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396323 Los(e)/Seite
Los 193
World War I Austro-Hungarian Silver and enameled cap. Rectangular sleeve for a cigarette holder? Crowned "FJ1" monogram with dates "1914 1915" and "DR 11" monogram below against red enamel on a small raised medallion, engraved "Mockerau 1916" or "Hockerau 1916" upper left. Hallmarked at lower edge, maker's name "K&V" and numbers 5 and 6839. 57.8 gms.
Los 260
Knights Templar Dress Sword. Early 20th Century. By the Lilley Arms Co., Columbus Ohio. Knight's helmet pommel, faux ivory grip, with Templar symbol and owner's monogram within wreath, cross-guard with open work crosses and Templar badge with enamel. 28" blade with intricate design work with owner's name Henry C. Gadd at center, maker's name at ricasso. Steel scabbard with ornate fittings, upper with enamel work, leather carrying case with owner's name, Spokane, Wash. Choice.
Los 1
Demetre Chiparus. Dancing Woman. Circa 1900s. Bronze, head and front piece possibly ivory; metal hands; mounted on marble base. Woman dancing with outstretched arms, wearing a unisuit. Enamel on hands is missing in parts. Hands are a tad loose. h.12 ¾ in.; w. 8 in.; d. 2 ½ in.; Signed "DH Chiparus" on base. Ex. Carleton Collection.
Los 86
Russian Soviet-era Silver and Enamel Cruet Set. Ca. 1927-1930s. Pepper Shaker (19.5 gms), "Mock" Pepper Shaker with serving Spoon (24.4 gms), Salt Cellar (2 ½" diameter, 24.5 gms) and Round Tray (4 ½" diameter, 1.68 oz). Royal blue and periwinkle enamel. Maker's mark "T?7", kokoshnik "?(head right)875"bottom of tray , the Cellar and mock Shaker marked "T?7" and "(head right)916", the Pepper Shaker "916".
Los 14
A Tiffany Enameled 18K Gold Cup Presented to Charles L. Tiffany and wife, Harriet Olivia Young on the Occasion of their 50th Wedding Anniversary, 1891. Commissioned by Charles T. Cook, then vice president of Tiffany & Co. and designed by Cook's nephew, Paulding Farnham. 8 ¾" high. Presented to Charles Lewis Tiffany and his wife Harriet on November 30, 1891. Modelled after an ancient kantharos, the presentation cup is adorned with palmettes, rinceau and tongue-etched designs; below the lip are white enamel bosses fashioned to resemble pearls. Hallmarked and signed below. Presentation legend engraved on the bottom, along with a series of interesting familial bequeathments (the cup went to Bingham Tiffany in 1906 from his grandmother, etc). Tiffany & Co was born when Charles L. Tiffany and his friend John P. Young opened their first store in 1837 under the name Tiffany & Young, specializing in stationary and dry goods. They took on another partner in 1841 and renamed the firm Tiffany, Young & Elis. In that same year, Charles married Harriet Olivia Young, the sister of his original partner. Charles bought out his partners in 1853 and changed the company's name to Tiffany & Co. Tiffany had begun selling European silver in the 1840's, but a protective tariff led the company to turn to American silver in 1851 and Tiffany established its own workshop. The company soon became widely known for its innovative designs and masterful artistry. In a fitted Tiffany case. A classic presentation cup both historic and of the highest craftsmanship. Purchased by the present owner from Sotheby's in the 1980's (January 23-25, "Fine Americana", lot 111).
Los 165
SERGIO DANGELO (1932-) Il sole e il suo cuscino 1956 smalto tempera pastelli e matita su cartone cm 34 5x13 5 firmato in basso a destraIl sole e il suo cuscino 1956 enamel tempera pastels and pencil on cardboard 13 58x5 31 insigned lower rightesposizione: 1998 Arte a Milano 1946-1959 Il Movimento Nucleare a cura di Martina Corgnati Umbertide Centro per l'arte contemporanea Perugiabibliografia: Arte a Milano 1946-1959 Il Movimento Nucleare a cura di Martina Corgnati Umbertide Centro per l'arte contemporanea Perugia pag.60
Los 240
FRANCO ANGELI (1935-1988) Doppia Aquila (fine anni Settanta)smalto a spruzzo su tela cm 60x70firmato e titolato sul retroautentica su foto dell'Archivio Franco Angeli N.P-090317/959Doppia Aquila (late Seventies)spray enamel on canvas 23 62x27 55insigned and titled on the reversephoto certificate by Archivio Franco Angeli n.P-090317/959
Los 210
MARIO SCHIFANO (1934-1998) Senza titolo (prima metà anni Settanta)smalto e grafite su tela cm 60x80firmato in basso a destraArchivio Generale dell'Opera di Mario Schifano a cura di Monica Schifano N.04056190706Untitled (early Seventies)enamel and graphite on canvas 23 62x31 49 insigned lower rightArchivio Generale dell'Opera di Mario Schifano curated by Monica Schifano n.04056190706
Los 246
FAUSTO MELOTTI (1901-1986) Lampada 1960 caceramica smaltata policroma cm 27x11 8sette punti sotto la base in smalto grigio scuroautentica su foto dell'Archivio Fausto Melotti N.LA 103Lampada 1960 capolychrome enamelled ceramic 10 62x4 64 inseven points under the base in dark grey enamelphoto certificate by Archivio Fausto Melotti n.LA 103
Los 262
GIANFRANCO PARDI (1933-2012) Giardino pensile 1969smalto su legno e alluminio trittico cm 200x100 (cad.) cm 200x300 (dimensioni totali)firmato e datato in alto al centrofirmato datato e titolato sul retrosul retro: etichetta dello Studio Marconi MilanoGiardino pensile 1969enamel on wood and aluminum triptych 78 74x39 37 in (each) 78 74x118 11 (overall dimensions)signed and dated upper centersigned dated and titled on the reverseon the reverse: label of Studio Marconi Milanesposizione: 1970 Pardi Studio Marconi Milano;1971 20 Artistas Italianos Museo de Arte Moderna Città del Messico;2011 Gli irripetibili Anni '60. Un dialogo tra Roma e Milano a cura di Luca Massimo Barbero Museo Fondazione Roma Palazzo Cipolla Romabibliografia: 20 Artistas Italianos Museo de Arte Moderna Città del Messico;Gli irripetibili Anni '60. Un dialogo tra Roma e Milano a cura di Luca Massimo Barbero Museo Fondazione Roma Palazzo Cipolla Skira 2011 pag.135;Gianfranco Pardi 1960-1990 a cura di G.M. Accame Fabbri Editori pag.14;Da Bacon ai Beatles. Nuove immagini in Europa negli anni del Rock Skira pp. 92-93;Gianfranco Pardi. Opere dal 1967-1969 testo di Emilio Battisti Fondazione Marconi
Los 2
Ca.1600 AD. A nice Late Tudor Period solid silver radiate type cross; open-work design; suspension loop; enamel remaining; Good condition, wearable; 80x55mm 3.15x 2.17in; 13gr; Provenance: Important London collection of Ancient art; formed in the 1970s then passed by descent. All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity.
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396323 Los(e)/Seite