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396323 Los(e)/Seite
Los 443
1963 FA Cup Final Black & White Photograph of the Kick Off and Hallmarked Silver Medal Presented to the Referee Ken Aston : Played at Wembley Manchester United v Leicester City. Medal presented by The Referee`s Association having enamel design to front together with Framed and Glazed Photograph 44 x38cm (2)
Los 19
A pair of late 19th century Russian silver gilt and cloisonné enamel salts, Moscow 1893?, of bulbous form with wirework borders, decorated with foliage within turquoise bead borders, in red, white, green and two shades of blue, against a matted background, with gilt interiors, 5cm diameter, and a pair of salt spoons en suite, in fitted case (4)
Los 108
A 19th century Continental multi colour gold and enamel snuff box, apparently unmarked, the cover with a central classical mask with drapery, swag and laurels on an engine turned geometric reeded background with formal leaf work border with white, blue and black enamel, the bordered base engine turned with a circular motif, the corners with similar enamelling, the interior with a later plate engraved ‘Peter from B.J-J and A. 10.3.32’, 9cm long by 6cm wide by 1.5 cm high. This box appears to have been a wedding gift to Peter Llewelyn Davies upon his marriage to the Hon. Margaret Leslie Hore-Ruthven on 10th March 1932. The Hon. Margaret Leslie ‘Peggy’ Hore-Ruthven was daughter of Walter Patrick Hore-Ruthven and was well known with her sister Alison, as ‘P and A’, The Ruthven Twins. Peter Llewelyn Davies was born in 1897 to Sylvia (née du Maurier) and Arthur Llewelyn Davies. During his childhood he and his brothers were befriended by J M Barrie and are widely accepted to be the basis of the characters in Barrie’s stories, the most famous being ‘Peter Pan’ which was premiered in 1904. In 1907 their father Arthur died and J M Barrie pledged to look after the boys and their mother. In quick succession the brothers also lost their mother and therefore in 1910 J M Barrie formally adopted them. After being educated at Eton Peter entered the army, winning the MC. In 1926 he set up his own publishing house. He became a respected figure in the publishing world but there continued to be the association with J M Barrie’s stories that couldn’t be shaken. He committed suicide in 1960 and there has been much speculation as to what degree the legacy of Peter Pan haunted him. Provenance: Acquired by the vendor’s family from Ruthven ‘Rivvy’ Barrie Llewelyn Davies. For a related item please see Lot 7
Los 150
A Spanish gold and polychrome enamel pectoral crucifix, possibly 1600-1620, the circular section gold cross with rows of champlevé enamel chevrons in white and royal blue to ornate terminals, enamelled in red and lilac with green and white enamelled fleur de lys at the junction points. The enamelled figure of Christ suspended from the centre with applied plaque ‘ISEVS NAZARENVS REX IVDAEORVM’ above, and enamelled skull and crossbones below. Three pearl drops deficient, suspended on an unrelated chain
Los 152
A diamond and enamel circular brooch, c.1830, a central cluster of old European, Swiss cut and eight cut diamonds, to cut down collets, to a royal blue guilloché enamel ground. A white enamel champlevé band of Maltese crosses, to a border of rose cut diamonds in cut down collets. Replacement brooch fittings
Los 167
An Imperial Russian cross of the Order of St. Anne, according to the regulations made by Julius (Ivan) Keibet between 1862, when he succeeded his father, Wilhelm, and 1882, when his son, Albert, followed him. The size of the cross indicates that it is Third Class. The court purveyor’s mark beneath the translucent red guilloché enamel on the upper cross arm-St. Petersburg city mark on the eyelet. Other marks unidentified. Tested as approximately 18ct gold
Los 171
A pair of gilt metal Victorian enamel pendant drop earrings, c.1860, a circular top to hook fittings, with a blue enamelled forget-me-not at the centre. An articulated pear shaped drop, with a triangular black champlevé enamel panel and blue and white champlevé enamel applied ribbon, to a hand engraved border
Los 175
A Victorian gold locket with pendant drop, c.1870, an oval landscape shield form brooch with a raised central boss, with a split pearl cross to a blue enamel border. Twisted wire form and Etruscan style radiating wires, to a detachable matching marquise shaped pendant drop. Glazed locket verso. Tested as approximately 9ct gold. Pendant bale deficient
Los 192
An 18ct gold open faced pocket watch, a white enamel dial with subsidiary seconds dial and Roman numerals inscribed for ‘Barraud & Lunds, London 3/3676’, with false winding button, engraved initials and small dent to back cover, metal is thin in areas, enamel dial has cracks, complete with leather bound and plush lined travel case
Los 198
An 18ct gold key wound open faced pocket watch by J W Benson, a white enamel dial with black Roman numerals and blued spade hands. Subsidiary dial and flat bevelled glass. Case 54mm diameter with hand engraved decoration to the bezel, case and case back, London, 1888. Case no. 1024, movement no. 29125. Original case, very tatty. Original invoice dated 03/03/1889, an invoice for the same date to hand engrave the monogram to the back case, and a service receipt dated 1892
Los 199
A 9ct gold Waltham USA open faced pocket watch with 9ct Albert and fob, the open faced pocket watch 49mm diameter, with white enamel dial, blued spade hands, black Roman numerals and subsidiary seconds dial. Plain case with gold cuvette. Case no. 440439, Birmingham, 1928. Movement signed ‘Waltham USA Seven Jewels No. 26565484’. Suspended on a 9ct gold knot link Albert chain with a 9ct gold medallion fob
Los 201
An 18ct gold Waltham USA hunter pocket watch, Birmingham 1925, plain polished case, 49mm diameter, with a white enamel dial, black Roman numerals, subsidiary seconds and blued spade hands. Case no. 32 (polished out) 022, movement no. 22781027. Suspended on a 9ct gold curb link Albert chain, with a guinea dated 1785 in a scroll top mount and a 9ct gold centurion head hardstone seal fob
Los 209
A cased pair of Edwardian gold and enamel cufflinks, each circular plate with a split pearl to the centre, cornflower blue guilloché enamel to an engine turned circular waves ground, with a white champlevé enamel border. Marked 18, in a case by Wilkinson, 3 St. Michael’s Alley, Cornhill, together with a gentleman’s gold tie pin, engraved verso, in a case by Spink & Sons (3)
Los 253
A cased Edwardian witch’s heart pendant, c.1910, a circular mixed cut synthetic ruby, milligrain set to a mother-of-pearl ground, with a white and black dot and dash enamel bezel and bale. An outer knife edge frame milligrain set with split pearls. Tested as approximately 15ct gold. Fitted case by Searle & Co., 78-79 Lombard St., London
Los 272
A Jugendstil or Secessionist Arts & Crafts pendant, c.1910, later converted to a brooch, a circular lapis lazuli cabochon, milligrain set to the centre of a penannular shape, polychrome enamelled in opaque matt enamel in white, green, turquoise and sky blue. A small lapis lazuli cabochon above, to a matching penannular shape enclosing a palmette, peg set with graduated freshwater pearls and crested section above. Similar shapes to each side, both enclosing a blister pearl, to an articulated graduated enamel swag, with graduated freshwater pearl fringe, damage. Tunisian silver 800 standard mark 1905-1942
Los 276
A cased continental pearl and diamond set Cupid brooch, c.1915, an hexagonal plaque brooch with a relief gold figure of Cupid sitting in an oak tree, to a matt cream enamel ground. Matt black enamel and milligrain rose cut diamond border, to triangular ends, enclosing a rose cut diamond scroll, with a peg set pearl. Fitted case by Gregory & Sazehan, Joalheiros, Rio de Janeiro
Los 356
A two row graduated cultured pearl necklace with an enamel, diamond and pearl set clasp centrepiece, the heart shaped clasp converted from an early Victorian brooch, with a pear shaped black stone, claw set to a white enamel ground with gold dots. A border of peg set pearls, untested, to a diamond set fleur-de-lys above the concealed box clasp centrepiece, to the two row graduated cultured pearl necklace, 3-7mm in size
Los 130
A French gilt brass mounted walnut miniature longcase clock, Maple and Co. Paris, circa 1900, the eight-day bell striking movement stamped MAPLE & Co. PARIS within rectangular cartouche to backplate, the circular cream enamel dial painted to simulate a thirteen piece Roman numeral dial with Arabic five minutes to outer track and with glazed convex bezel, the case with foliate scroll crest and conforming side mounts terminating with stylised dolphins to hood section above glazed waisted trunk with further mounts to angles, on panel fronted plinth base with scroll cast feet, 49cm (19.25ins) high; with non original a gilt metal mounted oak wall bracket of ogee outline with cast mounts to angles and base, 19cm (7.5ins) high, the clock and wall bracket 58cm (22.75ins) high overall.
Los 132
A French Louis XV style small gilt metal mounted tortoishell mantel clock, S. Marti & Company, Paris, late 19th century, the eight-day gong striking movement with S. Marti et Cie, MEDAILLE D`ARGENT 1889 roundel to backplate, the circular white enamel Roman numeral dial painted to resemble a thirteen piece dial within a bevel-glazed cast bezel, the waisted red stained shell veneered case with pierced scroll cast surmount to the ogee shaped upstand above conforming foliate cast mounts to angles, on outswept scroll feet with decorative apron between, 35.5cm (14ins) high.
Los 135
A French Louis XV style small gilt metal mounted boulle mantel clock, Thomas Pearce and Son, Paris, late 19th century, the eight-day bell striking movement with blue on white enamel Roman numeral dial signed THO.S PEARCE & SON, PARIS within circular glazed bezel, the waisted foliate brass and red stained shell marquetry veneered case with foliate bud finial surmount to the ogee shaped upstand above conforming foliate cast mounts to front angles and shaped glazed panel beneath dial, on outswept scroll feet with decorative apron between, 30cm (12ins) high.
Los 137
A French patinated and gilt spelter mounted green marble mantel clock garniture, unsigned, circa 1900, the eight-day bell striking movement with circular white enamel Arabic numeral dial within glazed bezel with decorative foliate scroll cast surround, the case with surmount cast in the Art Nouveau manner as a semi clad standing female above plinth base with gilt ring handles to the outswept side sections, on plinth base with shaped apron flanked by gilt scroll supports, 60cm (23.5ins) high; with a pair of five light candelabra ensuite, each with four scroll branches over baluster upright, 61cm (24ins) high, (3).
Los 141
A French Louis XV style small gilt metal mounted boulle mantel clock, Samuel Marti, Paris, late 19th century, the eight-day gong striking movement with Samuel Marti, MEDAILLE D`OR, PARIS 1900 roundel to backplate and circular simulated thirteen piece white Roman numeral enamel dial within circular bevel-glazed bezel, the waisted foliate brass and red stained shell marquetry veneered case with pierced scroll cast surmount to the ogee shaped upstand above conforming foliate cast mounts to angles, on outswept scroll feet with decorative apron between, 36cm (14ins) high.
Los 143
A French ormolu mantel clock, unsigned, circa 1870, the eight-day bell striking movement stamped J.B.D. within an oval cartouche to backplate, the circular white enamel Roman numeral dial with Breguet pattern moon hands within bead cast bezel, the case of waisted form with elaborate rococo scroll cast and chased dial surround above splayed foliate supports, mounted on integral base cast with conforming scrolls and incorporating scallop shell decorated feet, 32cm (12.5ins) high; with original giltwood base, 37cm (14.5ins) high overall.
Los 145
A French Charles X gilt metal mounted mahogany portico mantel clock, early 19th century, the eight-day countwheel bell striking movement with knife-edge suspension for the `gridiron` pendulum, the dial with engine-turned gilt centre within narrow white enamel Roman numeral chapter ring and fruiting vine and ropetwist decorated milled bezel, the case with ogee cornice to the plain entablature above four columns with engine turned gilt caps and bases and with movement supported in a drum between, on conforming plinth base with disc feet, 49cm (19.25ins) high.
Los 146
A French lacquered brass carriage clock, unsigned, circa 1900, the eight-day gong striking movement with silvered platform lever escapement and rectagular white enamel Roman numeral dial, in `Corinthian pillars` type case with hinged carrying handle and on squab feet, 14cm (5.5ins) high excluding handle.
Los 147
A French gilt brass petit sonnerie carriage clock with push-buton repeat, unsigned, circa 1900, the two train movement ting-tang striking the quarters on two gongs and striking the hour on the larger of the two, with silvered platform lever escapement and Silent/Quarters selection lever to underside, with rectangular white enamel Roman numeral dial and in gilt `corniche` type case with hinged carrying handle, 12.5cm (5ins) high excluding handle.
Los 148
A French lacquered brass carriage clock with push-button repeat and alarm, unsigned, circa 1900, the two train gong striking movement with original silvered platform lever escapement and white enamel Roman numeral dial with Breguet pattern blued steel hands and subsidiary alarm setting dial to lower margin, the bevel glazed `corniche` type case with hinged carrying handle,14.5cm (5.75ins) high excluding handle; with original leather covered outer travelling case.
Los 149
A French lacquered brass carriage clock with push-button repeat, unsigned, late 19th century, the eight-day gong striking movement with silvered platform lever escapement and stamped 4219 to backplate, with white enamel Roman numeral dial and in bevel glazed `corniche` type case with hinged carrying handle, 14cm (5.5ins) high excluding handle.
Los 151
A Continental Dutch striking giltwood `sunburst` wall clock, unsigned, probably Swiss, circa 1800, the eight-day two train four pillar movement with verge escapement and strikework mounted on the backplate for sounding the hours on two different bells at both the hour and half hour, the 9.5 inch convex white enamel Roman numeral dial with pierced brass hands and turned gilt surround, the case of elaborate sunburst form fitted with box to rear with side doors and pendulum access flap to the curved base.
Los 153
A French tole peinte mural wall clock, Horiot, Paris, circa 1830, the eight-day countwheel bell striking movement with circular white Roman numeral enamel dial signed Horiot A Paris to centre within glazed engine turned gilt bezel, the simulated rosewood painted metal octagonal case with stylised gilt foliate scroll decoration to the stepped fascia with concave sided facets to upper tier, the top with ball finial pierced with a ring for wall hanging, 46cm (18ins) high.
Los 1696
Victorian clock garniture comprising a large mantel clock with eight day French movement, outside countwheel, striking on a bell, signed - L M, black enamel dial with gold numerals, in a black slate and marble case with scroll supports and inset gold floral decoration, together with a pair of black slate and marble tazza clock, 54.8cm wide (3)
Los 1699
Nineteenth century French mantel clock with eight day movement, outside countwheel striking on a bell, signed - Ducasse à Paris, white enamel dial with blue numerals and gold hands, in a classically decorated ormolu case surmounted with the figure of a seated angel with globe and telescope, 40cm overall height
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396323 Los(e)/Seite