons with a pair of sugar-tongs en suite and a cased set of six teaspoons (qty)Cased set of twelve spoons with case clasp damaged, six spoons with replacement tongs, enamel spoons, one bowl bent to the side, the case very tired
Three Silver Items, comprising: a caster, Birmingham, 1930, 18cm high; a bowl, the sides applied with figures, 12.5cm high and a small dressing-table box, the hinged cover with white and pink enamel on a textured ground, total gross weight 8oz 7dwt, 259gr (3)Caster with worn marks to the base, the foot slightly mis shapen and the caster leaning very slightly to one side, no splits or repairs, the bowl with numerous with heavy dints and abrasions to the rim, box with minor dents mainly to the underside, slight play to the hinge, enamel in good condition
An Edward VII Silver and Enamel-Mounted Glass Inkwell, by Lawrence Emanuel, Birmingham 1901, the oval, the glass body square, the hinged cover enamelled with foliage and flowers on white ground, 6.8cm square; Together With: a cased set of six Hanoverian pattern teaspoons, the case 20cm wide (2)Inkwell enamel to the cover in good condition, silver free from damage, hinge good, the glass with very minor chips along the lower edge, case spoons with general wear and scratches, case fairly tired
A silver pair cased verge pocket watch, dial signed, ''keep me clean and use me well''Movement is not signed, winding smoothly, movement in going order, movement front plate with three vacant holes, the hallmark, both cases with matching London hallmarks, 1871, both surface with surface scratches, inner cases with dents, glass with small scratches and with chips to the underside outer rim, enamel chaptering with hair line cracks
A World War I 'Somme' death plaque to Orazio Abbot Corte (G/11593 Queens Own Royal West Kent Regiment), died Nov. 18th 1916, Thiepval, France, within an embossed frame with foliage and inscription 'What He Had He Gave, 18 Nov 1916' inscribed in pen on back of wooden mount 'Orazio Abbot Corte Born at Turin Italy Dec 27 1891 Fell at Thiepval Nov 18 1916, 18 cm diam tow other collectables including a copper bowl stamped Dryad Lester, a coffee grinder, two crucifixes, a bronze figure of a piper and a chrome and enamel South African AA car-badge (box)
A scarce pre-war members’ badge emblem inscribed with slogan “Omnium Saluti”.Highly decorative with distinctive uniformed agent at the salute, with fine relief depiction of a sporting cabriolet and saloon cars on the open road with Union flag motif within a wire-spoked wheel imagery; enamel on heavy chromed brass by Collins of London and stamped number 2484 verso; good condition commensurate with previous attachment to a vehicle. Click here for more details and images
An Edwardian c1910 mahogany veneered mantle clock in a pointed arch case with inlaid satinwood stringing, white enamel dial with Arabic numerals and minute track, matching steel moon hands within a cast bezel and convex glass, eight-day twin train French movement striking the hours and half hours on a coiled gong. With pendulum. Dimensions: Height: 30cm Length/Width: 23cm Depth/Diameter: 13cm
A decorative early 20th century French mantle clock in a round topped mahogany case with inlaid satinwood stringing and a contrasting oval and fan inlay to the front, white enamel dial with finely painted Arabic numerals and minute track, matching steel moon hands within a decorative cast bezel and convex glass, eight-day French going barrel movement striking the hours and half hours on a coiled gong. With pendulum. Dimensions: Height: 30cm Length/Width: 20cm Depth/Diameter: 14cm
An imposing and decorative late 19th century French wall clock c1890, substantial cast brass case surmounted by a pierced urn and profuse decoration to the front and sides comprising draped swags and dragon profiles, with an enamel dial, Roman numerals, minute markers and steel moon hands within a cast bezel and convex glass, twin train spring driven movement striking the hours on a bell. With integral pendulum. Dimensions: Height: 64cm
A French mantle clock c1900 in an ebonised case with brass mounts and carrying handle, enamel dial with Arabic numerals, minute markers and brass fleur di Lis hands, eight-day striking movement striking the hours on a bell. With an integral pendulum.Dimensions: Height: 27cm Length/Width: 18cm Depth/Diameter: 13cm
A George III white metal pair-cased verge pocket watch, the movement having square baluster pillars, signed Ellicott, London and numbered 5003, having an enamel face with Arabic seconds and Roman hours chapters, with fancy gilt hands, case un-assayed, 53 mm excluding stem and bow, (running when catalogued, accuracy and reliability untested)
LALIQUE, A 'CACTUS' SCENT BOTTLE AND STOPPER LALIQUE, A 'CACTUS' SCENT BOTTLE AND STOPPER, frosted glass with black enamel decoration, signed 'Lalique ® France' to base. 10.5cm highA chip noted to one of the lobes towards the bottom, some wear to the enamelled tips, mainly noted towards the bottom.
A CHINESE ENAMEL DECORATED GOURD VASE, 19TH CENTURY A CHINESE ENAMEL DECORATED GOURD VASE, 19TH CENTURY, painted with flowers and rockwork, now fitted as a lamp. 45cm to top of fittingThe base has been drilled for the electric wire and is fixed to a wooden base, the vase is complete and no visible signs of damage, mounts not removed
A LARGE CHINESE DOUCAI VASE A LARGE CHINESE DOUCAI VASE, ovoid, enamel painted with scrolling tendrils, mon and fish, between lappet borders, moulded mask and ring 'handles'. 40cm highIn very good condition. Minor wear to the surface and with a 'chicken skin' glaze - no chips, cracks or restoration.
A PAIR OF CHINESE FAMILLE ROSE 'BIRD AND SPIDER' DISHES, PROBABLY 18TH CENTURY A PAIR OF CHINESE FAMILLE ROSE 'BIRD AND SPIDER' DISHES, PROBABLY 18TH CENTURY, circular, enamel painted with a bird on a blossoming bough looking down at a spider suspended from a web. (2) 11.5cm diameterSome minor surface wear. No chips, cracks or restoration. In very good condition.
TWO 19TH CENTURY CHINESE BLUE AND WHITE BOTTLE VASES AND A CHINESE CLOISONNE ENAMEL TEA CADDY TWO 19TH CENTURY CHINESE BLUE AND WHITE BOTTLE VASES, painted with double happiness characters amongst foliate scrolls, 11cm and 12cm high; together with A CHINESE CLOISONNÉ ENAMEL TEA CADDY, oviod form with a flush pierced cover, decorated with reserves of flowers, plums and money, 10cm high, boxed. (3)Larger bottle vase with glaze chips to rim
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