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396325 Los(e)/Seite
Enamel, Crystal and 'Cat's Eye' Panda Pendant or Brooch, a black and white enamelled, seated panda, set with white and black crystals, with a white faux cat's eye gem to the stomach; the panda is 'eating' a gilt bamboo shoot with green enamelled leaves; the back is fitted with both a brooch pin and a pendant loop
A small Vienna type regulator wall clock: the eight-day duration, weight-driven movement with maintaining power, a dead-beat escapement and wood rod pendulum with large brass bob, the round white enamel dial having black Roman numerals, decorative blued steel hands and a cast brass bezel, the walnut case having a stepped pediment top, integral pillars to the corners, a shaped glazed trunk door and inverted bell-top shaped base, height 87.5cm.
Giuliano. A late 19th century enamelled gold and moonstone circular brooch: the central circular moonstone approximately 6mm diameter within a pierced 'rosette' shaped surround decorated with blue, black and white dot enamel, stamped under the hinge 'C&AG' for Carlo and Arthur Giuliano, circa 1890, 27mm diameter.
Albert Baillon à Paris, a French quarter-repeating bracket clock: the eight-day duration timepiece movement with pull-quarter repeat on two bells set within the top (hammers missing), the backplate engraved with the maker's name in script Albert Baillon à Paris, with vase-shaped movement pillars, the associated cast-brass dial with raised decoration and having blue Roman numerals to individual enamel plaques, with decorative blued steel hands, the associated shaped case painted to imitate malachite, with applied ormolu mounts to the sides and front and feet, and surmounted by an ormolu figure of a young boy, height 67cm.* Biography Albert-Vincent Baillon, son of Jean-Baptiste Baillon of Rouen and brother to both d'Etienne and Jean-Baptiste-Denis, and probably father and master to the well-known Jean-Baptiste-Albert Baillon, who is described as 'watchmaker and first valet de chambre of the dauphine Marie-Antoinette'. Albert-Vincent is believed to have worked 'a la Belle Image', Place Dauphin, Paris in circa 1700, Master in 1709 and had moved to Rue de la Comedie Francaise by 1748. A similar copy of the signature as seen on the backplate of this clock is illustrated in Tardy, page 21. * Notes See Tardy, Dictionnaire des Horlogers Francais, Pub 1971.
Of Royal interest. A Victorian enamelled gold and rose diamond bracelet: with a central rose diamond-set crown motif on a blue enamel panel, supported by four red and green enamelled birds and between green enamelled laurel wreaths on a flexible bracelet with blue enamelled and diamond-set clasp, (some damage to enamel) contained in a fitted case stamped 'Q. St. L. A.' for Queens Royal St Leonard's Archers, also 'Her Majesty's Prize 1847'.
Parkinson and Frodsham, a mahogany musical bracket clock: the eight-day duration, five-pillar, double-fusee movement having border engraving to the backplate and signed Parkinson & Frodsham, Change Alley, London, striking the hours on a bell and setting off the musical box within the base at each hour, also operating at will via levers to the side of the case, the round white enamel dial having black Roman numerals and blued steel moon hands, the Romano-Egyptian style mahogany case to the design of Thomas Hope, with tapering fascia flanked by fluted tapering columns, the gadrooned pediment surmounted by a carved wood pineapple finial, and with anthemion decorated corner finials, with ebonised stringing inset to the top beaded moulding, standing on a rectangular base housing the musical movement, with scrolls to either end, a broken-pediment base and standing on gadrooned feet, height 51cm. * Biography Parkinson & Frodsham are recorded working at Change Alley, London from at least 1828 until 1842, having been 'established 1801', and thereafter at Budge Row, London until the cessation of the business in 1947.
Tomlin, Royal Exchange, London, a mahogany bracket clock with matching bracket: the eight-day duration, double-fusee five-pillar movement with anchor escapement, striking the hours on a bell, with pull repeat and a strike/silent lever operated through the side of the case, the backplate engraved with oriental style floral and scroll engraving, the eight-inch round white enamel dial having black Roman numerals, five-minute outer numerals and signed Tomlin, Royal Exchange, London, and with decorative blued steel hands, the mahogany case having a full opening front door with inset brass bezel and brass edging, the bell-top having a cast-brass finial to the top block, four further matching finials to the four top corners, and brass moulding, with brass carrying handles to each side above glazed panels and standing on four brass bracket feet, complete with a matching mahogany and brass wall bracket with lockable key tray, height 53cm (76cm including bracket)* Biography Edward Tomlin is recorded working at the Royal Exchange having been admitted to the Clockmakers Company in 1768 until 1798. A bracket clock signed by him is illustrated in Cescinsky & Webster English Domestic Clocks Fig. 359 page 315, published 1914 by George Routledge & Sons. Examples of both clocks and watches by Tomlin are displayed in the Science Museum, London and Peiping Museum.
Hugh Connell. A gentleman's 18ct gold keyless lever half-hunter pocket watch: the signed circular white enamel dial, 43mm diameter with Roman numerals and subsidiary seconds dial, the backplate inscribed 'Hugh Connell Oxford Corner Glasgow, No 41901', in a plain 18ct gold case with dark blue enamel chapter ring and attached fob chain with wirework decorated spherical pendant, 154gms gross weight.
A pair of Imperial Russian-style enamel, diamond and gem-set cuff-links: each with a rounded lozenge-shaped panel decorated with lilac enamel and with applied Imperial Russian double headed eagle motif, attached by chain to reeded bars, each with two moonstone terminal motifs, each panel and bar stamped 'A*H' and '56AP'.
A plique-a-jour enamel, diamond and gem-set dragonfly brooch: the head with cabochon ruby eyes, single peridot thorax and sapphire-set body, the outstretched plique-a- jour enamelled wings highlighted with brilliant-cut diamonds, stamped '14', 63mm wingspan and a similar smaller dragonfly brooch, 31mm wingspan.
Asprey, London a gold, diamond and enamel strut clock: the octagonal glass case having applied gold, diamond and green enamel decoration depicting branches with leaves, the engine-turned round green enamel dial with applied gilt Arabic numerals and signed Asprey, the baton hands with inset diamonds and with a matching diamond-set round bezel, the rear of the case having engine-turned decoration and hallmarked for London 18ct gold, with a stylised angled strut, height 11 cm.
Japy Frères à Paris for Victor Reclus, a gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the roulant blanc maker, Japy Frères, Paris along with that of the clockmaker Victor Reclus, and the serial number 42808, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the decorative shaped gilt-metal case with scroll and floral mounts having pink porcelain panels painted with a decorative floral and musical scene set to the front with two further panels either side below with a matching urn to the top, standing on a shaped gilt-wood base, height 28cm (clock) 32cm (including base).* Biography Japy Freres was founded by Frederic Japy of Beaucount, born 1749, who first made movements for the clock industry at his factory in 1777, becoming the largest and most commercially important clockmaking concern in France. The business continued after his death.Pierre Victor Reclus was both a clockmaker and retailer working in Paris. His daughter Henriette married Louis-Albert Holingue, of Saint-Nicolas-d'Aliermont, in 1875, Holingue being the son of the carriage clock maker Louis Holingue who, along with his brother Jean-Baptiste, supplied Drocourt, Garnier and Bourdin amongst others.
A modern skeleton clock with grasshopper escapement: the eight-day duration, single fusee movement driving a double-compound pendulum with a grasshopper escapement, the subsidiary seconds dial showing one of three seconds hands at each 'forty second' interval, the round white enamel chapter ring having black Roman numerals and blued steel spade hands, with brass scroll-framed plates, standing on an ebonised base within a brass bound glazed case, height 44cm (including base and dome).
A pair of Royal Dux Bohemia (Edward Eichler) porcelain figures: each modelled standing bare footed and wearing loose smocks and head scarfs, carrying baskets on their heads, under shot enamel colours on rustic circular bases, embossed pink triangle, he impressed 1183 and she 1184, 79 and 78 cm high.
Le Roy & Fils, Paris, a mirrored lyre-shaped mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and Brocot pendulum regulation and having a heavy cast-brass pendulum bob, the backplate stamped Le Roy & Fils, Paris, No. 4896, along with the stamp of the blanc roulant maker Vincenti et Cie, the round white enamel dial having blue Roman hour numerals, Arabic outer five-minute numerals and signed to the centre Le Roy & Fils, Palais Royale a Paris, Gie Montensier 13-15. Medaille a L'Expose Londres 1851, the gilt-wood case of lyre form with inset mirrored panels some having applied gilt deoration, height 42cm.* Biography Le Roy et Fils were established by Basile Charles Le Roy in 1785 and were well known and fine makers of clocks. Basile Charles Le Roy was the Master Clockmaker to Napolean & along with his son Charles-Louis were clockmaker's to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well as the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d'Orleans opened the Palais Royal gardens for both the trade and public's use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street.* Notes For details of Vincenti see lot no. 824
A good early 18th Century gilt brass cased verge pocket watch by Thomas Parker of Dublin, No. 250, the white enamel dial with Roman numerals, gold hands and through the dial winding, the verge movement with finely pierced and engraved watch cock, conforming brackets and with shaped and pierced pillars, in gilt metal inner case, 54mm diameter Note: Thomas Parker recorded working Dublin circa 1710-1752 and subsequently circa 1750 (possibly father and son)
A 20th Century French carriage clock by L'Epee, the white enamel dial with Roman numerals, to the eight day two train movement with alarum striking and repeating on a gong (escapement replaced), contained in polished brass and bevelled glass Corniche pattern case, 5.75ins high, and brass winding key
A late Georgian gold coloured metal seed pearl and enamel set mourning ring, the oblong face set to centre with a woven panel of hair within a seed pearl and black enamel border (gross weight 2.9 grammes - ring size O 1/2), and a late Georgian gold coloured metal green garnet and diamond set marquise pattern ring (gross weight 1.7 grammes - ring size P 1/2)
A late 19th/early 20th Century French gilt brass champleve enamel and green onyx "Four Glass" mantel clock, No. 6017 48", the 3.5ins diameter gilt dial with Arabic numerals in circular recesses, to the eight day two train movement with mercury compensated pendulum and striking on a gong, contained in gilt brass champleve enamel and green onyx mounted rectangular case, surmounted by oval two-handled urn, with stepped and moulded cresting and with gilt brass leaf capped finials, borders, turned columns and moulded base with champleve enamel decoration of bold leaf scroll ornament, with green onyx platform base with champleve enamel turned feet, 16ins high (champleve enamel rubbed and marked in places - Arabic numerals rubbed and green onyx panel to crest cracked and repaired)
A late 19th/early 20th Century French carriage clock, possibly by Jules Brunelot of Paris, the 2ins diameter white enamel dial with Roman and Arabic numerals, within gilt engine turned slip, to the eight day two train movement striking and repeating on a gong, contained in lacquered brass and bevelled glass rectangular case with bowed sides and moulded top and footrim, 6.25ins high, and brass key for same
A late Victorian copper tea kettle by Benham & Sons, 19 Wigmore St, London, with depressed form body, two-handled and with sprit lamp, 15ins high, and a Smiths brass bulkhead cased timepiece, 7.25ins diameter, the white enamel dial with Roman numerals, inscribed "Smith Empire", to the eight day single train movement, contained in brass bulkhead case, inset with bevelled glass
A late George III gentleman's 18ct gold full hunting cased pocket watch by Recordon, Late Emery, London, No. 7717, the white enamel dial with Arabic numerals and through the dial winding, the movement with engraved backplate, in plain 18ct gold case, case incompletely hallmarked (thought to be London 1810), 52mm diameter, the interior of the lid inscribed - "The Honourable Colonel Thos. Cranley Onslow, died 7th July 1861 Agd. 83", and the rear of the case engraved with three family crests (gross weight 99 grammes - case a little worn and dented and with later inscription - "From Effie To Williams") Note: Louis Recordon recorded working in Soho, London 1778-1824, succeeded Emery in Cockspur Street, Partner with Dupont Provenance: Thomas Cranley Onslow, born 7th October 1778 and died 7th July 1861 - British Politician - Second son of Thomas Onslow, Second Earl of Onslow who married Susannah Elizabeth Hillier on 28th May 1813 and served as Lieutenant Colonel in The Scots Fusilier Guards and was MP for Guilford 1806-1818
A late Victorian gold coloured metal enamel, turquoise and seed pearl set oval pattern brooch, central red guilloche enamel panel with applied garland of turquoise and seed pearl within white enamel borders to rope twist edge, with glazed panel to reverse, 52mm x 45mm overall, later adapted to a pendant and with 9ct gold chain for same (gross weight 30.3 grammes)
A late 19th Century French "Four Glass" mantel clock by L. Marti & Cie, No. 8068, the 3.5ins diameter white enamel chapter ring with Roman numerals and with central visible escapement, to the eight day two train movement striking on a bell, with mercury compensated pendulum, contained in gilt brass and bevelled glass rectangular case, 10.5ins high
A George III gentleman's silver pair cased verge pocket watch by James Shilling of Milton, No. 2417, the white enamel dial with Arabic numerals and with oval vignette depicting an idyllic scene with shepherd and sheep, the verge movement with finely pierced and engraved watch cock and turned pillars, in plain silver pair case, 58mm diameter, case hallmarked London 1813 Note: James Shilling recorded working Milton (near Sittingbourne, Kent), 1823-1828
A Victorian gold coloured metal mounted diamond and blue enamel navette pattern mourning brooch, the central blue enamel panel with rose diamond set in initials 'C.J.' within border of twenty two old cut diamonds, each approximately .07ct, glazed panel to reverse, 30mm x 20mm overall (gross weight 7 grammes)
A pair of George III blue and white enamel and gilt brass mounted pillar candlesticks with sexfoil sconces, knopped stems and moulded sexfoil bases, the whole decorated in blue with floral sprays and sprigs, 9.5ins high (possibly South Staffordshire or London, circa 1780 - somewhat restored)
A late Victorian 18ct gold boss pattern mourning brooch, the central reeded raised panel within rope twist and bead pattern border, with glazed panel to the reverse, 40mm overall (gross weight 13 grammes) and a Victorian gold coloured metal and enamel brooch set to centre with enamel panel with Alpine scene within rope twist borders, 42mm x 33mm overall (gross weight 10 grammes)
A set of four Elizabeth II silver and enamel table candlesticks (matched with mythical table centre), modelled in the form of "The Four Seasons", by Paul Harrison, London 1978 and 1979, each in the form of a circular table candlestick with textured tapering base and each decorated in a different manner to represent the seasons, 6.5ins to 7.25ins high (one lacking centre sconce - weight 67ozs)
A late 19th Century French gilt metal cased mantel clock, the 3.25ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in gilt metal drum pattern case flanked by seated figure of a classical muse and a bold leaf and scroll pattern base, 11.75ins high
An early 20th Century French red tortoiseshell Boulle and ebonised cased mantel clock of "Louis XV" design, the 3.75ins diameter gilt metal dial with raised enamel numeral cartouches, to the eight day two train movement striking on a gong, contained in case of shaped outline with red tortoiseshell and Boulle decoration to front and with gilt brass leaf scroll mounts, 11.75ins high (Boulle lifting to front)
A collection of silver jewellery to include a Danish sterling silver enamel tortoise ring, signed Meka, a pewter Jorgen Jensen of Denmark panelled bracelet with engraved zodiac signs, a Continental silver sunburst brooch, marked 835, a Kalevala Koru Finnish bronzed metal Viking style pierced open brooch, marked KK, a pair of wire openwork drop earrings with fringe and similar pendant, and a Solje fringe circular brooch

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396325 Los(e)/Seite