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396323 Los(e)/Seite
Los 40
A VERY RARE IMPERIAL CLOISONNÉ ENAMEL AND GILT-BRONZE TRIPOD INCENSE BURNER AND COVER, DINGQianlong four-character mark and of the periodThe compressed globular body decorated in vibrant yellow, red, white, green and blue enamels with scrolling lotus and bats, all supported on three short cabriole feet, the gilt rim surmounted by a pair of U-shaped handles, the gilt, reticulated, domed cover elaborately cast with floral scrolls, surmounted by a large spherical finial with further lotus scrolls. 10cm (4in) high. (2).Footnotes:清乾隆 銅胎掐絲琺瑯纏枝蓮紋香爐帶蓋「乾隆年製」楷書刻款Provenance: Adrian M.Joseph (d.2010), 1986來源：Adrian M.Joseph（2010年去世），1986年It is extremely rare for incense burners to retain their original covers. Compare with a related cloisonné enamel incense burner but without a cover, Qianlong four-character mark and of the period, in the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum: Enamels, Cloisonné in the Qing Dynasty, vol.2, Beijing, 2011, p.256, no.205. See also a related gilt-bronze cover, 18th century, on a cloisonné enamel incense burner, Ming dynasty, illustrated by B.Quette, Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, London and Paris, 2011, p.232, no.17.Compare with a related cloisonné enamel tripod incense burner and a cover, Qianlong five-character mark and of the period, which was sold at Bonhams London, 12 November 2015, lot 218.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 41
A VERY RARE CLOISONNÉ ENAMEL AND GILT-BRONZE 'DOUBLE SCROLL' 'TROMPE-L'OEIL' BRUSHPOT, BITONGQianlongThe vessel ingeniously simulating in its form two scrolls bound together with a ribbon, the smaller scroll decorated with multi-coloured chrysanthemums within a honeycomb pattern, with further flowers scattered above, the large scroll decorated with further stylised florettes against a wan-diaper pattern ground enameled turquoise blue, the 'ribbon' dark blue with green foliate scroll tied with a bow, the gilt base flat. 9.5cm (3 3/4in) high.Footnotes:清乾隆 銅胎掐絲琺瑯捲軸式筆筒Provenance: Spink & Son Ltd., London, 1987Published, Illustrated and Exhibited: Spink & Son Ltd, The Minor Arts of China, London, 1987, no.101.S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, pp.154-155.來源：倫敦古董商Spink & Son Ltd.，1987年展覽著錄： Spink & Son Ltd,《The Minor Arts of China》，倫敦，1987年，編號101S.Marsh，《筆筒淵鑒：收藏家的隨心所悟》，香港，2020年，第154-155頁Scrolls, repositories of learning and art, whether containing calligraphy, a painting or texts, perfectly encapsulate the ideals of the scholar-literati. Indeed, the Four Arts of the Scholar were qin (the zither), qi (chess), shu (calligraphy), hua (painting). In this rubric, scrolls usually come to signify calligraphy and painting. It would have been entirely suitable therefore, for a brushpot in the form of scrolls to adorn the desk of a scholar. The literati appreciated the value of 'play' (wan 玩) however, and so-called 'scholar's objects' can be termed in Chinese as wenwan (文玩), or 'literati playthings'. The trompe-l'oeil effect of a brushpot formed as two beribboned scrolls entirely fits this aesthetic of elegant fun and would have delighted the eye of the scholar. See a cloisonné enamel guqin-shaped box and cover, Qianlong, in the Victoria & Albert Museum, London (acc.no.M.782BOX-1910). See also a cloisonné enamel box of scroll and brocade form, mid Qing dynasty, in the Qing Court Collection, illustrated in the Compendium of Collections of the Palace Museum: Enamels, vol.4, Beijing, 2011, p.161, no.112. Compare also with a related cloisonné enamel 'double scroll' brushpot of similar form, for which the present lot was probably the earlier prototype, late Qing dynasty, illustrated in ibid., p.364, no.294.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 11
A VERY RARE DOUCAI PEAR-SHAPED 'KUI XING' VASEShi jin tang zhi four-character mark, ShunzhiFinely potted with pear-shaped body rising from a short foot to wide cylindrical neck, expertly painted and enamelled around the exterior with Kui Xing riding the back of the mythical ao or dragon-fish, his right arm raised holding a brush, the left clasping an ingot, clad in a loincloth and billowing scarves beside the North Star, the reverse with a poetic inscription and seal, all beneath the mouth rim with a band of triangles. 22cm (8 1/2in) high.Footnotes:清順治 鬥彩魁星點斗膽瓶青花「世錦堂製」楷書款Provenance: S.Marchant & Son, London, 23 July 2008Published and Illustrated: S.Marsh, Brushpots: A Collector's View, Hong Kong, 2020, p.205.來源：S.Marchant & Son，倫敦，2008年7月23日著錄：S.Marsh，《筆筒淵鑒：收藏家的隨心所悟》，香港，2020年，第205頁The four-character underglaze blue mark which reads: 世錦堂製 which may be translated as: 'Hall of Continuous Prosperity through Generations'. The couplet on the present lot reads: 北極之象，太陰之精。鍾英毓秀，翼我文明。Which may be translated as:The phenomenon of the Pole Star is the essence of the Great Yin, Concentrate the talents, nurture the refined, advance the brilliance of our culture.The references to talent and distinguished cultural environments are entirely in keeping with the decoration of the present vase. Identified by the writing brush held in his raised hand and his iconic 'back-kick' posture, Kui Xing 魁星 ('Chief Star') was a Daoist deity worshipped to obtain academic success. It would therefore, have been extremely auspicious for a scholar to own a vase decorated with him on it to inspire him in his writing and achieve examination success.The Chinese character Kui (魁) is composed of the ideograph for 'demon' (鬼) and the ideograph for 'ladle' (斗). The ladle or 'dipper' (as Kui Xing is also associated with the North Star) is depicted on the present lot in the form of a square vessel. Kui Xing is portrayed with a demonic appearance, a horn-like protuberance on his head, and a sinewy body. According to legend, he was once a mortal scholar with outstanding literary skills but was repeatedly failed in the Civil Service examinations due to his repulsive appearance. Out of frustration and humiliation, Kui Xing threw himself into a river, where he was saved by a mythical monster called an ao. He then ascended to the Big Dipper and became the stellar patron of the literati and the God of Literature.Dreaming of Kui Xing the night before the exams was considered an auspicious sign and the candidate who obtained the highest results, known as the First Scholar (zhuangyuan), would walk first on a staircase decorated with the ao mythical beast. Representations of Kui Xing and ao are thus a symbol of literary success and highest achievement at the Imperial examinations.Compare with a related pair of underglaze blue and polychrome enamel pear-shaped bottle-vases, with the same shi jin tang zhi mark, Shunzhi, but decorated with other Daoist deities, in the Butler Family Collection, illustrated by T.Canepa and K.Butler, Leaping the Dragon Gate: The Sir Michael Butler Collection of Seventeenth-Century Chinese Porcelain, London, 2021, p.334.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 39
A RARE IMPERIAL CLOISONNÉ ENAMEL AND GILT-BRONZE TRIPOD INCENSE BURNER, DINGQianlong four-character mark, and additional Guan character, and of the periodThe compressed globular body rising from three short tapering feet to a waisted neck, the gilt rim surmounted by a pair of loop handles, the exterior decorated with large stylised lotus blooms borne from meandering foliate scrolls against a turquoise-blue ground, all below a band of pendant ruyi-heads, the base with square cartouche enclosing the incised Qianlong mark and a 'guan' character. 11cm (4 2/8in) wide. Footnotes:清乾隆 御製銅胎掐絲琺瑯纏枝蓮紋三足爐「乾隆年製冠」楷書刻款Provenance: Spink & Son Ltd., London 1985Adrian M.Joseph (d.2010), 1986Published, Illustrated and Exhibited: Spink & Son Ltd., The Minor Arts of China II, London, 1985, no.150來源：倫敦古董商Spink & Son Ltd.，1985年Adrian Joseph（2010年去世），1986年展覽著錄：Spink & Son Ltd.，《The Minor Arts of China II》，倫敦，1985年，編號150Compare with a cloisonné enamel incense burner of very similar form and design, but with an additional mian-character mark, in the Qing Court Collection, illustrated in the Compendium of Collections in the Palace Museum: Enamels, Cloisonné in the Qing Dynasty, vol.2, Beijing, 2011, p.280, no.224.The present lot belongs to a group of gilt-bronze and cloisonné enamel works of art with incised Qianlong marks and an additional single-character mark, taken from the 'Thousand-Character Classics' or Qian Zi Wen. It has been suggested that the additional character could relate to numbering, designation of location, or set numbering; see H.Brinker and A.Lutz, Chinese Cloisonné: The Pierre Uldry Collection, London, 1989, pp.74-79.See a similar cloisonné enamel incense burner, Qianlong mark and additional fei-character, which was sold at Bonhams Hong Kong, 28 November 2017, lot 34.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 38
A RARE CARVED CINNABAR LACQUER 'LANÇA' STEM BOWLQianlong Expertly carved around the steep flaring exterior sides with eight lança letters enclosed within undulating lotus stems issuing stylised blossoms and acanthus leaves, the underside with a frieze of tightly-bound lotus lappets, all raised on a tall spreading stem decorated with a band of half-flowerheads and a raised rib above pendent interlinked tassels issuing from ruyi-heads. 15cm (5 3/4in) diam. Footnotes:清乾隆 剔紅梵文纏枝蓮紋銅裡碗Provenance: Heliot collection, Paris (label)Adrian M.Joseph, 1985來源：巴黎Heliot舊藏（標籤）Adrian M.Joseph，1985年Laurent Heliot (1848-1909) and his son Gaston Heliot (1879-1936) were important dealers in Chinese and Asian art based in Paris, first in 62 rue de Clichy and later 34 rue de Berlin. The present stem cup is inspired by Tibetan butter lamps or chang ming deng. The Qing emperors publicly supported Tibetan Buddhism which brought both political and (to varying extents) personal benefits, by ensuring solidarity with Mongolian and Tibetan allies and providing personal spiritual guidance. The Qianlong Emperor was particularly dedicated to the practice of Tibetan Buddhism and this is reflected in the many decorative arts produced for the Court and as Imperial gifts during his reign. Compare with a similar carved cinnabar lacquer stem cup, Qianlong seal mark and of the period, in the Linden Museum, Stuttgart, illustrated in Im Zeichen Des Drachen von der Schönheit Chinesischer Lacke, Munich, 2006, pl.86. Another cinnabar lacquer stem bowl, Qianlong, is in the Qing Court Collection, illustrated in Carved Lacquerware in the Palace Museum, Beijing, 1985, pl.338.Such cups were also made for the Imperial Court in other materials, such as cloisonné enamel and blue and white as can be seen in Lots 37 and 38 in this sale. See a blue and white example, Qianlong seal mark and of the period, illustrated in Catalogue of Ch'ing Dynasty Porcelain in the National Palace Museum, Tokyo, 1981, pl.13. For a cloisonné enamel stem cup, Qianlong mark and of the period, see Compendium of Collections in the Palace Museum: Enamels 2 Qing Dynasty, Beijing, 2011, pl.280.See a similar cinnabar lacquer stem cup, Qianlong seal mark and of the period, which was sold at Sotheby's Hong Kong, 2 June 2017, lot 662.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 50
A Japanese naginata,Edo or Meiji, the blade with a red enamelled fuller, to a lacquered pole with copper mounts, and a black textured scabbard,blade head 36.5cm longoverall 242cm longShipping Disclaimer:Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportBlade with nick to centre, and losses to enamel on the fuller. Losses to lacquer on grip. Minor cracks, wear and losses to scabbard. The blade may require a polish due to possible fingerprint marks. Tang unsigned.
Los 54
A Japanese naginata, Edo or Meiji period, the blade with twin fullers, tang signed, the top section of tsuka with mother-of-pearl, and copper mounts, complete with a black lacquer lower section, the lacquered saya (scabbard) decorated with a dragon,blade 35.5cm longoverall 231cm long大和守吉道 Yamatonokami YoshimichiShipping Disclaimer:Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportMounting hole to tang. Tang signed. Slight crack to tang during manufacture. Saya and tsuka both with losses and cracks to lacquer. The copper ring fittings loose. There is some loss and wear to enamel of the fullers. The blade may require a polish due to possible fingerprint marks.
Los 65
A Japanese omi yari,Edo or Meiji period, the triangular section bo-bi blade, with red enamelled fuller, the tang unsigned, blade head 91.7cm longoverall 174cm longShipping Disclaimer:Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportEnamel losses the fuller. Tang unsigned. Pitting to the blade. Please see the additional images.
Los 133
A CLARICE CLIFF NEWPORT POTTERY WALL POCKET model 874, relief moulded with a swallow in flight in enamel colours over a cloud pocket in mushroom glaze, with transfer printed script signature to reverse, 20cm high; together with a pair of Burleigh Staffordshire spaniels, 20th century, 18.5cm high; and a Lladro figure, Mechanic Boy with hammer and toy truck, no.4897, 20.5cm high. Condition Report : Swallow with one broken and glue-repaired tail wing tip; Lladro with 8mm over-glazed firing crack at top of right leg; spaniels good. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
![A VICTORIAN MANTEL CLOCK the circular white enamel dial with black Roman numerals and marked 'H[EN]RY MARC / PARIS', fitted](https://cdn.globalauctionplatform.com/7a87d910-9b7b-40c4-bbed-b0a700775427/7612a7a4-c66f-4bcf-99d3-b0a8010f5dc1/468x382.jpg)
Los 139
A VICTORIAN MANTEL CLOCK the circular white enamel dial with black Roman numerals and marked 'H[EN]RY MARC / PARIS', fitted with a two-train movement, the brass backplate also with maker's name and numbered '65240', the black slate and marble case with a shallow pediment, simple fluted pilasters, and a plinth base, complete with pendulum and key, 28.5cm high, 22cm wide, 14cm deep.
Los 140
A VICTORIAN MANTEL CLOCK the circular white enamel dial with black Arabic numerals and a visible escapement, fitted with a two-train movement, the brass backplate also with maker's name and numbered '65240', the onyx case with gilt metal mounts, a narrow pediment, Corinthian columns, and a plinth base, complete with pendulum and key, 29cm high, 34cm wide, 16cm deep.
Los 75
ART DECO 8 DAY TRAVELLING CLOCK 6.8cm round nickel case, white enamel dial with luminous Romans and skeleton hands, in a forest green, calf skin leather case. Currently working, sold as seen. Condition Report : Enamel dial is cracked between 1 and 4pm Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 8
ANTIQUE FRENCH ENAMEL & GEM SET PENDANT 18ct gold (tested) enamel heart, approx 18.0 x 16.7mm, decorated with applied silver and grain set old rose cut diamonds and a bezel set natural pearl, surmounted by a yellow gold bale with rose cut diamonds set in silver. Total length including bale 3.0cm. Weight 4.9 grams. Condition Report : In good condition for age, no chips or cracks to enamel work. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 82
TWO OPEN FACE GENTS POCKET WATCHES One in rolled gold in a Keystone case, with white enamel dial by Waltham, Mass, the other in nickel case with white enamel dial by Scott Taunton. Both with sub dials at 6 o'clock. Sold as seen. Condition Report : Waltham watch has crack to chip to glass face and crack to dial. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Los 609
Waltham rolled gold keyless open face pocket watch, white enamel dial with subsidiary seconds, Dennison Moon case with hinged bezel, back and cuvette no. 624404, signed Traveller 16S 7 jewel movement; Waltham rolled gold half hunter keyless pocket watch, signed white enamel dial with subsidiary seconds, Dennison Star case hinged back and cuvette no. 843780, signed 16S 7 jewel movement and a Peerless rolled gold hunter keyless pocket watch (3)
Los 614
J. W. Benson, Ludgate Hill, London - silver keyless pin set centre seconds chronograph pocket watch, white enamel Roman dial with minute register and running seconds, snap on bezel, hinged case back, cuvette, hallmarked 0.935 numbered 300113, signed Swiss made gilt 3/4 plate movement no. 300113, D53.2mm
Los 615
Swiss - early C20th plated pin set trench wristwatch, white enamel Arabic dial with skeletonised numerals red "12" with subsidiary seconds, three piece case with snap on bezel and back, half plate cylinder movement, D32.9mm; two Smiths plated pin pallet pocket watches and two Ingersoll Triumph plated pin pallet pocket watches, D52mm (5)
Los 616
Thomas Russell & Son Liverpool - Edw.VII silver key wound and set open face pocket watch, signed white enamel Roman dial with subsidiary seconds, three piece coin edged, double bottomed case with hinged bezel and back hallmarked Chester 1910, signed full plate English Lever movement no. 200987, D60mm and a similar silver cased pocket watch by E. Meyer Manchester (2)
Los 617
Waltham - Edw.VII silver key wound and set open faced pocket watch, signed white enamel Roman dial with subsidiary seconds, three piece Dennison coin edged case with hinged bezel, back and cuvette, hallmarked Birmingham 1903, signed full plate Safety Pinion movement no. 1143059 D53.3mm; two Swiss made silver keyless pocket watches hallmarked 925 & .935; ladies Swiss cylinder fob watch and Mira nickel keyless pocket watch (5)
Los 621
Thomas Maston London - early Victorian silver pair case verge pocket watch lacking outer case, white enamel Roman dial, case hallmarked Birmingham 1845, signed gilt full plate movement with engraved and pierced balance cock, lever regular no. 6014, D50.9mm and William Williams London, early C19th verge movement with Tompion regulator no. 7489 D44.mm (2)
Los 674
Retailed Russells Ltd., Manchester - early C20th Swiss 18K gold keyless pin set open face pocket watch, white enamel Roman dial with subsidiary seconds, snap on bezel, hinged case back and cuvette bearing presentation inscription "To J. Bennett P.C. by The Inhabitants of Yoxall, August 1904", hallmarked 18K serial no. 95801, movement unsigned, D48.8mm
Los 695
Collection of medals to Sgt F.W.Dunkley to include 5 World War II medals (1939-45 Star, Italy Star, France & Germany Star, Defence Medal and War Medal) all awarded posthumously and unworn with original shipping box, envelopes and cover letter, a numbered SAS enamel lapel badge (stamped 1454 to buttonhole fitting) and an SAS silver and enamel tiepin/sweetheart brooch plus 2 Great War medals awarded to Gunner F Dunkley
Los 872
Swiss silver trench wristwatch, white enamel Arabic dial with red 12 and subsidiary seconds, three piece case with snap on bezel and hinged case back, hallmarked 925 and serial no. 174348, D32.5mm; Ladies Swiss Empress gold cased wristwatch cased back hallmarked .375 D17mm; Ingersoll chrome plated keyless open faced pocket watch and Swiss chrome plated keyless open faced pocket watch (4)
Los 1027
A Chinese cloisonne censer and stand, late 19th century. The pierced cover surmounted by a gilt metal dog of fo, the yellow ground with all over palmettes and scrolling tendrils, lion mask mounts and ring handles on three feet, height 14.5cm, width 10cm, together with the original ebonised carved wood stand, height of stand 3.5cm. (2) Brought back from Thailand in 1919-1920 by the Devon vendors uncle. Ebonised stand has one loose foot which will require glueing. Slight loss of enamel to interior of the lid beneath the attachment for the Dog of Fo. Miniscule indentations on the gilt rumble of the lid. Please view extra images.
Los 1177
A Shanghai volunteer corps HQ staff officer collar badge. The silver faceted star with central enamel medallion bearing the motto OMNIA JUNCTA IN UNO, Chinese characters and flags of the nations, stamped 'T.C' on verso, 3 x 3cm. Maurice Jenkins (1933-2022). North Cornwall collector. Maurice was a lifetime collector and started in the 1950s. He opened a shop in Liskeard in the 1970s called Canon Hill Antiques. He visited a number of Middle Eastern countries in his lifetime including Egypt in the late 1970's when his interest in Islamic and Asian antiques began. He was a man with an eye for quality and a love of antiques, history and travel who purchased privately and at auction over the decades. Over a lifetime of purchasing privately and at auction, he created an eclectic ensemble of collections reflecting his interests. He died a few weeks before his 90th birthday and was still buying until that time.
Los 1195
A pair of Japanese Imari trumpet vases, Meiji period. Each with an attached gilt metal stand, opposing dog of fo cartouches and foliage, total height 36.5cm, diameter 17cm. (2)Wear to gilded painting. Some scratches to enamel. Areas of glaze pitting. There doesn't appear to be any cracks of chips. The vases are glued to the bases. One stand sits with a slight wobble.
Los 605
DAVID ANDERSON, NORWEGIAN ENAMEL 'ROCK CARVING' BROOCH of curved rectangular outline, depicting a rock carving in orange enamel to the white enamel background, with maker's mark, stamped to the reverse 'Rock Carving from Norway 100-500 B.C. Norway Sterling 925S Nora G', along with a pair of Norwegian silver and enamel 'leadf' earrings, also by David AndersonQty: 2
Los 746
GEORGE III MAHOGANY LONGCASE CLOCK, with two train eight day movement, the white enamel dial set with Roman numerals, figural scenes painted to the spandrels and luntette, the pillared hood with swan neck pediment and orb finial209cm highFace very worn. Veneer lifting in several places. Damage to brass support brackets. Lower hand not working and has replacement screw. Has had some repairs to case. Small amount of historic woodworm. Further images now online.
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396323 Los(e)/Seite